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Rutger Zuydervelt aka Machinefabriek is a master of self-made sound and time-stretching, sensitively handling organic recordings and samples on countless releases, and regards preset sounds in an organ or a cheap keyboard as a tonal find, as a part of the cacophony of everyday life. These bontempi-rhythms plus the computer-stretched sounds of saxophone (Espen Reinertsen) and voice (Mariska Baars) are the base elements of "Vergezicht 1" and "Vergezicht 2." It is stunning how Zuydervelt man…
Latest entry in Touch's bitesize Touch Sevens series, with typically lush cover design and photography by Jon Wozencroft. This one comes from NZ native Paul Douglas aka Rosy Parlane, and was recorded in Auckland back in 2008-9. 'Willow' is a blast, its radiant widescreen drones and shimmering surfaces - which corrode and curdle over the duration - calling to mind the work of labelmate BJ Nilsen. 'Morning' is more reserved, elegiac even; rotary organ tones and delicate processing conspire …
Berlin based italian musician Claudio Rocchetti is on his first massive work, a long concept on vojages, sailor and explorers. Musically this is reflected on four cassettes wich, althought different from each other, are strongly connected. The Furthest Shore develop between live improvvisations, acoustic pieces, slices of field recordings and an obscure submarine collaboration with percussionist Klaus Janek. All has flavour of adventure, between the scare for a stormy night in the seas and…
Lovely early MB archival material recorded and issued as private editions between May and August 1980. Limited numbered edition of 211 copies in professional box, with a 12 pages booklet with reproductions of original tapes covers, a note and new collages by M.B. Destroyed time capsules. Ancient loops of faded music become an hypnotic wall of infectious sounds. If you are willling enough you could get lost in this world made of cold and dreamy distant memories.
Off/On is an evolutionary act of fissure, the opening of a rift in Forma's sonic landscape. The second LP from the Brooklyn cosmic synth trio of Mark Dwinell, Sophie Lam, and George Bennett, Off/On's universe is darker, its terrain more enigmatic and aggressive than 2011's critically-acclaimed self-titled album. Recorded at the renowned Schoolhouse space in Bushwick, Off/On combines swirling arpeggios, gnarled sequences, and deconstructed motorik rhythms to conjure an atmosphere of entropic …
'The Icy Echoer constitutes a premiere in many respects, for both, the label and the artists. After countless collaborations with the likes of Leif Elggren, CM von Hausswolff, Bryan Lewis Saunders and others (mostly released on CD), this 7' marks the first time that Esposito's works are published on vinyl, while the same applies to the Fragment Factory. Likewise, believe it or not, it's the very first appearance of Drumm on a 7' platter. Michael Esposito is an experimental artist and long…
BRAND NEW! “What can we hear now? A sound, as though grains of sand trickle down onto a fine membrane….” This sound, as though grains of finest sand trickle onto a membrane–the last thing that the narrator in Stanislaw Lem’s “Solaris” hears when he starts out on his journey to a world that is falling apart–is the most fitting way to describe the characteristics of Luigi Archetti’s music NULL.Stylistically, the compositions can be placed within the field of planar tonal design, and with this, als…
Finally arrived! A lavishly deluxe packaged compilation that holds the earliest recordings of Dansih electronic music. The cd contains works by Danish electronic pioneers Else Marie Pade, Jørgen Plaetner, Bent Lorentzen, Gunner Møller Pedersen, Fuzzy, Svend Nielsen and Svend Christiansen. The booklet contains interviews with all the composers except from Plaetner who died in 2002, and a general introduction to the environment surrounding the Danish electronic musicians in the late 1950 - early 6…
New tour disc of solo material from Tom Carter (made for May's Charalambides UK/EU tour). The first track, 'Train Kept', was previously issued on the long out of print split LP with Barn Owl. This is the first time it has been released on CD. The second track, 'Hurricane Isis' is a new track recorded by Marcia Bassett in Tilburg, Netherlands in March 2008. 'Train Kept' was recorded the month before 'Hurricane Isis'. Both tracks are absolute raging guitar pieces, similar to Carter's 'Shots …
Endless Summer, originally released in 2001 by Mego, was a breakthrough album for Christian Fennesz. The album which brought his name and music towards the first steps of mainstream recognition. Following on from the more experimental Hotel Paral.lell and the Beach Boys homaged Plays single Endless Summer brought the guitars more to the front, the electronics shimmered more, and the melodies shined more brightly. It went on to be a classic of its time, topping many end of year polls.This new de…
the follow-up to eyes like saucers' _still living in the desert..._ and the aan/e.l.s. collaboration, _kristallivirta_. oddly evocative of early folkways and nonesuch "field recordings,"_parmalee..._ explores the potentialities of autistic, automatic-composition through the employment of relatively primitive acoustic instrumentation and primitive electronics (homemade oscillators, fuzz, and casiotone). the resulting product is a unique foray into structurally defiant, yet intrinsically organic e…
Rhythm Kingz made its first appearance in 1982 playing a couple of gigs in student parties. After hibernation of about 25 years the name was dug out again for naming a line-up which concentrates on blues-based improvization. All the songs on this CD are recorded in impro sessions in 2008: The principle has been that nothing is agreed about songs in advance but the songs have evolved from a tiny idea or a riff played by somebody, and all the other players have followed. Also the lyrics have beed …
FLEXI DISC // CLEAR // 33RPM // SQUARED // 1 SIDE // 1 SONG handmade clear screen-printed cover on holographic paper, killer modular synth experiments by Brooklyn's "Venezuelan in-exile" and No Fun label boss Carlos Giffoni
Just Arrived: Philip Jeck makes geniunely moving and transfixing music, where we hear the art not the gimmick. Philip Jeck writes: A version of An ark for the listener was first performed at Kings Place London on 24/02/2010. It is a meditation on verse 33 of The Wreck of the Deutchsland, Gerard Manley Hopkins poem about the drowning on December 7th 1875 of five Franciscan nuns exiled from Germany. This CD version was recorded at home in Liverpool and used extracts from live performances ov…
A compilation of rare studio and live tracks from the band, circa 1978-1980, not on RVNG Intl.'s Music Is Painting In The Air... collection. On 180 gram vinyl with CD of the album. "Formed by Florentine guitarist Franco Falsini (formerly of Noi Tre) and American drummer Keith Edwards, Sensations' Fix was one of the most exciting acts to come out of the Italian music scene of the 1970s. Beginning in 1974, from their outpost in the Florentine countryside, Falsini and Edwards (along with bassist Ri…
a rich, layered mesh of droning sound leaning towards the lower end of the scale that hangs together in a somewhat fragile manner. In many ways there can be detected some of the dynamics and stimuli present in modern noise music in what Oceans of Silver and Blood are doing. Indeed Nordwall has a partial background in this area, and both musicians took part in a very noisy conclusion to the Eight Hour Drone People concert I saw at Oto last winter, alongside the likes of Lasse Marhaug, thirty minu…
Fennesz's first solo release since Black Sea (2008) is a 4 track 10 vinyl, with a CD version soon available. Using acoustic and electric guitars, bass, synths, computers, Fennesz continues to engage and entrance us in equal measure.'Liminal', 'July', 'Shift', 'Seven Stars' (with Steven Hess on drums).Fennesz writes: Seven Stars was recorded in Vienna in January 2011. I recorded and mixed the album within 3 weeks. Liminal and July were existing pieces which I have reworked. (I wrote an early ve…
This is the official debut of the Opalio brothers' new project called MUSIC FOR PHANTOMS. It is a totally acoustic and a very ambitious project dedicated to "total quietness", recorded in the mountains and ONLY during the night. This is the most haunted music you can ever imagine, created playing exclusively wooden instruments: a classical guitar, and an acoustic guitar; all instrumental. This music makes you taste the distant echoes coming f…
The piece “Radio-Imitat (Radio Imitation)” by the German artists and musicians collective Insitut fuer Feinmotorik was produced in 2009 for the monthly radio show “Radio Arthur” on Radio LoRa. In addition to its reconstruction of advertising, music and jingles, imaginative room is also made available for talk and discussion. A facsimile of radio is thus painstakingly manufactured, as if by someone who for cared very much less for sense and signification than they did for the weird flow of sound …