New Arrivals
Giudizio Final (Compilation And Unreleased Tracks)
Lovely compilation of M.B. music including old tracks taken from 80's compilation cassettes. Cover image is a 1982 original M.B. artwork. Numbered edition in a paste-on digipack.
Awakening Messiah
Dominick "Vatican Shadow" Fernow presents veiled techno producer Violet Poison on his Bed Of Nails imprint with the spectral industrial gloom of 'Awakening Messiah'. To date Violet Poison is best known as the mysterious accomplice of Shaped Noise in their Violetshaped alias - but here he strikes solo, transmitting four cuts of steely, night-stalking cyberpunk driven by sputtering techno engines through intensely bleak synth interzones. Like Black Rain or Vatican Shadow, it's a chilling exercise …
El Pianista del Antifaz
French-Catalan musician Pascal Comelade's world is atypical and his inspirations come from many different sources -- from contemporary music to The Cramps -- making him one of the most creative and original artists of our times. At the crossroads of many different arts, never where he's expected, he never ceases to surprise his audience, taking the listener on poetic paths of primitive perception. El Pianista del Antifaz is the latest album in Comelade's galaxy. The artwork was designed by Du…
Kilo
Finnish experimental electronic musician Mika Vainio's first solo album for Blast First sees him return to his classic power electronics/heavy beats approach that made Pan Sonic garner a worldwide reputation. The album developed from Vainio's recent live sets to make 10 tersely-titled tracks inspired by the shipping container industry. Four stars in Mojo: "heavy-freight," The Quietus describes it as "fearsome."
Retro-2038
COH is the moniker used by Ivan Pavlov from Russia for more than a decade. COH is also the Russian word for \'sleep\'. Yet, do not be deceived - RETRO-2038 is much more of a deep space than a deep sleep. The second COH release on Editions Mego is a true delight to behold, inviting as it does its exploration of electronic sound in minimalism, futuristic pop and the uncharted territories inbetween. Ranging from digital updates of Giorgio Moroder\'s pulse experiments to menacing lingering LF…
Musica per un giorno registrata in un mese
Spectacular edition! A silk-screened wooden box containing 24 tapes and a book (of art, texts and private photos collection from the artist), issued in a micro edition of 30 copies only. This composition of 24 hours recorded in one month, is a reflection on time. Ambient sounds, carpets of keyboard, pulsating electronic, moments of life gathered and where necessary assembled. All closely and soundly tied to what took place between January 4, 2012 and February 4, 2012. Sound reflections '…
Surveillance
Painted Caves is Evan Caminiti. Surveillance is his debut LP under this alias. Primarily sourced from modular synthesizer, Surveillance compiles 7 tracks recorded over the last year, warped with cassette tapes and other digital tools. Beamed in like a scene from Videodrome, this sensual brand of dystopian psychedelia creates a grainy and tension filled narrative to get lost in. Much of Caminiti’s past work has inhabited a world of it’s own, but Surveillance is a direct response to life in an …
Coin coin chapter one: Gens de couleur libres
At first look this might seem like a weird move for the Constellation label as Matana Roberts’ debut for the imprint is pretty much straight-up free jazz. But she’s got some serious history with the Montreal collective, even throwing down horns with Godspeed Thinking about it too, there’s always been a nod towards the free jazz scene (not least on Colin Stetson's recent genre-bending LP) but where others were a nod, ˜COIN COIN Chapter One : Gens de Couleur Libre…
@
Screeches, Scratches, Knocks, Bangs, Explosions and Howls in the Night! “@” is a fabulous studio recording of two Downtown masters. Both long-time supporters of extreme music and proponents of free improvisation, John and Thurston share a deep musical connection and come together here to create their first work together. A varied and powerful program of duo improvisations, “@” presents the community of NY’s Downtown scene at its collaborative best.
The Acrylic Widow
Awesome! Quoting Metamkine review "Dylan Nyoukis returns assemblying iconoclastic voices, collages of field recordings, reminding a Tibetan monk lost in a festival of sound poetry or the music concrete by Michel Chion". Four measured tracks, all washing up a new kind of psychedelic moss, fresh thin tendrils, easy to snap, but determined to grow among loose grey matter late on into the next day, and the next and the next. Dry coughs and outta-whack piano chords play into Boy Scout bike repairs. …
Bits & Pieces
The history of - behind which we find Nico Selen of O.R.D.U.C, E.M.M. and many other guises - and Freiband, the name of Frans de Waard when it comes to all sorts of computer based, goes back for over 20 years. Selen was the first to release a LP by Kapotte Muziek (De Waard's other music enterprise, among many!), in 1990 and they have been off and on in contact. Earlier 2013 released a very limited CDR, which De Waard quite liked and in the next days he kept returning to it, eventu…
Re-Engineering
Steven Warwick aka Heatsick cocks a unique and compelling perspective on contemporary dance music with his bold follow-up to 'Intersex', a gorgeous, layered work that those of you into DJ Sprinkles should check out without delay. Now woven with leaner dancefloor muscle, the deeply funked views of 'Re-Engineering' are characterised by the artist as a "cybernetic poem". We can take this quite literally in his use of spoken word in pieces such as 'Re-Engineering' with its Chris Morris-esque wordpla…
Works for String Quartet and Percussion
"The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble's unique sonic resources in diverse stylistic settin…
The car boot sales
A recent collaboration between these sound experimentalists consisting of both musicians’ passionate relation to found objects and recycled material treated as instruments. Devoted solo performers of free improvised music, also members of the London Improvisers Orchestra, Tasos Stamou (modified electronics, prepared zither, found violin) & Adam Bohman (amplified objects, prepared balalaika and prepared violin) create layers of “instant” musique concrète which balances between narrative structure…
Vengeance Candle
"Clay Rendering is a new band born of Aries couple Mike (Wolf Eyes, Hair Police, Failing Lights) and Tara Connelly (the Haunting and The Pool at Metz). The two began work on the project in the fall of 2012, dedicated to resurrection, (much like their sun signs) with a focus on arcane structures. Droning and melancholic guitars are propelled by the skeletal remains of industrial music. Low light vocals weave in and out of the stark atmosphere. Electronics mix with acoustics, vocals and gui…
Don't tell the driver
Finally, after 15 years, Big Mick Turner has turned in the big rock record we always knew he had in him. Yeah, Don't Tell the Driver is a different kind of record from all the Mick Turner records -- not just his own, but the ones he's done with Dirty Three, Bonny Billy, Cat Power, Fungus Brains, and Venom P. Stinger put together. So, what's so different about Don't Tell the Driver anyway? Well, Mick grew a mustache for this one. That must mean it's his Sgt. Pepper; a consolidation and developmen…
Jessica In The Room Of Lights
Reissue of this largely unknown yet spellbinding touchstone in the canon of Sheffield's industrial music heritage, the album was recorded in 1986 as a soundtrack to a theatre performance recorded by John Avery, a contemporary of Cabaret Voltaire and Clock DVA. Forced Nostalgia's sixth release imposes the uncannily affective melancholia of John Avery's 1986 soundtrack to a theater performance Jessica in the Room of Lights by the coincidentally-named Forced Entertainment company. Avery employs pi…
Chimerizations
Chimerizations feature a radically new form of documentation of Florian Hecker’s sound works that dramatize the phenomenon of Auditory Chimaeras.
“Chimeras are integrated bodies that synthesize incompatible modalities, surpassing their respective particularities without fusing them, finding a common ground, or reducing one to the other.” (Robin Mackay)
The publication presents the documentation of Hecker’s recent sound pieces (“Magnitude Estimation,” 2010; “Hecker Leckey Sound Voice Chimera,” 20…
Eye of the microphone
A somewhat surreal audio rendition of the sounds of The City of London. BJ Nilsen (b,1975 Sweden) is a sound and recording artist. His work is based on the sound of nature and its effect on humans. Heprimarily uses fieldrecordings and electronic composition as a working method. He has worked for film, television, theatre, dance and as sound designer. Track notes: In 2012 I received a scholarship from the Leverhulme Trust for a one-year Artist in Residency at the UCL Urban Laboratory in London, …
The Letter
This is the first album by Liberez, a group formed by recording engineer John Hannon and Pete Wilkins in Southend. The project began life exploring a deconstruction of the traditional "band" form before expanding to a quartet with the addition of vocalist Nina Bosnic, and multi-instrumentalist Tom James Scott. Musically rooted in improvisation, the band sought a progression from the loosely described "noise rock" sound at their inception into more abstract territories. The tracks were recorded a…