New Arrivals
The Conjurer
This new long player finds the duo finally documenting something that is a bit closer to their very heavy live sets, w/ expanding peaks of white light distortion & enormous valleys of bottom end. Each side opens w/ a brief funeral dirge to set the mood, a precession of bare bones drum beats & bell like guitar statements that bridge the gap to the wider open spaces of the almost side long "Across The Desert Of Ash" & "Ancient Of Days."
Espoo
Vladislav Delay's EP Espoo features two conceptual, rhythm-intense tracks. Whereas the groove of the opener "Olari" derives from a sound loop which is manipulated by filters and echoes, the reverse is done with "Kolari." Starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent melody, close to Terry Riley's minimalistic concepts. Both tracks share a linear increase in density, and because of their break with the common four…
Lunes
Second album by Texas psych duo CALEB COY (guitar) & ETHAN COOK (organ), written in the desert, yet recorded during an endless NYC winter. A cold, expansive sound made ripe for these turbulent times: it's drone rooted deep in the American tradition. RIYL: Earth, Growing, Brightblack Morning Light.
L\'Autopsie Phénoménale De Dieu
These sample-based constructions incorporated sounds from free-jazz, new electronic-generated sounds, classical modernism & vintage geographical recordings. Discordant segments of wailing, top-end violins give way to clunking rhythmic passages of metal marimbas & tuned percussion; free-roaming passages of rasping, low-end bass & the shuffle of free-jazz recall the work of Prestige-era Moondog, as well as aspects of Harry Partch's instrumentation via mid- to latter-day period Tom Waits. Atonal am…
There Is A Part Of Me That You Will Never Know
Already out of print, this is the first-ever collaboration between these two legends, Wolf Eyes and Sickness. This is not haphazard but a symbiotic collaboration bridging distant roads. This full length LP is a dark casket of scorched earth sounds, the remains of the cracks at the after shock of discovery. Reminding us of the peaks in either artists' catalog, There Is A Part Of Me That You Will Never Know processes the deepest sounds of these four masters in a haze of lone atmosphere and true no…
The Wyrd Meme
A quartet of new songs from the ever-wonderful Alasdair Roberts - a follow-up to his long-player Spoils, released earlier in the year. The tone is carefully poised between staunchly traditional folk values and more modern arrangement styles; though Roberts' fingerpicking and unaffected delivery are faithful to the genre's purist leanings, there's nothing conventional about the songs' segmented structures or the often very minimalist arrangements. It's quite strange to hear such a seemingly old-f…
Warmth
Even though Warmth main man Steev Thompson still appears to be incommunicado, totally epic recordings continue to surface. Before Roxanne Jean Polise was officially over and Steev still lived in Chicago, he joined up with another then-Chicago resident Branden Diven of Quilts/American Grizzly Records. The jams that were created filled a couple of CD-Rs and the Warmth side of the split with Quintana Roo on Not Not Fun. This LP consists of a remixed and edited version of the original CD-R ru…
Spielwiese 3
"for the latest of their sound expeditions, the two warriors of experimental music from two generations (hans joachim irmler from faust and fm einheit as a founding member of einstÜrzende neubauten), have rejuvenated themselves and added a feminine touch. here, the german multimedia performer ute-maria paul, as well as the american composer and bassoonist katie young, broaden the sound cosmos which could already be explored on "no apologies", irmler's first co-operation with fm einheit. b…
Live at the Storyville, NYC - 29 October, 1977
Day two of this rare live concert at the Storyville finds Ra and a 19-piece Arkestra again giving the audience a lesson in jazz with tracks like Rodgers and Hammerstein's 'My Favorite Things', Tadd Dameron's 'Lady Bird' and Miles Davis' 'Half Nelson', as well as a taste of his own classics ('Englight(en)Ment' and 'The Satellites')." Clear red vinyl in clear plastic sleeve with blue lettering (limited edition 500 copies).
The Hour Is Now
An excellent compilation of beautiful early 70s folk tunes from three LPs that that legendary acid-folk hippy-goddess Collie Ryan recorded in 1973, pretty much in Fahey/Basho vein
Dums Will Survive
RFTO Bandwagon have just released their first full-length LP entitled Dums Will Survive on Dull Knife Records this month. Coming latently on the heels of their excellent New Jack 7" on the same imprint from last spring, RFTO Bandwagon continue with their mark of gritty folk-pop, and often sway into the weirdo territory of the genre with songs the grip the edges of so many sounds, and yet stay held together with beautifully frayed strands of brilliant songwriting. The title track on the a-side (t…
LP
Providence, RI's (recently relocated from Nashville, TN) Container returns with another slab of alternate universe bent techno. Schofield's take on that over-used genre is not only unique but utterly compelling, forming a modern and exciting new sound. While the classic Container sound is still in tact, this album offers a look into a previously closed door in the Container sound world. LP, like its predecessor LP, is recorded in mono and it cuts right down the middle of your skull, and do…
Connected
Presenting a new collaboration featuring Oren Ambarchi on guitar, the electronics of Robin Fox, and both performing on various other instruments. The music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned Australian contemporary dance company Chunky Move for their Connected production. 'Chunky Move's artistic director Gideon Obarzanek was drawn to the organic and deeply musical qualities of Ambarchi's work and the digital…
beauty school
during my last visit to the states, about 2 years ago, one of the highlights was definatly a night long visit to SCOTT FOUST's house! john shaw took us there and explained from before what it was gonne be like, we would be seated down in a confortable couch while "the last great man" would stand up next to a pedastal with some quality whiskey, dope and cigarettes on it, sporting a mono coloured suit and sunglasses (day and night) while foust is telling stories about different art records, and ma…
Frequency Conquistadors
Words are more often then not the point of departure for many works of Das Synthetische Mischegewebe. The track - titles here stem from ‘El Mundo Alucinante’ de Reinaldo Arenas, which itself is inspired by François-René de Chateaubriand’s ‘Mémoires d'outre-tombe’. It is about time rather than history and about being in history. Having lost the war of time, the only thing that remains to do is being, and here we go, ‘being infiniment exigent’ in it’s means of expression. DSM began in Berlin arm…
five tracks 1991 - 1993
"one of the earliest cdr's on ultra eczema was a Bob & Lou cdr, which were also recordings from the 90's, and which, together with discovering the insane recorded archive of cassis cornuta, sparkled the idea of collecting and publishing the lost recordings of these belgian weirdo's! Bob & Lou is the pseudonym for the duo field recording / electro-acoustic synth project that Peter De Ceulaer and Luther Vanhoof started in the late 80's. They never played live as Bob & Lou although both of them als…
Russian mind
Amazing! Transcribed by the Material Eye Institute, Russian Academy of Sciences, Universitetskaya nab. 1, St. Petersburg, 199034, Russia. 6 baseless marble pillars not yet completed, covered in white strata against the backdrop of a simple three-dimensional plane with soft edges. 1. Synesthesia outside venue. 2. If you lived here, you'd be home right now. 3. Lopatin designs preset Prismata ascribed to Trujillo, 2003 and goes downstairs for air. 4. He comes from a long line of shovelers. 5. Life …
Tortoise
Sold out on vinyl for many years the 1994 self-titled debut from Tortoise is finally back! This 2012 edition has been remastered to vinyl by Roger Seibel at SAE Mastering. The packaging emulates the original with a chipboard jacket that was custom silk-screened by Dan Macadam at Crosshair in Chicago. Also included is an insert and a free download coupon.
Cult Cargo: Grand Bahama Goombay
The second in our series of exploration of the panAmerican funk experience, Cult Cargo: Grand Bahama Goombay is a deep overview of Funky Nassau’s redheaded sister city, Freeport, GBI. From 1969-1976 Frank Penn’s GBI studio and label cranked out a dozen LPs and twice as many singles infected with the Miami sounds drifting in over the 100 mile strait. The catalog is a fruity blend of rake and scrape, bush, junkanoo, calypso, reggae, and of course, goombay, wi…
No Earthly Man
Updating canonical Scottish folk tunes is a rather unfashionable niche, placing these songs within the context of modern/alternative rock is an even tougher chore, but it's one that Scottish neo-traditionalist Alasdair Roberts approaches with pluck and somber intensity. Previously with the band Appendix Out, No Earthly Man is Roberts' third album as a solo artist and it is undoubtedly his most difficult to approach. His previous album, Farewell Sorrow, was a collection of joyful, filigreed songs…