New Arrivals
Live At CAC 7.21.08
2 sides of bent frown jazz from the hardcore supergroup of Lorenz, Yeh and Jewell. Side a comes on all fifth dimension hard think: violin scrunch and squeal, hard tom rub and dense harmonic blowing pushed right to the front of your brain box, jams a frantic fanfare with locked horn and strings before giving in with a wheeze and a tinkle. Side b's call and answer shies away as fragments fragment into bowed skin, seesaw string microtone and rasped mouthpiece until spunk rock free jizz looseness ex…
Cartolina Postale, Composition No. 2
the recording features ilya working with a music box and toothpicks and civyiu kkliu with blank vinyl and a metal object. "regarding the specifics of the sound piece... ilya and i came up with the concept for this release and did a series of improvisations for it in California (2002)... we did this improvisatory work together (not by mail, etc)." civyiu kkliu picked up the project again in 2006 working on variations on the card design and layout. he continues that " the duration and nature of th…
Hosting Myself
Jean-Claude Jones (electro acoustic bass, live electronics). This solo bass album is a distillation of my language, the articulation of my voice on my instrument. It is free improvised music, focused on energy and the moment. This project incorporates electro-acoustic sounds and noises, groovy rhythmical games and sporadic forays into melody.
Into An Energy
This is a new release by California's extremely prolific avant-drone duo, Starving Weirdos. These eight new pieces bear all the hallmarks of Starving Weirdos' greatest work: the dizzying mixture of instrumental sounds, electronics, and field recordings, the pointillistic attention to sonic detail, the duo's post-production technique, which achieves something like the aural equivalent of deep-focus photography. On Into An Energy, the duo of Brian Pyle and Merrick McKinlay is joined by occasional …
24-24 Music
Though classically trained Arthur Russell's major contribution to the music world was in the dance genre. Despite the fact that his pioneering work in the late '70s and through the '80s was only quietly acknowledged at the time his long term impact on the genre is best described as formidable Russell's innovative; left field dance records were way ahead of what people were used to hearing at the time, in part due to his involvement New York's downtown avant-garde music scene. He scored se…
Plastic Box
" Plastic Box is a a 'metal box' fascinating companion, plotting the evolution and subsequent degradation of the experimental impulse that saw its apex in 1979. Tracks like “Albatross” have always been passed off as autobiographical by Pistols-watchers who believed that Lydon could only ever refer to Lydon, but the power of Metal Box lies in Lydon’s ability to forget: himself, his past, and so to move around the landscape like a ghost, to be free of his own history in order to fully invest…
Solo - Conversations with Franck Médioni
'The unique voice of double-bassist Joëlle Léandre moves back and forth between the worlds of theatre, poetry, dance, improvisation and composition. With passion and fire, she recounts her main sources of inspiration, encounters with John Cage, Peter Kowald, Giacinto Scelsi, Steve Lacy, Philippe Fénélon, Betsy Jolas, Derek Bailey, George Lewis, Anthony Braxton among others... CD: 38 minutes bass solo, Piednu, France, 2005. DVD: 33 minutes bass solo, Guelph Jazz Festival, Canada, 2009.' la…
Muse and Music
2005. Harold Rubin (clarinet, poems, cover drawing), Jean Claude Jones (electro acoustic bass & live electronics). Recorded on May 2004 & July 2004 at Digi Hip Studios, Hod Hasharon, Israel. This album documents the musical - spiritual meeting between the two leaders of the Israeli improvised music scene. Harold Rubin started the movement on the late 1980's, after his legendary group Zaviot disbanded, leading a long series of ensembles active in the Tel-Aviv area, where he lives. Jean Claude Jon…
Berlin Electronics
With Annette Krebs (electric guitar, mixing board, tapes, objects, radio) : 'Untitled III variation-extract' (2007). Gilles Aubry (computer programming) : 'Volutes I-III' (2007). Ignaz Schick (organ pipes, cymbals, objects, violin, turntable, looper and electronic treatments) : 'Frost I-IV' (2007-2008). Andrea Ermke (minidisc.mixing desk) : 'Verzegnis' (2008), 'Berlin' (2008).
Eerie Fragrance or Eyeless Fabrication or Exclude Frank or Eat F
A lovely vinyl reissue on Etude Records of a long obscure Climax Golden Twins gem. Originally issued in 1995, on cassette, Eerie Fragrance or Eyeless Fabrication or Exclude Frank or Eat Fuck or etc (forever) was Climax Golden Twins second official issue after a self-released double seven inch gatefold record. Cassettes-the cockroach of the industry-were a necessity at the poorer end of the music spectrum prior to CDRs and file sharing... the good old days... EF was a collage of noise, found soun…
Did You See?/Spectacular Of Passages
Two stunning exclusive tracks finally unleashed after (too many) years on the shelf, just in time to coincide with Samara's wonderful new album Future Slip on Thurston Moore's Ecstatic Peace! label. A sweet little dose of hushed and fragile melancholy folk-pop-drone fluttering. Samara's unmistakable slow-bliss songforms are at their most stripped down and psychedelically entwined, with thick hovering violin tones, distant reverbed atmospheres and gentle swirls of quivering guitar feedback all li…
Live at G\'s Club
Barcelona Chronicles N°01, Live at G's Club. Solo concert recorded February 2004. Derek Bailey, solo electric guitar. Directed by Josef M. Jordana. DVD - PAL Format - All Zones - Worldwide Play. Running time 56:00. Previously issued on Incus 2004 “From the Store” CD-R solo guitar series. The complete solo concert is now available on DVD.
Ex Aeqo
Their amazing 2nd album!! Paolo Cantù e Xabier Iriondo one more time together for a second chapter following s/t release of 2005 ( read past komareview ), - coming from previous series of free-jazz voltage to a new album somewhat tantric and stoned, untypical altough with kraut explosions (let me cite Kroko): i mean, it's the suicidal well-known sound of Wallace rec - that one wisely well-grounded in its sinister slants - perfect for a quarantine room.
Federico Ciappini (formerly from Six Minute…
Acoustic solo percussion-vol.4
Fourth and last single in the serie. Again and only acoustic percussion.
Acoustic solo percussion-vol.3
Following his two previous 7“s with ‘acoustic solo percussion’ (see Vital Weekly 687 and 706), here is the third volume. Like before it’s hard to believe its percussion music. But this time we get a detailed notes on the proceedings: side E has ‘two cymbals bowed together with one cello bow’ and side F has ‘a snare drum rubbed with a ring of styropor and two cymbals bowed together with a cello bow’ (and made me wonder how many hands Wolfarth has?). Oh, did I mention ‘no overdubs, electronics and…
Para Pacem Para Bellum
Para Pacem Para Bellum” is the first CD release with the great music of Svyatoslav Lunyov's. That serious, highly emotional and spiritual work is the result of two general methods of creating music: academic tradition (scores, acoustic instruments and playing of the real musicians) and the contemporary/experimental way (generating, synthesis, editing with computer tools). Needs to say that this electro-acoustic work combines the well-known traditional elements of the Requiem, Passions and the Ma…
Ersatz
The first release from Dieter Moebius and Karl Renziehausen, a painter. The original LP was released on Pinpoint Records in 1990. Reissue with elaborate miniature paper sleeve of the original LP. Digitally remastered version, limited to 1,000 copies
Ugly Man
Limited to 200 copies. Using fragments, distortions, samples and destructions of Dennis Cooper reading his story ÔUgly Man', Safe have made a powerful aural version of that story's charting of disintegration. From squalls of noise to perverse rhythms, Cooper's words grow and decline into countless shapes, often getting lost in the morass of what can be done to a voice, a body, in sound, only to re-emerge in some new hybrid form. Safe have added a greater sense of definition and drive to their so…
The Crown Center
West coast ghost squad stalk back into the deadlights w/ a fresh vinyl single. Pure nightprowler music: quaking bass, grime-jazz keys, dusty drums, witch choirs floating through the smog & into sleeping homes w/ the power lines cut. The sound of crime to come. The dreamer's dream turned dark. Ltd to 345
Resonance
When composing for a group, Ken Vandermark as a rule takes into account factors such as each musician's approach to improvisation, personal tastes and individual sound. So when he chose to compose for a tentet that included musicians who were virtually an unknown quantity to him – musicians such as Polish saxophonist/clarinetist, Mikolaj Trzaska and the Ukrainian duo, Yuriy Yaremczuk on reeds and Mark Tokar on bass – it could have been seen as a foray into relatively unknown territory. And it wa…