New Arrivals
In emptiness there is truth (Call no man happy until he is dead)
A soundwork commissioned for the 2010 edition of the Ravello Festival, curated by Achille Bonito Oliva, Stefania Miscetti and Gianluca Ranzi. Voice: Seijiro Murayama. Voice recording engineer and EQ: Stefano Pilia Original stereo mix: John Duncan. All other sounds, recording, editing and mixing by ALH.
“In relation to this soundwork, the extended overtones created by the clashing frequencies of the ‘ghost chorus’ could indeed be read as faint glimmerings of a sublime imperative. This imperative,…
New Ear
With this new album, Melmac reveals a new maturity gained in the course of three French and european tours that have enabled the group to initiate a major part of the ideas presented here through extensive improvisation sessions on stage in the spirit of the instant composing sessions ran by Kraut Rock bands during the psychedelics years. These new experiments have opened the artistic spectrum of the band to new horizons clearly rock, heavy, trippy or noise reminiscent of bands like Sleep or Sku…
Spectral arrows : Rotterdam
Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics. In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end, refusing to allow the behind-the-scenes mystery of rehearsals and preparations to lend an aura to the per…
Scott (The Collection 1967-1970)
This box set collects remastered versions of Scott Walker's first five solo albums. The Scott albums are the fulcrum of Walker's career: You can hear where he'd been, and in retrospect, where he was going. His third act was emerging after 20 years of almost total silence with Tilt, The Drift, and Bish Bosch, released between 1997 and 2012. Walker's latter-day albums are fearless and violent, featuring wailing donkeys, moans, scrapes, and famously, the sound of someone punching meat. They seem to…
Liquified Sky
Line is pleased to announce its latest edition featuring astoundingly detailed audio visual works by six internationally recognized artists: Evelina Domnitch + Dmitry Gelfand, COH, Paul Prudence, Francisco López, and Asmus Tietchens. The fluidity and even the granularity of light can be unfolded by the senses through active attunement coupled with meticulously orchestrated conditions. Though formerly considered impossible to imagine, let alone perceive, recently, a variety of quantum behavior h…
Nocturnes
Vittelli continues to set out its’ stall with this brilliant LP by Australian sound maker Matthew Philip Hopkins (Vincent Over the Sink / The Bowles / Naked on the Vague / Half High). This is Hopkins’ first solo vinyl outing after a decade of micro-edition cassettes and CDR’s. Nocturnes was assembled during late night headphone sessions at Hopkins’ Sydney home in late 2013. He employs synth, cassettes, fx pedals, contact mic and random objects to create a hypnotic suite of dramatic and highly ev…
Under A Single Banner
It's been a busy couple of years for the producer behind the Shifted project. On top of an extremely well-received album for the Mote Evolver label, the producer has edged further out into the fringes of electronic music under a number of aliases, taking in noise/ambient variants as Covered In Sand, as well as more distorted, technofied productions under the Alexander Lewis moniker, a sound described by the Blackest Ever Black label as "S-M techno." His new album as Shifted, Under a Single Ba…
Los Doroncos
A monument to Japanese rock! Los Doroncos are a Tokyo supergroup formed by Kiyohiro Takada (Les Rallizes Denudes), Kawaguchi Masami (Dustbreeders, New Rock Syndicate), Mako Hsegawa (Maher Shalal Hash Baz). This is their debut Lp and it is just amazing. 4 long pieces that evolve into beautiful electric jams: past, present and future of the Tokyo underground sound are all in here! Released in an edition of 150 copies on the 8mm Records label. Housed in handmade cover."It’s a lot more laid back a…
Swisher
The Blondes duo refract their house abstractions through a smudged psychedelic prism on 2nd album 'Swisher' for RVNG Intl. Picking up where their eponymous debut left off, Sam Haar and Zach Steinman start with the kosmic organ swell and atom-split rhythms of 'Aeon' before locking down to a driving, technoid momentum with 'Bora Bora' which carries through the album in the glyding dub-house gait of 'Andrew' to the ornate, future-baroque arpeggios of 'Poland' to the laser-grabbing, Belgian-styled t…
NYC, Hell 3:00 AM
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
Criminale - Vol.2 Ossessione
A record as weird and wild as the cover – filled with really tripped-out sounds from the obscure Flipper sound library in Italy! The music follows strongly in the best style of the rock-driven sounds from Italian horror films – but there's also a more compact approach too, with some funky elements that really make the whole thing sparkle – and a restrained approach that's far less indulgent than the prog styles that Italy was famous for at the time. The whole thing's great – a wicked mi…
A Romance Of 2 Planets
2010 release. Beautifully presented three-track 12" from Jamal Moss in his enigmatic Hieroglyphic Being guise, presented in a run of 500 copies on London's excellent Alter label - who're responsible for that OPN/Tomuttontu split 7" some months back. Jamal's unique and impregnable style is in full flow on the 12-minute A-side 'Sphere Of Madness', divining wandering, astral synthlines and frothing machine rhythms, all equally informed by vintage Chi-House, Industrial and New Age memes but entirely…
The Background Noise
Under The Snow is a project by Stefano Gentile (guitar, objects, field-recordings) and Gianluca Favaron (microphones, field-recordings, processing). Stefano Gentile is well known for his work as owner of the Silentes and Amplexus labels; he is part of Maribor (along with Maurizio Bianchi, Nimh, Andrea Marutti and Gianluca Favaron) and in the past he has collaborated with Aube and Amir Baghiri. Beyond releasing under his own name, Gianluca Favaron collaborates with Ennio Mazzon on the Zbeen proje…
Calmont breakdown
New solo album by the highly prolific yet always captivating Richard Youngs, whose music can waver healthily between new forms of singer-songwriter material, lo-fi drones and all manner of avant-garde forms. Here, his music sways towards the difficult and embraces organ drones and swells, frazzled electronics, a voice that is at once unnerving and unnerved, and more besides. Anybody expecting a comfortable listen should be prepared.
Orchestre Sidi Yassa De Kayes
After the 1960 independence, the Orchestre Regional de Kayes was founded in order to reinvigorate the local cultures from the Mand and the Kasso regions and turn some traditional themes into modern songs. Under the guidance of bandleader Harouna Barry, they evolve as one of Mali's finest orchestras. In the early 1970s, like most modern bands of Mali, the orchestra evolved into the Sidi Yassa de Kayes, named after Sidi Yassa, a late great singer. In 1977, they release one eponymous LP in 1977 on …
In Four Parts (Tribute To John Cage)
Equipped with a modular synthesizer, a guitar and electronics Patrick Pulsinger and Christian Fennesz approach the master of the treatment of silence, John Cage. The piece on this album, which was recorded live at Wiener Konzerthaus, was inspired by the underlying attitude of Cage’s String Quartet in Four Parts. Upon invitation by the WIEN MODERN festival the two legendary electronic music protagonists tackled the composer’s early string quartet, took it apart and adapted it for two players, alw…
Lines Describing Circles
Over the past year as Peder Mannerfelt has shed the skin of The Subliminal Kid, we've only had small samples to taste of his new brand of musical sorcery. Lines Describing Circles changes all of that. Ten tracks deep, this is not so much an album as it is a declaration. From the opening, harrowing crackle of "Collapsion," Mannerfelt's intent is to crush the listener into a perfect metal cube. Lines Describing Circles displays the sound of a man fully in control of his machines. Throughout th…
So sorry
A meeting between Japanese sound artist Takahiro Kawaguchi and two american improvisors, Nick Hoffman (head of the Pilgrim Talk label) and Aaron Zarzutzki. Recorded by Brian Sulpizio at The Chateau, Chicago, in September 2011 and then edited and mixed by Giuseppe Ielasi in Oreno.Numbered edition of 250 copies. Black vinyl (cut at SST), screenprinted cover on heavy grey stock.
Combines
The GGRIL is an ensemble of musicians who have decided to give a space to experiment with various forms of interactions possible in an orchestra without a conductor. The group brings together a dozen musicians from different backgrounds, but all eager to explore new territories offered by bands where the music is alive, freed from the linearity of writing. Powered by Tour de Bras, Rimouski, this set is a way to involve a large number of musicians and composers in the region around a unifying pro…
Hai kein Wal
Meeting between visual artist Beni Bischof and electronic musician Norbert Möslang. Limited to 200 copies and hand signed by artists. With this somewhat confused, absurd or primitive Bishop chant, the result could be to remembered as a crashing jumbo jet