New Arrivals
Time & Motion
Radio Massacre International is a British trio of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, synthesizers). These three musicians have worked together in various configurations since they were 16 year old students in the 70s and formed R.M.I. in 1993. After nearly 20 years together as R.M.I. and over 30 albums and hundreds of concerts, you might think that there might be no surprises left, but like their undulating, fl…
Intervals
'Z'EV: percussion. Jason Kahn: percussion, analog synthetizer. Recorded by Jason Kahn April 13-14, 2009 in Zürich and Lausanne, Switzerland. Mixed and mastered by Z'EV. Artwork by Mirt.' label info Jason Kahn, born 1960, New York, USA. Composition, installations, percussion, electronics. Based in Zürich, Switzerland. Z'EV. After studying at CalArts with Concrete Poet Emmett Williams he concentrated on producing visual and sound poetries, and was included in the ÔSecond Generation' show at the Mu…
Caste O' Graye Skreeens
The bulk of Caste O Graye Skreeëns comprises the expansive 'Our Captain's Eyes', based around a loose unstructured style where Edward Ka-Spel, frontman of the Legendary Pink Dots, lets his imagination run a playful course dropping in everything from ambient soundscapes, drum machines, dance beats, distorted noises and fragmented voices. Ka-Spel's delivers his cryptic lyrics in his idiosyncratic sing - speak style, and via jaunty shanties over French horn. All points of Ka-Spel's prolific musical…
Fame
This new CD, Fame, the first all sound poetry release on Pogus, consists of 20 new polypoems produced by noted Italian sound poet, scholar, and sound poetry archivist Enzo Minarelli between 2008 and 2010. Since the early 1970s, Enzo Minarelli has been developing his multiple activities, starting from the written word, which will become related to orality, visuality, performance and television. He has been active in the field of linear and visual poetry, creating several one-man shows and a…
Seven
Third album from Oslo's PAAL NILSSEN-LOVE & Chicago's KEN VANDERMARK who have previously worked together in SCHOOL DAYS & FME follows their 2 "Dual Pleasure" releases. While it seems barely possible, the duo have become even more groovy on this third album. Free Jazz w/roots in both the American & European traditions: warm, groovy, melodic & funky at the same time as it is raw, wild & energetic. The pure art of spontaneous music. Independent underground jazz at its very best & a free jazz master…
Tetralogy (1978-1982)
'A 2-CD set containing four very different settings all featuring Paul Rutherford (trombone & euphonium): two festival solos - one with electronics and the other without; a festival brass quartet with George Lewis (trombone), Martin Mayes (french horn) & Melvyn Poore (tuba); and a studio trio with Paul Rogers (double bass) & Nigel Morris (drum set). The electronically enhanced solo and the brass quartet are unlike anything else in Rutherford's discography. All previously unissued.'
You+Me+The Continuum
Primordial Undermind's second full-length blast of psychedelic freakout guitar bliss evolves the sonics found on their critically-acclaimed September Gurls debut into freer, more expansive territory, while retaining plenty of the finely-honed song craft familiar to those lucky enough to have grabbed any of their unfailingly excellent singles. Long modal excursions into the heart of free guitar darkness like "Device", "Turning of the Worm" and "Persistence of Trinity", are counterbalanced by defi…
Window dressing
'Jean-Luc Guionnet and Seijiro Murayama have been playing and performing a lot over these last past years. Their unique approach is based on space exploration and intensive relationship to sounds and silence. The first piece - Procédé - was recorded live at Radio Slovenija (Ljubljana - Slovenia) on june 2010. The three other pieces - Processus, Procession, Procès - were recorded by Eric La Casa in Paris on december 2010. The main purpose was to work out a specifically designed process for…
Chantal
An inedite work by the great composer Luc Ferrari: 'chantal, ou le portrait d'une villageoise' 1977-1978. Stereo magnetic tape. Mastering: Jérôme Joy, Meriol Lehmann-Avatar.
Celeste
Another Tompkins Square reissue of early James Blackshaw material, and this is about as early as it gets: Celeste originally surfaced on Celebrate Psi Phenomenon a full five years ago and set the blueprint fr just about every solo recording he's made since. While the first part of the album finds Blackshaw in solo 12-string mode, the second deviates from the well-trodden Takoma-styled path and heads into an effects-laden drone composition. This sort of style-melding approach would come to…
Vivian & Ondine
A brand new album from one of the most revered and acclaimed ambient composers of our time, Vivian & Ondine takes the form of a single, three-quarter hour piece, once again constructed from William Basinski's signature style of tape loop manipulation. While the narrative ebb and flow is largely pinned to a single tape fragment, Basinski merged a further "dozen or so" that sunk into the mix in just the right way, adding to the aura of fluctuation and continuous evolution that's so essential to th…
Ullakkopalo
This is the first release from Finland's Kemialliset Ystävät since 2007. Kemialliset Ystävät equals Jan Anderzén. He is one of the few Finnish musicians to have achieved renown in the international experimental circuit. In the case of Anderzén -- who also plies a trade as a visual artist -- this is not a matter of juxtaposition between experimental and mainstream, or a calculated career choice. Using music and images, he is busy creating a world that is a law unto itself, a world of exceptional …
Piano & Percussion Works
2011 release. Satoko Inoue is an experienced performer of Ferrari’s works and had a lively exchange of ideas with the composer, who was also present at the recording sessions. No wonder then that precisely those ideas of open work and its “anecdotal” interpretation were the ones that were most important to him – as such sounds were to him always abstract at the core, even if he first illustrated them in a very visual and associative way. Satoko Inoue writes: “We discussed, he explained ab…
Myriad
Mayas frames her instrument not as 88 keys arranged in tidy scales, but as a sonorous tangle of wood and wire, she produces sounds with a wide dynamic range, playing the whole piano, inside and out, including dramatic percussive effects from banging and scraping the frame of the instrument and the strings. Abdelnour has developed extended techniques and complex patterns of sound production, exploring the microtonal aspects of the saxophone and its high-pitched tones. she employs subtle tonguing…
I Wish I Didn't Dream
Wish I Didn’t Dream, the new album of duets by guitarist Loren Connors and vocalist Suzanne Langille, was cut in just a few hours of studio time. But the pieces started falling into place 15 years earlier on the 10th floor of a nondescript building in the Chelsea section of Manhattan. It was there, at the old location of the Brecht Forum, that Connors got to know writer and WFMU DJ Kurt Gottschalk, who was curating a concert series there. On occasion Tom Abbs (now President of Northern Sp…
SFU 40: Celebrating Electroacoustic Music 1965-2005
Amazing anthology focused on The Electronic Music Studio at Simon Fraser University (SFU) was founded by R Murray Schafer when the university opened in 1965, the third such studio in Canada, after the University of Toronto and McGill University (Montréal). It was located in the basement of the SFU Theatre as part of the Centre for Communication and the Arts. Composers such as Schafer, Anthony Gnazzo, Peter Huse, …
Scope
The disc is a recent release on the Monotype label by a group named LHZ+H, who are the semi regular trio of Thomas Lehn, (analogue synth) Carl Ludwig Hübsch (tuba) and Philip Zoubek (piano) augmented on this 2008 occasion by the trumpeter Franz Hautzinger, who on this occasion added a delay pedal to his instrument. The release contains four improvised tracks, and is named Scope. Now, I have been known to describe some improvised music as brooding a good few times before, perhaps trying to …
Ural Umbo
Ural Umbo is Reto Mder (Sum of R, RM74) and Steven Hess (Fessenden, Haptic) electrifying internal music through a broad spectrum of instrumentation. Horns, piano, organ, harmonium, bass guitar, strings, electronics, drums and percussion guide the formation of black, subliminal melodies and slow feedback accompaniments. Each piece consumes the organic and dynamically balanced process that created it. With a nod to 1960s horror movie scoring Mder and Hess displace sound from the veil of the supern…
Februar
Within the four-tenth-hasty Suite February von Luigi Archetti the individual musical-acoustic events seem to have out-pulled in individual sound-pure from the being silent background. Looking for, a "Hinhoeren" and emphasizing hidden, electrifying sound particle. The attempt is to be given to the shade of the music a voice. Klangliche atmospheres through-cross feeling and conception. Fourteen ephemeren sound places, arranges for the listener a music, which reciprocates between imagination, expec…
Atonal drone
Rarely you remember the moment you listen to a record for the first time as something clear and tangible - what is retained in the memory is the atmosphere and the emotions that the music evokes, but not much else. Atol Drone (Polycephal 2002) was an altogether different case. It broke through into my mind surreptitiously like a high Pacific wave and for years it held sway over the area of my musical memory responsible for the rough sea, atomic fears, sea fever, incomplete Morse signals no…