New Arrivals
Outdoor Spell
Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…
13 & 14 for Guitars
Composed by Taku Sugimoto. Tetuzi Akiyama: guitar. Recorded live at Loop-Line on October 23, 2009. Recorded by Taku Sugimoto. Mastered by Taku Unami. Drawing by Taku Sugimoto.
Artifact: iTi Live In St. Johann
Recorded on March 8th, 2008 at Alte Gerberel, St. Johann in Tirol/Austria at Festival ArtActs 2008. Features on trombone Johannes Bauer, drums Paal Nilssen-Love, analogue synthesizer Thomas Lehn & reeds Ken Vandermark.
Duos 2011
Jonas Kocher, accordion with Hans Koch & Patricia Bosshard, Christian Wolfarth, Gaudenz Badrutt, Urs Leimgruber, Christoph Schiller, Christian Müller. Recorded during the year 2011. Mastered by Giuseppe Ielasi. Limited edition of 222 numerated copies.
Home
The Preservation label presents Home, the third album from Olan Mill from Hampshire in the United Kingdom. Olan Mill is the recording project of composer and producer Alex Smalley, who to-date has received rapturous acclaim for his work that holds a sublime measure between the realms of modern neo-classical composition and ambience. On Home, Smalley has mined his most expansive territory yet to create a thrillingly evocative and deeply felt body of work. The tender clusters of sound that ha…
Book from Hell
Zai Kuning (g., vo., perc., misc.), Otomo Yoshihide (g., turntables, perc., misc.). 'The Asian improvisation of the present, a connection between Singapore, Tokyo and Hong Kong. A vivid 71-minute performance moving back and forth between turbulence and stillness. 'Book from hell' is the denomination of the concert, Zai Kuning organized on September 2008 in Singapore. CD title is used as it is and also CD cover is the poster of 'Book from hell' concert, Zai designed. This is Asian improvi…
The Sky Is Full Of Kytes
Mindblowing!!! Simon Balestrazzi should need no introduction. He founded T.A.C. (Tomografia Assiale Computerizzata) in 1982 and has bee pioneering the italian industrial scene since then. His passion for sound synthesis and exploration brought him in recent years to develop a research in electro-acoustics, both in duos, trios and also in solo.
Puzzle
"Produced by Centre international de recherche musicale, Nice, France. Project involving 22 instrumentists featuring Pierre-Yves Artaud (flutes), Alexandre Ouzounoff (bassoon), Daniel Kientzy (saxophone), Vinko Globokar (trombone), Elisabeth Chojnacka (harpsichord). Puzzle 1999 (14-17) commissioned by INA-GRM." (Discogs)"An extension of the 'virtual orchestra' in which composer Pascal composes music out of gathered individual instrumental tones and lines (with the musicians never having met …
The Fat Is Gone
Recorded live at Molde International Jazz Festival in 2006. The meeting between the godfather of free-jazz & the innovators of the modern free-jazz scene in Scandinavia, Mats Gustafsson & Paal Nilssen-Love, resulted in this mastodon of an album. This is the European free-jazz underground at its best. A devastating, blasting, raw, ferocious sonic assault on all senses. And beautiful, painfully beautiful.
Twilight Of The Gods
"Active in electronic composition since 1971, Creshevsky delights in presenting extreme and unpredictable juxtapositions in which the integration of electronic and acoustic sources and processes creates virtual "superperformers" by using the sounds of traditional instruments pushed past human capacities. Creshevsky uses the term Hyperrealism to describe his electroacoustic language constructed from found sounds, handled in ways that are exaggerated or intense. The second Tzadik CD by this modern…
Kampanerura
Kampanerura is the name of a boy appearing in the children's story Night on the Galactic Railroad by Kenji Miyazawa (1896-1933), Japanese poet and author of children's literature. A boy with pure soul transmigrates and becomes a dissipated man around a trip to the bottom in Asia. From accompanying text by Masayoshi Urabe 'What are my legs on? What are my feet standing on? Sand? I feel something sharp and pointed! And a gentle breeze where am I? The sea? I feel it flowing! I've crossed ove…
SFU 40: Celebrating Electroacoustic Music 1965-2005
Amazing anthology focused on The Electronic Music Studio at Simon Fraser University (SFU) was founded by R Murray Schafer when the university opened in 1965, the third such studio in Canada, after the University of Toronto and McGill University (Montréal). It was located in the basement of the SFU Theatre as part of the Centre for Communication and the Arts. Composers such as Schafer, Anthony Gnazzo, Peter Huse, …
Critical Path
Martino Traversa is a renowned Italian composer who studied at Salzburg’s Mozarteum, at the CCRMA at Stanford University and with Luigi Nono from 1987 to 1989. The CD “Critical_Path” presents for the first time ever a selection of his electronic music works, composed between 2000 and 2008.Beside being a prolific composer, Martino is a very active cultural promoter: he founded the Ensemble Edgard Varèse in 1990, with Luigi Nono's support; in 1991 he launched "Traiettorie", a highly-reputed intern…
Crwth (Chorus Redux)
Through their use of low tech means and focusing on the blending of guitar noise and electronic voice processing, Lovesliescrushing can be seen as the early 'missing link' between the likes of Slowdive and Fennesz. Their output has been consistently and beautifully crafted... works that contain an element of sonic mystery and still sound timeless. Lovesliescrushing is an important, if perhaps overlooked, point in the timeline of contemporary electronic music. - Richard Chartier. Loveslies…
The Visitor
The Visitor is a seriously all-O'Rourke affair: all the sounds you hear are Jim and Jim alone, recontextualizing everything he's done over the years & throwing out the bullshit. The one thing you won't hear is his voice. Some of The Visitor is tracked so deep, it took two hundred tracks to hold it all. It doesn't sound like it though - to Jim's credit, the mix sounds very minimal, very straightforward. There's moments of low comedy next to high drama & juicy melancholy with a seeming lack of reg…
Planet Dream
In this present age of the history of humanity, there are few places left for a true utopia. The world has already experienced some of those ideal systems, but the results were tragic. Even in literature utopian thinking seems to have vanished. Only In music is there still a place to wonder, especially when it deals with spontaneous and non-hierarchical procedures. Musical improvisation is becoming the only possibility left to forge micro-societies of freedom and egalitarianism, without having t…
Deleted scenes
Deleted scenes, the debut album by Marion Wörle aka Frau W (Laptop) and Maciej Sledziecki (Guitar) uses the vocabulary of sound-art just as instinctively as it does elements from psychedelia, noise and Krautrock. The electronic music of the 90s and 2000s is also bursting through every crack on this record. Refreshingly non-academic and equipped with a fine sense of humor they bring great diversity to the day. No one track compares to any other - each has its own very individual character. PIRX i…
Civiltà Paleospaziale
Italian minimal synth & drum machine duo, another side project by Ottaven/Canedicoda, abstract dread sounds with elements of clinical drone and throbbing frequencies to a more introspective ambient chaos
Eine Menge Papier
“Eine Menge Papier” assembles 20 minutes of sounds derived from using paper as the sound souce. Two tracks originally came out as a limited 7” record on the austrian Syntactic label in the 1990ies and appear here for the first time on CD. The other two tracks were planned for a follow up 7” on the same label that never materialized. The fifth track is a study of sonic material in the same series. There are two further tracks from the P.I.G. series that are considered by the artists as failed att…
Walküren am Dornenbaum
This three year-long collaboration begun in 2006 when Korber and Wehowsky embarked on intense recording sessions in Eggenstein, where the latter resides, lasting several days. The output from these sessions forms the basis of this work, augmented by additional field recordings and various electronic manipulations. Korber and Wehowsky used the same software which allowed them to exchange the pieces at any stage of the compositional process, so that every detail of the music could be shaped in a t…