New Arrivals
L'experience acoustique
Francois Bayle's 'L'Experience Acoustique', Realised between 1966-1972 using the best technology available at the time, this 2 hour opus, powerful and immense in its scope, which explores a universe of electronic sounds and sound relationships. It's an investigation of acoustic sound at its purest levels and borders on psychedelic in effect. Chopping material from the world around him, manipulating it and juxtaposing against other, unlikely sources with illusive sleight-of-hand and haptic te…
New Egypt
One track, Ten minutes. Latest Latitudes session from Mira Billotte and Doug Shaw’s Psychedelic folk combo.- New Egypt follows White Magic's hugely successful Dark Stars EP (Drag City, 2007).- This track was created specially for the Latitudes series and recorded during White Magic's 2007 European tour.- As usual this Latitudes release is in super fancy art cardstock packaging with gold foil blocking, limited to 1000 only!When i saw White Magic play for the first time I walked away charmed and e…
GAU
In March of 2012, nearing the end of a tour together through the Netherlands and Belgium, Celer, Machinefabriek, and Jan and Romke Kleefstra gathered in a country studio, spending an afternoon improvising to record Gau. Recorded by the old hardcorerocker Jan Switters at the Landscape studios in Gauw, situated in the countryside in the midst of Friesland, the place was surrounded by green fields with idle tractors, few trees, buzzards and only massive farmhouses dotting the horizon. From the almo…
Dance of the vampires
"Roman Polanski’s 1967 film ‘Dance Of The Vampires’ (as it was originally called, but more widely known by its re-named title ‘The Fearless Vampire Killers’, or ‘Pardon Me, But Your Teeth Are In My Neck’) is a camp horror cult classic. At the time the film was marketed as a ‘farce’, which overlooked the fact that this film is fantastically eerie. The major part played by the soundtrack in giving the film this effect cannot be understated, and the cold-as-snow production did much to enhance the b…
Litio Folk
Rob Aiki Aubrey Lowe (Om, 90 Day Men) swiftly proceeds his stunning 'Timon Irnok Manta' side for Type with a humbling, stripped down suite crafted almost entirely from his own vocals, subtly layered with some synth work. 'Lítió Fólk' feels at once vast and intimate: Lowe's vocals resonate deeply, instinctively - quavering notes and curling overtones centre the sound within the body - while the layered and sustained drone structure seems to draw the spirit ever outwards, drawing enchanting melodi…
New Ear
With this new album, Melmac reveals a new maturity gained in the course of three French and european tours that have enabled the group to initiate a major part of the ideas presented here through extensive improvisation sessions on stage in the spirit of the instant composing sessions ran by Kraut Rock bands during the psychedelics years. These new experiments have opened the artistic spectrum of the band to new horizons clearly rock, heavy, trippy or noise reminiscent of bands like Sleep or Sku…
Soul Translation - A Spiritual Suite
A beautiful little record – and one that definitely earns the "suite" distinction in the title – given the thoughtful longform approach of the set! The album's got a more composed feel than other spiritual jazz sessions of the time – not in a stiff way, but in a style that shows that leader Donald Alexander Strachan really has a strong vision in his music – not just in the compositions he spins forth on the record, but also in the way he directs the rich energy of the ensemble! The lineup featur…
Orchestre Sidi Yassa De Kayes
After the 1960 independence, the Orchestre Regional de Kayes was founded in order to reinvigorate the local cultures from the Mand and the Kasso regions and turn some traditional themes into modern songs. Under the guidance of bandleader Harouna Barry, they evolve as one of Mali's finest orchestras. In the early 1970s, like most modern bands of Mali, the orchestra evolved into the Sidi Yassa de Kayes, named after Sidi Yassa, a late great singer. In 1977, they release one eponymous LP in 1977 on …
Music for Earbuds
Music for Earbuds is composed entirely from headphone feedback which makes some surprisingly organic (as well as electronic) sounds, Stephen Cornford writes to introduce his new CD. A collection of sounds stark and stubborn, as a listener you hit against their form, slide on their surfaces. These sounds so alien yet alluring call you to spend time with them, attend to them. They mark the edges of hearing and understanding. The edge here is the ear that hears as listening encounters nothing but i…
Butcher Meat
Moreno Daldosso breaks into 1993 with his project Murder Corporation and released his first tape on his new label Murder Release. Tape after tape Murder Corporation has gained a prominent position as electronic serial slaughterer, claiming frontal attacks and sonic walls relentlessly, sampling overload and brutal distortion. Butcher Meat is reflected in an overdose of frequency, blood, screams and distorted voice beyond the human. Death, massacres and violence are tightened up until the total sa…
Seitz versus Gendreau
Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies. These pieces were composed with created and found sound captured in San Francisco. 'Chorus After Rains': A strategy where we each use the same raw sound clips with different results. The two pieces are then melded to create one piece of music, the different modules becoming inseparable from each other. 'Things Lost That Will Never Be Found': A composition with live instruments, moving fro…
Hasselt
Three open improvisations recorded in concert at Kunstencentrum Belgie Hasselt, Belgium in 2010 by sub-groups from the Electrocacoustic Ensemble, plus an extended performance by the whole ensemble: Richard Barrett, Peter van Bergen, Lawrence Casserley, Peter Evans, Agusti Fernandez, Barry Guy, Ishikawa Ko, Paul Lytton, Paul Obermayer, Evan Parker, Walter Prati, Ned Rothenberg, Joel Ryan, Marco Vecchi.
Unfinished. For William Turner, painter
"Which side of the picture should be hung uppermost? 2003, London: the first time I visited Tate Britain, Tate Gallery, and the first time I saw and really experienced the paintings of JMW Turner (1775-1851). Overwhelmed, especially by his late and unfinished works I was stunned by the power of the stillness of his work. 25 years before that something similar; me, as a young man in Madrid; Prado, Goya paintings and etchings - for me an initiation which opened up the door to earlier art an…
Works for String Quartet and Percussion
"The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble's unique sonic resources in diverse stylistic settin…
Home Aged & The 18 Month Hope
The most recent installment of the rare & unheard archival recordings from the transgressive 70′s performance art group COUM Transmissions. Founded in late 1969 by Genesis P-Orridge, COUM Transmissions’s provocative performances mixed with visual art solidified the group as one of the most forward thinking breakthroughs within the 70′s conceptual art scene. Between 1969 and 1976, with a rotating membership including John Shapiro, Cosey Fanni Tutti, and Spydeee Gasmantell, COUM Transmissions …
Superdisque
Superdisque is the first album from the French trio formed by David Fenech (electric guitar) with Jac Berrocal (trumpet) and Ghédalia Tazartès (vocals). Somewhere beyond the borders of rock, jazz, punk and sound poetry -- the vocals seem to come from another planet, with lyrics in an improvised language. The winds are blown from Tibetan human bones and conch seashells. Guitars sound like rubber and steel. Expect the unexpected. Special guest Zap Pascal (accordion) appears on one track. Dav…
S/t
Attila Faravelli and Nicola Martini are two of the most innovative italian artists working in the field between sound art, electro-acoustic music and raw resonanting materials.
This recordings, edited by Giuseppe Ielasi, are the result of a couple of years of real experiments with a crazy amount of different materials, stones, chemical acids, vibrating obojects, modified electronic devices and acoustic spaces.
Rework: Philip Glass Remixed
There are two basic reasons why composers like Philip Glass end up getting remixed: rhythm and repetition. Glass' most identifiable music is simple, or so it seems: Play a chord, break it down into its constituent notes, and repeat the notes in hypnotic succession. If there's another instrument playing, they're probably playing the same notes in a different order. At the foundation of the music, there's what's called an ostinato. One way to think of it is as a bassline; another, in the words of …
Birth/Speed/Merging
The Pyramids' psychedelic Afro-jazz masterpiece finally lands thanks to Disko B. Originally cut in 1975 before they disbanded, 'Birth/Speed/Merging' marks a highpoint of the group's production values and was their last recording together. Since then the LP's achieved cult status for its celebratory fusion of carnivalesque groove with Sun-Ra-like cosmic vibes and progressive values; a worldly and entirely enchanting sound blessed with a real tangible sorta magic. The one to check is 'Black Man An…
Knot Invariants
Rotated and submerged. Drawn tight below the surface. Remnants of hair, string and wood.Tied across and back. Knot Invariants is Helena Gough’s third album. It was created using source material derived solely from recordings of cellists Anthea Caddy and Anton Lukoszevieze.