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Ingar Zach, percussion. Martin Küchen, saxophone & pocket radio. Nikos Veliotis, cello & video. Looper's unique combination of floating sounds provides the spectator with a suspended environment to sink in, dislocating him from the casual perception of time and space.
A contemporary survey of the tribal music of Ethiopia. Recorded in 2009 by Olivia Wyatt, this double LP showcases an array of mind-blowing sounds from the "land of eternal sunshine." Presented in this visually stunning gatefold are audio examples ranging from remote tribes -- of the Ethiopian highlands, the lower Omo and the Great Rift Valley -- to their electric analogues in the sweaty beerhalls of Addis Ababa. This collection features songs from the Azmari, poet-musicians who play the k…
A big circle drawn with little hands was created from a box of things sent to Steve Roden by label owner Sylvian, who runs the ini itu label. the box contained everything from newspapers, coins, wooden toys, pamphlets, plastic objects, plastic bags, broken airline headphones, notes, a bottle opener, a noise maker of wood, a small electronic toy shaped like a butterfly that offered tones and animal noises, cardboard, a fan, and other things. i also used a banjo in the first track, and my voice in…
First solo audio only release by Melbourne based sound and laser artist Robin Fox and first solo release since the mind melting 'Backscatter' DVD on Synaesthesia (2005).Taking time out from his duo with Anthony Pateras, 'A Handful Of Automation showcases Fox's unique and highly individual take on the usually misunderstood Extreme Computer Music genre, and is a pleasurably disorientating ride. Alongside chaos trips such as 'Boundary Layer Skin Friction' and the stunning title track, sit b…
A Bureaucratic Desire for Extra-Capsular Extraction gathers all of the music drone metal progenitors Earth recorded in October 1990, during their earliest sessions at Portland's Smegma Studios. Earth, featuring soon-to-be Melvin Joe Preston in its second lineup, intended for those seven tracks to serve as its debut. Record label decisions interfered. Three of those tracks were released a year later via Sub Pop, on the out-of-print EP Extra-Capsular Extraction; four more were released…
Damballah 58 is the monstrous sequel to 2012's deadly Black Mamba 12". The title-track's diabolically addictive vaudou rhythms insinuate deeply before uncoiling convulsively into an irrevocable reclamation of the consciousness. The B-side features "Mamba Muntu" (sister track to the previous "River Mumma" and "Witness the Spread of the Dream"), the treacherously beautiful "Belladonna Theme," and the marauding, burning rush of "Immersion." Written and produced by William Bennett. Original vév…
"The Venom P. Stinger retrospective is on. One of the roughest groups of the '80s is back in print on vinyl and for the first time ever on CD, and still nice and hard and rough and wild on either format. File under: punk rock/noise rock/free-of-constraints rock. If you think of Venom P. Stinger simply as the proving ground for 2/3rds of the Dirty Three first, then you're seriously missing it, and fuck you. It was the mid-'80s and everything was going fine. The music underground was its ow…
Ron Morelli returns to stare down the 'floor with four pieces written during the stress-busting sessions for Spit (HOS 407CD/LP). The muggy, droning welt of "Public Consumption" kicks off with the sound of New York techno shot from the hip, while "Another Hit" vents a vintage era-Regis style built on skull-chipping snares and effluent acid modulation. The album's writhing batacuda banger, "Crack Microbes," reappears here as an extra-ferric extended "Version," sustaining the hypnotic intensi…
LP album, numbered and stamped vinyl edition limited to 250 copies. A different version from ' Music for Air Raids ', recomposed for the vynil format and entirely remastered. Comes above our heads the distant roar of ' Music for air raids v2.0 ' as a prelude to the waves of polyrhythmic drums and unremitting guitars, of powerful and constructive poundings that will penetrate us to the core throughout the album. As this album is a tour de force end-to-end, with raids of drums, persussions and gui…
Diverse musical elements - coruscating cymbal scrapes, shimmering amplifier hum, melancholy saxophone circlings, sharp hits of snare, string and reed, slow motion guitar riffs, deep tam-tam surges and floor tom rasps, hypnotic prepared piano figures, and hovering fragments of song-like melodies - fracture and coalesce in this single intense improvisation.
Featuring two of the foundational figures of free improvisation alongside a younger arrival, this recording captures the first meeting …
LP version. Debut album from the Edinburgh-based duo of Marc Dall and Alex Ander, who work with intricately-stacked percussion, dub-wise bass and a rich harmonic tapestry of processed voices, keys, harp, vibraphone, guitar, woodwind, strings and synthesizer -- every sound re-sampled to the nth degree then subjected to subtle automation and rigorously fine-tuned over a period of many months. From the mesmerizing, pastoral drift of "Anger Sees Red" and "Dwelling by the Meadow" to agitated arabesqu…
CD reissue of 2001 recording, originally released on cassette by American Tapes. Kevin and I traded raw material at some point in 2001. After discussing a collaboration I found a cassette of unreleased material of myself messing with Renaissance (the band) and junk noise 8-track loops on the floor of my car as I was getting ready to leave for home from a Chicago trip. A couple days later Kevin sent me a mini-disc of his own unreleased material.. His disc was caked in spilled coffee or something …
Founded in Belgium in 1970 with a remarkable line-up for a rock band: sax, organ, bass, drums and vocals - no guitar!, Mad Curry caught the attention of manager & enterpreneur Louis de Vries (the man who had arranged the very first Pink Floyd gig in Belgium) and soon debuted with the "Song for Cathreen" / "Antwerp" 45. "Antwerp" has become a club favourite ever since due to its danceable freakbeat psych rhythm. Shortly after, the Mad Curry album was released on the Pirate label, characterized by…
My Cat Is An Alien's most extreme work to date. The most advanced expression of their current creative method of composition through the brothers' brand new self-made strings and electronic instrumentation. A black swamp full of analog processing and whirling drones with Maurizio Opalio playing self-made double-bodied string instrument, handmade pocket harp, antique zither, drums, percussion, sticks, cymbals, bells, gong, space modulator, real-time loops. While his brother Roberto Opalio …
Recorded at Forest City Gallery, London, ON with help from John Clement. 'The NSB was formed in 1965 by a group of people who enjoyed music and wanted to play in a band. There was no desire to learn to play traditional instruments so kazoos were bought and assorted noise makers modified or built from scratch. The band started playing regularly every Monday night in 1966 and has just carried on. The personnel has stayed the same. John Boyle (artist) kazoo and drums, John Clement (MD) guitar…
In 2005, Sublime Frequencies released Choubi Choubi: Folk and Pop Sounds from Iraq, and in the ensuing years it has become one of the most beloved and venerable titles in their catalog. Now almost 10 years later, this highly-anticipated second volume is finally here. Compiler and producer Mark Gergis has once again put forth a revelatory and poignant collection of Iraq's national folk music. What has happened to Iraq since the 2003 U.S. invasion and eventual occupation? Endless death, destructio…
"JAMES JACKSON TOTH, aka WOODEN WAND, is your fearless friend, the stumbling guy who gets himself into incredibly fucked up situations but comes out shining and lives to tell about it, entertaining you safely and immensely. You should be grateful. In my view, he's a great American songwriter in full bloom. Most likely you'll think that's a preposterous claim, and I won't blame you, but you'll be totally, completely, and unforgivably wrong not to agree. To me, it's obvious Toth is animated with t…
Mordant Music beautifully join the dots between the hauntological zeitgeist and original library music with the 2nd of two vinyl reissues of seminal tape music by Tod Dockstader. Born 1932 in Saint Paul, Minneapolis, Dockstader majored in psychology and art but would go on to explore his interests in painting and film as an apprentice editor in Hollywood. This led to a job as a sound engineer in 1958, employed at Gotham Recording studios, where he started meticulously composing during lon…
Richard Youngs presents his debut recording for BaDaBing Records, and the label is looking forward to a long relationship. For Summer Through My Mind, Youngs pushes himself into a challenging new sphere yet again. A renowned musician with over 40 albums to his name, he goes somewhere he never has before - to the heart of American music. Summer Through My Mind is a country music album, warped through Youngs's ambidextral mind. A warning: it's not like any country album one has heard before. There…
Cry was recorded in a shed at Taieri Mouth between 1998 and 2000 and then released by Emperor Jones on CD in 2000. Alastair has always been one of the most admired yet paradoxically ignored musicians from the New Zealand underground since he first started out in The Rip on Flying Nun Records in the early 1980s. Having already worked with the incredibly talented New Zealander otherwise known as Michael Morley, it seemed natural for MIE’s next step to go on to work with Alastair on getting …