New Arrivals
Parapsycho
Doris Norton, founder member and keyboardist of the esoteric legends Jacula and Antonius Rex, was a pioneer in the early electronic/computer music. She began her musical carrer playing avant-garde and progressive music using synthesizers such as Roland System 700, Roland system 100M and Minimoog (Jacula, Antonius Rex). In december 1980 she recorded, at the Fontana Studio 7 (Milan), her first solo album entitled "Under Ground" (Musik Research). Sponsored by Apple computer and the Roland Corporati…
Voyage a l'ombre
CD in 4-panel chipboard sleeve. The complete, unabridged masterpiece from 1997. Almost impossible to find since more than 10 years. After a vinyl reissue (but not complete) here\'s the CD version again ! Voyage à l\'ombre was originally released in 1997, as a limited CD on the France-based Demosaurus label run by David Fenech, a frequent Tazartes-collaborator. With tracks featuring Pambin Thullal, Syeta Choir, and Yumi Nara. Original lbel note \'Ghédalia Tazartes combines an orchestra and a pop …
More Alien than Aliens
While the band is preparing for the recordings of the fourth album, Mamuthones goes back to the solo output of Alessio Gastaldello for a new EP of meditative and trascendental music. Once again deeply involved in tradition and ancestral memories, More Alien Than Aliens is mostly based on acoustic instruments with the aid of few analogue synthetizers. You can hear antique rites being consumed around fires at night, cavemen’s invocations and signs of extraterrestrial life as seen by the anc…
Between two worlds
Native californian guitarist danny paul grody has always been more of a fellow traveller than a true disciple of the american primitive school. he came up in gauzy, san francisco post-rock outfits like tarentel and the drift. his music is spare and otherworldly. his ideas, more often than not, are realized in repetition rather than in florid displays of virtuosity. his compositions seem to owe as much to john luther adams as to john fahey. one imagines the grooves on his copy of the seminal west…
Oiseaux-Tempete
Oiseaux-Tempête debut album retraces, in a sonic odyssey, the qualms and queries of a sickly and dysfunctional Western society. Experimental, Stoner, Post-Rock, Ambient, Free Music. The trio was created in Paris in 2012 by the musically versatile pair Frédéric D. Oberland (guitar) and Stéphane Pigneul (bass) (members of FareWell Poetry and Le Réveil des Tropiques) and percussionist Ben Mc Connell (drummer for bands such as Beach House, Rain Machine, Au Revoir Simone, Marissa Nadler and Winter Fa…
Avast!
Avast! was created from field recordings made between 2009 and 2012 in Lyttelton, a volcanic harbour on the South Island of New Zealand. Sounds were captured at sites around the natural ampthitheatre of this extinct caldera: from abandoned wartime bunkers on the top of the crater rim to the port and its cacophony of cargo ships, tugs and workshops. The work is also haunted by the resonance of buildings such as the Timeball Station, which were destroyed when the town was at the epicentre of a maj…
Alien, All Too Alien
Their cat may well be all too alien but there's quite an earthly feel to this epic voyage of a record from the brothers Maurizio and Roberto Opalio. It feels like you are slowly drifting through different continents perched on a floating glass-domed steel barge, observing the strangely contrasting cultures go about their business, seemingly unaware they are being watched. Though there are certain sounds contained herein that are quite familiar to many 21st century homosapie…
Monkey Banana Kitchen
Staubgold proudly presents the legendary first album from 1980 by UK underground heroes Family Fodder, for the first time reissued on CD. The CD version comes as a lovingly-assembled compilation (total running time: 79:52 minutes). It features the complete Monkey Banana Kitchen LP, the 12" EP Schizophrenia Party (1981) and the 7" singles Film Music (1981) and The Big Dig (1982), all originally released on Fresh Records. Guest musicians include This Heat's Charles Bullen on drums, guitar, vocals,…
Polyphtong
Polyphtong was conceived as a live quadraphonic composition for voice and computer. It was premiered at Stanford University in March of 2012. In August of 2013, Blonk radically reworked the piece to create the stereo version presented on this album. All sounds heard in it are derived from Blonk's vocals. Spatial placement and movement are extended by electronic means. The phonetic concepts of diphtong and approximant are an important focus in the more meditative sectons of the work. It also uses…
Awakening Messiah
Dominick "Vatican Shadow" Fernow presents veiled techno producer Violet Poison on his Bed Of Nails imprint with the spectral industrial gloom of 'Awakening Messiah'. To date Violet Poison is best known as the mysterious accomplice of Shaped Noise in their Violetshaped alias - but here he strikes solo, transmitting four cuts of steely, night-stalking cyberpunk driven by sputtering techno engines through intensely bleak synth interzones. Like Black Rain or Vatican Shadow, it's a chilling exercise …
in Tokyo
Four pieces of computer music. Iancu Dumitrescu \'Hazard and tectonics\' (2009 - 2013), \'Crepuscule I\' (2011-12), \'Early, before all times\' (2010-11). Ana-Maria Avram \'Metalstorm I\' (2012).
Orchestre Sidi Yassa De Kayes
After the 1960 independence, the Orchestre Regional de Kayes was founded in order to reinvigorate the local cultures from the Mand and the Kasso regions and turn some traditional themes into modern songs. Under the guidance of bandleader Harouna Barry, they evolve as one of Mali's finest orchestras. In the early 1970s, like most modern bands of Mali, the orchestra evolved into the Sidi Yassa de Kayes, named after Sidi Yassa, a late great singer. In 1977, they release one eponymous LP in 1977 on …
Real Sugar
"Ryan Garbes is the drummer of Iowa City bands such as Wet Hair, Dunebuggy, Trash Dog, and formerly Raccoo-oo-oon. His recordings under his own name represent a unique brand of solo multi-track recording with a seamless integrity; through a skillful use of instrumentation and recording technique, Garbes eschews notions of low fidelity for songs reminiscent of traditional American garage rock produced in the haze of an early '90s UK aesthetic. Genuine pop songs, cloaked in a comforting was…
Nigeria Special Volume 2: Modern Highlife, Afro Sounds & Nigeria
Nigeria Special 2 is the second part to the best selling Nigeria Special album released to critical acclaim in 2007 and further extends the look at the most exciting period in Nigeria’s recording history. The range of styles vary from highlife to Juju and Nigerian blues in the languages of Yoruba, Igbo, Bini and Ijaw. With a peppering of ‘afro’ experimentation the same musical stew pervades volume 2 as it’s predecessor – some artists appear again alongside some new …
Piano Music
Two compositions exploring the decay of the piano from Wandelweiser composer Eva-Maria Houben. Fading sound is the link between life and art; between perception in daily life and perception while performing, while composing.“Fading sound is the link between life and art; between perception in daily life and perception while performing, while composing. And the awareness of fading sound may become the awareness of presence.” Halfway through Eva-Maria Houben’s abgemalt, the pianist unfurls a …
Hassaniya Music from the Western Sahara and Mauritania
In 2006, Hisham Mayet returned to West Africa to continue his search for an unknown musician he had heard six months earlier on the radio in a Morocco hotel room. Knowing only that it was Sahrawi music -- music of the south -- he headed down through the vast and remote desert landscape of the Western Sahara and Mauritania in hopes of finding someone who could identify these revelatory recordings. The story of how he finally found this elusive artist is the stuff of ethnomusicological legend. But…
Footnote(s)
Originally published as a cdr in 2005, limited to hardly any copies on Feater one's Nest, in the period Joshua Burkett visited Europe for the first time, it was about time these beautiful recordings saw some day light again on wax! I've met various people on other planets that i could compare to friends closer to home, Bill Nace calls himself a "fat Vaast Colson", Vladimier looks like Phillip Quehenberger, Tarp's Conrad Capistran's laughter sounds simular to W Ravenveers grinning and so on…
Ivy (Vatican Shadow / Lakker Mixes)
**Transparent Vinyl - Individually numbered edition of 300 copies** Vatican Shadow and Lakker provide remix reinforcement for the killer debut from Berlin's Tommy Four Seven and Alain from One Million Mangos Mastering as These Hidden Hands. Their original 'Ivy' is heavily informed by the romantic dystopia of mid-late '90s IDM and D&B's grander gestures, gazing out on drizzly grey north European synth skies whilst the reduced tech-step torque ticks and prods like a not-so-dystant cousin o…
Interface
Awesome, monolithic slab of metal machine music from 1977, France, Paris...Heldon! A prog/early electronic holy grail replete with breathtaking and far-out Heldon's most crystalline work, building to the epic crescendo of the title track. Many fans consider this to be their masterpiece, but more importantly, Interface is a record that will continue to unfold for centuries to come. Richard Pinhas is an artistic iconoclast. A French intellectual as likely to collaborate with MAGMA as the radica…
Nocturnes
Vittelli continues to set out its’ stall with this brilliant LP by Australian sound maker Matthew Philip Hopkins (Vincent Over the Sink / The Bowles / Naked on the Vague / Half High). This is Hopkins’ first solo vinyl outing after a decade of micro-edition cassettes and CDR’s. Nocturnes was assembled during late night headphone sessions at Hopkins’ Sydney home in late 2013. He employs synth, cassettes, fx pedals, contact mic and random objects to create a hypnotic suite of dramatic and highly ev…