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Since 1997 Italian brother duo My Cat Is An Alien has been documenting an ever deepening musical dreamscape, their massive body of work representing some of the most emotive and soulful improvised experimentalism in underground music. Recorded in a remote region of the Western Alps, this latest LP navigates especially tranquil territory as it builds blissed-out pastoral mirages, dappled just slightly with glimmers of an outer darkness. Like much of the duo's best work, Living On the Invis…
It's been nearly two years since we've heard new music from Gary War and we are excited to announce the release of his inevitable breakthrough 'Jared's Lot'.Through the years we have heard the developments from the D.I.Y. psychedelia of New Raytheonport to the more current electronic acid-prog tracks we heard from Horribles Parade and the most recent Police Water EP. Jared's Lot brings the years of laboring and hard work full circle, with every facet of the project dialed into perfection.…
Postface by M.B. - An isometric sound ineluctably holds a thematic notion which generalizes that of the rigid motion of noise, combining with a psychometric and cacophonous object. Formally, it is a modulatory function between two metric spaces preserving their silent distances. In the example shown here, isometry moves along electronic pathways and captivates the listener's mind through rotations and reflections in plane or in spatial sound, maintaining the geometric concepts of experimental su…
The Berlin based group Les Femmes Savantes, named after the famous play by Molière, Learned Ladies. This music is just as proud and individual, being a success and almost a myth in the improvised world, combining many styles of music. Les Femmes Savantes are Hanna Hartman, electronics, little objects, Andrea Neumann, inner piano, Sabine Ercklentz, trumpet, Ute Wasserman, voice, Ana Maria Rodriguez, electronics, each one of them an individual master. Together they let focus stay on either the gro…
Composed and recorded in Berlin from 2008 to 2010 the music consists of four electroacoustic pieces based largely on analogue synthesizer material and one long-form swarm-like composition for multiple overdubbed saxophones. Additional sounds range from metal foil floating on ultrasonic sound-beams to mechanical clickers recorded in the abandoned radar domes at Teufelsberg. The raw materials have been extensively processed and re-constructed using analogue tape and digital methods. The fiv…
"Ryan Garbes is the drummer of Iowa City bands such as Wet Hair, Dunebuggy, Trash Dog, and formerly Raccoo-oo-oon. His recordings under his own name represent a unique brand of solo multi-track recording with a seamless integrity; through a skillful use of instrumentation and recording technique, Garbes eschews notions of low fidelity for songs reminiscent of traditional American garage rock produced in the haze of an early '90s UK aesthetic. Genuine pop songs, cloaked in a comforting was…
This is true cosmic music!!! Stephan Mathieu is at the top of his game with The Falling Rocket, this is some seriously pensive & brooding minimalism that runs the gamut of the emotion rainbow without tossing you around rollercoaster style, with mostly just a Farfisa organ, Hohner Electronium, and radio at his disposal, Mathieu concentrates on a dense & lightweight essence, the sound of civilized silence carved out in the blankness of your mind, surrounded by inaudible hiss & hum, a delicate stat…
“Remember Your Black Day” features the first material conceived and produced as a full length by Dominick Fernow for the Vatican Shadow project following almost a dozen tapes (mostly released on Hospital Productions) and vinyl editions (released by the likes of Blackest Ever Black, Modern Love and Type) over the last three years. None of the 8 tracks included have been released before on any other format. At a time when the scene is saturated with “Noise Techno” the album is almost celebratory b…
Saturn calls, Istanbul responds! After releasing a handful of beautiful releases last year that brought them to the attention of the free jazz scene, Konstrukt come back with a fantastic album recorded in collaboration with Mr. Marshall Allen, the legendary saxophonist of the Sun Ra Arkestra (aka the best band ever landed on Earth). Cosmic, cathartic, spiritual free jazz in its purest form! When music can make you travel with your imagination like this, building bridges between different…
Steven Warwick aka Heatsick cocks a unique and compelling perspective on contemporary dance music with his bold follow-up to 'Intersex', a gorgeous, layered work that those of you into DJ Sprinkles should check out without delay. Now woven with leaner dancefloor muscle, the deeply funked views of 'Re-Engineering' are characterised by the artist as a "cybernetic poem". We can take this quite literally in his use of spoken word in pieces such as 'Re-Engineering' with its Chris Morris-esque wordpla…
Duane Pitre\'s new album, Bridges, features two pieces taken from a suite of analogous compositions by the same name, and was composed by Pitre in 2012. The two pieces that comprise the album are meant to work together in sequence as a composite work; or they can be isolated and listened to on their own. The title derives its name from the original concept for this work, which was to bring together aspects of traditional Eastern music (such as compositional form and tuning) with Western musical …
...Vol. 1. Limited edition full-color gatefold LP version of the Sublime Frequencies CD release from 2004. Original description from 2004: How do they do it? Are they smarter? Are they better? How can it be ignored or denied? How is it possible that one of the most unique, perfectly composed and performed, intense and awe-inspiring musical legacies the world has ever known is looming north of the equator physically tucked between world cultural giants India, China, and Thailand, without more tha…
Paranoid Cat is Philadelphia guitarist Chris Forsyth's third solo album and first for Family Vineyard -- a sprawling, harmonically-charged side-long suite backed by a clutch of compositions merging raw and delicate American roots traditions. After more than a decade trotting the globe and recording with a mess of today's avant garde greats, plus co-leading the brazenly absurd Peeesseye, Forsyth has arranged a full-band to accompany his electric six-string vision of interlocking arpeggios and max…
Composed in 1979 and inspired by James Elaine's painting of the same name. First released on Three Poplars on LP in 2003. Cover picture: A Red Score In Tile (L'Apocalyse des Animaux), detail, James Elaine, 1979. Canvas, acrylic paint, taxidermied animals. 112" x 120". Title on disc and inner face of back insert: "a red score in tile (1979)".
These seven volumes represent a strong listening base, as incomplete as it may be, the basis for a near-infinite exploration through one's self, in the present tense.All in all, if I add up all these tracks, there are 176 of them, created between 1921 and 2012, for a total of almost 18 hours of music. The sphere of geographical propagation was kind of programmed at the start (between 1952 and 1970 there have been over one hundred national studios, mostly tied to radio, on all five continents), b…
After successful EP Collapsed, the Bristol-based project Emptyset strikes back with a full-length album on Raster-Noton. Once more James Ginzburg and Paul Purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. Recur is presented as Emptyset's third studio album -- continuing on from their work with Demiurge, the material examines the central themes of time, structure and recursion, thr…
All tracks written and performed on the oniscus by Coti K. in Stockholm and Tinos island in 2012.Thank you: Stelios Goulas and The mess with Julia for letting me use their rehearsal space in Stockholm. Gunnarsons Conditori for energy and relief. Etten, for the patience. Dimitris Kariofilis, Nikos Veliotis, Babis Makridis, Hristos Lainas for everything else. Harry Patramanis and Eleni Asvesta for asking me to write music to their film “Fybnos”, tracks 1,2 and 8 first appeared in it.
Reinhold Friedl, inside piano. Franck Vigroux, electronics. 'An encounter between two worlds. Reinhold Friedl and Franck Vigroux are two musicians, both addicted to a real contemporary approach, getting to the core of sound but by very different means. Reinhold Friedl with his purely acoustic instrument and his highly developed and refined inside-piano techniques meets Franck Vigroux with his electronics including all kind of devices from tape recorders to analog synthesizers. Their sole purpos…
A meeting between Japanese sound artist Takahiro Kawaguchi and two american improvisors, Nick Hoffman (head of the Pilgrim Talk label) and Aaron Zarzutzki. Recorded by Brian Sulpizio at The Chateau, Chicago, in September 2011 and then edited and mixed by Giuseppe Ielasi in Oreno.Numbered edition of 250 copies. Black vinyl (cut at SST), screenprinted cover on heavy grey stock.
What makes the music of Kasia Głowicka special? First of all space. Deep and extensive. As in ambient music. Built by reverbs, echoes and electronics. Against this background - a piano. Flickering , rippling . Cascades of repeating notes and rhythms. As in minimal music . Tonal associations, but with different development. Clear sounds, distorted, appear then re-appear hear and there as whispers and crackles. As in glitch music. But clearly you hear the skills of a seasoned composer –…