We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Gatefold 2LP/DVD version. Ambitious, epic and grand in scale, In The Country's previous album Whiteout was an artistic triumph. Always a very powerful and exciting live act, it was only natural that a concert album should come at this stage of their career, after three studio albums and a number of Norwegian, European and U.S. tours. Originally planned as a concert DVD, In The Country invited video director Claus Arthur Breda-Gulbrandsen to bring a crew to film a couple of Norwegian shows i…
The Modern Sound Quintet were formed in Stockholm by Trinidadian steel drum master Rudy Smith. On Otinku, Smith wails out on his set of 'pans' (as I believe the vernacular goes) in an improbably slick bebop mode, accompanied by a rhythm section capable of keeping it free and swinging one moment, and then within an instant locking down a groove. While pieces like the title track and 'Bye Bye Blackbird' flow effortlessly, 'Mercy, Mercy, Mercy' and 'Memphis Underground' lay down a solid bedrock of …
After several years spent searching for a publisher for On The Road, in 1957 Jack Kerouac s fortune finally changed as he literally became a star overnight, thanks to rave reviews by the New York Times and others who heralded Kerouac as the voice of a new generation. It was during this initial period of fame (1957-1959) that Kerouac also recorded a trio of albums. His first effort, Poetry For The Beat Generation, was recorded at the Village Vanguard in 1957 with soon-to-be pop icon Steve …
Tapestries for Small Orchestra, eminent trumpeter/composer Bill Dixon's new multi-disc set, includes two audio CDs of specially commissioned original music plus a documentary film featuring exclusive interviews and session footage (DVD available only with physical release). Made possible in part by a grant from the LEF Foundation's Contemporary Work Fund and the support of the Festival of New Trumpet Music, this project thoroughly documents the three-day recording session at Firehouse 12's stat…
Never mind the piano, the pianist is Fine! Milo Fine describes the particular piano as 'more remains than intact', yet he still manages to get the right music out of 'that wonderful beast'. The earlier date is unaccompanied piano improvised mainly at the keyboard. On the other longer concert, recorded towards the likely demise of the 'beast', Fine spends most of his time working on the innards resulting in a very wide range of sound. He also uses some electronics, and is joined by alto saxophoni…
Collected here for the first time are the complete studio recordings of one of the major ensembles in the renaissance of Jewish Jazz. Featuring five Downtown New York improvisers, these four CDs originally released by Knitting Factory records from 1996 to 2001 embrace the Hasidic musical legacy with a fresh new voice. Blending together an intense mixture of ethnic and cosmopolitan sounds, Hasidic New Wave fuses spiritual songs from Hasidic dynasties to funk and jazz, Arabic dances with avant-gar…
Afro-Danish saxophonist John Tchicai spent his youth playing alongside the greats, recording and performing with Albert Ayler, John Coltrane, Archie Shepp and Don Cherry. For this recording, Tchicai is joined by John Coxon, Mark Sanders and Ashley Wales, who between them supply an arsenal of instruments including piano, harpsichord, sampler, steel bowls and bowed percussion. This setup makes for a bewitching backdrop of esoteric sound textures and atmospheric accompaniment, giving an otherworldy…
the second full-length album by the experimental/free-jazz quartet 7k Oaks, live recorded in concert at the InterAct Festival in Hasselt. This new release is at the same time a confirmation of their musical background as well as an exploration of new territories: about an hour of full-blast energy, with a variety of directions ranging from walls of electro-acoustic noise to free-jazz bursts, hypnotic rythmic patterns and lyrical melodic themes. It is the entelechy of …
This recording is my attempt to play Evan Parker. Seven tracks were recorded in STEIM's Studio 3, trying to reflect the liveness of Parker's solo recordings. All of these are single takes with minor edits at the beginnings or ends. Two interlude tracks are short experiments looking at timbral characteristics when the rotation of the turntable is extremely slowed down. The last three tracks are compositions made from both Parker's and other improvisors' records.
Recorded live at Alto Adige Jazz Festival in Bolzano, Italy in June of 2007. All compositions by Anthony Braxton: Composition No. 63, Composition No. 92 (part 1-2), Composition No. 164 (part 1-2), Composition No. 59
A split single with Cremaster (Ferran Fages and Alfredo Costa Monteiro) on one side and Komora A (Karol Koszniec, Dominik Kowalczyk, Jakub Mikolajczyk) on the other side.
'It could be a walrus. Some very large, ungainly, semi-aquatic creature expelling air through a hole layered with tissue and fat and hairs. But then multiple apertures open at once and the creature just spouts information, chaotic from one angle, streamlined from another. Effluvia momentarily expelled, the beast lies down and breathes in short, percolating gasps, quiet but insistent. The pressure builds, however, surging in near-regular waves, causing the organ-walls to quiver, liquid to shudde…
Howard Riley : piano. CD 1 was recorded on 23rd July 1998. CD 2 was recorded on 11th April, 1999. CD 3 was recorded on 29th June 2004. CD 4 was recorded on 2nd August 2006. CD 5 was recorded on 27th June 2008. CD 6 was recorded on 22nd April 2010. All compositions by Howard Riley (PRS MCPS). Mastered by Ar nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Producer Ð Danas Mikailionis. Co-producer : Valerij Anosov.' label info. 'The beauty of a short story, of course, is that it can be taken …
"It has always been one of my desires to do an album with Brazilian musicians/flavours... i remember years ago trying to do a free-funk-samba album with saxophonist Ivo Perelman which unfortunatly never happened ?! when Hartmut told me about a very special number that he did with Don Moye and musicians/artists from Brazil under the effect of Santo Daime's sacrament, i sensed that this might be what i was waiting for so long... warning: you'll NOT be able to hear this music seated... hip DJs took…
That is one slick title, is it not? Though I must say, I for one would have preferred it had they gone with ShippMan. Oh, perhaps not... Both repeat offenders on the Treader label, Jason Pierce (of Spiritualized and Spacemen 3 notoriety) teams up with modern jazz icon Matthew Shipp, who plays celeste and harmonium over these two extended drone pieces. This collaboration first came about for Patti Smith's Meltdown festival, and this recording represents a studio incarnation of that performance. T…
"Not since Albert Ayler stalked the hamnar of Stockholm and reverberated his fire music off the walls of LES tenements has there been an avant-garde jazz saxophonist who can all out wail like Virginia Genta can. Don’t let her calm presence fool you. Nor should David Vanzan’s taller stature lead to believe this is not an equal opportunity free jazz freak-out. From when their poles first were converged by the Cosmic Force in 1999, Italy’s (with Finnish godparents) Jooklo Duo has been winning he…
LP version with bonus 7". Every once in a while, a record presents itself so defiant in its refusal of categorization that it becomes the bane of those poor vinyl archaeologists whose business it is to file and classify. The aptly-named The Naked Truth (1975) is one such artifact; a wayfaring stray of an album that weaves its insouciant magic through the edgelands of sound. The musical provenance is palpable -- an electric blend of spiritual jazz, rhythmic black psychedelia and far-out ex…
Nectars of emergence is the exciting debut release of Mural, consisting of Australia's foremost improviser Jim Denley (alto saxophone, flutes) with Norwegians Kim Myhr (acoustic guitars, preparations) and Ingar Zach gran cassa, percussion). The trio has performed numerous concerts together since their first concert in Madrid in 2007, and now you can finally hear the music on CD. Aftenposten, Norway said of Kim Myhr and Jim Denley's duo CD: 'Systems realignment helps to save improvised musi…
10 CDs documenting three full concerts from March, September & November 1978 at the Horseshoe Tavern; 8 hours of excellent music, well recorded and available here for the first time (none have been on bootleg lists) and a long radio interview with Sun Ra. This is a chance to experience the flexibility and vast repertoire of the arkestra and the way sets were organised and constantly changed. This is a numbered limited edition of 500 copies, officially released