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The Just Reproach documents the second concert given by John Tilbury and Oren Ambarchi as a duo. When they first performed together in Reykjavik, Iceland in March 2012, the aptness of the pairing was evident. When they reprised the duo at London's Cafe OTO in September the same year in the concert presented here, the city was in the midst of a heatwave. With the air-conditioning turned off to accommodate the low volume of the performance, the uncomfortable squirming of the audience members…
Invisible Things is the duo of guitarist Mark Shippy (U.S. Maple) and drummer Jim Sykes (Parts & Labor). Well beyond the stereotypical thoughts of a guitar, drum improv/jam session, the drumming is based the study of Sri Lankan percussion and applied to the modern drum kit. This foundation of the drums allows for explorations by the guitar that is tight and sparse one moment and then seamlessly shifted into majestic swirls of reverberation. The album, comprised of 17 tracks, is presented as on…
Richard Youngs presents his debut recording for BaDaBing Records, and the label is looking forward to a long relationship. For Summer Through My Mind, Youngs pushes himself into a challenging new sphere yet again. A renowned musician with over 40 albums to his name, he goes somewhere he never has before - to the heart of American music. Summer Through My Mind is a country music album, warped through Youngs's ambidextral mind. A warning: it's not like any country album one has heard before. There…
restocked!! Alcor is the debut LP by a new voice from the Australian wilderness. Hailing from Ferntree Gully, Victoria, the music of Astor has thus far been appreciated only via a string of barely-distributed CDRs. Alcor gathers together the prime of these micro-editions and presents the material as a seductive and puzzling new whole. Field recordings of humble organic activity bend against a foundation of discreetly processed electronics/piano, creating sonorities that are as undefinable a…
Originally released on the Iskra label in 1975, Improvisation Sep. 1975 is a mind-bending slice of drone improv from two of Japan's post-war heavyweights; former John Cage student, Juilliard graduate, and Yoko Ono's former husband, Toshi Ichiyanagi, Takehisa Kosugi, considered by many to be the father of what some called "Japanese Krautrock," and Stockhausen percussionist Michael Ranta. Heavy layers of reverbed ring modulators, threaded vocals, melodicas, pianos, violins, gongs and Japanese biwa…
Husband-and-wife duo, Will Long and Danielle Baquet-Long, who self-released handmade items and created sound for installations and exhibits along with producing conventional releases. "A few years ago I was commissioned by a film company in California to create a musical score for a film inspired by the Hitchcock 1954 film Rear Window, but with a more surrealist, two-sided viewer plot. As filming hadn't begun, I was given the screenplay and timeline, and asked to make specific music that might f…
Two of the world's most distinguished electronic musicians have drawn upon their shared passion for the sensuality and groove of late '80s / early '90s NYC House to hatch a genuine anthem for unsuspecting and open minds. DJ Sprinkles, aka Terre Thaemlitz, is a now Tokyo-based producer who, among so much other stuff, released the hugely loved, genre-defining "Midtown 120 Blues" album back in 2009. Mark Fell is the South Yorkshire-based sonic genius known for groundbreaking work as half of…
The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early genius – his own work on organ and keyboards, never overdone and mixed perfectly with a righteous array of acoustic sounds from Rene McLean on alto and tenor and Olu Dara on trumpet – both players who soar to the s…
Feeding Tube is chuffed to present the first vinyl offering from Moscow's berserk Asian Women On The Telephone. Formed as a duo in 2007, they have since expanded (in all directions) to assume sextet form, with stage names worthy of Smegma -- Oriental Yid (drums, guitar), Good Enough Freundin (guitar, vocal, drums), Brown Polizei (keyboards, voice, bass), Divine Gift (percussion, voice), Mutter Land (drums, percussion, bass), and Lewd Primat (bass, voice). Many of their insane, extremely theatric…
In a fair and reasonable world, Roland Haynes would have compelled more attention than he did when his jazz-funk record 2nd Wave appeared on Black Jazz in the mid-1970s. Not to say the keyboardist was totally neglected back then, but he and other plugged-in pianists of his stylistic inclination (such as label-mate Doug Carn, Hampton Hawes, Don Grolnick, Larry Willis, and Gordon Beck) existed in the deep shadow cast by jazzman-turned-jazz-funk powerhouse Herbie Hancock, whose records with the H…
Rob Aiki Aubrey Lowe (Om, 90 Day Men) swiftly proceeds his stunning 'Timon Irnok Manta' side for Type with a humbling, stripped down suite crafted almost entirely from his own vocals, subtly layered with some synth work. 'Lítió Fólk' feels at once vast and intimate: Lowe's vocals resonate deeply, instinctively - quavering notes and curling overtones centre the sound within the body - while the layered and sustained drone structure seems to draw the spirit ever outwards, drawing enchanting melodi…
My Cat Is An Alien's most extreme work to date. The most advanced expression of their current creative method of composition through the brothers' brand new self-made strings and electronic instrumentation. A black swamp full of analog processing and whirling drones with Maurizio Opalio playing self-made double-bodied string instrument, handmade pocket harp, antique zither, drums, percussion, sticks, cymbals, bells, gong, space modulator, real-time loops. While his brother Roberto Opalio …
Though cut into seven tracks, it is really one 44-minute piece, the first long-form recording I've done in some time, a bit of a sizzler'. 100 copies handmade
Rufen is the second installment in a trilogy of Qluster music, following on from the Fragen (BB 076CD/LP) studio album. In four impressive live recordings, Hans-Joachim Roedelius and Onnen Bock unfold aural panoramas which can only be described, in the truest sense of the word, as fantastic. Had Claude Debussy not already composed 'Prelude To The Afternoon Of A Faun,' then Qluster would have been ideally placed to do so, their transparency and polymorphism so reminiscent of his high Impression…
CD edition: Glistening Examples is proud to announce "Soundtracks for Takeshi Murata"ÂÂ, the debut LP of Kentucky-based electronic musician Robert Beatty under his given name. Beatty has long been a presence in the experimental underground as a member of Hair Police a nd more recently performing and recording solo under his Three Legged Race moniker. He is also well known for his visual art, which encompasses installation, drawing, video, and album artwork design for countless artists includin…
House of Low Culture is the long-running solo project of Aaron Turner (Isis, Mamiffer, Lotus Eaters, etc.) and Poisoned Soil is the first proper album to be released in nearly a decade. HOLC's first release, Submarine Immersion Techniques Vol. 1, would set the tone for all that would follow. Recorded from 1997-1999, released in 2000, the album explored lonely, lysergic drone territories and the construction of textural weavings. Over the course of the next several years, Turner broadened …
A sequel to last year's eponymous debut as a duo, this new Drag City LP from Espers cellist Helena Espvall and Ghost's Masaki Batoh delves even deeper into traditional and ancient musics, making use of an armoury of instruments that extends beyond 'mildly obscure' (renaissance harp, sho, hurdy gurdy, etc) and enters into the realm of 'are you sure you haven't just made that up?' (auschpfeife, crumhorn, cornamuse, rig and darbuka). On hand to assist in this piece of instrumental archeology is anc…
Long unavailable 12" single with the spaghetti-Whitehouse sound of violence by The Sodality. 50 discs of the original 1989 release (of some 500 copies) were found without the original sleeve and were re-packaged as '25th Anniversary edition' in occasion of The Sodality's concert in Rome at the beginning of 2014. The new cover is made of two xeroxed drawings by Bruno Richard pasted on the innersleeve, housed in transparent plastic sleeve. Edition of 50.
Composed in 1979 and inspired by James Elaine's painting of the same name. First released on Three Poplars on LP in 2003. Cover picture: A Red Score In Tile (L'Apocalyse des Animaux), detail, James Elaine, 1979. Canvas, acrylic paint, taxidermied animals. 112" x 120". Title on disc and inner face of back insert: "a red score in tile (1979)".