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Nmperign are one of the most celebrated and influential bands in contemporary improvised music. Yet surprisingly, more than a decade after their debut, Greg Kelley (trumpet) and Bhob Rainey (soprano sax) have never recorded a studio album as an unaccompanied duo... until now! Intransitive is proud to present the nmperig album that fans have been waiting for: the core duo, beautifully recorded in an actual studio with excellent microphones. The music is spare and peerlessly inventive as always, b…
The works of Clemens Gadenstätter are a wonderful example to evidence how an analytical approach to the phenomenon of hearing may result in music that sincerely moves its listeners. This production, entitled “Portrait,” represents a kind of screen capture of Gadenstätter’s oeuvre. Portraits are sometimes given away as presents in order to convey something of the essence of whom or which they portray. Clemens Gadenstätter’s music is perfectly suited as such a gift. …
Composed by Michael Pisaro and Taku Sugimoto. Performed by Casey Anderson: computer, Matt Barbier: trombone, Eric KM Clark: violin, Devin Disanto: clarinet, Paul Fraser: trumpet, Kristin Haraldsdottir: viola, Stefan Kac: tuba, Ingrid Lee: piano, Daniel Letourneau: guitar, Heather Lockie: viola, Sepand Shahab: keyboards, Cassia Streb: viola, Christine Tavolacci: flute, Chaz Underriner: guitar, Michael Pisaro: guitar, Taku Sugimoto: guitar. Recorded by Michael Pisaro at the Wulf, Los Angeles…
Awesome reissue! Here sensitively remastered by Denis Blackham from the original master tapes at Skye Mastering and with a beautiful facsimile mini LP style sleeve, made in Japan.The Full Use Of Nothing was the first serious publication of music by Andrew Chalk/Ferial Confine on cassette in 1985. Early experimentation in acoustic percussion and primitive multi-tracking techniques shaped the sound and spirit of these formative recordings, somehow very tentative but leading to an on-going …
A brand new album from one of the most revered and acclaimed ambient composers of our time, Vivian & Ondine takes the form of a single, three-quarter hour piece, once again constructed from William Basinski's signature style of tape loop manipulation. While the narrative ebb and flow is largely pinned to a single tape fragment, Basinski merged a further "dozen or so" that sunk into the mix in just the right way, adding to the aura of fluctuation and continuous evolution that's so essential to th…
Vainio is back with his fifth album for the esteemed Touch label! Currently based in Berlin, was one half of the minimal electronic duo Pan Sonic from Finland, (with Ilpo Väisänen). Before starting Pan Sonic in the beginning of the 90's, Mika Vainio has played electronics and drums as part of the early Finnish industrial and noise scene. His solo works, under his own name and under aliases like Ø, are known for their analogue warmth and electronic harshness. Be it abstract drone works or m…
Michael Bullock (contrabass & feedback), Mazen Kerbaj (trumpet), Vic Rawlings (cello & surface electronics). “Mary Staubitz emailed me asking, “do you and Vic want to play with this guy from Lebanon?” Mary was booking a series of noise shows at the Midway Café in Jamaica Plain, MA, and had been contacted, apparently out of the blue, by “this trumpet player from Beirut.” She wanted to help him out but wasn`t sure what to do, since none of us in Boston really knew anything about him. Vic and I hav…
Phantom Orchard, the duo of Zeena Parkins and Ikue Mori, is expanded with 5 performers representing some of the most exciting women in modern creative experimental music, releasing a surprising, riveting, and amazing album.Members of bands as diverse as DNA, Skeleton Crew, Electric Masada, Hemophiliac and Björk, Zeena and Ikue have been leading figures of the downtown scene since the early 1980s. Their fabulous duo project Phantom Orchard is expanded here with five of the most exciting and creat…
Christopher Willits and Ryuichi Sakamoto’s new release, Ocean Fire, is a sublime soundtrack for the ocean. It is an intense and stirring wash of cascading tones and textured harmony. Willits + Sakamoto surprise with rare form in this collaboration, creating a sound world unlike anything they have produced previously. Each artist has gently pulled the other into new sonic territory. Sakamoto’s gorgeous processed piano sound reflects Willits’ beautiful shimmering clusters of notes, a new aspect of…
Guillaume Viltard, doublebass. Recorded in 2008 studio and outdoor. The CD comes in a very special package made by visual artist Zéhavite Cohen. 300 copies. 'There followed a solo double bass performance that was added late to the bill from Guillaume Viltard, a young musician that has been playing a lot at the weekly Eddie Prevost workshop. I had seen him play before, most recently in a duo with his frequent playing partner Ute Kanngiesser, but never solo, and I have to admit to being taken by s…
"Formed in the summer of 1964, although the New York Art Quartet existed for barely a year and a half, great interest remains in their work. They consisted of co-leaders John Tchicai (alto sax), who participated in John Coltrane's ground-breaking Ascension album and Roswell Rudd (trombone), considered to be the first free-jazz trombonist, along with bassist Don Moore and drummer Milford Graves. The band participated in the legendary 'October Revolution in Jazz', which journalist Bill Shoemaker c…
Third soloist album by Roberto Opalio (My Cat Is An Alien, Painting Petals On Planet Ghost, Praxinoscope). During the same period of self isolation in the Westrn Alps that brought to life MCIAA's 'Photoelectric Season' double album, Roberto conceived the creation of his new full-lenght album, inspired by the mystic aura of the nature surrounding himself. Focusing himself on his peculiar wordless vocalizations, and using simply a mini-key…
Moondog's fanbase seems to be righteously on the up nowadays, with reissue after reissue re-illuminating his singularly out-there musical genius. This is a stranger album than most however: on this one Moondog sings. Yes, this is possibly the only entry into the blind Viking impersonator/singer/songwriter sub genre. Inevitably, it's really good. Even though this album (recorded in 1969, incidentally) reduces the composer's ordinarily expanded palette to little more than voice and piano, there's …
Post is the solo guise for James Wilkinson, who has gleefully cracked the ground between free jazz and punk in Bucketrider and made sonic cinema with the electro-dub-hip-hop fusion of High Pass Filter. He’s also provided innovative sound design as director for the internationally acclaimed Snuff Puppets, and his adventurous spirit runs free through Post’s pop persona. It’s the same ecstatic abandon shared by the likes of Mouse on Mars, Plaid and Caribou. Post’s playful but stirring sense of comp…
“All music by Sharif Sehnaoui – no cuts & no overdubbing. Recorded by Fadi Tabbal on the 9th of june 2009 at Bustros palace, Beirut. Mixed & mastered by Fadi Tabbal at Tunefork studios, Beirut. Artwork & design by Mazen Kerbaj. Produced in Lebanon by Al Maslakh.” label info
At last, the reissue of German saxophonist Peter Brötzmann's long out-of-print first record, one of the most auspicious debuts of free music, and a trenchant tribute to the inventor of the saxophone. For Adolphe Sax is a roundhouse punch of European free jazz, delivered in1967 by the saxophonist's first classic trio featuring drummer Sven-Ake Johansson and bassist Peter Kowald. Initially issued in a tiny private run on Brötzmann's own BRO label -- silkscreened cover designed by Brötzmann, with h…
1st live album by Norway's Geir Jenssen - recorded in 2007 by Chris Watson & mastered by Touch stalwart BJNilsen. In the early 1990s, he was a pioneer of so-called "ambient techno," but since then, he has refined his sound into something more magnetic & enduring. Here, he incorporates samples of field recordings by Jony Easterby & trumpet by Anders Karlskas, invoking a sparser, more arresting sound.
Final solo alto sax blasting from the late legendary Japanese underground hero Kaoru Abe. Abe was an inspiration to free/jazz and Japanese noise lovers world-wide, lived a fast and hard life and ripped his guts inside out on each and every of his many releases. Extreme music for those who need it.
Now this a strange one. I never would've thought I would be paired with Jaap Blonk... it seems an unlikely combination. But when Tijs van Trigt asked us to perform at his AMPsnacks event in Arnhem, we had such a blast that we decided to do some recording together. This cd is a selection of three hours of improvisation we recorded at STEIM in Amsterdam. Quite a rollercoaster I'd say!