New Arrivals
The Falling Rocket
This is true cosmic music!!! Stephan Mathieu is at the top of his game with The Falling Rocket, this is some seriously pensive & brooding minimalism that runs the gamut of the emotion rainbow without tossing you around rollercoaster style, with mostly just a Farfisa organ, Hohner Electronium, and radio at his disposal, Mathieu concentrates on a dense & lightweight essence, the sound of civilized silence carved out in the blankness of your mind, surrounded by inaudible hiss & hum, a delicate stat…
Fever Logic
Ensemble Economique has emerged as an unusually globe-trotting creative valve for Arcata, CA, beachcomber Brian Pyle. The last year alone has seen him backpacking through Scandinavia, Europe and Russia—twice. Maybe his spirit’s too absorbent, ’cause he’s brought back some deeply heavier moods and ancient world weariness since his last outing on Not Not Fun, 2010’s demonic tribal monsoon Psychical. Recent splits with similarly instinctual psychedelic unclassifiables like Lee Noble and Her…
Indoor_outdoor
The absolute deep electric-rain-forest sound atmosphere that the listener will hear on this record is the tip of the iceberg of a same rich and elaborate work process. For over 30 years, Norbert Möslang is making the world sound. He does not use things as instruments, but rather captures their vibrations. He immerses himself in the hidden world of vibrations and convert them into loud sounds and thick textures.Living simultaneously in spheres of inside/outside, micro-vibrations, spacial structur…
Zwischen
Karen Geyer is a sound artist who is active between Zurich and New York. ZWISCHEN is her second release. Under the name “Grauton” (“shade of grey”) she invents and builds her own mechanical objects whose sounds she picks up using contact microphones; she then amplifies and steers these sounds via a mixing desk as if they were the instruments of an orchestra. The instruments here comprise common or garden items removed from their everyday duties, such as bicycles, fans, kettles, stools and …
An Anthology Of Noise & Electronic Music Volume 7
These seven volumes represent a strong listening base, as incomplete as it may be, the basis for a near-infinite exploration through one's self, in the present tense.All in all, if I add up all these tracks, there are 176 of them, created between 1921 and 2012, for a total of almost 18 hours of music. The sphere of geographical propagation was kind of programmed at the start (between 1952 and 1970 there have been over one hundred national studios, mostly tied to radio, on all five continents), b…
Elegy for Bangalore
The sound/video installation-project 'Eye Contact with the City' (recipient of an Honorary Mention at PRIX Ars Electronica 2011) was the outcome of an artists' residency in Bangalore in the autumn of 2010. The primary materials used in the installation were the field recordings made and video footage shot at various locations in Bangalore. Materials also included retrieved audio from old reel-to-reel tapes found at the city's flea markets. The extensive repository of field recordings and other a…
I am the Center: private issue new age music in America, 1950-90
One of the best things about Seattle label Light in the Attic’s new new age compilation I Am the Center is that it doesn’t try and pretend that new age music was something that it’s not. Look at the album’s cover illustration and you’ll see an angel-like creature carrying an orb of yellow light through the clouds; open the gatefold and you’ll see what appears to be a bird made of stars launching itself out of the ocean. Press play and be delivered into over two hours of mind-numbingly mellow mus…
God Is Good
ground-breaking CD edition: God is Good is Om’s fourth studio album, and the first with new drummer Emil Amos (Amos made his first official recording with Om in the single “Gebel Barkal/Version” on Sub Pop last summer). It’s a big change, obviously, for a two-piece, and a fairly unqualified success. Amos, who also records with Grails, Holy Sons and Shrinebuilder, is far more flamboyant than Chris Hakius, less tethered to the steady chink of cymbals, more apt to range free-form over toms, rims an…
Sane Men Surround
Following up their warmly-received 2011 Alter debut, The Letter (ALT 005LP), Sane Men Surround is the second album to emerge from Southend-on-Sea's Liberez. Like their debut, the nine tracks here continue to savagely EQ percussion, guitar, violin and electronics into abstraction with tracks like "A Warning and My Madness Offends," bearing the industrial and almost ritualistic atmospherics of its predecessor, while "Nema Te" and "What's Mine Is Mine" introduce a new style of composition and songw…
Retro-2038
COH is the moniker used by Ivan Pavlov from Russia for more than a decade. COH is also the Russian word for 'sleep'. Yet, do not be deceived - RETRO-2038 is much more of a deep space than a deep sleep. The second COH release on Editions Mego is a true delight to behold, inviting as it does its exploration of electronic sound in minimalism, futuristic pop and the uncharted territories inbetween. Ranging from digital updates of Giorgio Moroder's pulse experiments to menacing lingering LF to…
The car boot sales
A recent collaboration between these sound experimentalists consisting of both musicians’ passionate relation to found objects and recycled material treated as instruments. Devoted solo performers of free improvised music, also members of the London Improvisers Orchestra, Tasos Stamou (modified electronics, prepared zither, found violin) & Adam Bohman (amplified objects, prepared balalaika and prepared violin) create layers of “instant” musique concrète which balances between narrative structure…
Orchestre Sidi Yassa De Kayes
After the 1960 independence, the Orchestre Regional de Kayes was founded in order to reinvigorate the local cultures from the Mand and the Kasso regions and turn some traditional themes into modern songs. Under the guidance of bandleader Harouna Barry, they evolve as one of Mali's finest orchestras. In the early 1970s, like most modern bands of Mali, the orchestra evolved into the Sidi Yassa de Kayes, named after Sidi Yassa, a late great singer. In 1977, they release one eponymous LP in 1977 on …
Studies for stradbroke
Letterpress sleeve, 2 color. Designed and printed by Ben Owen. Cover image from a photograph by Lawrence English. Hydrophonic recordings made january and august 2007, Stradbroke Island, Queensland.
L'experience acoustique
Francois Bayle's 'L'Experience Acoustique', Realised between 1966-1972 using the best technology available at the time, this 2 hour opus, powerful and immense in its scope, which explores a universe of electronic sounds and sound relationships. It's an investigation of acoustic sound at its purest levels and borders on psychedelic in effect. Chopping material from the world around him, manipulating it and juxtaposing against other, unlikely sources with illusive sleight-of-hand and haptic te…
Issue 3
third issue of Lasse Marhaug’s titanic self-published journal of “noise, music and random chaos. Exclusive interviews with : Moe. Norway's Guro Moe on her various projects, ice swimming, playing loud and what's wrong with Norwegian music. Carl Michael Eide. Norwegian guitarist and vocalist from Aura Noir, Virus, Ved Buens Ende and more metal bands that you can think of. Being inside that groove, not wanting out. The Menstruation Sisters. Multi-disciplinary Australian artist Nik K…
L'Origine / TEMA
Drawing inspiration from the "Action Direct" expanded guitar performances of Masayuki Takayanagi, Fusinato places the guitar at the centre of his work. A few crudely played strings provide the impetus for a long chain of electronics which obliterate the original signal and leaves us with a hyper-kinetic wall of full frequency spectrum noise. Like the piano in David Tudor early 1960's performances of Cage's Variations II, in Fusinato's work, the guitar is the object of a dialectic of simultaneous…
Galaxies
Laurence Vanay is the pseudonym for Jacqueline Thibault, wife of producer and musician Laurent Thibault (Magma). Her debut album "Galaxies" (1974) is pure genius: almost all instrumental, with gorgeous keyboards of many types, acoustic/electric guitar, even a little Zeuhl bass. There are wordless vocals on many of the tracks, although she occasionally sings in a soft, seductive manner. Incredible, spacey “avant-garde progressive chanson,” a Holy Grail for most collectors of 70's underground Fren…
in Tokyo
Four pieces of computer music. Iancu Dumitrescu \'Hazard and tectonics\' (2009 - 2013), \'Crepuscule I\' (2011-12), \'Early, before all times\' (2010-11). Ana-Maria Avram \'Metalstorm I\' (2012).
Dance Classics Vol.II
2013 repress. Kouhei Matsunaga's Dance Classics Vol. II is the continuation of his ongoing development of his more dance-oriented material, as seen from his sets with Sensational and also his other minimal techno project, NHK. Not feeling tied down to one genre, Matsunaga nestles in the Pan roster. That isn't to say, however, that he is dance per se, as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor …
Six & Six
Originally released in 1981, JANDEK'S second album stands as an incredible document of the formative stages of his cracked genius. The musical elements are almost catatonic: 9 songs drift by as a series of slight variations on several desolate, untuned acoustic guitar phrases. First time on vinyl in over 25 years. Old-style tip on jacket. LIMITED!