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Screeches, Scratches, Knocks, Bangs, Explosions and Howls in the Night! “@” is a fabulous studio recording of two Downtown masters. Both long-time supporters of extreme music and proponents of free improvisation, John and Thurston share a deep musical connection and come together here to create their first work together. A varied and powerful program of duo improvisations, “@” presents the community of NY’s Downtown scene at its collaborative best.
Limited LP pressing for The Cremator, as ongoing commitment to the lost music of the Czech New Wave cinema movement from the late 1960s and 1970s, Finders Keepers Records follow up our series of previously unreleased music to Valerie And Her Week Of Wonders, Daisies, Saxana and The Little Mermaid with a short series of soundtracks for films by the country’s master of the macabre and the nation’s first point of call for freakish fairytales and hallucinogenic horror, Mr. Juraj Herz. As another lat…
Bureau B reissues Günter Schickert's album Überfällig, originally released in 1979 on Sky Records. "No sooner had electronic music broken through in Germany, principally aligned in the two schools of Düsseldorf and Berlin, than Günter Schickert also began his first musical experiments. Although GAM, the group he founded in 1973, did not then release a record, he did issue his first solo effort, Samtvogel, a year later -- an album which was eagerly snapped up and re-released by the Brain lab…
Jar Moff returns with his second full-length, Financial Glam, a follow-up expanding on ideas first presented by the excellent Commercial Mouth debut LP PAN released earlier this year. Continuing with themes established on his previous LP, Financial Glam reflects the flux and tension of his home city, a gripping opus of grandiose crescendo and collapse, broken rhythm and disquieting calm. These intricately-composed collage works, constructed from hundreds of archived samples, provide a fitting…
Since 1997 Italian brother duo My Cat Is An Alien has been documenting an ever deepening musical dreamscape, their massive body of work representing some of the most emotive and soulful improvised experimentalism in underground music. Recorded in a remote region of the Western Alps, this latest LP navigates especially tranquil territory as it builds blissed-out pastoral mirages, dappled just slightly with glimmers of an outer darkness. Like much of the duo's best work, Living On the Invis…
FaravelliRatti is a duo comprised of Nicola Ratti (guitar) and Attila Faravelli (computer) who play with a tower of different prepared speakers and a taper recorder in between them. The idea is to fed speakers with different languages in the same space and have them resonate with the phisical space. Every speaker is prepared and positioned so the resonance can be controlled by the players, moving their bodies around the sound totem in between them. Their live set represent this idea, of building…
Kassidat: Raw 45s from Morocco is a full-length LP that features six extended tracks from the golden age of the Moroccan record industry. After Morocco gained its independence in 1956, Moroccan-owned record labels sprouted and flourished in Casablanca. The inexpensive 45 rpm format allowed the record companies to release thousands of songs during the 1960s, creating a snapshot of the raw and hypnotic Berber music that thrived throughout Morocco. Powerful traditional styles were still aliv…
Awesome release: recorded in a hotel room after we totaled out tour vehicle and became stranded in the worst snowstorm in Ohio history†Beatty, Connelly, Tremaine. Artwork: hand cutted black cardboard, Xeroxed recycled paper, raw paper inner sleeve. The B side is screenprinted by Serimal. Limited edition in 500 copies. A 1-sided album of piercing vocals, walls of guitars, precise heavy electronics and thundering drums. A fusion of metal, noise rock, free jazz, industrial, and harsh electron…
"Noah Creshevsky composes some of the most meticulously constructed electronic music around. For his third Tzadik CD he has created a sonic history of his life work, inspired by the idea of a retrospective. The Four Seasons presents a new large-scale composition that reflects his work from 1992 on to his present work with Hyperrealism, creating virtual "super-performers" using the sounds of voices and traditional instruments pushed beyond human capacities. Another brilliant and varied program ch…
A recent collaboration between these sound experimentalists consisting of both musicians’ passionate relation to found objects and recycled material treated as instruments. Devoted solo performers of free improvised music, also members of the London Improvisers Orchestra, Tasos Stamou (modified electronics, prepared zither, found violin) & Adam Bohman (amplified objects, prepared balalaika and prepared violin) create layers of “instant” musique concrète which balances between narrative structure…
'The music supposed to be a soundtrack for lonely ice-soundscapes... when you stand there on lonely wide inhuman places and feel lost, but you still stand on ice...' - Baraka[H] The newest collaboration between masters of evocative noise/drone ambient is divided into four long tracks, four directions of nothing. The tracks are entitled in middle ageindo-german language, for north, east, south, west. And the album title means nothing from nothing - very weird notion, as it doesn't exist anymore i…
Belgian/Italian duo Andrea Taeggi and Koenraad Ecker isolate a diffuse mixture of techno and concrète noise with 'Apophenia' for Opal Tapes. Building on the decayed structures of last year's 'Contrapasso' album, their latest blends the chaotic virtues of their improvisational approach with a more premeditated logic, manifesting five arcane constructions balancing abstract expression and rugged, grooving purpose. In that sense it works well alongside Opal Tapes' boss Basic House, but Lumisokea's …
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
180gm LP limited to 250 copies. Between them Rhodri Davies and Richard Dawson are busy people. Playing festivals across the UK, Europe and the US; with their last solo albums (Wound Response and The Glass Trunk) both receiving huge critical acclaim, and serially collaborating with prominent figures across music's counter culture. Hailing from Newcastle, Dawson:Davies: Hen ogledd is the new good buddy duo-project between pioneering harp-fiend-legend-dangerman Rhodri Davies and rebel singer-painte…
Two new long tracks on a 33rpm 7". Maginot features gorgeous vocals & acoustic guitar. Alaskan Lashes is a smear of found sounds & ambient tones. Housed in a heavy card sleeve, a mini lp style sleeve, complete with title on the spine. Pressed on very pretty, pale YELLOW vinyl. Limited to 500 copies!
Two heavyweight explorers of sound and technology, Russell Haswell and Yasunao Tone, both undertaking separate rigorous experiments into the synthesis of sound and all its remits, converge for one helluva collaborative work. ‘Convulsive Threshold’ is the result of years of research and experimentation, Haswell’s systems of hybrid analogue/digital audio generation acting as one of the starting points for this relentess piece of material, which are then subjected to Tone’s MP3 Deviation tec…
Cry was recorded in a shed at Taieri Mouth between 1998 and 2000 and then released by Emperor Jones on CD in 2000. Alastair has always been one of the most admired yet paradoxically ignored musicians from the New Zealand underground since he first started out in The Rip on Flying Nun Records in the early 1980s. Having already worked with the incredibly talented New Zealander otherwise known as Michael Morley, it seemed natural for MIE’s next step to go on to work with Alastair on getting …
Here’s a very limited coloured vinyl thing by Cicciolina Holocaust. There’s one of those photocopied pictures on the front where I’m pretty sure I don’t want to look at it for long enough to figure out what’s going on, much like Urashima seem to specialise in - it looks like some people are doing something very bad to another person. The tracks here originally came out on cassette in 1984 and have been remastered for this release.It’s dark industrial droney harsh no…
"Marissa Nadler's Kickstarter funded self-titled self-release. Brian McTear produced the album, which Nadler says is the 'most honest, natural record' of her career." "You'll want this music to never end...best severe and complex emotions that we've possibly never recognized in this or previous lives." -- LA Weekly
Painted Caves is Evan Caminiti. Surveillance is his debut LP under this alias. Primarily sourced from modular synthesizer, Surveillance compiles 7 tracks recorded over the last year, warped with cassette tapes and other digital tools. Beamed in like a scene from Videodrome, this sensual brand of dystopian psychedelia creates a grainy and tension filled narrative to get lost in. Much of Caminiti’s past work has inhabited a world of it’s own, but Surveillance is a direct response to life in an …