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On P.A./Hard Love, New York-based composer and conceptual sound artist Marina Rosenfeld generates an esoteric universe of radical sonic collisions. Developed initially in 2009, the album draws its roots following a series of idiosyncratic quasi-sculptural sound-system installations Rosenfeld installed in various disused and monumental sites including New York's Park Avenue Armory and Liverpool's Renshaw Hall car park. The music she composed for these installations was heterogeneous, reposit…
Mutant Ape is the insane noise project by Yorkshire, UK resident George Proctor. George runs the Turgid Animal label, which since 2005 has been the go-to place for harsh noise, power electronics and other demented spuzz releasing over 500 CDs, CDRS, cassettes, LPs, 10"s, 7"s etc. He has been releasing Mutant Ape sounds wherever and whenever establishing his classic yet contemporary noise/horror vision of lust and spectacle as one of the premier scum artists of the last decade. Erotic Yorkshire i…
Definitive collection of Ohio lo-fi pioneer's 1974-1992 material. A mash of home-recorded punk, pop & psychedelia. "Man, i hate it when someone's entire career seems to have passed me by, especially when it's someone as crazy as lo-fi pioneer and mad ranty man Mike Rep. I know fuck all about this guy but he sounds like a genius. I guess he may have come to prominence for his production work with Guided By Voices, Strapping Fieldhands and Times New Viking but this guys been kicking it since …
Charlie Nothing was the fractured-psyche pseudonym of author, father, horsekeeper, organic farmer, beekeeper, philosopher and clown Charles Martin Simon, inventor of the dingulator (guitar sculptures made out of the metal from American cars). Charlie's only visible offering to the record buying public was really anything but. Due to its rarity, The Psychedelic Saxophone of Charlie Nothing, issued by Takoma Records in 1967, has been a source of consternation for in-the-know types for years. …
Black Humor was an experimental rock band from San Francisco in the early 80's. (Not to be confused with "blackhumor," alias of noise artist Frazer Hall.) They released just one, very hard to find LP on Fowl Records in 1982. Only 1,000 records were pressed, each with unique handmade covers: thick slabs of paint, collage, parrot feathers, dirt, whatever else happened to be laying around their Tenderloin flat. Many of these have since gone for high, collector prices or ended up in oblivion.…
New full-length from San Francisco based Common Eider, King Eider. Themes, instrumentation, and vocal decay is stretched out even more dramatically by this mysterious band of outsiders. Genres bleed into each other and smear reality as elements of drone, doom, neo-folk, and black metal deliver a harrowing and somber reality of loss and emptiness. Silence weaves in and out of vocal arrangements, violas, and guitars creating unease throughout the entire listening experience. Four new pieces…
Korm Plastics is proud to present the twenty-seventh release in the Brombron series (missing numbers will follow later this year). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in …
Long unavailable 12" single with the spaghetti-Whitehouse sound of violence by The Sodality. 50 discs of the original 1989 release (of some 500 copies) were found without the original sleeve and were re-packaged as '25th Anniversary edition' in occasion of The Sodality's concert in Rome at the beginning of 2014. The new cover is made of two xeroxed drawings by Bruno Richard pasted on the innersleeve, housed in transparent plastic sleeve. Edition of 50.
A mail collaboration between Denis McCarty (turntable, cassettes, vinyles) & Martial Bécheau (cut-ups, computer, sounds). Martial Bécheau practice montage, the assembly of this matter that is the sound. Orchestration reports, juxtaposition plans, rhythm & density. Implement disparate materials, and compare the sonorous (sounds, words, music, soundscape, etc.).. Organize of the time factor - Subversive resonances - Respiratory theatre - Walled up silence - Temporal confrontations. Between collag…
Francisco Meirino's An extended meaning for something meaningless uncovers deep hidden contexts from the decaying fringe of the auditory spectrum. Here we find ornate beauty in the subtle demise of electronic systems and explore the arcane apprehension of existential degeneration.The recording looks at how to create something out of almost nothing-basic field recordings, static electronics and failed tape experiments. A 16-channel multi-track piece where reel-to-reel tapes juxtaposition with mo…
CD edition "The new Zs lineup (Sam Hillmer, Greg Fox and Patrick Higgins) sounds very much like a new band, at least as evidenced by the Grain EP. The two side-length tracks (coming in at a total of 42-minutes) bear the marks of Zs' sound - repeated phrases, looped or played in situ; buried drones and harsh electronic tones - but it does sound very much like a new band.
There's an extended ambience to the album that trick perceptions of time. Glitches and waves that last only a minute or th…
Originally released in a private edition of 300 copies in 1982. This vinyl re-issue comes in a beautiful picture disc and includes a replica of the original and hard to find insert. The copies I have here include a page of a medical book handsigned by Maurizio Bianchi himself.
Hospital Productions present a heavy 30-minute session of layered drone and tormented, bass-heavy bombast from Max Gudmunson's Virile Games project, now available on vinyl for the first time after a sold-out micro edition of cassettes in 2013. Operating somewhere between his label-mate Lussuria's gothic ambience, the ear-bleaching concrète of Helm, and the more blown-out cinematic visions of Leyland Kirby, Wounded Laurel oscillates between sublime and wretched with a gripping night-time narrat…
Essential collection from this strange and obscure early 80s electronic noise project."One-man industrial outfit, Deviation Social left a scar on the face of the American 80′s experimental/noise scene that has mysteriously been left to legend and rumor. Dais previously released the first authorized reissue of Deviation Social's compilation tracks dating back from the early '80s. Here within, Volume 2 compiles the two proper 'studio' releases of Deviation Social's checkered past. The destruct…
During drummer Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro Brazil, he was joined on stage by Arto Lindsay performing on electric guitar and voice. The result is this 180 Gram LP, one side at 33 RPM and one at 45 RPM presenting two improvisations from these powerful improvisers. Of the performance Nilssen-Love writes: The gig was organised by the guys running Audio Rebel i Rio... fantastic guys who's also musicians. Gig was amazing and we we're both drench…
Initial copies on Blue wax, all purchases come with an instant MP3 download. The Noise Musician's Noise Musician, Scott Reber of Rhode Island presents a jaw-dropping slab of two noise symphonies for Type. In operation for over a decade now, Reber has amassed a plethora of CDrs, tapes and the odd vinyl under myriad names and in scant quantity, many known only to the Rhode Island fraternity, like this one originally released on his Three Songs Of Lenin label in 2012. As the title infers, 'The Phon…
Moreno Daldosso breaks into 1993 with his project Murder Corporation and released his first tape on his new label Murder Release. Tape after tape Murder Corporation has gained a prominent position as electronic serial slaughterer, claiming frontal attacks and sonic walls relentlessly, sampling overload and brutal distortion. Butcher Meat is reflected in an overdose of frequency, blood, screams and distorted voice beyond the human. Death, massacres and violence are tightened up until the total sa…
Duo of Pedro Sousa and Pedro Lopes, two portuguese young musicians, and some of the most exciting in the plastic, tonal and energic exploration of sound in a long time. Using sax (Sousa), turntables (Lopes) and a communal use of electronics, their music is admittedly nervous, obsessively bent over the following moment. Unlike other past forms of improvisation more concerned with listening and a certain purity of sound, this search is as focused as much as frantic in the pursuit of a new d…
A collection of spiritual and gospel songs performed in informal non-church settings between 1965 and 1973. Most are guitar-accompanied and performed by active or former blues artists. "Most records of black religious music contain some form of gospel singing or congregational singing recorded at a church service. This album, though, tries to present a broader range of performance styles and contexts with the hope of showing the important role that religious music plays in the Southern bl…