We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
10 CDs documenting three full concerts from March, September & November 1978 at the Horseshoe Tavern; 8 hours of excellent music, well recorded and available here for the first time (none have been on bootleg lists) and a long radio interview with Sun Ra. This is a chance to experience the flexibility and vast repertoire of the arkestra and the way sets were organised and constantly changed. This is a numbered limited edition of 500 copies, officially released
Matthias Muche - trombone. Philip Zoubek - Piano. Achim Tang - double bass. Recorded in Köln, Germany. Mastered by Markus Braun. Graphic design by Carlos Santos.
Never mind the piano, the pianist is Fine! Milo Fine describes the particular piano as 'more remains than intact', yet he still manages to get the right music out of 'that wonderful beast'. The earlier date is unaccompanied piano improvised mainly at the keyboard. On the other longer concert, recorded towards the likely demise of the 'beast', Fine spends most of his time working on the innards resulting in a very wide range of sound. He also uses some electronics, and is joined by alto saxophoni…
'Objects 1’ is the latest release of Tasos Stamou combining improvised sets and sound installation. This 35 min. piece was live-recorded at ‘6.d.o.g.s’, Athens, using a variety of handmade mechanical and electronic devices. Self-operated cymbals, prepared ventilators and circuit bent toys accompany sampled murmuring whispers that reflect a sound landscape of ritual atmosphere, enriched with a solo of bowed ‘typatune’ toy piano.
Tapestries for Small Orchestra, eminent trumpeter/composer Bill Dixon's new multi-disc set, includes two audio CDs of specially commissioned original music plus a documentary film featuring exclusive interviews and session footage (DVD available only with physical release). Made possible in part by a grant from the LEF Foundation's Contemporary Work Fund and the support of the Festival of New Trumpet Music, this project thoroughly documents the three-day recording session at Firehouse 12's stat…
Awesome 5 CD box set recorded over 3 nights in Oslo on February 19-21, 2009 at Victoria, Nasjonal Jazzscene. This time out the Tentet +1 includes Mats Gustaffson, Ken Vandermark, Jeb Bishop, Joe Mcphee, Johannes Bauer, Per Ake Holmlander, Fred Lonberg-Holm, Kent Kessler, Michael Zerang & Paul Nilssen-Love.
Our Swedish hero of sublime saxophones, Mats Gustafsson, performs in three different duo constellations, spanning over three 7″ singles, all collected in a limited 99 copies box of wonder, on Kning Disk KD003-005. Mats collaborates with Fred Lonberg-Holm, Luca Tommaso-Mai and Leif Elggren, resulting in both electric, eclectic and sensational sounds; spanning over one 7″ single per collaboration. Two of the three singles has been previously released on Kning Disk in limited editions. The third co…
The Modern Sound Quintet were formed in Stockholm by Trinidadian steel drum master Rudy Smith. On Otinku, Smith wails out on his set of 'pans' (as I believe the vernacular goes) in an improbably slick bebop mode, accompanied by a rhythm section capable of keeping it free and swinging one moment, and then within an instant locking down a groove. While pieces like the title track and 'Bye Bye Blackbird' flow effortlessly, 'Mercy, Mercy, Mercy' and 'Memphis Underground' lay down a solid bedrock of …
Nectars of emergence is the exciting debut release of Mural, consisting of Australia's foremost improviser Jim Denley (alto saxophone, flutes) with Norwegians Kim Myhr (acoustic guitars, preparations) and Ingar Zach gran cassa, percussion). The trio has performed numerous concerts together since their first concert in Madrid in 2007, and now you can finally hear the music on CD. Aftenposten, Norway said of Kim Myhr and Jim Denley's duo CD: 'Systems realignment helps to save improvised musi…
Howard Riley : piano. CD 1 was recorded on 23rd July 1998. CD 2 was recorded on 11th April, 1999. CD 3 was recorded on 29th June 2004. CD 4 was recorded on 2nd August 2006. CD 5 was recorded on 27th June 2008. CD 6 was recorded on 22nd April 2010. All compositions by Howard Riley (PRS MCPS). Mastered by Ar nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Producer Ð Danas Mikailionis. Co-producer : Valerij Anosov.' label info. 'The beauty of a short story, of course, is that it can be taken …
Trillium E is the first-ever studio recording of an Anthony Braxton opera. The deluxe four-disc set documents this surreal and witty installment in Braxton's ongoing Trillium cycle, and includes a booklet with libretto, photos, and critical essays. Each of Trillium E’s four acts features a different episode: a genie in a bottle, the invention of human cloning, interplanetary space travel, and the exploration of a jungle pyramid. The performers' credits range from major opera companies (Ne…
That is one slick title, is it not? Though I must say, I for one would have preferred it had they gone with ShippMan. Oh, perhaps not... Both repeat offenders on the Treader label, Jason Pierce (of Spiritualized and Spacemen 3 notoriety) teams up with modern jazz icon Matthew Shipp, who plays celeste and harmonium over these two extended drone pieces. This collaboration first came about for Patti Smith's Meltdown festival, and this recording represents a studio incarnation of that performance. T…
the second full-length album by the experimental/free-jazz quartet 7k Oaks, live recorded in concert at the InterAct Festival in Hasselt. This new release is at the same time a confirmation of their musical background as well as an exploration of new territories: about an hour of full-blast energy, with a variety of directions ranging from walls of electro-acoustic noise to free-jazz bursts, hypnotic rythmic patterns and lyrical melodic themes. It is the entelechy of …
Another fine disc from the Treader label, this time featuring the marvellous Evan Parker alongside John Coxon (Roland MKS 80, piano and harpsichord), Mark Sanders (Drums and percussion) and Ashley Wales (bass drum, riveted tambour and piano). As the title suggests this collection of improvisations is interspersed with brief interlude tracks, whereby Parker takes a backseat in order for his fellow musicians to plot out some experimental, palate cleansing sonics. During the main body of these piec…
Very loosely related in selected affinity to the late Austrian saxophonist and artist Hans Koller, this younger version has played football with clubs such as TSV Oberlauringen and Dynamo Kebab, has studied ethnomusicology at the School of Oriental and African Studies in London, and also jazz composition with Mike Gibbs and Bob Brookmeyer.Over the past decade Hans Koller has played and worked with Steve Lacy, Evan Parker, Phil Woods, Harry Becket, Kenny Wheeler, Bill Frisell, Steve Swallow, Jeff…
This historic edition — Clean Feed’s one hundredth release — is a four-disc set that features two extraordinary musicians who before this session had never played together: multi-reedist Anthony Braxton and guitarist Joe Morris. “Four Improvisations (Duo) 2007” has other unique qualities. One is that Braxton has rarely recorded completely improvised pieces. More typically he plays compositions, his own or occasionally jazz standards, and improvises within their structures. His compositions can i…
Afro-Danish saxophonist John Tchicai spent his youth playing alongside the greats, recording and performing with Albert Ayler, John Coltrane, Archie Shepp and Don Cherry. For this recording, Tchicai is joined by John Coxon, Mark Sanders and Ashley Wales, who between them supply an arsenal of instruments including piano, harpsichord, sampler, steel bowls and bowed percussion. This setup makes for a bewitching backdrop of esoteric sound textures and atmospheric accompaniment, giving an otherworldy…
LP version with bonus 7". Every once in a while, a record presents itself so defiant in its refusal of categorization that it becomes the bane of those poor vinyl archaeologists whose business it is to file and classify. The aptly-named The Naked Truth (1975) is one such artifact; a wayfaring stray of an album that weaves its insouciant magic through the edgelands of sound. The musical provenance is palpable -- an electric blend of spiritual jazz, rhythmic black psychedelia and far-out ex…
'It could be a walrus. Some very large, ungainly, semi-aquatic creature expelling air through a hole layered with tissue and fat and hairs. But then multiple apertures open at once and the creature just spouts information, chaotic from one angle, streamlined from another. Effluvia momentarily expelled, the beast lies down and breathes in short, percolating gasps, quiet but insistent. The pressure builds, however, surging in near-regular waves, causing the organ-walls to quiver, liquid to shudde…