New Arrivals
Idrissa's dream
This amazing concert is presented here for the 1st time ever, complete and with exact sequence. the title track is one of the most beautiful compositions that i had ever heard, if it'll not touch yr heart, consult the heart (and not the mind). spiritual jazz at his deepest heights. Presently there is a lot of attention being paid to the rebirth of The Pyramids. There have been multiple European tours, a plethora of reissues, and new recordings. However, The Collective's story has NEVER been t…
Hirrnkopter hellikranck
Its a reissue of the 1989 Schimpfluch cassette that features early destructive outbursts - both in the radio station and out on the street - by Joke Lanz (Sudden Infant) and Rudolf Eb.er (Runzelstirn Und Gurglestock).
P.A./Hard Love
On P.A./Hard Love, New York-based composer and conceptual sound artist Marina Rosenfeld generates an esoteric universe of radical sonic collisions. Developed initially in 2009, the album draws its roots following a series of idiosyncratic quasi-sculptural sound-system installations Rosenfeld installed in various disused and monumental sites including New York's Park Avenue Armory and Liverpool's Renshaw Hall car park. The music she composed for these installations was heterogeneous, reposit…
Pyrolator's Wunderland
LP version, on 180 gram vinyl. Bureau B reissues Pyrolator's Wunderland, originally released on Ata Tak in 1984. Quote 1: "I have always strived for the opposite of whatever is hip at the time." (Pyrolator in June 2013) Quote 2: "Wunderland is so beautiful -- the first time I heard this record, I cried." (Andreas Dorau). New York City, 1983. Andreas Dorau has a gig at Danceteria and Pyrolator accompanies him as sound engineer. Back then, it really looked as if Ata Tak could make a go of it in th…
Backpages
Ron Morelli returns to stare down the 'floor with four pieces written during the stress-busting sessions for Spit (HOS 407CD/LP). The muggy, droning welt of "Public Consumption" kicks off with the sound of New York techno shot from the hip, while "Another Hit" vents a vintage era-Regis style built on skull-chipping snares and effluent acid modulation. The album's writhing batacuda banger, "Crack Microbes," reappears here as an extra-ferric extended "Version," sustaining the hypnotic intensi…
Mitosis
"12k kicks off its 11th year with a new release that takes the label down new sonic pathways. Caught between the organic and electronic minimalism that 12k is known for and the unconventional Japanese pop musings and songwriting style of Happy, Moskitoo's Drape is an infectiously strange, bleepy, and dreamy debut release. Sanae Yamasaki (Moskitoo) hails from Sapporo, Japan in Hokkaido, the country's northern-most prefecture. Perhaps a reaction to the cool climate of her home, her multi-instrumen…
Black Tie
LP version. Includes mp3 download and full-color poster. After two bone-chilling full-lengths for the Type Recordings imprint, Erik K. Skodvin has embarked on his first journey for his own Miasmah label with Black Tie. While originally conceived as a soundtrack to an installation by Norwegian artist Marit Følstad, Skodvin uses this as a starting point to craft his most unnerving long-form pieces to date. Split into two distinct movements, "Black Tie" and "White Noise," we are exposed to the y…
A Red Score In Tile
Composed in 1979 and inspired by James Elaine's painting of the same name. First released on Three Poplars on LP in 2003. Cover picture: A Red Score In Tile (L'Apocalyse des Animaux), detail, James Elaine, 1979. Canvas, acrylic paint, taxidermied animals. 112" x 120". Title on disc and inner face of back insert: "a red score in tile (1979)".
Leh Jani
First release on Sham Palace, a new label from key Sublime Frequencies conspirator Mark Gergis. "Leh Jani" -- the legendary Omar Souleyman track -- was originally released in Syria as a sprawling 30-minute epic groove, alongside two additional tracks. The entire 60-minute cassette album was recorded live to tape in 1998 at the home studio of producer Zuhir Maksi in the village of Ras Al Ain in northeastern Syria. Many of Omar's early tapes were recorded in this fashion to replicate the feeling o…
Voyage a l'ombre
A necessary vinyl reissue of Voyage A L'Ombre by Ghédaliza Tazartes. Voyage A L'Ombre was originally released in 1997, as a limited CD on the France-based Demosaurus label run by David Fenech, a frequent Tazartes-collaborator. With tracks featuring Pambin Thullal, Syeta Choir, and Yumi Nara. Hot Releases. Label: 'Ghédalia Tazartes combines an orchestra and a pop group in one person. his voice shifts constantly from child to woman. completely unique, his music is unbelievable. You can't miss that…
Mask of the Maker
Fuses deep kosmische moods w/ jet-propulsion lab experiments, classic galactic Italo, soaring starblood synth workouts, funky astral ragas, psychedelic dust coulds & rare mantric guest vocals
My Love Is Higher Than Your Assessment
...of What My Love Could Be" EXCLUSIVE!! 2LP vinyl. This is ground zero for one of the 90s last true cult bands; now legendary for churning ghostly wailings, unearthly bellows, & gentle whispers together into one soaring, crawling, ugly & beautiful blend of brilliance. An essential listening for all fans of hard & heavy post-rock. Comes w/ 12x12 insert. Don't sleep on this!
7.10.12
a minimalist repress of this classic release from 2012 which sold out globally in ONE day! Review: Six months after the release of the limited edition '7.10.12' vinyl boxed set, alt.vinyl and :zoviet*france: are making the music from the album more widely available in a more conventional form. Retaining the original 7-inch, 10-inch and 12-inch vinyl formats, the three discs are pressed in standard black vinyl and packaged together in plain black sleeves.
Hai kein Wal
Meeting between visual artist Beni Bischof and electronic musician Norbert Möslang. Limited to 200 copies and hand signed by artists. With this somewhat confused, absurd or primitive Bishop chant, the result could be to remembered as a crashing jumbo jet
Ill Fares The Land
**Digitalis debut from Koenraad Ecker, one half of Opal Tapes' Lumisokea, highly recommended if you're into Vainio, Joachim Nordwall, The Haxan Cloak. Initial copies on transparent red wax** Belgium's Koenraad Ecker swiftly follows his 'Apophenia' LP as part of the Lumisokea duo for Opal Tapes with a personalised invitation to his shadowy solo zones for Digitalis. Inhabiting space between slow techno and electro-acoustic dimensions, 'Ill Fares The Land' surveys similar soundscapes to Mika…
Five Poems for the Swamp Ghost
Recorded at Soopa studio and featuring Arthur Doyle (sax, flutes and voice), Jonathan Saldanha, Gustavo Costa and Filipe Silva (assorted percussions and electronics), this is a beautiful, wild, cut, with Doyle's touch being so deep, rough and gentle at the same time, while his band gives him plenty of room to spread out through minimal rythm patterns and a hypnotic work on bells and cymbals. Closing with an anthem that will give you shivers down your spine, this recording will bring you to an an…
Live at the Red Garter 1970
his latest Transparency release brings an early July 1970 concert to our attention. "Live At The Red Garter" (later 'The Bottom Line' / New York City) doesn't offer the best sound quality, but it does give a glimpse of an exceptional version of the Arkestra: Sun Ra, Kwame Hadi, Akh Tal Ebah, Marshall Allen, Danny Davis, John Gilmore, Pat Patrick, Danny Ray Thompson, Eloe Emoe, Alan Silva, Alex Blake and a handful of unidentified percussionists...
Spider John
This vinyl-only album fills a crucial gap in the evolution of legendary folk artist Spider John Koerner. Recorded in between 1965's Spider Blues and 1969's Running, Jumping, Standing Still (with Willie Murphy, both released on Elektra), Koerner is captured here live and unaccompanied at The Ash Grove in Los Angeles, bringing to light an exciting and previously-undocumented period in the career of Spider John. The excellent recording captures Koerner at the absolute peak of his guitar-playin…
Voyeur
Husband-and-wife duo, Will Long and Danielle Baquet-Long, who self-released handmade items and created sound for installations and exhibits along with producing conventional releases. "A few years ago I was commissioned by a film company in California to create a musical score for a film inspired by the Hitchcock 1954 film Rear Window, but with a more surrealist, two-sided viewer plot. As filming hadn't begun, I was given the screenplay and timeline, and asked to make specific music that might f…
Barn Nova
After five years and 20-plus albums-- most released on their own Child of Microtones label-- MV & EE's 2006 move to Ecstatic Peace began on a high note. "East Mountain Joint", the opening track on Green Blues, is a hypnotic hymn to unscheduled freedom, and it's catchy without losing the duo's loose, do-what-we-feel-like vibe. In fact, it's so entrancing that it's made subsequent work by Matt Valentine, Erika Elder, and their various colleagues seem like insufficient attempts to recapture…