New Arrivals
Music From Mathematics Vol. 1
Reissue of earliest computer music "Originally released in 1960 and 1962 on two unique formats with over-lapping tracklists, the seminal Music From Mathematics Showcase Project marked the phonographic introduction of computer generated music for the first time in the public arena. Almost exclusively created at Bell Laboratories using an electronic to sound transducer and a state of the art IBM 7090 (complete with a gargantuan 32KB of disposable memory!) Music From Mathematics featured multiple r…
Untitled
This album is a return to brutality for Drumm and a continuation of the intense lo-end evil of Wiese. Needless to say it is amazing and an essential purchase for noise fans, Mania-inducing heavy waves of suffocating bass frequencies with ripping and tearing, hissing and speaker-destroying hell-storm; at times these guys indulge in noise in the service of the metal that has influenced them via hi-end frequencies, but for the most part this is an expansive record that will immensely satisfy fans o…
the 15,000 day boat trip
november 2009 release ; pristine electro-acoustic work from cenotaph’s john w. fail (responsible for both a criminally under-appreciated quadruple tape-box on c. spencer yeh’s dronedisco &, partially, the “lied music vs. boy-band tax returns” lp on ultra eczema ... as well as full-length collaborations with spiral joy band & ben reynolds) ...inhabiting similar head-space as graham lambkin’s recent “softly softly copy copy,” the piece in question here takes it source material from live-played ins…
Freermasonry
Lyrically Freermasonry consists of a series of poems and discourses. Early on in Freermasonry during 'SOL,' the Mother allusion is referenced out of Faust Part Two. It's a small portion and short moment. Faust does an invocation to the Mothers, but the execution is as trickery through occult charlatanism and not truly believed ritual. Goethe found passages about dark goddess figures known as Mothers in the writings of Plutarch. The metaphor is ambiguous, generally associated with creative dar…
United States of America Triptych (III)
Voices by David Grubbs, Magorzata Penkalla and Pete Simonelli, guitars by David Grubbs and Miron Grzegorkiewicz, organ and violin by David Maranha, Text excerpted from Vanishing Point: How to Disappear in America without a Trace Music by David Grubbs, Miron Grzegorkiewicz, David Maranha, Gosia Penkalla, Pete Simonelli
Three takes on America - three journeys and three documents. Written and recorded.Year 1939, John A. Lomax and Ruby T. Lomax in their Plymouth - going South. 6502 miles, tons of …
Tape-Recordings 1981-82
Olaf Schirm alias Symboter is a berlin-born electronic artist and musician. In the late 70s he lived in Munich. At that time he got Inspired by early Tangerine Dream, Klaus Schulze, Kraftwerk and other international computer music avantgarde artists. He used commercial synthesizers imported from Japan and his gigantic custom-built Symboter Modular System.
As technician of Gershon Kingsley ("Popcorn", "I feel love" sequence) he was able to use his Moog Modular System in many of his own songs andf…
I am the Center: private issue new age music in America, 1950-90
One of the best things about Seattle label Light in the Attic’s new new age compilation I Am the Center is that it doesn’t try and pretend that new age music was something that it’s not. Look at the album’s cover illustration and you’ll see an angel-like creature carrying an orb of yellow light through the clouds; open the gatefold and you’ll see what appears to be a bird made of stars launching itself out of the ocean. Press play and be delivered into over two hours of mind-numbingly mellow mus…
Rework: Philip Glass Remixed
There are two basic reasons why composers like Philip Glass end up getting remixed: rhythm and repetition. Glass' most identifiable music is simple, or so it seems: Play a chord, break it down into its constituent notes, and repeat the notes in hypnotic succession. If there's another instrument playing, they're probably playing the same notes in a different order. At the foundation of the music, there's what's called an ostinato. One way to think of it is as a bassline; another, in the words of …
Comme A La Radio
Sensational reissue!!! In 1969, a French chanteuse, an Algerian multi-instrumentalist, and a Chicago jazz quartet undertook an experimental, exploratory, revolutionary musical voyage; a redrawing of musical parameters that, to this day, stands as a glittering beacon, glowing in the dark abyss of 'out' music. Featuring Areski Belkacem and Aart Ensemble of Chicago, Comme a la Radio is the sophomore album in Brigitte Fontaine's prolific career. Four decades on, and Comme à la Radio still sounds…
The watchers
The Watchers is a historic collaboration between Lubomyr Melnyk and James Blackshaw. These new pieces are being released as a CD/LP with material exclusive to each format. LP is pressed in an edition of 500. I first met Lubomyr Melnyk at a festival called Hea Uus Heli in October 2008. We were both scheduled to play that day and I was very excited to see him perform. Before the show I bought several LPs from him and mentioned as much. Lubomyr (more than modest and courteous, as he always i…
V/A
Collection of 20 unreleased tracks by the likes of ALASTAIR GALBRAITH, BLACK TO COMM, ARP, PIGEONS, IGNATS, ALVARIUS B, WILLIAM TYLER, SUPREME DICKS, FILIPE FELIZARDO, HAMILTON YARNS, & CIRCUIT DES YEUX. It also hosts 3 new collective projects: Mendrugo (feat. JOSEPHINE FOSTER joining forces with husband Victor Herrero, Jose Luis Herrero, Jose Luis Rico & Takuhiko Nochimoto); Raajmahal, the reunion of Pat Murano (NO-NECK BLUES BAND), Carla Baker, & Santa Wolanczyk; & Syracuse Ear, a 1st …
Dance Classics Vol. III
Kouhei Matsunaga's 'Dance Classics Vol.III' is the continuation of his ongoing development of his more dance oriented material, as seen from his sets with Sensational and also his other minimal techno project NHK. Not feeling tied down to one genre, Matsunaga nestles in the PAN roster, and however that isn't to say that he is dance per se as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or alt…
Proceed with Caution!
Whereas the earlier black jazz album Shawn-Neeq had its share of riff-based funk, Calvin Keys' second outing Proceed with Caution! (1974) sticks close to straight-ahead jazz verities with the 30-something guitarist in the studio with seven similarly young, on-the-rise musicians including Charles Owens (saxophones, flute), Oscar Brashear (trumpet), Al Hall Jr. (trombone), Kirk Lightsey (electric piano), Henry Franklin (bass), and Leon "Ndugu" Chancler (drums). Keys can really play the guitar, e…
French Antarctica
probably the most anticipated record of the year for this household. the clip below has been on repeat for a couple months. Kye is proud to present 'French Antarctica', the debut LP by Good Area. Drawing from a palette of guitar, rhythm box, cornet, shortwave radio and room activity Good Area have crafted the ultimate stand-alone testament to instantaneous expression. Bypassing such obsolete concepts as dexterity and restraint 'French Antarctica' cuts loose with a raw unbridled rush of creative …
Mercury time
Komora A - The trio founded by Jakub Miko ajczyk, Karol Koszniec and Dominik Kowalczyk exists from the fall of 2004. Stylistically Komora A locates itself close to ambient but not that one of smooth muzak and background music origins but that full of pulsating anxiety, reaching the black heart of the genre. Profound drones, delicate percussive intrusions, stately whizzes of analogue and modular synths, industrial interventions, multilayered structures - these are only a few ofÊ elements used by …
Nonagon knives
CIP is pleased to present the debut pro-pressed solo CD by Jason Soliday, one of Chicago's finest sound creators - manipulators - disentigrators. I've known Jason for coming up on 13 years- -his gunshop duo was one of the first live noise performances I saw when I moved to Chicago, and over the years I've witnessed many of his projects. In the last few years, though, I feel Jason really hit a stride with his home-built - customized analog synths, and this disc reflects his sensibilities: sharp e…
Open Space
I've been composing graphical scores since 2004. Each score has been done for a particular group, and not just for a certain set of instruments but also for specific persons, each with their own personal sound and their own distinct approach to improvisation. The scores hover in the gray region between composition and improvisation. They create a situation where the players are free up to a point to improvise but in which they could also find themselves in juxtapositions with other player…
N.
N. is loyal to the most obscure and malevolence side of Power Electronics sounds and concepts. Closed in a total nothingness and nihilism, N. creates minimal violent sound texture to express his exasperated no-sense of existence. N. is the genial work of an autistic mind, closed to the rest of living beings… His first tape (self-titled) debut on the legendary Slaughter Productions in 1997. Tracks remastered from the original tape and the record has been pressed on 140 gr black vinyl with black l…
Patagonian Field Recordings
Carlos Casas is a filmmaker and visual artist from Barcelona. His work is a cross between documentary film, cinema, and contemporary visual and sound arts. In 2001 he started a trilogy of works dedicated to the most extreme environments on the planet, Patagonia, Aral sea, and Siberia, with a particular interest on how humans relate with the territory they occupy. These tracks comes fro…
Here Is Always Somewhere Else
2008 release. You might not think that there would be much information available about a performance artist whose entire catalog of work lasts about 40 minutes, and who vanished at sea. This release will dispel that notion. Here is Always Somewhere Else is not only a moving tribute of artist Bas Jan Ader, but a celebration of the eye, that which notices the miraculous in the small, mundane details.Ader, in that sense, was one of the first micro-historians. He was obsessed with gravity, with…