New Arrivals
Cellos
The association between Ulrich Mitzlaff and Miguel Mira promises an unforeseeable sound meeting. The specific, personal and different ways of their distinguished expression is the base for their very dynamic and interactive music. They create sounds where the improvisation moves with great fluency between the establishing of textures and abstract musical ideas and the switching in the musical discourse to singular, rhythmic and melodic affirmations. They construct the sonar explorations using th…
Tidings / Amesthyst Waves
Trying to put the last 15 years of music into context, you’d be hard pressed to get anyone to agree on a single thing. If anything, this period has been a collective convergence of all things cool-sounding: naïve experimentalism, academic composition, art-rock synthesis, electronic nihilism/flagellation, and, well, everything else. Mark McGuire could muddy anyones interpretation of the contemporary canon with his buddies in the triadic mega-unit, Emeralds, his collaborative outings in Sun Wa…
to r.s.
Awesome solo release by a former Amuleto band member (on the die schachtel Musica Improvvisa box)...Wanke continues to amaze us with his sensitive, detailed and spacious sound works. "to r.s." follows up his lauded debut "Caves" on Sedimental with another stunner. For “to r.s.”, Wanke uses electric and acoustic guitars, acoustic piano, objects and natural sounds. The 53 minutes of this unique piece divided in four parts combine static compositions, drones and looped music. Structurally viewed a…
Live in Paris
The release of this, our fifth album, coincides with the tenth anniversary of our first concert together, in Philadephia in 2000. Thanks to all the friends, fans, promoters, and producers who have made it possible for us to continue playing, recording, and touring together all these years. It’s a privilege and pleasure for us and we look forward to sharing the next decade with all of you.
The state we are in
The first thing this CD reminded me of was Tape...then I checked out the press release and it turns out that Tape's Johan Berthling (also very recently sighted on that Fire! with Jim O'Rourke record) is in fact one-third of this band, the other two being Andreas Soderstrom (Ass) and Per Eklund on drums. It is, as you would expect, gently paced instrumental stuff, slightly pastoral-sounding, with intertwining guitars and a some subtle Hammond organ and trumpet bits. This is a mightily rel…
Running away
Guillaume Viltard, doublebass. Recorded in 2008 studio and outdoor. The CD comes in a very special package made by visual artist Zéhavite Cohen. 300 copies. 'There followed a solo double bass performance that was added late to the bill from Guillaume Viltard, a young musician that has been playing a lot at the weekly Eddie Prevost workshop. I had seen him play before, most recently in a duo with his frequent playing partner Ute Kanngiesser, but never solo, and I have to admit to being taken by s…
Luz Azul
Ah now, this is a lovely little CD. The group i treni inerti began life a decade or so ago now as the trio of Ruth Barberan, Alfredo Costa Monteiro and Matt Davis, and when their first album came out as one of the very first Creative Sources releases however long ago Brian Olewnick wrote what to this day remains one of my favourite opening lines to a review- something like “Yeah I can hear you sigh, yet another trumpet/trumpet/accordion trio…” In 2012, as David has long left Barcelona the group …
Pluie Fine
Angharad Davies (violin) and duo Cremaster consisting of Alfredo Costa Monteiro (electro-acoustic devices, speakers, electric guitar) and Ferran Fages (feedback mixing board, electro-acoustic devices). Composed, recorded and assembled between september 2010 and july 2012 in Barcelona. Violin parts recorded by Kostis Kilymis on march 2012 in Oxford. Pluie fine is the result of several exchanges of recorded material shared between Cremaster and Angharad Davies, from 2010 to 2012. Each piec…
Sempervirent
I spent two months in protected areas of Costa Rica making multichannel field recordings of the different forest ecosystems of Central America. Armed with a quadraphonic setup (IRT cross), a parabolic microphone, a hydrophone, and a scientist's passport, I went to nine main sites to record: the coastal evergreen forest, the tropical dry and deciduous forest, the mangroves, the wooded riverbanks and floodplains, and the forests altered in cultivated areas. The recordings were made at the S…
Parallel World
Originally released in 1976 by Nippon Columbia, this is the final album by legendary Japanese space/psych-rockers Far East Family Band. Droney and far-out electronica influenced by German producer/electronic music composer Klaus Schulze is more pronounced, merging prog rock with electronic music to create something rather weird and wonderful. Although Schulze oversaw the production of the album rather than playing on it (which he definitely didn't!), the synth star here is Masanori Takahas…
Songs About Nothing
Stunning double disc collection of mind-erasing loops, avant classical drone and minimal cold wave threat from Jason Lescallett, presented as a back-handed tribute to Big Black’s notorious 1992 album Songs About Fucking: Songs About Nothing is the sound of pure entropy, moving from ear-scalding feedback sculptures through nod-out minimal synth repetition through scrambled choral works and widescreen soundtrack drones. The first disc unfolds in a series of stately movements linked by a form of ob…
Tramp (Deluxe Edition)
2CD deluxe edition includes the album, demos for each album track, plus a bonus track demo. Repackaging includes a self-portrait & liner notes about each song taken from VAN ETTEN's journals. A startling collection, filled w/ as much defiant rock as pious, minimal beauty. There are declarative hymns, & remarkably sultry numbers. Guest appearances from Jenn Wasner (WYE OAK), JULIANNA BARWICK, Zach Condon (BEIRUT). NO CANADA/NO EXPORT(SAKI)
Technology 1 & 2
First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…
Music for checking e-mails
Good news from your mailbox! Mitterer makes music on the subject of ambient in an electronic environment. Two amazing CDs with radical backgrounds.Mitterer’s CD in hand is about background music as a relative term, it’s about communicating via ›electronic post‹, it’s about the missing link between analog and digital ambient environments. Because Mitterer creates his instruments and then uses them in a unique way, electronic music for him has a unique vocabulary, one which in this day and age of …
Falls Of Time
Ahead of their time, the enigmatic Italian band A.t.r.o.x. were one of the first bands to move beyond the new wave styles and introduce strong electronic elements, an abstract-minimal heart attack in the best possible way. Lovely double CD set with their entire production.
Michelangelo Antonioni
The third (and perhaps final) project in the film director series which began with Andrei Tarkovsky - Another Kind Of Language and Yasujiro Ozu - Hitokomakura. Michelangelo Antonioni - Trilogy And Epilogue focuses upon the Italian auteur's landmark 'tetralogy' of films L'Avventura (1960), La Notte (1961), L'Eclisse (1962) and IlDeserto Rosso (1963). Antonioni was known for not being very keen to use music in his films, partially because he wanted the films to tell their stories free from 'add…
Motion - Movement In Australian Sound
Motion – Movement In Australian Sound is a generous, 2-CD overview of 22 artists representing Australia’s burgeoning terrain of electronic and experimental music. From Scott Horscroft’s mesmerising piece for eleven guitars, the sublimely sweet, driving tones of Pretty Boy Crossover, Sue Harding’s melodies from dot matrix printers to renown veteran Alan Lamb’s awe-inducing casting of field recordings from the West Australian outback, Motioncasts wide to expose some of the most creative and …
The French Collection
To be issued mid Oct. 2010 as a double CD set housed in a custom made gatefold case with artwork by Jesse Peper. It started with a dusty box of DAT tapes. Perhaps it was years since anyone had listened to them despite the tantalising labels,"Paris #1", "Paris #2","Paris #3”... Indeed it was Paris where the Dots played their first residency in 1992. However , these tapes were a document of the Dots' one and only 3-nighter from the 10th to the 12th of March 1994 at the delightful Theatre Passage d…
I Plan To Stay A Believer
The Inside Songs Of Curtis Mayfield. "Bassist/composer William Parker is among the most active and highly regarded musicians performing today. The Inside Songs of Curtis Mayfield is the first project in his 35-year career devoted to the music of another composer; here Parker interpolates the mighty Mayfield songbook with an equally mighty 8-piece band. Curtis Mayfield was a prophet, a preacher, a revolutionary, a humanist, and a griot. Words that all apply to William Parker himself. I Plan To S…
Desertshore/The Final Report
Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, first conceived by the late Peter "Sleazy" Christopherson in Berlin in 2006. …