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Kevin Drumm's 2007 cassette 'Purge' on iDEAL went out of stock in less than a week. This is the CD version of that killer thing. Intense listening takingyou deep into the known unknown, or perhaps the unknown known. Drumm's noise is extremely powerful and dynamic.; travelling frequencies, rich withdetails, with very little hope, with guaranteed exhaustion after frequent listening. I always think about Black Metal when I am listening to Drumm's works,Êthey share the same cold and darkness. 'Pu…
Heavyweight, tip-on style gatefold jacket printed on uncoated Stoughton stock includes download code redeemable from the label. Vinyl mastered by Lupo at D&M** In swift succession to his excellent Vallens 12", Barn Owl Jon Porras presents his third solo side under his birth name. Inspired by a book on the San Francisco Tape Music Centre, Jon creates expansive atmospheres from slowed down tape manipulated with analogue FX to complement the hazy grain and shapes of his signature, plangent g…
Stop right there, hands in the air! If you want to know what Magik Markers think is good for you, you'll Surrender to the Fantasy. For this long-desired alpus, they've been working in threes and stuff. Triangles. The hermetic trifecta of knowledge, Christ and the two thieves, Alvin and the Chipmunks, and the original tagline of the Markers' symbol: '3 down, no to go.' Meaning, these three get it and literally no one else needs to, 'cept the record-buying public, tra la la, ha ha ha ha. STTF (nev…
Dragon Turtle Almanac is a heavy trip; a document of transformation, entropy, and causality. Dragon Turtle evokes Morricone landscapes as if painted by Glenn Branca, where dream atmospheres meet brutal realities of nature and relationships. These forces are both beautiful ("Causality", "Belt of Venus") and destructive ("Moon Fallout", "Burn the Leaves"). The textures and layers move with a sense of urgency and purpose ("Hometime", "Hourglass"). The duality of Tom Asselin and Brian Lightbody's mu…
With each successive release, MV & EE strive to map new territory and to travel more distant orbits. It makes sense that this mission is their furthest reaching yet. While they've long been comfortable navigating the same planes as such cosmic explorers as Sun Ra and Alan Silva, Fuzzweed sees them planting their freak flag in the sorts of different galaxies where the atmospheres counterpoint the music of the spheres with the more earthbound plaints of the blues. Please remember that The …
LP version; printed innersleeve with lyrics. Before Balf Quarry landed on my desk, I figured the dirtiest thing in Connecticut was Chris Dodd's browser history. Not so. Among other things — like guitar tones that buzz around like contact-high June bugs, Elisa Ambrogio's slack vocals wavering between coy calls and willfully distant snarls, and a production value so low and dense you feel you're listening to them from the dining room above their rehearsal space — Hartford natives the Magik Markers…
The Kel Tamasheq people of the Sahara respect an ancient social order of noble families supported by lesser nobles, craftsmen and former slaves. Noble princes never would pick up a musical instrument -- that was for the craftsman, the griot, the professional bard, or the lesser nobles. But all that has changed during the droughts and rebellions of the past 50 years. The whole social order has been challenged. In the 1970s, electric guitars appeared in the desert. Everything began to c…
Awesome brand new LP that marks the band’s first full length album foray in to the exploration of duo improvisation. Recorded over an extended period of time, in a secret midtown Manhattan location high above the city streets, this is their first record devoted entirely to duo improvisations. The LP also features striking silkscreen cover art by Yoko Tack.Since their late-1990s inception, White Out - as comprised by multi-instrumentalist Lin Culbertson and drummer Tom Surgal - have been one of t…
When does modern composition become drone?  When the original elements are sunk into a sea of strings, brass and electronics, as they are on this evocative split release.  Each of the artists composes, but in a modern fashion, either by manipulating source elements or by rearranging them to make a different sort of sense.  Both pieces are based on recordings of the Antonio Lomatto choir, conducted by Davide Mainetti.  The phantoms of these recordings remain, spectral yet in…
"Superb cosmic and minimal synth/coldwave German underground masterpiece recorded in the early 1980s and released exclusively here on super-loud high quality 12" vinyl on Soul Jazz by popular demand! This is extremely limited (500 copies only) and contains three exclusive tracks of cosmic heaven by the cult German electronic group E.M.A.K. -- none of which appear on Soul Jazz Records' recent E.M.A.K. album. E.M.A.K. were a main feature on Deutsche Elektronische Muzik, Soul Jazz Records' j…
Planned since Hubble’s first live performance in September of 2010, Hubble Drums is an inspired record of new guitar music. Equal parts shred-fi, cyber-dread and fried psychedelia, Hubble Drums marks Ben Greenberg (of Zs and The Men)’s first full-length recording and debut for Northern Spy. Recorded at Python Patrol and lovingly mastered at Bonati Mastering, the CD and 150g LP features original artwork by Michael Yaniro and Ben Greenberg. “Hubble’s Hubble” serves as the soundtrack for a v…
Ear drum piercer brezel göring (of stereo total) and thrash lout "hotleg" have committed themselves to a reckless and impulsive mix of dub-psycho-speed-new wave, action film soundtracks and 50's musique concrète. For several years, these two desperados have hacked their way through the unpredictable weeping fistulas of post-industrial easy listening. In doing so they combine genre-spanning arranged marriages and acceleration of track playback speed. The music is played on children's toys and fle…
Elsewhere, ‘The Love Didn't Go Anywhere’ sees Leafcutter John play guitar on a beautifully loping piece that has the subtle afterglow of classic Roxy Music, with Bryan Ferry’s vocal replaced by the rapier glide of the two reeds, while Tom Herbert’s hefty double bass pounds out concise but penetrating lines. Interestingly, prior to the sessions, Rochford listened to a lot of ‘60s soul (“Aretha and Marvin Gaye”), an influence that he has channelled with more guile than is immediately discernible. …
"Which side of the picture should be hung uppermost? 2003, London: the first time I visited Tate Britain, Tate Gallery, and the first time I saw and really experienced the paintings of JMW Turner (1775-1851). Overwhelmed, especially by his late and unfinished works I was stunned by the power of the stillness of his work. 25 years before that something similar; me, as a young man in Madrid; Prado, Goya paintings and etchings - for me an initiation which opened up the door to earlier art an…
"12k kicks off its 11th year with a new release that takes the label down new sonic pathways. Caught between the organic and electronic minimalism that 12k is known for and the unconventional Japanese pop musings and songwriting style of Happy, Moskitoo's Drape is an infectiously strange, bleepy, and dreamy debut release. Sanae Yamasaki (Moskitoo) hails from Sapporo, Japan in Hokkaido, the country's northern-most prefecture. Perhaps a reaction to the cool climate of her home, her multi-instrumen…
Gabriele Giuliani has distinguished himself in the 90s for multiple activities in different territories. As Drif, runs through electronic environments, as Discordance instead are more ominously violent sides to emerge, while as Dead Body Love the sharp points of the ultra sound reached dizzying heights. Audiocide ‘95 is one of his first tape released on Slaughter Productions with his main moniker. Two tracks of hellish distortion and saturation, stripped of any frills and reduced to the p…
Multi-faceted composer and performer Ashley Paul releases her new lp 'line the clouds', on brooklyn's rel records. a hyper-intuitive record, where off-kilter instrumentation meets beautifully crafted melodies to convey the very essence of 'musicality', 'Line the clouds' contains 44.18 minutes of sonic paradoxes and dichotomies. Stirring up a zephyr of twelve blissfully cacophonous sounds - singular moments of an indivisible whole the focus is on guitar, voice and saxophone, but Ashley also em…
Sleeper line is a five-track EP constructed from the original components of a live set performed in December 2012. These components — manipulated found sounds — were recorded at various times and in various environments: Dungeness Power Station (2012), street recordings post-Notting Hill Carnival (2007), a prior live performance at the White Building in London (2012), and a cassette recording made in the cloakroom of the Metalheadz Sunday Sessions club night (1997). The cyclical process of merg…
Hopefully MRTYU requires little introduction, because the project evades easy description. An odd compound of vedic imagery, metal misanthropy, and violin agony, this music moves away from any particular fan base in pursuit of its distant, darkened idols. Ornate shroud is MRTYU's most potent spawn to date. Hewing closer to song form than previous releases, the album conceals Antony Milton's violent guitar and violin work behind MRTYU's characteristic murk. Its pieces transition from jagged riffs…