New Arrivals
Perpetuum Mobile
“Perpetuum Mobile” is the result of a uniquely schizophrenic “open source” compositional process: the UK's finest collage composers (collage-posers?) Ergo Phizmiz and People Like Us (aka Vicki Bennett) uploaded files to a shared server, downloaded and processed each other's work, and flung the resulting fragments back at each other. The result is an interpenetrating audio-collage so intricate that neither party can recall who did what to whom. So far, so avant-garde; but what makes this record d…
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Vibraphonist Jason Adasiewicz's (of Exploding Star Orchestra fame) Chicago Trio with drummer Mike Reed and bassist Nate McBride in a great modern jazz release of original compositions, informed, warm and compelling music. "The Jason Adasiewicz Trio features Jason on vibraphone, Mike Reed on drums, and Nate McBride on bass. The Chicago jazz group formed in 2008, first experimenting as a free improvising trio, and later focused attention on arranging tunes that Adasiewicz wrote during his wife's …
Very Urgent
Originally released on Polydor in 1968. During this year, The Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Very Urgent, their eagerly-awaited debut recording, was a joyful call of intent. The album mixes simple but utterly unstoppable tunes and exhilarating horn charts -- immediately establishing a vitality and exuberance that would continue to define the group. Nevertheless, their evident preference f…
Two lakes
In April 2010 12k recording artist Seaworthy (the recording project of Cameron Webb) and Matt Rösner travelled to the south coast of New South Wales to undertake a detailed field recording study of two coastal lake ecosystems at the Lakes Meroo and Termeil. The aim of the project was to explore the sounds of a fragile coastal Australian environment and to build from those sounds unique musical pieces that provide a place for listener contemplation and reflection.Field recordings were taken from …
Killing HF Harlow
Terrapin is Giovanni Lami & Shaun McAlpine. An improv duo based on real time processing field recordings, analog instruments and digital sounds, all played and processed live. This work comes from some recording sessions in Giovanni’s Studio. Later subtlety edited without any overdubs, just choosing the most suitable parts, noticing something evolve from the session, forming a solid arrangement.
The fundamental idea behind the project is vivisection, holding an historical vivisectio…
Civiltà Paleospaziale
Italian minimal synth & drum machine duo, another side project by Ottaven/Canedicoda, abstract dread sounds with elements of clinical drone and throbbing frequencies to a more introspective ambient chaos
A color photo of the horse
Alessandro Bosetti provides voice and electronics on words & text from a variety of writers, as performed in a trio with drummer Ches Smith and fretless guitarist Kenta Nagai; fascinating and perplexing expression. Alessandro Bosetti: voice, electronics. Kenta Nagai: fretless guitar. Ches Smith: drums. Music and texts by Alessandro Bosetti. Dead Bird text by Alessandro Bosetti on words by Alasdair Campbell. Istruzioni text by Alessandro Bosetti on words by Jerry Mandel, George Dippel, Howard…
A Bureaucratic Desire for Extra-Capsular Extraction
A Bureaucratic Desire for Extra-Capsular Extraction gathers all of the music drone metal progenitors Earth recorded in October 1990, during their earliest sessions at Portland's Smegma Studios. Earth, featuring soon-to-be Melvin Joe Preston in its second lineup, intended for those seven tracks to serve as its debut. Record label decisions interfered. Three of those tracks were released a year later via Sub Pop, on the out-of-print EP Extra-Capsular Extraction; four more were released…
Stone Circle
RESTOCKED! 10/10 on Foxy Digitalis, writing "best psych album of the year! Maybe even best psych album ever?! “Stone Circle” deserves much more than a measly ten stars!”. Wood-land have released a few bits and bobs on the Install label but i'm totally unfamiliar with their work. 'Stone circle' is the duo's first full length release, limited to a super small run of 100 copies. On first listen i reckon it's total winner. Twenty tracks of brooding lo-fi instrumentation that sounds like it was recor…
Nigeria Afrobeat Special
Nigeria Afrobeat Special is the fourth addition to the Nigeria Special series, a project initiated by Miles Cleret, owner of the Soundway Record label back in 2004. Cleret’s ambition to distinguish the blossoming music scenes of 1970s Nigeria has lent to an indispensable series of CD and LP compilations documenting the influence of western blues, rock and disco amongst artists and musicians versed in the local musical styles of highlife and juju. It was Fela Kuti and his musical and politi…
Troubled, Shaken Etc
Another album of unclassifiable experimental songs from British band the Sian Alice Group, who blend elements of avant-rock, folk and dark, cinematic tones for a uniquely atmospheric, inter-disciplinary sound. A Stereolab-like mix of pop modernism and Terry Riley minimalism gets the album started ('Love That Moves The Sun'), before all momentum is dismantled in favour of fluid ambience on 'Airlock'. From here on the band continue to genre-hop before stumbling upon a rich vein of balladry on trac…
Never Bought Never Sold: Singles + Demos 1979-83
"Animals + Men -- named after a song by Adam and the Ants -- started life around the winter of 1978-1979 when Susan Wells took over vocal duties in what was a three piece called Psychotic Reaction. Based in Frome Somerset, their first release Don't Misbehave in the New Age (1980) was an indie hit. When the band split in '81, Susan and Ralph formed the Terraplanes. A & M/Terraplanes released three vinyl 45s. A few years ago, demos by the band surfaced on the Messthetics/Hyped 2 Death label. Recen…
Mind Ctrl: Psychic
A new label (The Fader) brings a deluxification of 2009's Psychic Chasms, which now also contains the bonus album Mind Ctrl: Psychic Chasms Possessed, featuring nine exclusive remixes and cover versions by Toro y Moi, Body Language, Javelin, Bibio, Yacht, Darby Cicci of The Antlers, Twin Shadow, Dntel, and Anoraak!An elusive new project from composer Alan Palomo, Neon Indian delivers equal parts synthetic nostalgia, dream-pop lullabies, and grinding guitar noise to create something eerier t…
The Pattern Prism
Kraut-rock at heart, this is a brtual, cosmic melange of sound & rhythm, where Terry Riley-like keyboard motifs entwine w/ intense Battles-esque drumming, clouds of audio detritus, gamelan gongs, rewired synthesizers, & clashing feedback guitars. Oscilating between pools of crystal-clear ambience & miasmic clouds of dense noise, it spans entire decades of musical exploration: the fractured psych dreams of The United States of America, the dense weave of Stockhausen's Hymnen, the intensity of Con…
E Pluribus Unum
a pure mantra: blending North African and Middle Eastern textures within a western context into our experience, regrettably the experience of a small few, but hopefully a wider community of listeners to come. Not only important historically, but musically: a wide range of music genres over the last couple of decades have worked with drone-note principles and it is an increasingly common device, but Sandy Bull was/is a superlative master of utilising the drone sounds;understated but effect…
The Ducks Palace
Duck Baker (guitar), Derek Bailey (guitar), Cyro Baptista (percussion), Roswell Rudd (trombone) and John Zorn (alto saxophone) Tracks Improv 1 & 5 recorded at The Knitting Factory New York 1993. Tracks Improv 2,4 & 6 recorded London 2002. Track 3. The Blues recorded at the Outpost Alberquerque 2004. Track 7 Pavement Blues recorded at Tonic New York 2002.
Thing
This powerful 1972 performance by Arni Cheatham's group provides a unique glimpse of the jazz scene in Boston. The group borrowed the most innovative characteristics of jazz and rock, but never sounded derivative. This is early seventies "jazz fusion" of the highest order, before the term evolved to mean a light, commercially acceptable genre. As with many innovative jazz forms, the recording was made at one of the many local universities, Harvard. The resulting album was pressed in scant…
Planetary Unknown
"It's a great summer for music, with some excellent albums just released - and more reviews to come ... Let's start with the great David S. Ware and his new quartet, a great quartet, with William Parker playing the bass as on all other David S. Ware albums, with Cooper-More on piano instead of Matthew Shipp, and with Muhammad Ali on drums (the latest in a long list, with Susie Ibarra, Guillermo E. Brown, Warren Smith, Whit Dickey, Hamid Drake, ... and quite a phenomenal list at that).It is no do…
Outdoor Spell
Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…
Life (...It eats you up)
Whereas previous works by Mika Vainio have utilised guitar Life (… It Eats You Up) is the first to use the instrument as its primary sound source. A fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of Vainio's previous works with some stunning surprises, such as his cover version of The Stooges' 'Open Up and Bleed'.Tracks such as ‘Mining’ hark bark to the banging beat exces…