New Arrivals
42 Vexations
16 page booklet including Cage's Place In the Reception of Satie by Matthew Shlomowitz. Erik Satie's 1893 Vexations is musique d'ameublement - literally, "furniture music", the phrase coined by Satie in 1917, where he identifies sound as drapes, tiling, wallpaper - items belonging to the environment and changing it simply by being in it, by actually becoming elements of the space. This recording is the second instalment in a series of furniture music (after Marcel Duchamp's Musical Erratum), and…
Just before music
Fans of Sun Ra, take notice -- there is a new American original on the scene who hails from Birmingham, Alabama. Lonnie Holley's music is unlike anything ever heard, and these recordings are a welcome addition to the continuum of music. This album marks the first time Dust-to-Digital has taken an artist into a recording studio. Lonnie Bradley Holley was born on February 10, 1950 in Birmingham, Alabama, the seventh of twenty-seven children. From the age of 5, Holley worked various jobs: pi…
Fancies, forbearance
Fancy: a 17th century term generally describing a composition in which form is of secondary importance. Fancies were usually contra-puntal and in several sections. (The Oxford Dictionary of Music)Fancies (2009) served to reconcile previously unsettled material, based upon a scheme that condones disparity between its constituent parts. In the period since its completion, and subsequent issue on cassette, Fancies has come to represent an antithesis to what I originally termed ‘a work in parenthesi…
Dunedin
Fantastic all-electric three way that sees Bruce Russell of The Dead C (on analog electronics) joined by Richard Francis on modular synth and computer and Jason Kahn on analog synth, radio and mixing board: recorded live on January 28th 2011 at Dunedin Public Art Gallery in New Zealand, this is a single 38 minute improvisation that feels environmental in scale but with a heady synthesized aspect that makes for a ghostly metal machine music. Three distinct voices make for a bafflingly beau…
Dracula\'s Music Cabinet
Great strange psyched out scary(huh?!) wanna be LP.German jazz/library musicians Horst Ackermann & Heribert Thusek’s incredible, dark foray into the world of eerie samples & spine-chilling funk. Electronic effects,screams,moans for your kraut /psych Halloween party! How does Finders Keepers just keep raking these albums in? The latest diamond to be unearthed from their endless mine of crumbling treasures is one of my favourites to date - a lesser heard fried psychedelic marvel from the apt…
Spiritual Jazz
Now-Again Records, in conjunction with Jazzman Records, presents an expanded version of the compilation that introduced many listeners to the sound of the unsung musicians who - in the midst of the Vietnam War and the fallout of the Civil Rights struggle - created some of the most beautiful spiritual and meditative music of the 60s and 70s. The music was at times funky, at times contemplative, but it always strived to say something about the world in which the musicians lived.
The Baroque Atrium
The Preservation label presents The Baroque Atrium, the second full-length album from Seattle's Panabrite. Panabrite is the solo recording project for Norm Chambers, who over a short time has grown a catalog of works showcasing a natural empathy for tapestries of sound that are eclectic, intricate and immediate all at once. Marking new ground in pursuit of pre-digital synthesis, Chambers' work as Panabrite is a shining light among those currently finding inspiration connecting sound explora…
For/Not For John Cage
Line is pleased to announce the upcoming release of a elegant new sound work by Australian artist Lawrence English, inspired by John Cage.In 2011, anticipating John Cage’s centenary, I began thinking about how to approach a work that might act as a homage to the aspects of his life and work that have inspired me over the past two decades (ironically, those in which he has been physical absent, but philosophically more present than ever). John Cage, with that beaming smile and trademarked c…
Invisible
A new series designed by Clare Cooper. Xavier Charles is an active clarinetist in the world of improvised music, known from a variety of constellations and ensembles like Dans les arbres and Contest of Pleasures. This is his first solo release for Sofa. Listening and perception are important elements in Invisible, which consists of both solo clarinet and field recordings. A total openness to moment and utterance characterizes his sound explorations, where we in a poetic fashion, are led to a pla…
Protocol
Released October 2012. Chip Shop Music (Erik Carlsson, percussion, Martin Küchen, baritone & alto saxophones, radio, David Lacey, percussion, electronics, Paul Vogel: computer, clarinet) + Toshimaru Nakamura (no-input mixing board). Live 2009 in Ireland.
347
'Tim uses several boxes of speakers and Seijiro uses a snare drum as a resonance box, with microphones. They put boxes for their music in another box = the space. They create different levels of universe within the space. From micro to macro. Always with one clear intention: to improvise listening and to organize sonic space together in a very delicate way.Thanks to La Comète 347, Paris. 'Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to i…
Pantagruele
beautiful psych/weird-folk album, most of the tracks are guitar driven bucholic neo-freaksters keep reading!. While playing this psychedelic-melodies many names came to mind, basically: Red Krayola, John Fahey, Syd Barret, Devendra Banhart and obviously his mentor, mr. Marc Bolan
Walden Pond's Monk
The first ‘proper’ widely-available album from Portugese composer and pianist Tiago Sousa, ‘Walden Pond’s Monk’ balances itself on the idealism and revolutionary spirit of Henry David Thoreau. While this might be initially hard to hear in an album of mostly solo piano, as the songs seep into the soul it becomes easier and easier to decode Sousa’s messages. There is a mourning, but hopefulness to these compositions, and in contrast to solo piano records from Gonzales or Goldmund it feels like an …
Axis another revolvable thing
restocked! Originally released in 1975 as an LP on Offbeat Records (ORLP-1005). 'Fragment II: Gradually Projection'. 'Fragment III: Percussion Solo'. 'Fragment VI: Mass Projection'. All compositions by Masayuki takayanagi. Masayuki takayanagi New Direction Unit: Masayuki takayanagi: guitar. Kenji Mori: reeds. Nobuyoshi Ino: bass, cello. Hiroshi Yamazaki: percussion. Recorded live at Yasuda Seimei Hall, Tokyo, September 5, 1975. Remastered by Tsutomu Suto. 'One begins to see--and hear--each sound…
Simple Psychedelic Pleasures
I love the Tadpoles, a quintessential American psych band, so chances are I was going to be all over David Max’s solo platter when I heard about it. And I am. I don’t want to go on and on with endless comparisons with his work with the Tadpoles because much of that is obvious. Let me just say that maybe its sort of another tentacle from the body of the Tadpoles; sprung from it, indebted to it, but operating with a mind of its own. And name-checking all of David’s influences, though tempting and …
Sleppet
Composed and produced by Marc Behrens in 2007-2008 in Bergen, Oslo and Frankfurt am Main. Basic material recorded in Gloppen, Bergen, on Utvær island, at Brenndalsbreen glacier and close to Rosskleivvatnet lake, Norway. Sleppet originated from a sound art project in 2007, when six renowned artists (Natasha Barrett, Bjarne Kvinnsland, Steve Roden, Chris Watson, Jana Winderen and Marc Behrens) recorded sounds on a 10-day trip through the Norwegian Westlandet region and used the nature exper…
Unheard spaces
'Absence and Presence (2006). Absence and Presence was originally written for five musicians and four loudspeakers positioned throughout the site of performance in order to explore the traction between amplified and acoustic space. The performance was predicated on a set of directions that determined the combination of musicians at specific times and the duration of their performance. Within these structural parameters the musicians chose what they played and how they responded to one another. T…
Assisted Self-Sterilization
Collaboration work between these two well-known Finnish Noise acts ! Same way as the GELSOMINA / SQUAMATA if not more extreme. An orgy of feedback, harsh electronics and scraping metal plus some screamings over the top. Destructive and ultra-powerful ! Comes in black vinyl case with full-colour cover and foldout insert. 4 tracks/Total length: 54’58). Ltd. Ed. to 300 copies
Early Tapes
The Neon Judgement was formed in 1980/1981. Instantly they self-released two cassettes. With a limited amount of electronic instruments, they recorded their debut: "Suffering". The first version of their classic track "Factory Walk" is on this tape, a much more raw version than the one which would later become an underground clubhit. "Sweet Revenge" and "Schyzophrenic Freddy" remind of Suicide and the almost claustrophobic sounding tracks "Harem" and "Army Green (WOIII) are in the veign o…
92982
Once again unveiling hidden treasures from his archive of tape loops, William Basinski releases three pieces made at his Brooklyn apartment during one night in 1982, adding a fourth composition (based on the same source material) made earlier this year. You can't help but wonder why this music, recorded so long ago, is only just surfacing. Was the world not ready for WIlliam Basinski in 1982, or was WIlliam Basinski simply not ready to hand himself over to an audience at that point? Whatever the…