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Landform Erosion In the sequence of the debut album Landform, Fujako releases Landform Erosion, into the cosmic wilderness of haunted grounds and landscapes. The telluric evocation of the underworld through bass and echo involves this time a new set of collaborations, a group of producers were invited to remix sound coming from the previous Landform. REMIXERS | SPECTRE explorer into the realm of low frequency manipulation, TZII Brussels based musician and video artist, the second half of …
After much deliberation and work, Install is proud to unveil its first vinyl release: Milieu's Phosphene Weather LP. Notable for also being the first time Milieu's work has appeared on the vinyl format, Phosphene is a special affair, limited to 150 copies on randomly colored vinyl inside custom silk screened sleeves with hand-numbered inserts, sporting a modern design by David Tagg. Musically, Phosphene Weather inhabits a similar universe as previous Milieu ambient output, such as A Warm Wooden…
Planned since Hubble’s first live performance in September of 2010, Hubble Drums is an inspired record of new guitar music. Equal parts shred-fi, cyber-dread and fried psychedelia, Hubble Drums marks Ben Greenberg (of Zs and The Men)’s first full-length recording and debut for Northern Spy. Recorded at Python Patrol and lovingly mastered at Bonati Mastering, the CD and 150g LP features original artwork by Michael Yaniro and Ben Greenberg. “Hubble’s Hubble” serves as the soundtrack for a v…
Remarkable subterranean radicals have been getting to enter the stage since mid-late 2000's via the label Lust Vessel and the lineage, which are actual first ever fulcrum of genuine industrial cassette culture and the actuality in Japan, after a long period of the mostly scorched ground for that culture from the far east. This is a document of an aspect of thee lust-age and the assembly, featuring six assassins which are true to themselves and standing on their own territories.
Tongue Knax ; a h…
Ear drum piercer brezel göring (of stereo total) and thrash lout "hotleg" have committed themselves to a reckless and impulsive mix of dub-psycho-speed-new wave, action film soundtracks and 50's musique concrète. For several years, these two desperados have hacked their way through the unpredictable weeping fistulas of post-industrial easy listening. In doing so they combine genre-spanning arranged marriages and acceleration of track playback speed. The music is played on children's toys and fle…
The music of My Education, a five-piece group from Austin, Texas, tends towards the classical side of the spectrum. If you’ve read any recent think-piece about how the lines between rock bands and classical ensembles are blurring, you could pretty easily swap their name into the list of case studies provided without sacrificing accuracy. Besides recording their own compositions, they’ve also released their take on Arvo Pärt’s taut “Spiegel im Spiegel” and collaborated with the hip-hop group däle…
Fabled Berlin producer Kareem delivers an incredible industrial-ambient album for The Death of Rave - initial copies on clear wax, highly recommended if you're into the works of Kevin Drumm, Lustmord, Deathprod, Biosphere, or the ambient work of AFX* Following on from a vinyl issue of Mark Leckey's "Fiorucci Made Me Hardcore" and an EP by Powell, The Death of Rave presents the first longform, beat-less composition by Patrick Stottrop aka Kareem. Since 1996 the Berlin-based artist has produced ne…
Their 7th album! Record & produced by the band in their hometown of Liverpool & mixed w/ assistance from Daniel Lopatin (ONEOHTRIX POINT NEVER, FORD & LOPATIN). The title is apt for this particularly bold & assured new transmission from planet Clinic, it neither turns its back on the sond of their previous albums, nor seeks to recreate them.
Lau Nau, Islaja, and Kuupuu all together in one band - it's like the dreamiest aQ daydream come true! All three of these ladies have been responsible for some of the most mystical and beautiful recordings of the last few years, all of which have become permanent favorites with everyone here. Lau Nau, and Islaja's recent recordings have shown them moving toward a more direct approach in their songwriting, but this project really lets all of these ladies dig deep into their textured, exper…
Macronympha side project focusing on the heavy low end sound often the basis for Macronympha compositions. OVMN III removes the layers of sound to reveal the thick crumbling distorted base. Constantly moving forward while seemingly static, this piece is enveloped by and progresses in a wave of distortion. Recorded in 1995 by Joe Roemer and Rodger Stella with cover art by Sam McKinlay. Lp comes in a deluxe silver silkscreen on black cardboard sleeve. Edition of 99 copies w/insert.
To this day, Nicholas Bullen is best-known as a founding member of arguably grindcore's most important act: Napalm Death. Although he decided to call it a day before the band slipped into the mainstream circuit, his sonic fingerprints were all over their influential debut Scum, and he's been breaking boundaries ever since. A key figure in Birmingham's experimental scene, Bullen was also a founding member of Scorn and has been involved in a variety of projects since. Over 30 years later we …
Duo of Pedro Sousa and Pedro Lopes, two portuguese young musicians, and some of the most exciting in the plastic, tonal and energic exploration of sound in a long time. Using sax (Sousa), turntables (Lopes) and a communal use of electronics, their music is admittedly nervous, obsessively bent over the following moment. Unlike other past forms of improvisation more concerned with listening and a certain purity of sound, this search is as focused as much as frantic in the pursuit of a new d…
Reissued on vinyl for the first time, in a strictly limited-edition of 500 copies. Comes with four exclusive bonus tracks. Schizophrenia Party (Director's Cut) represents the second chapter in the career of UK underground heroes Family Fodder after their legendary debut Monkey Banana Kitchen. This full-length album features the complete 12" EP Schizophrenia Party (including the nine-minute monster tune "Dinosaur Sex") from 1981 and the 7" singles Film Music (1981) and The Big Dig(1982), all orig…
*Another precious find from Andy Votel and Demdike Stare\'s Dead-Cert imprint featuring foundational Concrète experiments from the director of IPEM, Belgium\'s equivalent of the Radiophonic Workshop. Transferred from the original Mastertapes by Andrew Popplewell and remastered by Gareth Mallinson and Matt Colton, limited Edition pressing of 500 copies* Dead Cert illuminate three unique and chilling electro-acoustic compositions by the pioneering head of Belgium\'s Institute of Psychoacoustic and…
Through more than 25 years of existence, the french composer Christian Renou, aka Brume, has developed a unique 'handwriting' style within the experimental underground, something one may call 'atmospheric musique concrète'. It is the marriage of many concrete sounds, hand-played acoustic instruments and electronic drones noises that are arranged in a manner somewhat akin to a 'narrative' - highly emotive and often evolving in a dramatic way. We are delighted to have received two tracks for the S…
Date : December 28, 2006. Place : Inside a tram on a round trip from Ebisu-cho to Hamadera Ekimae on the Hankai Line (12:03- 13:46) in Osaka, Japan. Tsunoda captured solid vibrations using a piezo-ceramic sensor and a stethoscope, and Haco used her 'stereo bugscope' (two inductive microphones) system to catch electromagnetic sounds.
Oiseaux-Tempête debut album retraces, in a sonic odyssey, the qualms and queries of a sickly and dysfunctional Western society. Experimental, Stoner, Post-Rock, Ambient, Free Music. The trio was created in Paris in 2012 by the musically versatile pair Frédéric D. Oberland (guitar) and Stéphane Pigneul (bass) (members of FareWell Poetry and Le Réveil des Tropiques) and percussionist Ben Mc Connell (drummer for bands such as Beach House, Rain Machine, Au Revoir Simone, Marissa Nadler and Winter Fa…
Hopefully MRTYU requires little introduction, because the project evades easy description. An odd compound of vedic imagery, metal misanthropy, and violin agony, this music moves away from any particular fan base in pursuit of its distant, darkened idols. Ornate shroud is MRTYU's most potent spawn to date. Hewing closer to song form than previous releases, the album conceals Antony Milton's violent guitar and violin work behind MRTYU's characteristic murk. Its pieces transition from jagged riffs…
'Guitars warped so hard they dissolve into pure consciousness ! Seriously, this record had to happen because these two are the NOW of transcendental guitar weirdness. In families like ours where deformed music of one kind or another pours out of the speakers all day long, Toronto's Aidan Baker is a household name. He is no doubt one of the most imaginative experimental musicians of the new generation, quickly creating a universe of limitless sound with his bursting discography. He offers …
"Terrifying monster of the ages raging with pent-up passions! ...with every man his mortal enemy ...and a woman's beauty his prey! Could only her beauty tame its savage fury?""...forbidden depths!" Creature libertinage; voyeur of the women's legs enveloped in dark waters. The hosiery has been cast aside in exchange for a one-piece to enter the watery depths, setting the stage for obsessive creature tendencies targeted toward the shapes of Kay Lawrence, Helen Dobson, and Marcia Barton. Sam McKi…