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Hunting Rituals is the moniker of Scott Johnson (also Scott Cloud, Thoughts On Air) which was inspired from many impromptu collaborations with other weirdo musicians within the city limits of Hamilton, Ontario, Canada. Brooding Forest was the first recording to feature a second member, a fellow collaborator Jeremiah Buchan from Bottom Feeder who was also a main influence on the overall ritual sound process. This recording fuses Scott's focus of feral improv with Jeremy's premeditated lands…
It probably wouldn't surprise most, but the Type label was originally formed with soundtracks in mind. The moody music that usually accompanied their favorite independent films was a starting point for the label, so it seems perfect that nearly seven years on, they are going back to their roots, if you like, with this album from acclaimed Icelandic musician/composer/producer Jóhann Jóhannsson. Jóhannsson emerged on the influential Touch label with the genre-defining Englabörn (TO 052LP) album in…
Spilling over with trembling strings and thunderous crescendos, "Coward" foreshadows the electric energy that is to be found throughout Vic Chesnutt's newest record. With members of Godspeed You! Black Emperor, A Silver Mt. Zion, and Fugazi once again contributing, At the Cut is populated by giant melodies, quiet meditations, and intense studies on mortality and memory. But, for all its bombast, At the Cut is probably most notable for Chesnutt's unwavering honesty and cathartic powe…
Special Edition - White Vinyl. 3rd and final pressing limited to 400 copies for the world** Having already created a huge amount of interest, 'The Ghosts Of Bush' is finally here on a limited vinyl pressing and is easily one of the most pertinent and interesting Radiophonic and hauntological artefacts we've had the pleasure of stocking in recent years. Created by World Service studio manager Robin The Fog, 'The Ghosts of Bush' Consists entirely of nocturnal location recordings made by him at Bus…
Ultra limited LP re-edition, handsigned copies....like most of Maurizio Bianchi's fascinating works, "Armaghedon" is turned to noisy, long minimal sonic dreamscapes, including physical addictive sounds. In this early effort written for a non released experimental movie, Maurizio Bianchi explores sound intensity, somnambulism and "insolit monotony". Try to imagine something between "Phaedra" most intellectual, hallucinatory sequences, the destructive, destructured sounds of Whitehouse and the sac…
REL is proud to present the debut LP of the scottish duo USURPER (Ali Robertson and Malcy Duff). Creating a sound nearly impossible to describe, USURPER combines obsessive metallic clunk, destroyed voices, broken horns and dropped marbles (?), into dense fields of activity. Working towards an intuitive sound logic all it's own, USURPER creates a surreal, comic structure that is unmatched and an energy that will make you laugh as soon as you shake your head in bafflement. The B side features a tr…
Metz, France is teeming with great bands: Chevau, Feeling Of Love, Normals, & A.H. Kraken are just the tip of the iceberg. The ANALS sound is similar to the aforementioned bands in their abrasive, weird punk base, but this duo is more obliviously influenced by German industrial electropunk group D.A.F. (via Brainbombs) than their peers. Past singles have sold out immediately, and this is your first chance to hear this unique duo's entire recorded output. Incl. both songs from the Sweet Rot singl…
The 1987 debut of one of the great forgotten bands of the post punk, dark-industrial era remastered at Dubplates & Mastering and reissued in a beautiful gatefold edition by Forced Nostalgia - 500 copies only* Pump were Andrew Cox and David Elliott, a pair of likeminded electronic music fiends who met at Brighton uni in '79. After staring a fanzine and a tape label the pair eventually began to record their own material (initially under the moniker MFH) and released several cassette albums …
Limited to 200. Zak Boerger's combination of fuzz, acoustic guitar & extended downer ballads most immediately aligns him with the New Zealand scene centered around Peter Jefferies & Alastair Galbraith as well as associated international satellites like Flying Saucer Attack & the Twisted Village roster, but there's a lonesome edge to the music that would situate it ouside of any particular historical tradition & closer to the mystery school of regional private press obscurities. The acoustic trac…
"It’s been a long journey for Northern-Spy artist Collin Langenus and Tom Hohmann, like floating stoned on the back of the turtle that carries the world. Or primal scream therapy. That trip culminates with R.I.P., the group’s final release, and the first of Brooklyn’s newest indie label. A swan song of a group at the top of its form, flowing with ease through psychedelia, stoner rock, prog, Native American mythos, and even political disintegration. R.I.P. was mixed by sludge-riff wunderkind, Max…
Amazing!! There is a murder in the beach. Ducktails arrives in his spaceship escalade to investigate the scene. Dracula Lewis is the principal suspect. They become best friends and decide to work on a split LP. When a vampire kills a body is never found. At the same time beautiful and terrifying cavern drone sounds from Dracula Lewis, Psychedelic spiraling melodies and electronics beats from Ducktails. Both investigate the limits of the space time continuum. This is the new dawn of expansi…
YMCA is guitarist Alan Licht's first solo release since 2003's A New York Minute double CD (on XI), and his first solo vinyl outing since 1994's long out-of-print Sink The Aging Process (on Siltbreeze). Largely recorded at a 2004 concert at a Cambridge Massachusetts YMCA by Keith Fullerton Whitman, YMCA documents Licht's solo guitar set of the time -- a three-part structured improvisation that moves from mournful, layered sustained tones that sound more like a reed organ than a guitar, to a gent…
It's no secret that Aaron Dilloway is one of the best around. Opening with some seriously demented synth growl, Weighted Ghost gets down to business in no time at all. Stoically repetitive sequences build and build until the pressure in your skull reaches the breaking point. Dilloway pushes past the point of no return, scowling all the way until each layer is sufficiently soaked in dirt and brine. This isn't pretty and it isn't meant to be. The flipside fakes you out in the beginning,…
Deathpile's latest power noise excursion extrapolates the mind of the Green River killer; Washington State's most notorious - and at the time of writing - unsolved serial killer case. This is harsh power electronics with sadistic lyrics delivered in a frenzied manner. Deathpile is an outlet for the twisted mind of Jonathan Canady. On G.R. he is aided by the undisputed talent of twisted musical troubadour David E. Williams who provides the lashings of non-rhythmic noise. There's a defin…
Few copies available: this is Austrian reissue of Otto Muehl's AA Commune most sought after record from the 70's. "Musikalische Selbstdarstellungen 1974/75". Crazy group-therapy sessions, improvised music with different commune members coming forward and 'singing' about their parents, free-sexuality, mister jealousy, and how two-people-relationships kill sex-life, etc.. Record comes in fullcolour cover (reprint of the original), stamped label, plus 10-page A4 booklet with transcription of all te…
As a slow motion Stan Brakhage on K, this last and definitive new album from Aaron Dilloway is fluid and cinematic. After the monumental Chain Shot Lp and a furious live activity, the Mid West's mad tape-scientist is back to take your hand and dive you in a buzzy ocean of muddy water loops. Welcome to this creepy journey to the south of heaven, here you can just crawl like a worm.
'Zones Without People' was released in 2009 on a highly limited vinyl run for Arbor. All seven tracks featured in his Wire chart-topping 'Rifts' compilation, predating his mindblowing 'Returnal' album (surely one of the best of 2010) and displaying its prodigiously gifted creator amidst some of his most affective synthscapes. From the outset we could consider this to be classic material, as the miniature 'Computer Vision' - one of his very earliest creations circa 2004 - plugs into a spir…
With the wake of his blessed collab with The Congos and his 'Ancient Romans' side still shimmering in our memory, Cameron Stallones returns from his mystic regressions to present a sixth solo LP as Sun Araw. With his return comes a startlingly fresh-faced clarity to his sound, as though millenia of metaphysical sonic travel have dislodged the overbuild of dusty amp wax and really let some cosmic sunshine thru. It's perhaps also down to some assistance in the final process from Pete Kember…