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Astounding LP documenting a high-quality live recording of a performance in Vittorio Veneto (Italy) in July 2012 by Virginia Genta (Jooklo etc), David Vanzan (Jooklo etc) and Chris Corsano. With Genta on tenor & soprano saxophones and clarinet, Vanzan on electric guitar and home-made semi-modular synthesiser, and Corsano on percussion, the trio combine their "informal creative sounds into a set of abstract cosmic-punk improvisations". Pressed on clear, marbled-yellow 180g vinyl and housed in han…
Awesome release: recorded in a hotel room after we totaled out tour vehicle and became stranded in the worst snowstorm in Ohio history†Beatty, Connelly, Tremaine. Artwork: hand cutted black cardboard, Xeroxed recycled paper, raw paper inner sleeve. The B side is screenprinted by Serimal. Limited edition in 500 copies. A 1-sided album of piercing vocals, walls of guitars, precise heavy electronics and thundering drums. A fusion of metal, noise rock, free jazz, industrial, and harsh electron…
Delectable quartet of Polish jazz pieces for the heppest cats, re-launched by Finders Keepers' Cacophonic sub-label. "A record of contended mythical existence amongst fans of Euro cinema and rare jazz for decades, this Polish only EP contains all four themes to Polanski's first-ever feature film Knife In The Water composed by unanimously beloved Polish pianist Krzysztof Komeda. Featuring Roman Dylag (Bruno Spoerri’s Teddy Bär) and a radical inclusion of a Swedish trumpeter, the sought after Bern…
Iancu Dumitrescu 'Plutonian frenzy' for ensemble and electronic. 'Galaxy III' for tape and electric guitar (soloist Stephen O'Malley). 'Hyperspectres I' (for three doublebasses, and percussions). Ana-Maria Avram 'Textures liminales II' for ensemble and live electronics. 'Textures liminales I' computer assisted music. Contemporary music ensemble under the direction of the composers with Stephen O'Malley, Maya Dunietz, Ilan Volkov, Ronald Boersen, Yoi Silver, Eran Bril, Eran Sachs, Assaf Ta…
Originally released on the Iskra label in 1975, Improvisation Sep. 1975 is a mind-bending slice of drone improv from two of Japan's post-war heavyweights; former John Cage student, Juilliard graduate, and Yoko Ono's former husband, Toshi Ichiyanagi, Takehisa Kosugi, considered by many to be the father of what some called "Japanese Krautrock," and Stockhausen percussionist Michael Ranta. Heavy layers of reverbed ring modulators, threaded vocals, melodicas, pianos, violins, gongs and Japanese biwa…
2009 issue "The album begins with a percussion intro that sounds more like a gunfight than any sort of recognisable drumming routine, and continues to get weirder and weirder from there on. New York avant-garde-ists Zs might be seen as a kind of post-modern free-jazz ensemble, combining sax, guitars and live kit sounds with all the tumult of contemporary electronic drone music. This LP absorbs the impact of no-wave, industrial music, Merzbow and (on the ornate rhythmic figures of 'MMW I…
Double LP reissue of the long out-of-print classic CD first released in 2004 -- the first modern electrified Molam recordings from the 1970s ever presented outside Thailand. Molam is a multi-faceted folk music native to Laos and the predominantly rural Northeastern region of Thailand known as Isan, home to myriad ethnic groups and provinces, and once a part of present-day Laos. Mo meaning "master" and lam meaning "song," "molam" literally translates into "master singer," but it remains mor…
After the dark conceptual ambience of Beyond the 4th Door, the members of Eternal Tapestry decided the time was right to do an album embracing their live show - blistering psych rock filled with lyrical guitar soloing and a caveman approach to rhythm, an oddly euphoric state where melancholia is blasted by ecstatic noise. Compiled from a variety of sessions at Tapestry Space throughout the spring of 2011 (some of this material first found a home on the two fall tour tapes), this set of so…
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
Patricia's warm, fuzzy post-techno-house slots neatly with the Opal Tapes aesthetic on his debut album, 'Body Issues'. Six tracks come off like a boosted 1991 or Huerco S, pushing malleable bass hits below swirling streaks of melody bursting with ferric quality. There's firm parallels to be made here with Anthony Naples, albeit with a noisier bent in 'Hissy Fit', whilst on 'Melting' juicy acid forms over a brittle jack track and the sweet-but-slamming 'Jospehine' and 'Plural' appear like some GH…
Celer & Machinefabriek are having a great year. In addition to their separate releases, they’ve toured, released a download set of the tour, and completed a trilogy of fine vinyl singles, of which Hei/Sou is the final piece. Perhaps the most exciting thing about their collaboration is the extent to which each seems to have been inspired and invigorated by the presence of the other. By pushing each other into new territories, they’ve each upped the ante, as best demonstrated on Celer’s late…
Marvellous Boy Calypso From West Africa HONEST JON'S RECORDS **** endlessly satisfying' (Boston Phoenix); 'Blending cheeky calypso with rocking highlife — and by turns breezy, wistful and downright uproarious' (Daily Telegraph); 'gems at every turn... weaving highlife, swing, military brass bands, Afro-Cuban jazz, into a hell of a compilation... Honest Jon's have added to the highest order of this simple music of heartbreaking celebration' (Brainwashed). The inter-war dance bands of British West…
Ricardo Donoso completes his latest trance mission for Digitalis with 'One Verse Sharpens Another'. Four tracks of serpentine arpeggios, rolling bass pulses and stealthy, soaring synth chords simulate cybersex in anti-G, from the X-Files atmospheres and alien seduction of 'The Redeemer', to the piloerect triggers and tense pizzicato strings of 'Open Drawer, Full Of Masks' on the A-side and over to the sublime, supple bass roll and gentle ambient caress of 'Child Primitive' or the mind-wea…
First solo audio only release by Melbourne based sound and laser artist Robin Fox and first solo release since the mind melting 'Backscatter' DVD on Synaesthesia (2005).Taking time out from his duo with Anthony Pateras, 'A Handful Of Automation showcases Fox's unique and highly individual take on the usually misunderstood Extreme Computer Music genre, and is a pleasurably disorientating ride. Alongside chaos trips such as 'Boundary Layer Skin Friction' and the stunning title track, sit b…
It's been a busy couple of years for the producer behind the Shifted project. On top of an extremely well-received album for the Mote Evolver label, the producer has edged further out into the fringes of electronic music under a number of aliases, taking in noise/ambient variants as Covered In Sand, as well as more distorted, technofied productions under the Alexander Lewis moniker, a sound described by the Blackest Ever Black label as "S-M techno." His new album as Shifted, Under a Single Ba…
**Re-press on vinyl, now with download code redeemable from the label** OPN's 'Zones Without People' was released in 2009 on a highly limited vinyl run for Arbor. All seven tracks featured in his Wire chart-topping 'Rifts' compilation, predating his mindblowing 'Returnal' album (surely one of the best of 2010) and displaying its prodigiously gifted creator amidst some of his most affective synthscapes. From the outset we could consider this to be classic material, as the miniature 'Computer Visi…
Mutant Ape is the insane noise project by Yorkshire, UK resident George Proctor. George runs the Turgid Animal label, which since 2005 has been the go-to place for harsh noise, power electronics and other demented spuzz releasing over 500 CDs, CDRS, cassettes, LPs, 10"s, 7"s etc. He has been releasing Mutant Ape sounds wherever and whenever establishing his classic yet contemporary noise/horror vision of lust and spectacle as one of the premier scum artists of the last decade. Erotic Yorkshire i…
After five years and 20-plus albums-- most released on their own Child of Microtones label-- MV & EE's 2006 move to Ecstatic Peace began on a high note. "East Mountain Joint", the opening track on Green Blues, is a hypnotic hymn to unscheduled freedom, and it's catchy without losing the duo's loose, do-what-we-feel-like vibe. In fact, it's so entrancing that it's made subsequent work by Matt Valentine, Erika Elder, and their various colleagues seem like insufficient attempts to recapture…
Originally self-released in 1984 on Pterodactyl Records, No Visible Means is the work of Canada's own Lou Champagne. Lou Champagne was active the Ontario music scene and also performed with other local musicians from that region as well. The Lou Champagne System was the real-time guitar synth solo act of Lou Champagne. Due to his knowledge of electronics, he was able to link his guitar, synth, and synthetic drums into a working one-man solo act that was playable with floor switches and …
This is Tomorrow's Achievements, an exclusive Public Information foray into the Canadian Library institution, Parry Music. With access granted by founder John Parry, Public Information have selected twenty-five of their favorite electronic tracks, an early autumn heat-wave of perfect melody. Parry Music was founded in 1974 in Toronto by John Parry and Chris Stone. John was formerly a manager of revered UK library Chappell Music and Chris was a Canadian music consultant; both brought some familia…