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New World Records 50th Anniversary Sale🔥: special 20% discount on the label's entire catalog until Sunday at midnight!

New Arrivals

Privilegium Martyrii
Thick and spectral dark ambient, soaked with soft and flowing pads stratifications, wrapped in deep and penetrating low frequencies spires, enlightened by delicate and touching melodic inserts, profaned by echoes of reverberating metallic noises, clanging chains, circular mechanical movements, waves of indecipherable whispers, distant and suffering human voices... A great debut CD for Antikatechon, a project that showcases Davide Del Col's eclectic personality, already the unique mind of the Orn…
Sunrise
Comprised of pieces from the band's original score for F.W. Murnau's 1927 silent masterpiece "Sunrise: A Song of Two Humans", My Education has discovered the perfect forum for which to flex their compositional muscles, achieving ever-transcendent musical heights in the process. This original score was perfected over the last two years through live scoring to the film, performed at sold out shows throughout the USA. Just as the music provides new context to the film as a live accompaniment…
Novaya Zemlya
Novaya Zemlya (lit. "New Land"), also known in Dutch as "Nova Zembla" and in Norwegian as "Gåselandet" (lit. the "Goose Land"), is an archipelago in the Arctic Ocean in the north of Russia and the extreme northeast of Europe, the easternmost point of Europe, lying at Cape Flissingsky on the northern island. The artwork, by Jon Wozencroft, includes an essay by Thierry Charollais, "Thomas Köner's Novaya Zemlya: towards a metaphysical geography"... Of course we find the unique Köneresque glow…
Untitled #284
'untitled #284' was created in 2011 by extensive evolutionary transformation of original environmental recordings made in Lisbon during the year of 1992. These sources were recovered for a commission of the Teatro Municipal Maria Matos, where the composition was premiered on 16 July 2011.
Running away
Guillaume Viltard, doublebass. Recorded in 2008 studio and outdoor. The CD comes in a very special package made by visual artist Zéhavite Cohen. 300 copies. 'There followed a solo double bass performance that was added late to the bill from Guillaume Viltard, a young musician that has been playing a lot at the weekly Eddie Prevost workshop. I had seen him play before, most recently in a duo with his frequent playing partner Ute Kanngiesser, but never solo, and I have to admit to being taken by s…
Black December
After a series of CD-R re-issues, Klanggalerie are now proud to present you a new silver CD edition of one of the most obscure records ever to be recorded: Konstruktivists' "Black December" is a highly neglected gem in the history of Industrial music. Not as noisy as the band's masterpiece "Psykho Genetika", this record is a classic full of stunning music that doesn't fit into any categoriz…
Folk Roots, New Routes
Reissued on Fledg'ling in 2005, originally released in 1965 by Decca. An experimental recording conceived by Austin John Marshall bringing together Shirley's haunting traditional song with Davy's guitar improvisations. Folk Roots, New Routes opened the door for Fairport Convention's Liege and Lief and Pentangle's debut. For this carefully remastered edition, Fledg'ling have restored the original artwork, added a new sleeve-note essay as well as previously unpublished photographs.
Neue Volksmusik
he zeitkratzer project Neue Volksmusik (new folk music) is more of a reflex to, rather than a reflection on folk music. This is because the ensemble does not play specific music with any sense of distance. On the contrary, zeitkratzer is taking possession of folk music in its essence. This means that they continue a tradition which folk musics all have in common: constant transformation. No form of authentic folk music can ever be about conservation as a fixed medium, destined for a museu…
TransMongolian
TransMongolian is a composition of unprocessed field recordings composed in soundscapes. I recorded these acoustic phenomena on my journey through Russia, along Lake Baikal, through Mongolia, China and South Korea to Japan. These countries do not only have very different landscapes and ways of life, they also differ in their sounds, a dimension which more often than not goes unnoticed. The 6 acoustic portraits reflect what I found to be representative of or very special about the countries.
The invisible city
Recorded and mixed during 2008-2009 in Berlin. All tracks composed by BJNilsen using tape recorders, computer, organ, acoustic guitar, electronics, viola, subharchord. Field recordings from Sweden, Iceland, Norway, UK, Japan, Portugal and Germany. The subharchord was recorded in the EAM Studio @ Adk, Berlin. Viola played by Hildur Gudnadottir. Mastered by Denis Blackham at Skye.
Himmelgeister 19 (2008)
“Himmelgeister 19 (2008)” for chamberorchestra and 3 voices. Johnny Chang (violin), Conrad von Coelln (viola), Nataliya Demina (violin), Rodion Dubirnij (trumpet), Jürg Frey (clarinet), Sven Herman (accordion), Eva-Maria Houben (harmonium), Marcus Kaiser (violoncello), Tobias Liebezeit (percussion), Normisa Pereira Da Silva (flute), Radu Malfatti (trombone), Koen Nutters (bass), Sven Oetter (horn), Michael Pisaro (guitar), Burkhard Schlothauer (violin), Thomas Stiegler (violin). Antoine Beuger (…
Sublunar
Sublunar is the first full-length release from Kane Ikin who is also known as one half of the duo Solo Andata. Sublunar follows Kane’s solo debut Contrail (7”, 12k2022) picking up where that EP left off and pushing the boundaries outward in every direction into denser, deeper, wetter and more decayed terrain. The word “sublunar” can be read to contain many conceptual layers important to the album. It is music about moonlight, darkness, the faintest hint of light and shadow.... Moons locke…
Inspirationals
Back in 1988 Arbeit Group label released obscure industrial-noise release by project called TRAIT. A-side of the tape includes several different arrangement for inspiration in battle. B-side included several of those arrangements combined together for temporary unified action. 45 minutes of most primitive analogue destruction, leaving no place for easylistening or relaxing moments. Even with the atmopheric and dark moment, sound is extremely decayed and coarse sound of tape loops, manipulation a…
For Tomasz Sikorski
This release then of three short pieces under ten minutes by the Pole; Autograph (1980), Rondo (1984) and Zertstreutes Hinausschauen (1971) clearly holds some emotional resonance for Tilbury as he reflects on the music of his deceased old friend, and he then adds a fourth track here, a thirteen minute long improvisation in Sikorski's memory. The composed pieces here are each a nice listen, with the opening Autograph possibly the pick, as small flurries of melodic fragment are rotated, so …
Music For The Ears
Western Vinyl is proud to release “Music for the Ears” the first in a series of Small Music releases by Rolf Julius. With a goal of creating solitary sound environments, the Small Music series will culminate into a boxed edition of seminal works by this master sound artist. “Music for the Ears” is comprised of two long tracks of gently weaving tones exploring the possibilities of spatial experience. The cover image depicts Julius’ sound installation in a bamboo forest in Kyoto, Japan where his m…
One night in Burmantofts
A long overdue meeting of two of the titans of the saxophone. Alan Wilkinson (alto, Baritone & Voice) and Peter Brotzmann (clarinet, tarogato & tenor) together with Willi Kellers (drums) and Simon H. Fell (bass) blow up one hell of a storm. The individuals on this recording consciously commit, putting themselves 'out there', over the edge. The energy, the electricity, generated by saxophonists Wilkinson and Brötzmann, is a result of their fearless approach to the precipice and their willingness …
The Baroque Atrium
The Preservation label presents The Baroque Atrium, the second full-length album from Seattle's Panabrite. Panabrite is the solo recording project for Norm Chambers, who over a short time has grown a catalog of works showcasing a natural empathy for tapestries of sound that are eclectic, intricate and immediate all at once. Marking new ground in pursuit of pre-digital synthesis, Chambers' work as Panabrite is a shining light among those currently finding inspiration connecting sound explora…
Instance
Thembi Soddell's second solo release continues her exploration of dynamics, abstracting various sound sources, from field recordings to instrument textures, into sonic interpretations of her dreams.
Deep Fried
Now this a strange one. I never would've thought I would be paired with Jaap Blonk... it seems an unlikely combination. But when Tijs van Trigt asked us to perform at his AMPsnacks event in Arnhem, we had such a blast that we decided to do some recording together. This cd is a selection of three hours of improvisation we recorded at STEIM in Amsterdam. Quite a rollercoaster I'd say!
Collected Dust
Marcus Fischer is a musician and multimedia artist currently based in Portland, Oregon. Field recordings, chance, and DIY instruments, coupled with acoustic instrumentation and visual art, define what has become his minimal signature. His uncanny ability to sculpt delicate beauty from the simplest of sound elements results in compositions that are both intimate and expansive.From January 2009 through January 2010, Marcus kept a blog called Dust Breeding to document the results of his goal to com…