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In many ways, O, released on Thrill Jockey after a nine-year break, was a second debut album for Markus Popp aka Oval. A radical break with old concepts and methods, a new beginning. While Popp's artistic approach in the 1990s and early 2000s was more of a structural, theoretical nature, O was just about the music itself. Themes such as the means of production, limitations, dogma and concept took a back seat to a musical sensibility. Instead of writing new software to synthesize and process soun…
A 6CD set that comes in a box adorned with lurid glossy artwork, complete with individual wallets and full colour booklet. The Flesh Creeping Gonzoid is a collection of studio outtakes, remixes, deleted obscurities and compilation appearances recorded between 1999 and 2010. Limited to 500 copies
LAST COPIES...Incredible 25-minute percussion and bass variations from Japanese uber-producer Aoki Takamasa, new on Raster Noton!* Hugely respected percussive technician Aoki Takamasa has released a stream of rhythmic electronic expressions on labels like Fat Cat and Progressive Form since 2001. This is his first set of productions for the Raster Noton imprint, released as part of their 'Unun' series, after previous installments from Grischa Lichtenberg and NHK. 'RN-Rhythm-Variations' explores b…
Breathtaking solo organ improvisations recording!! This is the first volume documenting Zorn's breathtaking solo organ improvisations. Although organ was Zorn's first instrument (he often credits Lon Chaney in the silent classic Phantom of the Opera as a primal influence), in 2011 Zorn surprised even his hardcore fans by initiating a new series of solo organ concerts in churches around the world. Premiering at the historic Christ Church in Philadelphia, the word on these concerts spread li…
Latest entry in Touch's bitesize Touch Sevens series, with typically lush cover design and photography by Jon Wozencroft. This one comes from NZ native Paul Douglas aka Rosy Parlane, and was recorded in Auckland back in 2008-9. 'Willow' is a blast, its radiant widescreen drones and shimmering surfaces - which corrode and curdle over the duration - calling to mind the work of labelmate BJ Nilsen. 'Morning' is more reserved, elegiac even; rotary organ tones and delicate processing conspire …
BeMyDelay is the solo project of Marcella Riccardi (Blake/e/e/e, Franklin Delano, Massimo Volume), singer and guitarist. Her interest in archaic blues and adventurous music is the ground for building a song collection which tastes of experimental blues, vocali drones, acoustic pareidolia. "ToTheOtherSide" is another piece of the puzzle of that female psychedelia that goes from Grouper to US Girls, Valet and many more. The sound here is more shaped and definite than Liz Harris’ or Honey O…
56 hours audio mp3 - SD card release. Artist numbered self-edition. 100 copies. January 2013. 'Seven ghostly nights of expanded time and occult sonic space. Venturing into deep realms of audio subtlety and ambiguity. Open to the hearing creativity, sleeping patterns and dreams of the listener. A piece that blurs the limits between composition and sound environment.'Release format: mp3 44kHz/128kbps files in SD-HC card. Label: artist self-released, home-made, one-by-one-replicated, unlimi…
Brethren Of The Free Spirit combines the considerable 12-string guitar talents of James Blackshaw with the lute skills of Dutch instrumentalist Josef Van Wissem. Those of you who picked up the excellent Blackshaw-curated Garden Of Forking Paths compilation on Important a couple of weeks back will already be familiar with Van Wissem's abilities, dexterously coaxing his baroque instrument into the modern age. The two musicians compliment each other beautifully - there's no treading on toes here, b…
Following on from previous collaborations between Robert Horton and Charalambides Tom Carter on fine labels such as Important, Preservation and Digitalis, Carter and Horton come back to Blackest Rainbow (both we have previously worked with but not as a duo) for their first duo recording in a while. The 3 tracks result in combinations between outsider improvised trips and swirling head drones created via a wide array of instruments and non-instruments. Carter takes hold of the guitar, ebow…
Turntablist and concrète composer eRikm is one of the more readily recognisable names contributing to the revelatory Entr'acte label, and his disc Lux Payllettes is a typically excellent work. Stretching out over a thirty-minute-plus duration, the Marseille-based composer cuts and layers a huge variety of sounds cultivated from the sonic idioms of Western cinema. A bracing and immersive collage of fractured soundtracks, dislocated foley work and strange re-combinations, Lux Payllettes comes high…
Lovely early MB archival material recorded and issued as private editions between May and August 1980. Limited numbered edition of 211 copies in professional box, with a 12 pages booklet with reproductions of original tapes covers, a note and new collages by M.B. Destroyed time capsules. Ancient loops of faded music become an hypnotic wall of infectious sounds. If you are willling enough you could get lost in this world made of cold and dreamy distant memories.
Since the very beginning 13 years ago Supersilent have always moved forward with the greatest integrity. No albums, or indeed concerts, sound the same, yet there´s always a strong signature present. So also with this album. Mostly recorded by Jan Erik Kongshaug at the famous Rainbow Studio in Oslo, this was their first session after drummer Jarle Vespestad lef the band. This time they have moved slightly towards a more acoustic landscape with Ståle Storløkken, for the first time with Supersilent…
First solo album from bass player extraordinaire Michael Francis Duch, exploring 1960’s experimental works as vehicles for contemporary improvisation. Duch is a highly generous musician and improvisor. This is equally audible as he moves in the outskirts of reductionism, flirts with noise, engages in the domain of contemporary composition or happily endulges in the joys of free jazz. Mixing a keen and exploring sense of sound with firm and insisting formal thinking, he approaches his bass …
Collaboration works. Embossed gatefold sleeve. w / poster & obi. Originally planned to be released in 2006, but not actually released until April 2007.
In this work I am approaching the analogue synthesizer Yamaha CS-40M. I built up the research in a journalistic kind of way. At first I made a plan of procedures, gave myself a problem formulation. In my first step I was looking for sounds that represent the „soul“ of this instrument. The next step was abstracting these sounds without losing the specific character of the instrument. An unconventional click sound was the result. This sound was then fed with additional information, fie…
Beautiful string experiments by Tashi Wada, son of original Fluxus member Yoshi Wada. Julia Holter is a fan of his, and from the strength of these pieces, so are we. Hand-stamped edition in wrap-around jacket** "Tashi Wada is a San Francisco-based composer and performer whose recent work focuses on sound perception as a basis for direct modes of listening. His work has been performed throughout the United States and Europe, and for several years now he has performed alongside his father, …
Edition of 150 copies. Compostion by Ferran Fages (acoustic guitar, contact mics and speakers). The nature of this recording is a distorted image that came to my mind during the composition of the piece.I worked on Llavi vell during 3 months from july to september 2010. The sound is the result of bowing the strings of the guitar in different fret positions, with a bow made of a long metapiece. The fret positions were related to the different divisions of the lenght of the strings: half, third, …
an amazing release by the Czech electronic pioneer. In spite of his picaresque life and many eccentricities, it ought to be, and is, as a composer that Rossmann is best known. His artistic output was not only music, of course, and his output in any case was not particularly large. There are about 30 works in all and there are occasional gaps of up to three years between one piece and the next. But what he did produce shows that he was one of the few truly original Czech composers of the last cen…
Italians Maurizio Bianchi and Emanuela De Angelis have a generation between them, but that does not prevent them from delivering their first collaboration entitled "Regolelettroniche".However, to get there, they had to agree on a few rules, alluded to in titles such as "Earthly Principle" and "Cosmic Norms", and through these "rulelectronics" credited to both of them.That being said, these rules are left unexplained; listeners can discover them on their own when they experience this drone-based …