New Arrivals
Under A Single Banner
It's been a busy couple of years for the producer behind the Shifted project. On top of an extremely well-received album for the Mote Evolver label, the producer has edged further out into the fringes of electronic music under a number of aliases, taking in noise/ambient variants as Covered In Sand, as well as more distorted, technofied productions under the Alexander Lewis moniker, a sound described by the Blackest Ever Black label as "S-M techno." His new album as Shifted, Under a Single Ba…
Hasselt
Three open improvisations recorded in concert at Kunstencentrum Belgie Hasselt, Belgium in 2010 by sub-groups from the Electrocacoustic Ensemble, plus an extended performance by the whole ensemble: Richard Barrett, Peter van Bergen, Lawrence Casserley, Peter Evans, Agusti Fernandez, Barry Guy, Ishikawa Ko, Paul Lytton, Paul Obermayer, Evan Parker, Walter Prati, Ned Rothenberg, Joel Ryan, Marco Vecchi.
The Island Of Taste
'IFCO follows up our highly ignored Stranded LP with an equally, if not more so, strong statement. Core members Karla Borecky and Scott Foust are joined by an all-star cast: Meara O'Reilly and Jessi Leigh Swenson from Stranded, as well as Frans de Waard, Graham Lambkin, and Dr. Timothy Shortell. The island of taste depicts a manoeuvre in which The beauty becomes more beautiful as The desperation becomes more desperate. A stark and romantic mission to The rocks. Lavish package featuring an excell…
Time of the Last Persecution
Time of the Last Persecution is Bill Fay's second and final album for the Deram label, originally released in 1971. An absolute classic of melancholy (borderline morbid) folk-rock that falls somewhere between Pearls Before Swine, Leonard Cohen, and a suicide prevention hotline. Time of the Last Persecution is almost single-mindedly obsessed with end times so it's fitting that this brilliant album would be his last release for over 30 years. Now that Fay is back with a new and highly laude…
Delicate Tension
Personal Injury is pleased to present R. Stevie Moore’s classic 2nd album Delicate Tension, originally released by Stevie’s uncle on HP Music in 1978. Delicate Tension is regarded as an absolute highlight of RSM’s massive discography and was featured as one of his six most “essential” albums in The WIRE’s recent cover article. Reissued for the first time on vinyl in an exact-repro sleeve and mastered from a digital transfer off the original analog reels. - His first LP made in New York. Along wi…
Assimilating The Shadow
In the time since Ricardo Donoso delivered his debut album Progress Chance, he's been pursuing his take on morning music even further. Informed by deep house, slowed-down trance and club influences, this new album unfolds to reveal elaborate sonic labyrinths that emerge out of the burning embers of dance music. Assimilating the Shadow has been designed to be consumed at sunrise, at the party's end. It assembles dark, carefully-considered sequences layered in a way that seems on first list…
Real Sugar
"Ryan Garbes is the drummer of Iowa City bands such as Wet Hair, Dunebuggy, Trash Dog, and formerly Raccoo-oo-oon. His recordings under his own name represent a unique brand of solo multi-track recording with a seamless integrity; through a skillful use of instrumentation and recording technique, Garbes eschews notions of low fidelity for songs reminiscent of traditional American garage rock produced in the haze of an early '90s UK aesthetic. Genuine pop songs, cloaked in a comforting was…
Shut In
'Shut In' is a "Beautiful piece of Easy Listening for Cabin Fever courtesy of Kevin Drumm" says Editions Mego, and who are we to argue? It yields some of the inimitable artist's most beautiful, oneiric sounds since his immense 'Imperial Distortion' album for Hospital Productions; in fact, we wouldn't be surprised if we were told it came from those same sessions. One singular piece unfolds for just over 30 minutes across two sides, slowly radiating a sort of soothing harmonic balm with an …
The Last Great Challenge In A Dull World
Peter Jefferies's extraordinary debut solo album, The Last Great Challenge in a Dull World, first saw life as a cassette via the Xpressway label of Port Chalmers, New Zealand, in 1990. As a result of some international underground acclaim in fanzines and mailorder catalogs -- for both the album and a striking 7-inch, 'The Fate of the Human Carbine,' released around the same time -- it soon appeared on LP and CD as well, through the Ajax label of Chicago. Within a couple of years it slipped…
Seitz versus Gendreau
Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies. These pieces were composed with created and found sound captured in San Francisco. 'Chorus After Rains': A strategy where we each use the same raw sound clips with different results. The two pieces are then melded to create one piece of music, the different modules becoming inseparable from each other. 'Things Lost That Will Never Be Found': A composition with live instruments, moving fro…
First Burning Attraction
Formed in 2009, Damien Dubrovnik is the Danish electronic duo of Christian Stadsgaard (Sarah's Charity) and Loke Rahbek (Sexdrome, Var, Lust For Youth), founders of the Copenhagen-based record label Posh Isolation. In their day-job as label managers, Stadsgaard and Rahbek have been instrumental in establishing the city's prolific and exciting noise/punk community and outgrowing their humble beginnings in noise/industrial culture by attracting a cult/fanatical worldwide following. Working to…
Regressions ''Blinding Confusion''
"Over the past few years, iconic noise artist Nate Young has been carefully crafting his own signature solo sound, as evidenced through his progressive recordings and performances with American experimental music staples such as Wolf Eyes, Stare Case, Demons, and Moon Pool & Dead Band. Regression 'Blinding Confusion' enters a new era, retaining the techniques and studies from his previous work and raising them to new levels. Intense compositional building and structure seep through each t…
Trick17
Since the late 1980s, dieb13 is one of the european key figures in the harnessing of tape players, vinyls, CDs, hard dics and IP protocols as instruments. It's been a while since he has released his last Solo album. After extensive touring and releasing CDs among others with Phil Minton, Mats Gustafsson and John Butcher Group, his latest solo output "trick17" is an enjoyment for both the ear and the eye. Side A ("audible") is a 25 minute solo piece that he developed in an Ping Pong method…
Yesterday & Today
Double vinyl LP pressing includes bonus CD pressing of this 2009 release. The Field is Axel Willner, and 2007's Here We Go Sublime was one of the year's most acclaimed releases, receiving a 9.0 from Pitchfork as well as universal praise. It was a soundtrack to the spit-shined airport of your dreams - faceless, futuristic, and fuzzy. Now, Willner expands his palette, continuing the oblique sampling strategy while building up the rhythmic architecture.
Danse Sacrale
A cherry-picked compendium of EDM prototypes circa 1956-1971 by Pierre Henry, Jean-Claude Vannier, Igor Wakhevitch, Henk Badings and more "The roots of Electronic Dance Music" (EDM) by definition. An unlikely combination of early recordings by international electronic and avant-garde composers as well as infrequent collaborators retrospectively unified by their commitment to the musical enhancement of 20th Century ballet and the evolution of modern dance. Presenting key exponents of the musique …
Fur Paul Klee
For Sven-Ake Johansson, the capricious and mercurial character of Paul Klee's texts is not a flaw, but a quality in its own right. His thirteen settings capture precisely this quality of the texts. Johansson's clear diction, his distinct, almost exaggerated elocution, imbues Klee s texts with a lapidary air without stripping them of their personal and intimate nature.
Tragedy & Geometry
On Tragedy & Geometry, Steve Hauschildt, one-third of Cleveland’s neo-kosmische revivalists Emeralds, crafts an hour’s worth of instrumental synthesizer vignettes. His pieces tend to evoke thoughts of bygone eras of technological pop culture — many of these tracks could be placed seamlessly into Blade Runner, or into some lost Playstation-era (you know, when Final Fantasy VII was cutting edge) videogame. Hauschildt doesn’t craft wholly formed songs so much as he works with detached, technologica…
I am here where are you
After the great 2012 record by Brötzmann / Noble / Edwards, the worse the better, Peter Brötzmann and Steve Noble started to play some gigs as a duo. It worked out really well, wonderful pieces of music that had to be put on cd; an expert, you might even say telepathic, interplay between those two outstanding musicians, sometimes delicate and swinging, sometimes full-force free jazz.
(no thing-ness)
"(no thing-ness)" comes hot on the heels of Brian Pyle’s latest highly acclaimed Ensemble Economique album on the Not Not Fun label. While "The Fever Logic L.P." saw him head diving into a sort of ambient goth pop this brand new 12“ appears to be more influenced by industrial, almost EBM-ish textures. The atmosphere seems more aggressive with an almost militaristic touch, and titles like "New Banking System" hint at the source of this anger. Combined with Pyle’s cinematic tension this makes for …
Convulsive Threshold
Two heavyweight explorers of sound and technology, Russell Haswell and Yasunao Tone, both undertaking separate rigorous experiments into the synthesis of sound and all its remits, converge for one helluva collaborative work. ‘Convulsive Threshold’ is the result of years of research and experimentation, Haswell’s systems of hybrid analogue/digital audio generation acting as one of the starting points for this relentess piece of material, which are then subjected to Tone’s MP3 Deviation tec…