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Moondog’s first release after moving to Germany, “Moondog in Europe” is a very heavy listen. While there are some aspects of his quirky style, most of this album is drenched in seriousness. Despite this being his first slightly somber album though, Moondog cleverly inserts various rounds from “Moondog 2.” Like Roger Waters taking portions of melody and hooks from “The Wall” and incorporating them into his “The Pros and Cons of Hitchhiking,” Moondog similarly borrows his own melodies, changing…
“The work of People Like Us rests gingerly between two dangerous positions: on the one hand, the risk of fashioning merely stylish pastiche out of borrowed finery for the sake of self-conscious kitschiness; on the other hand, the risk of making simplistic, heavy handedly "topical" audio-jokes at the expense of one's raw material to a smug effect. If the lounge creeps uncritically snack on their sonic ingredients and coast on being "groovy", the cads of pseudo-critique take cheap shots at straw m…
Composed and produced by Marc Behrens in 2007-2008 in Bergen, Oslo and Frankfurt am Main. Basic material recorded in Gloppen, Bergen, on Utvær island, at Brenndalsbreen glacier and close to Rosskleivvatnet lake, Norway. Sleppet originated from a sound art project in 2007, when six renowned artists (Natasha Barrett, Bjarne Kvinnsland, Steve Roden, Chris Watson, Jana Winderen and Marc Behrens) recorded sounds on a 10-day trip through the Norwegian Westlandet region and used the nature exper…
To say that the last few years of Gareth Dickson’s life have been tumultuous would be an understatement. In 2007 he fell in love with a girl from South America, packed up a few essentials from his life in Scotland, and moved to the Argentinian countryside. It didn’t turn all fairy tale at that point, however. While there he was shot at, attacked by dogs, and was involved in a very close call when the passenger plane he took to a little town in the Andes was forced down after an engine cau…
Kraut-rock at heart, this is a brtual, cosmic melange of sound & rhythm, where Terry Riley-like keyboard motifs entwine w/ intense Battles-esque drumming, clouds of audio detritus, gamelan gongs, rewired synthesizers, & clashing feedback guitars. Oscilating between pools of crystal-clear ambience & miasmic clouds of dense noise, it spans entire decades of musical exploration: the fractured psych dreams of The United States of America, the dense weave of Stockhausen's Hymnen, the intensity of Con…
Field recordings 1995-2007 by Seijiro Murayama : snare drum + objects and Éric La Casa: microphones + field recordings (1995-2007). Drawing by Tomoya Izumi. 'What makes one a musician, a composer? It happens only when one succeeds in giving life to music, a certain presence. I don't hesitate, even though I am not a writer, a painter etc., to say the same thing about them. For this composition, 'Supersedure', I met Eric. It seems to me that we share an artistic, but maybe also a general attitud…
Recorded on March 8th, 2008 at Alte Gerberel, St. Johann in Tirol/Austria at Festival ArtActs 2008. Features on trombone Johannes Bauer, drums Paal Nilssen-Love, analogue synthesizer Thomas Lehn & reeds Ken Vandermark.
Bruce Russell has an MA in Political Studies, and works as an information designer. He has previously worked in the field of archives management, during which time he ran the National Radio sound archive. As a sound artist Russell is known mainly for his involvement in New Zealand's longest-running improvisational 'post-rock' group, the Dead C., although he also works in the field of radiophonic composition, and records as a solo artist and with the trio A Handful of Dust. He performs wit…
With a title like ‘Improvisation Anarchy’, you pretty much have the blessed assurance that the record will be either a right-on, spontaneous surge of electricity, or at least an entertaining disaster. Recorded in 1978-79, this patchwork quilt of straight-arrow punk and meandering synth-assisted psychedelia manages to be both at the same time. It should be noted that this kind of music was not common for 1970s West Japan before the ‘bubble economy’ of the 80’s allowed for more impulsive consumpti…
The first meeting of AMM guitarist Keith Rowe and pianist John Tilbury after Rowe departed in 2004, a delicate and intricate long improvisation, fascinating dialog between two long-acquainted and innovative conversationalists. "Keith Rowe and John Tilbury are both known as prominent members of AMM, the legendary ensemble which has been incredibly influential on the field of improvised music.Originating the tabletop guitar, Keith Rowe was a co-founder of AMM in 1965. He's since been involved in a…
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.'Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Gallery, Brooklyn, in October 2008. The composition consists of recordings of cargo ships on the river Waal in the vicinity of Zaltbommel, a small town in the heart of The Netherlands.For my parents. Thanks to Jan Tiggelman (boatsman) and Michael J. …
FOLK XII" was born as a CD re-edition of Militia's - a band from Perugia, Central Italy - debut release (a four tracks EP entitled "Folk II" released by Contempo in 1985), but also, as the title aptly suggests, as a new reading of that work with the help of modern technology (which produced a partial remixing and remastering by the musicians themselves) and its integration with unreleased tracks that were left aside until today. That 12", althought still immature, was favorably received by the p…
Awesome Solar Ipse label debut recordings! “Season Two” is the second work of the duo Ninni Morgia – Marcello Magliocchi after the acclaimed “Sound Gates” (LP Ultramarine, 2011). The new album consists in 8 tracks of elegant improv-free jazz. It seems like a mix of Hendrix and Sonny Sharrock with the blinded lightness of Keiji Haino, all fused with the personal texture of the drums and the percussions which sound as an extension of human soul’s vibration. Ninni Morgia from Sicily, a foun…
This is a collection of previously-unreleased studio and live material. Originally released in 2002 and deleted for years -- this collection is now made available again in 2012 due to demand. The studio material is as beautiful and sad as "Dirty Old Town," made famous by The Pogues, which is released on CD for the first time here. The oldest song, "Willie Boy," was recorded during the 1991 session for Documentary but didn't make it onto the record. "German Mustard," "Where I Lead Me," "Heav…
Cracked Refraction ties its complex knots with infectious vigor and a predilection for playfulness. Wrack’s melodies are slithering and serpentine, and the music is built of smaller segments assembled in what can seem a slapdash manner, with all sorts of jutting ends and unexpected collisions. What Bruckmann’s done, though, is intentional, placing his players on different planes, with straight lines failing to meet, runs of notes ricocheting at impossible angles, and expected avenues folding in …
The Sons of God: 32 amplified iron plates. Mats Gustafsson: live electronics. Recorded by Olof Madsen on the 5th of March 2006 at Frgfabriken, Stockholm, Sweden. Reception was a sound installation at Frgfabriken (February 18 - March 5, 2006). by the Sons of God and Emanuel Swedenborg and a part of the festival Place and Space, Stockholm New Music. The festival was curated by Magnus Haglund and Magnus Andersson. During the installation period, the following guest-artists were invited for performa…
Originally released in 1981 as an untitled mini album on Zick Zack, "Dub & Die" completes our re-issue programme of the band's earliest works. Recorded at SADW's Cassettencombinat studio in Berlin, the original 8 tracks represent the first release by this German Avantgarde/Industrial group that was once a member of the "Geniale Dilettanten" movement. Again, comparison with early Einstürzende Neubauten is permitted, altho…
Krampus used to be busy with St. Nicholas during December. But soon after St. Nicholas began to wear shiny red and white costume, he was no longer needed.He took long time to figure out why it happened, why he was abandoned. On the other hand, he could spend more time playing with old fellows in the mountains, and noticed what is most pleasant in his life.This album is released on 5th December - the day of Krampus. This edition is limited to 123 copies, wrapped in fur pocket (brunet or blond) an…