New Arrivals
Repo
The frazzled and fractured electronic rhythms of Brooklyn noisemakers Black Dice are bent into shape once again on this fifth studio album from the band. The album, titled Repo, is comprised of home recordings and sessions from New York’s Rare Book Room studios. It’s another fine example of Black Dice’s singular aesthetic, which has been carefully honed through years of equipment abuse in low rent venues, art galleries and other improvised performance spaces. The record comes with a 20-page book…
Allegory Of Allergies
RESTOCKED! april 2009 release: deluxe reissue of emeralds long o/p august 2007 gods of tundra tape, a production-value-heavy edition consisting of two lps (each in their own metallic-ink inner sleeve) housed inside a full-color stoughton gatefold sleeve ; yowza ...for many the original cassette release was the one that made emeralds’ unique combination of stasis-heavy analogue synth wave-shifting stick (certainly was the one that “did it” for me) ; this majestic record-object does everything to …
Septober Energy
A mammoth, fifty-person enterprise featuring the cream of the early-seventies jazz-rock brigade, Centipede's 1971 album 'Septober Energy' proved to be an exercise in both gargantuan excess and instrumental brilliance. Naturally, opinions on the release are divided. The line-up is far too numerous to list here, though it did include the likes of Soft Machine alumni Marc Charig(cornet), Elton Dean (sax), Roy Babbington(bass), Robert Wyatt (drums), Nick Evans(trombone), John Marshall(drums,…
The Emotional Plague
Includes digital download voucher redeemable from the label** "Jagjaguwar is proud to reintroduce the first ever vinyl pressing of 'The Emotional Plague' from 1996. Supreme Dicks put out one single in their career, Ia double B-side. Maybe they had a sense of humor, but in hindsight it's hard to tell. Falling somewhere between Captain Beefheart, Throbbing Gristle and SALEM in the lineage of musicians who've found a muse in the nasty, brutish brevity of life, Supreme Dicks chose to cloak d…
Tidings / Amethyst Waves
Mark McGuire has been a member of triadic mega-unit Emeralds since their inception. Besides contributing to their ever growing catalogue, he's also worked with Daniel "Oneohtrix Point Never" Lopatin as Skyramp and a prolific number of other solo projects. His most recent album for Weird Forest (originally released on Cassette by the Wagon label) has been hailed as his most definitive to date, crossing astral lines and psychedelic boundaries between noise squalls, lush-out synth washes and …
Weight / Counterweight
"Recorded in April of 2008, Weight/Counterweight, the new release by Bill Dixon marks his return to small group playing, his first trio since the Dixon/Taylor/Oxley Victoriaville recording. The group, assembled by Hall at Dixon's suggestion, marks a new direction in Dixon's instrumentation with no untreated trumpet whatsoever and a barrage on pitched and unpitched concert percussion creating landmark skeletal architecture which Dixon pushes out from into unmediated solos of gravity and we…
Family album
Double hybrid LP: One LP on black vinyl and one LP on clear fuchsia vinyl and picture disc artwork on the back side (first time!). "Of all the records I got from 2000 to 2010, a coupla by Second Family are among my fav... they remind me a bit the good old Sunburned Hand of the Man (or at least that tradition) but of course, with their own unique sound. Anyway, I wrote them... Tony kindly sent me stack of stuff... I selected & compiled a few things and they kindly agreed without exception. …
Palace of marvels (queered pitch)
Edition of 500. Composed by Marcus Schmickler. Recorded and Mastered at Piethopraxis, Köln. January-August 2010. Cut at Dubplates & Mastering, Berlin, October 14th 2010. Artwork by Tim Berresheim. Marcus Schmickler's new release following his acclaimed 'Altars of Science' is a must have for those interested in the rising field of contemporary Computer Music. It reconfirms Schmickler's interest in the liaison of sound, phenomenology and cognitive sciences. Schmickler therefore utilizes a n…
The Revenant Diary
"Don't look back," repeats one of several voices within Mark Van Hoen's The Revenant Diary, his fifth solo album and first release on Editions Mego. Surrounded by weighted beats, analog synthesizer drones and granular dirt, the unidentified, siren-like female voice's advice is as much seduction as warning. Tellingly so, for as well as being both Van Hoen's most ambitious and his most accessible work, The Revenant Diary is an eloquent meditation on the allures and dangers of memory, regret …
Life...The Best Game In Town
After releasing several albums in the 90s, Harvey Milk are celebrating their own renaissance by lauding the virtues of "Life...The Best Game In Town". Spearheaded by the alternately burly and angelic vocal stylings of Milk mastermind Creston Spiers, "Life" is both tumultuous and grueling, resonating with the glorious slow-motion radiance of Total Dirge Power. They've since been joined by Thrones legend Joe Preston.
Life (...It eats you up)
Whereas previous works by Mika Vainio have utilised guitar Life (… It Eats You Up) is the first to use the instrument as its primary sound source. A fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of Vainio's previous works with some stunning surprises, such as his cover version of The Stooges' 'Open Up and Bleed'.Tracks such as ‘Mining’ hark bark to the banging beat exces…
Live At Praxis 1984
Decades before his time, political and musical revolutionary, Sun Ra, developed a new plane of cultural existence where black people were all-powerful beings from outer space, sending their intergalactic message through jazz music. Recorded live in 1975 at Cleveland's legendary jazz club, the Smiling Dog Saloon, when Sun Ra and his Arkestra descended on the city for a week-long residency. You can imagine how the uninitiated's jaw must have dropped when Ra and his 15 musicians marched out onto th…
A Double Promo Album By CAN
Vocalist Damo Suzuki’s departure from CAN in 1973 had forced the band to re-evaluate their sound. Now with Michael Karoli and Irmin Schmidt sharing vocal duties, the band had also begun drawing on influences from disco and glam. While still remaining staunchly outside the mainstream, they undoubtedly became more accessible to a wider audience, and soon had a huge fan base in the UK. In fact, just a few months after playing the live show found on this double LP (recorded in Lyon in January …
\"The Vodoun Effect\" 1972-1975
Most Likely To: be one of the only albums you hear that will protect you from the smallpox virus. In the late 1960s, as traditional African culture rubbed up against an influx of Western influences, some of the most amazing modern musical forms birthed in the dance halls of West Africa. Rhythm and blues, soul, and funk elements electrified and popularized in the United States folded back upon themselves into their African origins. Afrobeat reigned supreme in Nigeria, a defiant and jubilant funk …
Second live salvage
'Editions Mego is proud to announce this double vinyl set. Five tracks recorded live (Valencia, Stockholm, Frankfurt, Brighton, Paris) + 'Bonus Recording', Russell HASWELL & Toshiji Mikawa live in Japan. Cut by Rashad Becker at Dubplates & Mastering, Berlin, April 2008. Follow up to the award winning 'Live Salvage 1997->2000' CD (mego 012, 2000). Hot on the heels of recent collaborative releases with Florian Hecker (as HASWELL & Hecker) on Warner Classics and Warp Records, Russell HASWELL (b.1…
Live Peace In Toronto
Limited edition, audiophile pressing, with original spiral bound 1970 calendar w/ photoLive Peace in Toronto 1969 is a 1969 live album recorded by John Lennon and Yoko Ono, as the Plastic Ono Band, at the Toronto Rock and Roll Revival festival. Lennon after being asked by local promoter John Brower if he and Yoko would accept an invitation to emcee the show on short notice instead decided to make his post Beatle debut at this festival. Featuring Eric Clapton on guitar (fresh from the breakup of …
Spiritual Jazz 3: Europe
Gatefold double LP version. Esoteric, modal and deep jazz from the European underground, 1963-1972. At the end of the '50s, Miles Davis' Kind of Blue heralded the revelatory arrival of modal jazz. As the vibrations of these giant steps resonated across the world, European jazz musicians reassessed their bearings and began to steer a new course. Across the continent, they sent roots down into the rich soil of the European folk and Christian liturgical traditions, extended their music along a…
Pantheon Of The Lesser
Pantheon Of The Lesser was composed over a period of two years in Ocean's home studio in Portland, Maine. As the seasons passed each track was written, re-written, played and then re-played as layers were slowly stripped away until the true essence of the song was revealed. Once Ocean entered the studio it took another two years to deconstruct Pantheon Of The Lesser until they had found the essence of their writing. This disciplined deconstructionist approach to songwriting is how Ocean t…
Black Tar Prophecies Vol 4
While Grail’s studio records are expertly crafted affairs, full of expert production and cinematic flair, but the Black Tar Prophecies series has been the set of songs which has brought Grails to the forefront of the instrumental scene. Lo-fi and bared back, it gives the band a place to experiment outside of the norm. Volume 4 of the Black Tar Prophecies series utterly drips in dark atmosphere; opener I Want A New Drug starts with a tape recording which slowly descends into warbling, becom…
ØØ Void
Double LP edition: Lengths of stretched distortion rattle the grey matter, unnervingly slow and severe. With Sunn O)))’s second album, ØØ Void, the sonic misery nurtured to functionality by Greg Anderson and Stephen O’Malley stays simple and repetitive, a tabula rasa having yet to realize the full scope of its potential. With this album, Sunn O))) worked as a three-piece, collaborator Stuart Dalquist coming up with its opener, “Richard,” which is a solid fourteen and a half minutes of be…