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New Arrivals

El Pianista del Antifaz
French-Catalan musician Pascal Comelade's world is atypical and his inspirations come from many different sources -- from contemporary music to The Cramps -- making him one of the most creative and original artists of our times. At the crossroads of many different arts, never where he's expected, he never ceases to surprise his audience, taking the listener on poetic paths of primitive perception. El Pianista del Antifaz is the latest album in Comelade's galaxy. The artwork was designed by Du…
Future Slip
For her fifth solo album, Samara Lubelski finds a new home on Ecstatic Peace, with label boss Thurston Moore taking on a role as producer, even roping in his band's drummer (the estimable Steve Shelley). Moore recruited Lubelski for violin duties on his own solo LP, 2007's Trees Outside The Academy, and set about coaxing her into recording a different type of record from her established Social Registry output. Future Slip certainly diverges from the more baroque folk tendencies of her recent wor…
Kilo
Finnish experimental electronic musician Mika Vainio's first solo album for Blast First sees him return to his classic power electronics/heavy beats approach that made Pan Sonic garner a worldwide reputation. The album developed from Vainio's recent live sets to make 10 tersely-titled tracks inspired by the shipping container industry. Four stars in Mojo: "heavy-freight," The Quietus describes it as "fearsome."
Broken iteration
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…
Live at Cbgb 1986
“Not since the early days of MC5 at the Grande Ballroom in Detroit, circa 1968, had there been such an organic melding of sheer metalesque maelstrom and free jazz. These archival recordings from the legendary punk club CBGB capture a moment in time when open-minded musicians from the 'downtown scene' were exploring the possibility of bringing Lou Reed's feedback-infested Metal Machine Music together with Albert Ayler's Love Cry. Dissipated Face guitarist Kurt "Hologram" Ralske and special guest …
Use your illusions
After a 12” for the Souterrain Transmissions label and a split LP with Ducktails on No Fun Productions, Dracula Lewis delivers his long-awaited debut full length "U$e Your Illu$ion$"; a title which evokes an imaginary deviant glamour which is synonymous with the teasing nature and sense of mystery which is a part of Dracula Lewis’ world. Working with an abundance of pop based ideas with an abstract mentality, the record brings to mind, in manner and tone, hallucinatory avant strategies that were…
Lines Describing Circles
Over the past year as Peder Mannerfelt has shed the skin of The Subliminal Kid, we've only had small samples to taste of his new brand of musical sorcery. Lines Describing Circles changes all of that. Ten tracks deep, this is not so much an album as it is a declaration. From the opening, harrowing crackle of "Collapsion," Mannerfelt's intent is to crush the listener into a perfect metal cube. Lines Describing Circles displays the sound of a man fully in control of his machines. Throughout th…
Die letzte Rache
Der Plan (Moritz R, Frank Fenstermacher, Pyrolator) were instrumental in ushering in the German New Wave (NDW) and are considered free spirits of synthesizer pop: electronic music created with minimal means, sometimes experimental, playful or even bordering on dilettantism, but always with a sense of humour.  Retrospectively, it makes perfect sense that Der Plan created a soundtrack. For one thing, visuals were almost as important to Der Plan as their music. And if every self-respecting pop b…
Navajo sunrise
Daniel Carter's relaxed phrasing moves naturally between Parker's earthly bass sound and Ughi's sensitive drumming. This trio's music seems to be possessed by a light and welcoming spirit. A constant flux of energy, a three way dialogue consumed within the time and space of one breath. Telling the story of the trio's origins, the musicians talk about dreams and desires while the body of this music takes shape within the human connection of the band's relationship which has grown over time, throu…
Live in Istambul
"Collective improvisation based on a Turkish folk tune. One of the most ecstatic piece of music i ever heard (simple as it is) ! suddenly i found myself dancing madly, like a Whirling Dervish... unfortunatly i didn't get Enlightment BUT, it was fun !" ep
Stupor Hiatus
Definitive collection of Ohio lo-fi pioneer's 1974-1992 material. A mash of home-recorded punk, pop & psychedelia. "Man, i hate it when someone's entire career seems to have passed me by, especially when it's someone as crazy as lo-fi pioneer and mad ranty man Mike Rep. I know fuck all about this guy but he sounds like a genius. I guess he may have come to prominence for his production work with Guided By Voices, Strapping Fieldhands and Times New Viking but this guys been kicking it since …
Resorts & Ruins
In “Resorts & Ruins”, a set of three recent sound works, Kyriakides deals with several themes in both a physical and narrative sense. All the pieces use source material that highlight specific vocal traditions, namely Turkish pop music, Cypriot epic song, and Baroque opera, but they also all make extensive use of other forms of speech and vocal acts. In “Varosha (Disco Debris)”, a narrating voice is our tour-guide in the ruins of the Cypriot ghost town Varosha; the many fragm…
Plekzationz
Double LP version. This recording contains seven remixes by UK-based artist and electronic musician Mark Fell of the first three 12" singles released on the record label Sensate Focus in 2012. These were called 10, 5 and 3.3.... The first of these, 10, was itself a reworking of materials from an earlier project by Fell and Terre Thaemlitz, released on Comatonse Recordings in 2012. The seven remixes were written and recorded in June 2012 at the Upper Lounge, Chatham Street (UK) using a MacBook…
Coin coin chapter two: Mississippi Moonchile
2013 release. Mississippi Moonchile is the much-anticipated new installment of Matana Roberts' unique and forward-looking project and it finds Roberts conjuring some of the most nuanced, thoughtful and substantial American liberation music of the 21st century. Mississippi Moonchile was developed for an intimately woven New York jazz sextet and represents the next leap forward in Roberts' iconoclastic and complex project of memory and recuperation, where historical and contemporary musical tropes…
Butcher Meat
Moreno Daldosso breaks into 1993 with his project Murder Corporation and released his first tape on his new label Murder Release. Tape after tape Murder Corporation has gained a prominent position as electronic serial slaughterer, claiming frontal attacks and sonic walls relentlessly, sampling overload and brutal distortion. Butcher Meat is reflected in an overdose of frequency, blood, screams and distorted voice beyond the human. Death, massacres and violence are tightened up until the total sa…
Giorgio Gaslini - Complete Black Saint & Soul Note collection
Cam Jazz, the company behind the great series of Black Saint/Soul Note reissues, presents the first release in a new line – the complete works by artists on the Italian label Dischi Della Quercia. The inaugural set presents the complete label output from famed Italian pianist Giorgio Gaslini and includes eleven albums that have been unavailable in the US until now. Each is presented in a slipcase with the original album artwork and housed in a sturdy box. Pianist, composer, conductor and …
Stranded
Since 2002, Idea Fire Company has performed and recorded as a quartet with core members Karla Borecky and Scott Foust (me!), joined by Meara O'Reilly and Jessi Swenson. (Meara and Jessi, along with Matt Krefting, start in my finally completed feature-length film Here's To Love!). I feel this LP is as strong as any I've been involved in, and I feel pretty strongly about my body of work. Stranded is the perfect companion to Anti-Natural. Excellent Karla Borecky cover. 180 gram luxury object.
Freedom Of Speech
The second album of the Phantom Band is quite different to the predecessor. The line-up features the spoken word performer Sheldon Ancel on the microphone instead of bass player Rosko Gee. Whilst the debut album revealed many Caribbean or African influences and a generally positive frame of mind, "Freedom of Speech" is a somewhat darker avant-garde rock manifesto, interspersed with individual dub or reggae pieces. All they have in common are Jaki Liebezeit's inimitable monotone polyrhythm…
In Search of the Lost Divine Arc
Deluxe double LP pressed in an edition of 1000 copies, housed in a gatefold sleeve.Acid Mothers Temple\'s In Search of the Lost Divine Arc heads in a completely different direction from 2012\'s Son of a Bitches Brew. Harder, faster, and more riff-rock oriented, this record is here to slay. AMT skews their vibe between Zeppelin and Beefheart, coming out with another classic Acid Mothers ripper in the process
NYC, Hell 3:00 AM
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…