New Arrivals
New Ear
With this new album, Melmac reveals a new maturity gained in the course of three French and european tours that have enabled the group to initiate a major part of the ideas presented here through extensive improvisation sessions on stage in the spirit of the instant composing sessions ran by Kraut Rock bands during the psychedelics years. These new experiments have opened the artistic spectrum of the band to new horizons clearly rock, heavy, trippy or noise reminiscent of bands like Sleep or Sku…
Martian Landscapes
I have never been to Mars, but sometimes i drop by... pictures and films we have access to give us a false impression that we already know something. My Mars is still populated with images from our childhood linked with hundreds of films and science fiction novels. i sympathize with misinterpretation of the illusion caused by old telescopes, as if the surface of Mars was covered with a network of irrigation canals being a proof of high civilization. combination of curiosity and fear stemm…
Fur mich
Tired of quarreling endlessly with his imperious brother Klaus, Thomas Dinger quit the production of Viva, the second La Düsseldorf album, and promptly set off for the south of France. Frustrated and far away from home, his mind turned to the possibility of a solo album. An album devoted to his own musical ideas, free from domineering voices telling him what to do. Presenting his own vision in the context of a La Düsseldorf LP would have been difficult at the best of times. "I wanted to cre…
Frog 2
The music developped by Frog is a work on percussions of all sorts : electronic, metallic, or else.. bathing in atmospheres made of « humid » tessituras. The music is simple, and unlike Brume, accessible ! Except for the arrangement of rhythms, 75% of work is concentrated on textures, mainly electronic : analog and digital.Electroacoustic is rarer here, most of the sounds being filtered by « vintage » analog synths using the whole usual range : VCO, VCF, VCA, envelope modulators etc.…
Recur
After successful EP Collapsed, the Bristol-based project Emptyset strikes back with a full-length album on Raster-Noton. Once more James Ginzburg and Paul Purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. Recur is presented as Emptyset's third studio album -- continuing on from their work with Demiurge, the material examines the central themes of time, structure and recursion, thr…
Continuation
Recorded in the 1960s with Marshall Allen featured on Jupiterian flute and Danny Thompson on Neptunian libflecto. The original LP was pressed in very small numbers at the end of the 60′s, with purposely mislabeled details in the liner notes in typical fashion to Ra’s output during that phase. The contents are believed to be from 1963-64, a period that produced some of the composers most revered works and an era when Ra relocated to New York from Chicago. What we do know about Continuation i…
Bridges
Duane Pitre\'s new album, Bridges, features two pieces taken from a suite of analogous compositions by the same name, and was composed by Pitre in 2012. The two pieces that comprise the album are meant to work together in sequence as a composite work; or they can be isolated and listened to on their own. The title derives its name from the original concept for this work, which was to bring together aspects of traditional Eastern music (such as compositional form and tuning) with Western musical …
Nepenthe
Julianna Barwick returns with the successor to 2011's charming The Magic Place. Given how successful that self-recorded LP was, it’s surprising to see that the Louisiana-born singer has looked to an external producer to document and frame her work this time around, namely Sigur Ros associate Alex Somers. Barwick once again uses delay-pedals to build heaven-scraping towers of chorused plainsong out of her earnestly, achingly pretty soprano, placing them in what John Foxx - whose 90s’ ambient reco…
23 formes en Elastique /The only authentic work
New work of Lionel Marchetti. 23 tracks. Length more than 77 minutes. Materials went through last 23 years of his field recording, composition, experiments and musiques concrètes composition studies. A backward looking by a forward creating. By this CD Lionel Marchetti built a labyrinth of elasticity, empty space, reality and its metamorphose. A material world of sound. The Only Authentic Work Yan Jun’s writing with inspiration of Marchetti’s music. 23 essays on music, literature, art and …
God Is Good
ground-breaking CD edition: God is Good is Om’s fourth studio album, and the first with new drummer Emil Amos (Amos made his first official recording with Om in the single “Gebel Barkal/Version” on Sub Pop last summer). It’s a big change, obviously, for a two-piece, and a fairly unqualified success. Amos, who also records with Grails, Holy Sons and Shrinebuilder, is far more flamboyant than Chris Hakius, less tethered to the steady chink of cymbals, more apt to range free-form over toms, rims an…
When The Rest Are Up At Four
Mind Over Mirrors is the solitary reeling of American harmoniumist/electronicist Jaime Fennelly. Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly-building, repetitive melodies into massive sonic mountains. When the Rest Are Up at Four is the fourth Mind Over Mirrors album following releases on Digitalis, Hands In the Dark, & Aguirre/Gift Tapes."Jaime Fennelly’s Mind Over Mirrors is the true dark star. The Chicag…
Breve Retraite Au Couvent Sainte Marie De La Tourette
This recording documents a sound-performance curated by Franck Ancel in homage to Varese’s « Poeme Electronique ». This musical milestone was commissioned for the Philips Pavilion created by Le Corbusier and Xenakis on the occasion of Expo’58, the Brussels World’s Fair that was held from 17 April to 19 October 1958. Le Corbusier envisioned an “art total’’ utopia involving space, music and images all at once. As soon as he was hired by the dutch company, he announced his intent to create an « ele…
Instruments non-electronique
A collection of the earliest recordings of the French sound sculpture musicians and Cristalists known as Structures Sonores Lasry-Baschet. Featuring the first fruits of one of the greatest unisons in experimental French music combining the beguiling haunting sounds of Jacques and Yvonne Lasry and the development of the musical inventions of Bernard and Francois Baschet. Exploring a similar route to that of early Michel Magne recordings (and often likened to “a French Harry Partch”) the emotive m…
The beauty bath
This is another landmark of the most respected artist in today's noise scene, Aaron Dilloway. Atmospheric and beautifully simple, a pure tape composition stands out his crude and intense nature. Nothing ever released like this before. Comes with the flyer of Aaron dilloway and Hanson Records 20 years anniversary exhibition "Archive" at gallery haus in Tokyo which can get only at here. Plus we have a special package comes with very limited "Archive" exhibition catalog zine book which also can get…
I am the Center: private issue new age music in America, 1950-90
One of the best things about Seattle label Light in the Attic’s new new age compilation I Am the Center is that it doesn’t try and pretend that new age music was something that it’s not. Look at the album’s cover illustration and you’ll see an angel-like creature carrying an orb of yellow light through the clouds; open the gatefold and you’ll see what appears to be a bird made of stars launching itself out of the ocean. Press play and be delivered into over two hours of mind-numbingly mellow mus…
Sleep (An attempt at trying)
Sleep (an attempt at trying)“ is a radio suite for vocalist, narrator, improvising ensemble and electronics. In this project Bumšteinas explored the subject of insomnia which makes it a very autobiographic project. The main sound material for “Sleep” came from the sleeping-aid and relaxation tapes, that Bumšteinas bought for himself in various fleamarkets around Europe. The course of personal therapy wasn't too successful and due to nocturnal boredom Bumšteinas started dabbling with the function…
Jailhouse Rock
"It's been a while since Scorces sorceress, Jandek collaborator, and Volcanic Tongue branch manager Heather Leigh has ventured out on vinyl under her own name. And it may be a while longer, as Jailhouse Rock is in fact a wax reissue of a long OOP 2006 cassette classic on Michigan crud factory Fag Tapes. It was a fave of ours that year (and every year), so it feels extra celebratory to be able to offer up a freshly remastered (by Pete Swanson) LP edition of the album for global re-appreciation. S…
Check Your Swing
Mind Over Mirrors is the solitary reeling of Chicago-based Jaime Fennelly (Peeesseye, Acid Birds), who began developing the project when he moved from Bushwick/Brooklyn, NY to a remote island in the Salish Sea of Washington State in 2007.Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly- building, repetitive melodies into massive sonic mountains, that fits somewhere between a droned-out American Primitive, and early…
Ill Fares The Land
**Digitalis debut from Koenraad Ecker, one half of Opal Tapes' Lumisokea, highly recommended if you're into Vainio, Joachim Nordwall, The Haxan Cloak. Initial copies on transparent red wax** Belgium's Koenraad Ecker swiftly follows his 'Apophenia' LP as part of the Lumisokea duo for Opal Tapes with a personalised invitation to his shadowy solo zones for Digitalis. Inhabiting space between slow techno and electro-acoustic dimensions, 'Ill Fares The Land' surveys similar soundscapes to Mika…
Real Sugar
"Ryan Garbes is the drummer of Iowa City bands such as Wet Hair, Dunebuggy, Trash Dog, and formerly Raccoo-oo-oon. His recordings under his own name represent a unique brand of solo multi-track recording with a seamless integrity; through a skillful use of instrumentation and recording technique, Garbes eschews notions of low fidelity for songs reminiscent of traditional American garage rock produced in the haze of an early '90s UK aesthetic. Genuine pop songs, cloaked in a comforting was…