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Marcus Fischer is a musician and multimedia artist currently based in Portland, Oregon. Field recordings, chance, and DIY instruments, coupled with acoustic instrumentation and visual art, define what has become his minimal signature. His uncanny ability to sculpt delicate beauty from the simplest of sound elements results in compositions that are both intimate and expansive.From January 2009 through January 2010, Marcus kept a blog called Dust Breeding to document the results of his goal to com…
Following critical acclaim of Harvey Milk’s latest album Life… the Best Game in Town (2008), the band’s current home Hydra Head, has gone into the archives for this new/old album. Originally recorded in 1993 by one Bob Weston, these recordings never officially saw the long-playing light of day. Until now. The band is known for being somewhat curmudgeonly, and this proto-debut is fittingly nasty and strangely disconnected. Not for the ‘Milk the youthful exuberance of early spotty Metallica or gri…
"Produced by Centre international de recherche musicale, Nice, France. Project involving 22 instrumentists featuring Pierre-Yves Artaud (flutes), Alexandre Ouzounoff (bassoon), Daniel Kientzy (saxophone), Vinko Globokar (trombone), Elisabeth Chojnacka (harpsichord). Puzzle 1999 (14-17) commissioned by INA-GRM." (Discogs)"An extension of the 'virtual orchestra' in which composer Pascal composes music out of gathered individual instrumental tones and lines (with the musicians never having met …
Format: Glass-mastered CD. Packaging: Recycled Chipboard Sleeve. 33 bays was recorded in October 2009 in Kyoto, during a Japan tour by the duo of Tim Olive and Alfredo Costa Monteiro. Recorded live in the studio with no overdubs, the two untitled tracks were chosen from a number of pieces captured over several days, showcasing the duo's attunement and dramatic sense of structure. Olive (one-string electric guitar) and Costa Monteiro (electro-acoustic devices) produce a rough, feral music …
10 improvised sound collages by Wade Matthews. What this music is about and how it was made. These are 10 virtual soundscapes selected from among 14 made in Madrid in late June and early July 2009, hence the name, Early Summer. They are improvised sound collages, real-time assemblages of field recordings (manipulated to greater or lesser degrees), noises, electroquotes and digital synthesis. The field recordings were made over the last two years in the San Francisco Bay area, La Mancha, a…
One more new Gianluca Becuzzi release on Silentes, this time in collaboration with Luigi Turra. Composer of musique concrete and graphic designer whose main interest is the musical balance between silence and the tactile perception of sound, Turra’s works were published by labels such as and/OAR, Unfathomless, Non Visual Objects, Smallvoices and many others. A lot has already been written about Becuzzi, here we would just like to remember his historic Darkwave / Industrial project…
A soft immersion, leaving the surface behind,knowing that on the inside, wide horizons are waiting.In the mines of matter: laboring and exploring, searching and will-o‘-wisping, but always with compass and sextant at hand.Ample discoveries are the prize – never boastfully on display,but tended with archeological care: larger molecular aggregates, atoms, elementary particles; interacting or alone.A journey, seemingly documenting itself through close observation. Land surveying through experiencin…
Blip is a duo collaboration between Jim Denley and Mike Majkowski: two of Australia's most prominent improvising musicians. They began playing together in 2002, as members of The Splinter Orchestra, and formed Blip in 2009. They have been developing their own approach to the woodwinds/strings duo arrangement, deconstructing and reconstructing this format. Blip music focuses on duration, the subtleties of sound, the pitch within timbre and texture, as well as pulse. Wi
A kind of different album from A. Baker (Nadja) as it leans more into shoegazery and drone-pop songs. “Green & Cold” is the strength of strings proved by A. Baker. His soft lyrics suffuse weightlessly into a humming cloud of perfumed guitar scour. Yes, when gazed upon, these patent leather shoes really do reflect up. However, “G&C” is accomplishes much more than throwing Loveless lights back up to Heaven. An ass-load or so of previous avant-garde releases has developed in Baker a skill-se…
I can't listen to Kyle's music without thinking about Stars of the Lid. And for the same reasons I am reminded of Arvo Pärt, Brian Eno, and even Richard D. James. As such, Mr. Dunn's vocabulary is probably familiar to anyone who has heard any of those musicians. He combines violins, guitars, and other strings to paint long, gossamer tones, utilizes low frequency vibrations to generate weight, and creates forward movement with concise and appealing melodies and harmonies. On the other hand, Kyle'…
Denman Maroney (piano) & Mark Dresser (bass). Vision Festival NY - June 11, 2008. This is the third duo album by bassist Mark Dresser and pianist Denman Maroney, after Duologues and Time Changes. In contrast to some of the other material by the two players, this one is fully improvised in three long pieces. The first 30 minute track was recorded live at Vision Festival on June 10, 2008, the two other pieces date from a performance in Chicago in 2001. It's hard to call this jazz, since none of th…
This is Jun Konagaya (a.k.a. GRIM )s first solo album. GRIM released collection of complete sound sources from hanng niap records in 2009. and insanity live performance was resumed after it. And having been released this time is not GRIM but a solo Jun konagaya name. Atrocious feedback/roaring cannot be heard there. "Organ" The malformed story about floating folk song of malformation, such as "Message" of GRIM. Inner surface of the universe is filled with deep sorrow of Jun konagaya, has been ex…
Sprung aus den Wolken have teamed up with Berlin based electro duo Film 2 to record a new album. The result is a mix of Renault Schubert's cool electro pop tunes and Kiddy Citny's and Betty la Gachette's vocals sung in French, English and German. A more than welcome return after a far too long pause for theose German pioneers. "The ten tracks of the CD span from funky electro industrialism to ambient cinematic experimentations (like "Push here" or "Nous irons aux bois") passing though electro 80…
Michael Bullock (contrabass & feedback), Mazen Kerbaj (trumpet), Vic Rawlings (cello & surface electronics). “Mary Staubitz emailed me asking, “do you and Vic want to play with this guy from Lebanon?” Mary was booking a series of noise shows at the Midway Café in Jamaica Plain, MA, and had been contacted, apparently out of the blue, by “this trumpet player from Beirut.” She wanted to help him out but wasn`t sure what to do, since none of us in Boston really knew anything about him. Vic and I hav…
A Bureaucratic Desire for Extra-Capsular Extraction gathers all of the music drone metal progenitors Earth recorded in October 1990, during their earliest sessions at Portland's Smegma Studios. Earth, featuring soon-to-be Melvin Joe Preston in its second lineup, intended for those seven tracks to serve as its debut. Record label decisions interfered. Three of those tracks were released a year later via Sub Pop, on the out-of-print EP Extra-Capsular Extraction; four more were released…
Since the release of Saddleback’s acclaimed 2004 debut Everything’s A Love Letter, Tony has found increasing demand for his touch behind the recording desk. Tony’s studio is housed in his Kangaroo Valley residence on the south coast of New South Wales. Found inside are all sorts of instruments including various guitars, percussion makers, horns, a clarinet, a double bass, piano and a specially-fashioned drum set. Having arranged and played these on other peoples’ work – most notably for Sydney’s…
Endless Falls is the fifth full length release by Scott Morgan under the loscil moniker. The album begins and ends with the sound of rain recorded by Scott in his back yard, precipitation being a constant presence in his home city of Vancouver. Many of the other sounds on the album are derived from these same recordings, processed and combined with other harmonic sounds to create the textures and drones. Something completely new to this release would be vocals, of a sort, a first for any loscil …
At some point all great explorers, from Amundsen to Kishan Singh Rawat, come to an opening up and cast their minds across a big space. A clearing, a promontory, a look out from a place no one's been before. Jakob Olausson ventured deep on Moonlight Farm, his debut for De Stijl in the winter of 2005. His singular expression returns on Morning and Sunrise, an explorer's codex, a gaze through to what's more important and less seen. The path yet traveled and the sun arcing over it. Morning and Sunri…
Duo of Agnes Szelag & Marielle Jakobsons (aka DARWINSBITCH). They create electroacoustic songs on many instruments such as violin, cello, voice, bass, gezhong, piano, & accordian. Their scores are often conceptually or process-driven, resulting in their unique style of electroacoustic music, reminiscent of Scandinavian free folk, lullabies, dramatic film scores, & electronic improvised music
Awesome solo release by a former Amuleto band member (on the die schachtel Musica Improvvisa box)...Wanke continues to amaze us with his sensitive, detailed and spacious sound works. "to r.s." follows up his lauded debut "Caves" on Sedimental with another stunner. For “to r.s.”, Wanke uses electric and acoustic guitars, acoustic piano, objects and natural sounds. The 53 minutes of this unique piece divided in four parts combine static compositions, drones and looped music. Structurally viewed a…