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This third release from the Peruvian spiritual collective (roughly translated as Mountain Community) continues to deliver deeply personal devotional music honouring their natural surroundings in the river valley outside Lima. As with previous releases, much of the music was recorded and composed on the spot, making them truly unique improvisational journeys to inner peace. Like 70s krautrockers Amon Düül, with a communal vibe with religious overtones to their soothing, meditative music. Nature i…
Sleep (an attempt at trying)“ is a radio suite for vocalist, narrator, improvising ensemble and electronics. In this project Bumšteinas explored the subject of insomnia which makes it a very autobiographic project. The main sound material for “Sleep” came from the sleeping-aid and relaxation tapes, that Bumšteinas bought for himself in various fleamarkets around Europe. The course of personal therapy wasn't too successful and due to nocturnal boredom Bumšteinas started dabbling with the function…
The three piece group from Portugal explore in ten tracks the possibilities of the church organ. The members play in various combinations on different organs. The outcome is very varied. The opening piece is barely audible, but the second piece is a loud, repitive, all register open one. Of course it's hard to see this music without any religious overtones, but Osso Exotico don't give a clue in that direction: all their pieces are untitled. Meditative pieces in most cases, but less minimal then …
This vinyl-only album fills a crucial gap in the evolution of legendary folk artist Spider John Koerner. Recorded in between 1965's Spider Blues and 1969's Running, Jumping, Standing Still (with Willie Murphy, both released on Elektra), Koerner is captured here live and unaccompanied at The Ash Grove in Los Angeles, bringing to light an exciting and previously-undocumented period in the career of Spider John. The excellent recording captures Koerner at the absolute peak of his guitar-playin…
Awesome shimmery concept record about the foamy sea "Kye is proud to present the long-awaited new LP by Folkestone's Call Back the Giants. The Marianne takes the questing, narrative themes last heard on The Rising LP (2011) and Incidents of Travel EP (2012) and extrapolates them into a three-part conceptual odyssey. Set aboard the cruise liner of the same name, The Marianne charts the epic voyage of Capt Fletcher and his patrons as they passage across the 'sour ocean,' through a prism of supern…
Mantle is Pixel's fourth release on Raster-Noton since his debut in 2003 and a further exploration of his approach to rhythm-driven electronic music. The overall atmosphere which is produced by the fragile but nevertheless complex sounds is gloomy and quite threatening. Deep, pulsating basses are accompanied by ominous and fierce tones which emerge like flashes of light or shock waves, giving the impression of being warning signals. The few calm moments are constantly disrupted by dark dr…
This is Electro 80's minimal punk at its very best - think Grauzone meet D.A.F. meet Suicide!Stephan Eicher recorded the totally 7 songs (only 5 were later released on the debut 7") on a simple dictaphone recorder with no overdubs or mixing and purely with 'stolen' equipment (after the Police stormed the Spex club where Stephan worked, and where the band that was supposed to play had to leave behind their equipment.).With almost no equipment he tried to reproduce tracks by his short living first…
Ship Chop is a celebratory cut-up of far-flung musics. Edited, collaged and re-arranged by Daniel Padden from original vinyl sources to create impossible collaborations between musical ghosts. It is both reverential and sacrilegious, giving the music its full praise whilst also subjecting it to playful subversion. Some of the editing is obvious and transparent, but some of it much less so, where sounds from different recordings and continents overlap into an unlikely whole.
Daniel Padden …
Bernd Lohaus (1940 in Düsseldorf; + 5. November 2010 in Antwerpen) was a German artist (living in Antwerp/Belgium) mainly known for his sculptures, usually made of heavy found wood which he minimally changed (by carving in one word poems for example). He was a student of Joseph Beuys and together with Hugo Heyrman, Panamarenko and Wout Vercammen one of the first "Happeners" during the 1960's in Belgium, organising street performances in the centre of Antwerp. They published "Happening new…
Special art box in 26 copies only, also including one-sided LP with hand-made labeel (photo of Sangomas) and totally unreleased music from the Sangoma drums session (this particular track was not even on the original cassette release)
2013 repress. "Originally released in 1968, Scott 2 made it all the way to number one on the UK pop charts, perhaps the strangest number one hit in pop history. Continuing with his orchestral obsession, Scott 2 features over-the-top string and horn arrangements, occasionally veering into dangerously schmaltzy territory. This production style is in drastic contrast to the lyrical content, songs of despair, prostitution, homosexuality, and brutal honesty, indicting the same glamorous and gli…
Gastr Del Sol emerged from the remains of Bastro in 1992 with the brooding, mostly drumless album, ‘The Serpentine Similar’. This represented an unlikely evolution from the fury of Bastro, but evolution was only getting started - and ‘unlikely’ was one of the ongoing principles in Gastr Del Sol’s approach. Before the sessions for the second album, Bundy Brown left the group and David Grubbs asked Jim O’Rourke to come play. 1994’s ‘Crookt, Crackt Or Fly’ tangled the clean lines of the original ba…
Following soon after the critically praised Black Tar Prophecies collection on Important Records, Portland, Oregon's Grails return with their first proper studio album since 2004 release of Redlight. Burning Off Impurities - their debut for Temporary Residence Ltd. - makes good on the promise of those past releases in delivering an album that not only thrusts the group to new heights, but also significantly pushes the instrumental rock genre forward for the first time in nearly a decade. An incr…
It's been a little while since we've last heard from Oakland-based sound artist Marielle Jakobsons in a solo capacity, but that's certainly not to say she hasn't been busy. Last year saw full-length outings by her two duo projects, Date Palms and Myrmyr, and already in 2012 works with Bay Area drone ensemble Portraits and trio recordings with Helena Espvall and Agnes Szelag have been released. Her last major solo outing (under the nom-de-plume Darwinsbitch) came in form of the dark, comple…
Active Recovering Music (ARM) is a slide whistle ensemble led by sax player Masahiko Okura. All of the members play the slide whistle. Okura debuted ARM in concert with a five-member formation in 2008. He's since continued the group's activity (though their live performances are infrequent) with changing numbers of players. This is the recording of a performance by ARM--this time with eight members--which took place at Ftarri, Tokyo, in February 2013. Each of the three pieces was composed by Oku…
Awesome release, stark, doom-laden ambience with an oppressive undertone. Sombre tones flow like lifeblood, underlying squeals of pain, abrasive bursts of metallic guitar drones, atonal meanderings, the occasional cosmic chant, all blurred by a rumbling dirge of noise...somewhere between Tony Conrad, Giacinto Scelsi and Sunn O
A recent collaboration between these sound experimentalists consisting of both musicians’ passionate relation to found objects and recycled material treated as instruments. Devoted solo performers of free improvised music, also members of the London Improvisers Orchestra, Tasos Stamou (modified electronics, prepared zither, found violin) & Adam Bohman (amplified objects, prepared balalaika and prepared violin) create layers of “instant” musique concrète which balances between narrative structure…
*Regis and Haswell finally debut their Concrete Fence project - 12" mastered and cut by Rashad Becker at D&M, pressed on 140g white vinyl which itself is housed in a silk screened pvc sleeve with artwork by Bill Kouligas & Russell Haswell* Regis & Russell Haswell's Concrete Fence is a tantalising proposition for noise and techno freaks. As a duo they first rallied under the aegis at the 2012 Blackest Ever Black party in London's Corsica Studios with an improvised live set that veered bet…
‘Rising From The Red Sand’ was one the most comprehensive compilations of early 80’s industrial, wave and underground music, spanning a total of five cassettes, compiled by Gary Levermore for his own Third Mind Records label (which has also recently been revived). The original five tapes are now released as a 5xLP set, following several months of tracking down as many artists as possible to obtain their permission to reissue their material. Almost all were found, although nine tracks are missing…