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The 2xLP version comes in an old-style tip-on gatefold jacket with 8” x 10” insert and MP3 download coupon. In recent years, Higgs has released a number of solo outings that can only be described as the ultimate in isolation, worlds away from the hypnotic, communal rock of his band, Lungfish. Higgs follows up the 2007 album/book release Atomic Yggdrasil Tarot with his new double album Say God. Say God is an album of gospel songs and poems as presently received by this Daniel Higgs. Recorded …
PAN's first release of 2013 is an epic plunderphonic simulation recommended to followers of Thought Broadcast, Wanda Group, Ghédalia Tazartès. Mastered and cut by Rashad Becker at D&M, pressed on 140g vinyl and packaged in a pro-press color jacket which itself is housed in a silkscreened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas** PAN's first move on 2013 is a psychedelic, plunderphonic concrète collage by Athens-based artist Jar Moff. 'Commercial Mouth' is perhaps best aligned …
Kassidat: Raw 45s from Morocco is a full-length LP that features six extended tracks from the golden age of the Moroccan record industry. After Morocco gained its independence in 1956, Moroccan-owned record labels sprouted and flourished in Casablanca. The inexpensive 45 rpm format allowed the record companies to release thousands of songs during the 1960s, creating a snapshot of the raw and hypnotic Berber music that thrived throughout Morocco. Powerful traditional styles were still aliv…
"Date Palms revolve around the core duo of Gregg Kowalsky (keyboards, electronics) and Marielle Jakobsons (violin, flute, electronics). They employ traditional rock instrumentation to create music informed by Indian classical music, country, minimalism, and spiritual jazz, arriving at a style that is wholly their own. On their third album, The Dusted Sessions, the duo expanded the line-up to include Ben Bracken on electric bass, Michael Elrod on tanpura, and Noah Philips on electric guitar…
Reissue of earliest computer music "Originally released in 1960 and 1962 on two unique formats with over-lapping tracklists, the seminal Music From Mathematics Showcase Project marked the phonographic introduction of computer generated music for the first time in the public arena. Almost exclusively created at Bell Laboratories using an electronic to sound transducer and a state of the art IBM 7090 (complete with a gargantuan 32KB of disposable memory!) Music From Mathematics featured multiple r…
One of two new releases from Brian Pyle (the other being 'Interval Signals'), Light that comes is a rich exploration of Ensemble Economique's range and power. With a palpable sense of the sublime throughout, the listener is guided through drones like the pillars and buttresses of a cathedral for a sombre new religion, into the sounds of the ocean (somehow elegiac), flute tones springing up in the fog like gravestones, and fallen kosmische. These are followed by the wonderfully odd 'As the Train …
Date : December 28, 2006. Place : Inside a tram on a round trip from Ebisu-cho to Hamadera Ekimae on the Hankai Line (12:03- 13:46) in Osaka, Japan. Tsunoda captured solid vibrations using a piezo-ceramic sensor and a stethoscope, and Haco used her 'stereo bugscope' (two inductive microphones) system to catch electromagnetic sounds.
"The noise rock parade that defies definition, set out on a mission of pure volume worship that is the post-decade pilgrimage of NY-based Sightings. After eight instinctive albums, the Sightings guys show no mercy with endless annihilation of their newest material on Terribly Well. All parts destruction measured against their abrasive songwriting. Jagged, collapsing rhythm based mayhem, guitars that can be mistaken for a freight train being ripped for scrap metal, only to be held together …
In March of 2012, nearing the end of a tour together through the Netherlands and Belgium, Celer, Machinefabriek, and Jan and Romke Kleefstra gathered in a country studio, spending an afternoon improvising to record Gau. Recorded by the old hardcorerocker Jan Switters at the Landscape studios in Gauw, situated in the countryside in the midst of Friesland, the place was surrounded by green fields with idle tractors, few trees, buzzards and only massive farmhouses dotting the horizon. From the almo…
N. is loyal to the most obscure and malevolence side of Power Electronics sounds and concepts. Closed in a total nothingness and nihilism, N. creates minimal violent sound texture to express his exasperated no-sense of existence. N. is the genial work of an autistic mind, closed to the rest of living beings… His first tape (self-titled) debut on the legendary Slaughter Productions in 1997. Tracks remastered from the original tape and the record has been pressed on 140 gr black vinyl with black l…
It's been three years since Rhode Island sound artist Geoff Mullen released his last album for the Type label, but he's hardly been taking it easy in the interim. After a few small-run cassette releases and a string of dates in Europe (both solo and in the Oxtirn trio with PAN's Eli Keszler and Ashley Paul) he found some time to get stranded in the woods and craft this beguiling long-form record. A mono recording of a multi-channel installation piece, Filtered Water is probably the most unu…
In our ongoing quest for music from the home of Alain Neffe and Insane Music Contact, we are extremely proud to release this CD. For about thirty years now, we at Plinkity Plonk have been great fans of the music of Pseudo Code, a trio of Alain Neffe, Guy Hinant and Xavier S. Electronic, minimal, desperate, lonely, frightful, and simply beautiful. Music that can only be fully identifief as Potlatch Music. Over the past thirty years a number of releases have been available displaying their unique …
Vittelli continues to set out its’ stall with this brilliant LP by Australian sound maker Matthew Philip Hopkins (Vincent Over the Sink / The Bowles / Naked on the Vague / Half High). This is Hopkins’ first solo vinyl outing after a decade of micro-edition cassettes and CDR’s. Nocturnes was assembled during late night headphone sessions at Hopkins’ Sydney home in late 2013. He employs synth, cassettes, fx pedals, contact mic and random objects to create a hypnotic suite of dramatic and highly ev…
Hand-stamped 180g white label Inga Copeland furnishes new imprint All Bone with two grubby sound system tools produced by John T. Gast ov Henny Moan fame. It follows her \'Don\'t Look Back, That\'s Not Where You\'re Going\' 12\" with a more rugged, minimal UK dancehall sound iced by those knowing vocals. Top side stars the barely-hinged, pitching snares and dread digi dub of \'UKMERGE\' gilded with drowsy utterances, whilst flipside they tilt the tempo to a bouncing blend of mutant Dubstep and b…
To this day, Nicholas Bullen is best-known as a founding member of arguably grindcore's most important act: Napalm Death. Although he decided to call it a day before the band slipped into the mainstream circuit, his sonic fingerprints were all over their influential debut Scum, and he's been breaking boundaries ever since. A key figure in Birmingham's experimental scene, Bullen was also a founding member of Scorn and has been involved in a variety of projects since. Over 30 years later we …
Born in Japan and a resident of New York since 2001, Aya Nishina is a very special and beautiful spirit whose work touches upon nature, spirituality and the deepest human emotions. Five years in the making "Flora" is a brilliant suite of pieces for the human voice. At times layering hundreds of voices at the same time, the music is lush, orchestral and healing. Meticulously written, rehearsed, guided and recorded, this is a fabulous debut CD by a unique composer who has worked with Ryuic…
Third vinyl release by the mysterious Von Himmel commune. Some of these guys go back a long way into Sloow’s history and their classic ‘Space Communion’ tape from way back received the vinyl treatment by Humito. ‘weltraumrückführungsübereinkommen’ has more of those awesome serious zoned and mind melting fractals spider webbed into shining diamond stars mirroring inner and outer space. There’s the obvious nods to the kraut gods but Von Himmel seem to exist in their private spacetime continuum of …
Ron Morelli returns to stare down the 'floor with four pieces written during the stress-busting sessions for Spit (HOS 407CD/LP). The muggy, droning welt of "Public Consumption" kicks off with the sound of New York techno shot from the hip, while "Another Hit" vents a vintage era-Regis style built on skull-chipping snares and effluent acid modulation. The album's writhing batacuda banger, "Crack Microbes," reappears here as an extra-ferric extended "Version," sustaining the hypnotic intensi…