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Sebastien Borgo, Alan Courtis, Frank De Quengo, Nicolas Marmin are L’autopsie and they just discovered the Musique Acouscousmatique as you will see on the poster inside the LP. Anyway here’s another great mix of post-industrial and shamanistic noises cut into 41 tracks. 200 copies art edition LP with stamped labels and sleeve, poster and inserts. “L'autopsie a révélé que la mort était due à l'autopsie is a musical projet that started back in 2007. The four musicians of L'autopsie... were first g…
RESTOCKED!! Brand new full length from Cleveland's Emeralds recorded Aug-Sept 2008. Proper follow up to their debut LP 'Solar Bridge', 'EMERALDS' takes the thick drone sound of that LP and transforms it into an even more abstract and strange place. Visual music that lifts the listener up and transports them through tubes of sound occasionally to be swept into the opposite direction by an unexpected entrance into another world entirely. An intense journey that drops you off in a place just be…
LP eition: the excellent Public Information label really comes into its own with this revelatory collection of early concréte tape music by F.C. Judd - a much overlooked British electronic music pioneer and contemporary of Daphne Oram. Born in Woodford, East London in 1914, Frederick Charles Judd served in the RAF coastal command during WWII working with highly secret radar equipment. After being demobbed he applied this knowledge and skilled engineering background to his musical interests…
Norton recently took a rocket ride into the vaults of El Saturn Research and arrived back on Earth with a motherlode of unissued early R&B, doo wop, soul and general weirdness featuring Sun Ra and his Arkestra backing a variety of artists. This series consists of two albums of Doo Wop from Saturn and Beyond entitled Interplanetary Melodies and The Second Stop Is Jupiter plus a set of totally twisted sides called Rocket Ship Rock featuring Yochanan 'The Outer Space Vocalist' (with his demented Sa…
The Immeasurable Gift is a testament to cathartic possibilities and the role of creation/release as a means of understanding. Recorded throughout the past three years in a variety of locations and personal moments; encapsulated by a common, unrelenting concern. Beautifully delicate, elegiac melodies concealed within curtains of dense electronic ambiance reveal themselves like the light at the end of the tunnel; a signifier of the temporary vessel form. Balancing recklessness with care and…
This latest in the Latitudes series of limited LPs comes from American noise-pop band Gowns, whose Red State album you may recall as being one of 2007's more unclassifiable recordings. A folkish spectre hangs over these pieces, particularly when it comes to the wiry, haunting violin sequences strewn liberally across the session - they bring to life the sinister spoken word of 'Dog', crowning a soundscape that's always on the precipice of turning nasty. Much of Gowns' music tends towards uncertai…
Bureau B reissues Piano Piano by German keyboardist Hans-Joachim Roedelius, originally released in 1991 on the Italian label Materiali Sonori. In classical music, "pp" (piano piano = pianissimo) is a dynamic indication of particularly soft music. And Piano Piano is a very soft, quiet album. Roedelius assumes the role of a fairytale character with his piano music, transported to a strange, fantastical landscape where, filled with awe and amazement, he tries to get his bearings. What he see…
'Published September 2010 by Walter Ulbricht Schallfolien, Hamburg in an edition of 500 numbered copies with an insert. New treatments and adaptations of the musical heritage of Mechthild von Leuszch as final part of the Rungholt dance trilogy, executed & presented by Werkbund.' label info
The first track of this is the side-long "Teilmenge 20," which begins as a set of indecipherable static electricity clicks that are quite warm and engaging, which quickly builds to a rhythmic cycle, continuing to mutate and diverge throughout the entire track. Most interestingly, as the rhythm sets in it truly begins to resemble a traditional 4/4 techno beat. The tempo and percussive elements are there, but the sounds in no way resemble the stale drum machines and overwrought synths. As the pi…
Edition of 380 copies** Powell marks up the 2nd release on The Death Of Rave, following Mark Leckey's debut entry, 'Fiorucci Made Me Hardcore'. Powell's 3rd release refines his ascetic blend of lawless New York no wave, cold European electronics and late '90s D&B with incisive vision and propulsive torque. The EP's standout 'A Band' emphasises a chimeric indistinction between the "real" textures of sample-spliced guitars and drums and the gritted tension of painstakingly processed electr…
Detached from all objects" is almost completely spared from today's hysteria and is more foreboding and distorted as their first album "teslas aquarium". They operate with great pleasure in dissecting the vast possibilities of the song formats without losing any of the clarity. "eEure qual ist unser quell" exemplifies the keyboard virtuoso kubin truly is. He works as always with historical analog maschines, organ instruments and with sessile affections to the 60's electronic scene, "geniale dill…
Starfucker’s highly regarded full-length LP Reptilians was originally titled “Heaven’s Youth”. Like most artists, song ideas, the album concept and even the artwork continued to evolve. The band changed the title, continued to edit and develop the songs until the final version (Reptilians) was released in 2011. The original versions of the songs, that were until now only heard by the band, are being released for the first time in a very limited edition of white vinyl. Heaven’s Youth (Re…
A mythical Magma album recorded in 1971, during the 1001 Centigrades period. The album aims at introducing wider audiences to the zeuhl feel, with a less hermetic sound, favoring a groovier jazz-rock approach. Features the vocalist of Ergo Sum on one track as well as Tito Puentes on trumpet; otherwise this is pretty much the same line-up as in their previous album. A few dreamy moments with acoustic guitar and flutes (the track 'Clementine'), and other typically dense moments with pulsati…
Picking up the threads with ease, Espers III was intended to be an aural reversal of the layered sound of II. The goal was to record fewer tracks in order to achieve a stronger, more oxygenated sonic presence. Where II was almost claustrophobic in its density and darkness, III was envisaged as being somehow lighter, effervescent; perhaps even of a cheery disposition at times (whoa there! Don't go not breaking our heart, Espers). Under these auspices, recording started in late 2008 and spi…
Sohrab was born in Tehran in 1984. He was seven when the Iran-Iraq war ended. His name, from an old poem called “Shahname”, means “rouge water”, which can also mean 'blood'. He started a punk band with his brother and a friend, which lasted about two years before splitting. Sohrab is totally isolated in Iran, with little or no connection to what is happening there. Sohrab is, like so many, displaced within his own country and occupies a similar internal cultural isolation. This is suggeste…
Poland's mik.musik agent wojt3k kucharczyk bugged his robotron family. "entertaining physics" is a poetic and secretful electroacoustic work that sounds like a gathering of digital clocks in the waiting room of an abandoned building. mechanical ants are crawling over piles of paper next to protesting copy machines and sadly shaking faxes. quiet industrial diseases spread in the attic and the doors clap in a-synchronicity. in between, interplanetary melodies are humming in retired telephones. all…
99 copies only one-sided LP black vinyl, with insert. Mats Gustafsson -- baritone sax, music box rec, mixed and mastered June 16, 2009 by Ola Glans, Svinaberga, Sweden. After his rendition of Duke Ellington pieces, the series continue with Mats unique versions/visions of classic Ayler's tunes like 'Our Prayer' and 'Angels/Spirits.' Here he plays music box and baritone sax; the sound is full and warm. Recorded in June 2009. 'These two albums on yr label are two of the ones I m most pleased with e…
You must live in tokyo to be able to follow the immense output of the soundburrier that is Masaya Nakahara, aka Violent Onsen Geisha, most of his work doesn't make it out of Satou Dan's Tatsunoya bar in Shinjuku, not because no one wants it, just because the tokyo noise scene seems to gather there late at night to forefil their pork anus - chicken paw needs, and Nakahara's last 40 cdr's were the ideal soundtracks for this ritual.the old skool dead pan electronics, plunderphonics, parodies, nois…
Consisting of one side of solo lute material by Van Wissem and one side of new pieces by the duo. Film maker Jim Jarmusch plays electric and acoustic guitar and does tape on one piece. Van Wissem plays lute and 12 string electric guitar. Limited silver on black silk screened vinyl edition.
Xex were an all-synthesizer band from South River, New Jersey who recorded their debut album group:xex in 1980. Formed when a trio of high school misfits with funny names (Waw Pierogi, Thumbalina Gugielmo and Alex Zander) teamed up with some friends from Rutgers CollegePerformed entirely on then-state-of-the-art Arps, synths and electronic drums – no guitars anywhere – group: xex aims for the future, but comes across now like a time capsule from the deepest, darkest Reagan years. Each song burro…