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The tape more provocative and irritating of Pierpaolo Zoppo, the Italian sub-genius behind Mauthausen Orchestra, is certainly Dedicated to J. Goebbels . The tracks were recorded during '82-‘83 and offer an overwhelming noise ferric devolves into agonizing nightmare and atrocities sound that recall the dark side of humanity. This is the fourth official reprint on Urashima in Lp and the artwork was approved by the artist.Tracks remastered from the original tape and the record has been pressed on 1…
Kogetsudai is Sylvain Chauveau's 10th album, the second in a trilogy initiated by Singular Forms (Sometimes Repeated) (2010), where the song structure is dismantled and reconstructed on the fringe of silence. Whereas Singular Forms found inspiration from Abstract Painting, Kogetsudai is influenced by Zen rock gardens found in Japan Ñ also the location where the album was conceived (for the most part) Ñ and from which the album borrows its title. Layers of minimal electronic sounds and filtered f…
Husband-and-wife duo, Will Long and Danielle Baquet-Long, who self-released handmade items and created sound for installations and exhibits along with producing conventional releases. "A few years ago I was commissioned by a film company in California to create a musical score for a film inspired by the Hitchcock 1954 film Rear Window, but with a more surrealist, two-sided viewer plot. As filming hadn't begun, I was given the screenplay and timeline, and asked to make specific music that might f…
"A selection of rarities from 2008-2009. Track one originally released on an OPN/Outer Space split CS (Arbor, 2009). Track two originally released on Ruined Lives CS (Young Tapes, 2008). Track three and four originally released on Transmat Memories CS (Taped Sounds 2008). Track five and six originally released on A Pact Between Strangers CDR (Gneiss Things, 2008). Track seven originally released on Young Beidnahga CDR (Ruralfuane, 2009)." Includes a digital download code.
Air Museum blurs the lines between acoustic and electronic music even more without sacrificing melody or the delicacy of their sound. It is an album of firsts. It was the first album that the acoustic instruments were not processed via a computer. Instead, the processing of the instrumentation (acoustic and electric guitar, cello, accordion, piano, bass etc.) was done using a variety of pedals, modular synths, and other analog techniques. While acoustic instruments were used extensively, …
third issue of Lasse Marhaug’s titanic self-published journal of “noise, music and random chaos. Exclusive interviews with : Moe. Norway's Guro Moe on her various projects, ice swimming, playing loud and what's wrong with Norwegian music. Carl Michael Eide. Norwegian guitarist and vocalist from Aura Noir, Virus, Ved Buens Ende and more metal bands that you can think of. Being inside that groove, not wanting out. The Menstruation Sisters. Multi-disciplinary Australian artist Nik K…
"Second chapter on the Bröselmaschine saga after a four-year hiatus. The band's second incarnation came to life in 1975, when Peter Bursch reformed the group together with old member Willi Kissmer and new recruit, Klaus Dapper (flute, sax, tuba). Helped by such honorable guests as Mani Neumeier and Roland Schaeffer (from Guru Guru) or Jan Fride from Kraan, their 1976 album was a solid session of progressive folk, very different than its predecessor but also with an atypically hypnotic and…
180 gram vinyl version. Tracklisting: Space Towers, Cogitation, Skylight, The Alter Destiny, Easy Street, Blue Differentials, Monorails and Satellites, The Galaxy Way. Recorded at Sun Studios, New York 1966 (a home recording).
Stop right there, hands in the air! If you want to know what Magik Markers think is good for you, you'll Surrender to the Fantasy. For this long-desired alpus, they've been working in threes and stuff. Triangles. The hermetic trifecta of knowledge, Christ and the two thieves, Alvin and the Chipmunks, and the original tagline of the Markers' symbol: '3 down, no to go.' Meaning, these three get it and literally no one else needs to, 'cept the record-buying public, tra la la, ha ha ha ha. STTF (nev…
LP version: This second Art Zoyd cult album has been unavailable for many years. Originally released in 1979, it is now re-released with new artwork and additional tracks. Released almost three years after Art Zoyd's first LP, Symphonie pour le Jour où Brûleront les Cités (SR 330CD/LP), Musique pour l'Odyssée (trans. "Music for the Odyssey") presented a slightly different version of the band. The nucleus of Gérard Hourbette (violin), Thierry Zaboïtzeff (bass guitar, cello, vocals), and Jean-P…
CD in 4-panel chipboard sleeve. The complete, unabridged masterpiece from 1997. Almost impossible to find since more than 10 years. After a vinyl reissue (but not complete) here\'s the CD version again ! Voyage à l\'ombre was originally released in 1997, as a limited CD on the France-based Demosaurus label run by David Fenech, a frequent Tazartes-collaborator. With tracks featuring Pambin Thullal, Syeta Choir, and Yumi Nara. Original lbel note \'Ghédalia Tazartes combines an orchestra and a pop …
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…
Virgins was recorded during three periods in 2012, mostly in Reykjavik, Montreal and Seattle, using ensembles in live performance. The sound palette of this work is wider, almost 'percussive' and tighter sounding than previous works. While this album remains committed to a painterly form of musical abstraction, it is also a record of restrained composition recorded live primarily in intimate studio rooms. This record employs woodwinds, piano and synthesizers towards an effort at doing what digit…
Forms represents Pausal's sophomore production for Barge Recordings and sees the British duo merging their finely detailed sound design and ambience with a newly heightened sense of space and structure. Simon Bainton and Alex Smalley have clearly developed their compositional abilities since their earlier output; the ten pieces here are presented as four long tracks and feel natural in their melding of experimentation and harmonic progression. The rich, sprawling waves of aural grandeur a…
From 1982 to 1992 Frank Scheffer worked with John Cage on many different occasions, which resulted in a unique archive of historical audio-visual material. Based on this unique archive, including interviews, musical performances and images of different locations related to his life and work—filmed on 16mm—the filmmaker Scheffer created How to Get Out of the Cage—A Year with John Cage. Frank Scheffer wrote: "The famous artist Marina Abramovic introduced me to John Cage. She thought it woul…
special artist multiple signed edition, limited to 150 copies, this is a collaborative record by swiss artists Marc Zeier (G*Park), Luigi Archetti, and Ian Anull. Released for their Exhibition 'Made in China' at Hans-Trudel-Haus, Baden, Switzerland, April-May 2009. The music consists of (manupulations of) recordings the three artist made during their travel to China in 2008. Traditional instruments and field-recordings with electro-acoustic treatment.
333 Loops (Volume 1) is the first chapter of a CD/DL live series, which documents the sound events generated by the homonymous modular system, designed in 2011 by the Italian musician Emiliano Romanelli.
The system is composed by an archive of 333 pre-recorded sound loops, produced between 2008 and 2011 by a sound synthesis software played in different acoustic environments, and documented mainly with internal microphones of several digital and analog portable recorders. Subsequently, by a custo…
...Mindblowing!!!! "Perpetually rolling, Japanese-American master percussionist Tatsuya Nakatani holds a relentless schedule, road-bound in continuous dedication to his passion. His solo sets thunder with coaxed nuances from his kit, overlaid in staggering bounty. Nakatani is also fearless when it comes to collaboration, and seeks it out adventurously during his extensive tours. In this spirit of combined efforts, Nakatani Gong Orchestra shines a different light in each new location it arises. N…
Nate Wooley, trumpet, amplifier. C. Spencer Yeh, violin, voice. Audrey Chen, cello, voice, electronics. Todd Carter, piano, electronics, edit. Blurring the lines between electronic and acoustic music, as well as composition versus improvisation, NCAT is an unique quartet consisting of an improvising trio whose music has been mutated and structured in post-production by its fourth member. The bulk of the musical material on this LP was recording at Steim in Amsterdam, during a residency of …
"Collective improvisation based on a Turkish folk tune. One of the most ecstatic piece of music i ever heard (simple as it is) ! suddenly i found myself dancing madly, like a Whirling Dervish... unfortunatly i didn't get Enlightment BUT, it was fun !" ep