New Arrivals

Marvellous Boy Calypso From West Africa HONEST JON'S RECORDS **** endlessly satisfying' (Boston Phoenix); 'Blending cheeky calypso with rocking highlife — and by turns breezy, wistful and downright uproarious' (Daily Telegraph); 'gems at every turn... weaving highlife, swing, military brass bands, Afro-Cuban jazz, into a hell of a compilation... Honest Jon's have added to the highest order of this simple music of heartbreaking celebration' (Brainwashed). The inter-war dance bands of British West…

"Superb cosmic and minimal synth/coldwave German underground masterpiece recorded in the early 1980s and released exclusively here on super-loud high quality 12" vinyl on Soul Jazz by popular demand! This is extremely limited (500 copies only) and contains three exclusive tracks of cosmic heaven by the cult German electronic group E.M.A.K. -- none of which appear on Soul Jazz Records' recent E.M.A.K. album. E.M.A.K. were a main feature on Deutsche Elektronische Muzik, Soul Jazz Records' j…

Debut CD from one of Chicago's finest modular synth manipulators, Neil Jendon.One of the first things that struck me about Neil's work, when I saw him live, was his pacing. Neil would subtly build levels and layers of various oscillations, frequencies, and tones so deftly that by the time he was sending a hailstorm of electronic chaos out of the PA like buckshot, you almost had no recollection of how he got there without you being aware of it. 'Corporate laughter' reflects many of Jendon's fant…

Includes a CD with three bonus tracks, plus lyric sheet inserts. Richard Dawson has been a much-loved musical spectacle in his native Newcastle for many years now, a skewed troubadour who sings and plays guitar with a rare intensity and a very singular style. Beguiled northern audiences have long awaited the arrival of recordings that capture Dawson's genius, and it has finally arrived with his album The Magic Bridge, a 10-song collection out on CD (Pink Triangle) and double 12" vinyl (Box…

The computer-controlled Hoover bass is back: EVOL have returned with their unique brand of extreme economy on Right Nightmare, the latest instalment in their continuing ‘rave synthesis’ series. And this time they have brought a friend.Despite the lack of variation – a general description of EVOL’s work being one sound source stretched to absolute breaking point – the progression found in Right Nightmare as the latest in a series is noticeable. The material, admittedly, is only spread across two …

PAN's first release of 2013 is an epic plunderphonic simulation recommended to followers of Thought Broadcast, Wanda Group, Ghédalia Tazartès. Mastered and cut by Rashad Becker at D&M, pressed on 140g vinyl and packaged in a pro-press color jacket which itself is housed in a silkscreened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas** PAN's first move on 2013 is a psychedelic, plunderphonic concrète collage by Athens-based artist Jar Moff. 'Commercial Mouth' is perhaps best aligned …

*Deluxe 2LP Edition Now In Stock* Scott Morgan makes a welcome return with his seventh album of amorphous ambient drift as Loscil. Since 2001 the Vancouver resident has eked out a special niche with his much-loved Kranky releases, a sound that's equal parts dub techno momentum and tenderly organic sound design, one which consistently and carefully treads a fine line between crepuscular, chamber-like melancholy and widescreen optimism. 'Sketches From New Brighton' is an impressionistic col…

Hopefully MRTYU requires little introduction, because the project evades easy description. An odd compound of vedic imagery, metal misanthropy, and violin agony, this music moves away from any particular fan base in pursuit of its distant, darkened idols. Ornate shroud is MRTYU's most potent spawn to date. Hewing closer to song form than previous releases, the album conceals Antony Milton's violent guitar and violin work behind MRTYU's characteristic murk. Its pieces transition from jagged riffs…

Pleq, Hiroki Sasajima and Spheruleus manage to overcome the sheer geographic distance that lies between them to produce a really wonderful studio album.Pleq and Hiroki Sasajima are from bustling capital cities; Warsaw and Tokyo respectively, which has naturally had an impact on their sound. Whilst Spheruleus is from a quiet Lincolnshire town in the UK, surrounded by farmland. As a result of the inspiration drawn from their different environments, the solo output from these three artists is all q…

A project by the german artist Franziska Koch, edited by Fink Edition, Zurich. "The cleaning of the piano in the house Franziska Koch - Once a year - recurring as of spring cleaning . On this is both spontaneously and passionately played in their living environment for young and old . In the resulting recording is heard, like the piano cleaned, is rubbed and wiped. Knocking noises and random poking against the instruments body give the piece its own rhythm, so as to connect by wiping over the …

Limited vinyl reissue of the first LP from Spanish industrial band Esplendor Geométrico. An industrial classic originally released in 1982 on the Tic Tac label, Esplendor Geométrico's sound was already devoid of aggressive lyrics and even titles for their tracks (the A-side, El Acero del Partidio, is spread across five tracks while the B-side, Héroe Del Trabajo, has three tracks). Their sound had already begun to acquire a personality of its own, not fully mature but with an astounding aus…

Andrew Pekler selected 300 different covers from second-hand records and, using colorful geometric elements to cover over all titles, performer’s names, and label logos, removed traces of the covers’ original contexts. The sunsets, couples in silhouette, alpine panoramas, roses on pianos, female faces in close-up, and seascapes no longer serve as the packaging for easy listening and exotica. Instead, the romantic, bizarre and intriguingly bland images of the original covers are free to lend thei…

Packaged in a pro-press color jacket and a silkscreened pvc sleeve, Jeff Witscher, aka idiosyncratic electronic musician Rene Hell, presents a typically considered, challenging debut release via PAN. Those who've encountered his acclaimed albums for Type, or his NNA Tapes split with OPN, will hear a defined progress in 'Vanilla Call Option', whilst those new to his music should be prepared for a visceral, cerebral exploration of piercing timbres and sheer, hi-end computer sounds that in turn rec…

his latest Transparency release brings an early July 1970 concert to our attention. "Live At The Red Garter" (later 'The Bottom Line' / New York City) doesn't offer the best sound quality, but it does give a glimpse of an exceptional version of the Arkestra: Sun Ra, Kwame Hadi, Akh Tal Ebah, Marshall Allen, Danny Davis, John Gilmore, Pat Patrick, Danny Ray Thompson, Eloe Emoe, Alan Silva, Alex Blake and a handful of unidentified percussionists...

Zola Jesus didn't need to clean up to stand apart from the lo-fi horde-- they already had Nika Danilova's voice, which tends to cut through a track and leave an indelible impression no matter how it's recorded. Whether it's wordless yowling, an extended cover of "Somebody to Love", or something as disarming as The Spoils' "Clay Bodies", her singing has a way of sticking in your memory. Even so, the Stridulum EP represents a large stride forward, not just in production quality, but in the …

In “Resorts & Ruins”, a set of three recent sound works, Kyriakides deals with several themes in both a physical and narrative sense. All the pieces use source material that highlight specific vocal traditions, namely Turkish pop music, Cypriot epic song, and Baroque opera, but they also all make extensive use of other forms of speech and vocal acts. In “Varosha (Disco Debris)”, a narrating voice is our tour-guide in the ruins of the Cypriot ghost town Varosha; the many fragm…

Bill Nace (Guitar) and Kim Gordon (Guitar, voice). "So much more than a 'likely pairing,' this is a group which manages to illuminate the best of both players while simultaneously pushing them into fresh territory. Live shows have been accompanied by slowed films, and the pair's obsession with cinema comes across in the music itself. The pieces exist as vignettes in and of themselves, all the while presenting a full-bodied emotional narrative over the course of the record's 20 minutes. It…

In our ongoing quest for music from the home of Alain Neffe and Insane Music Contact, we are extremely proud to release this CD. For about thirty years now, we at Plinkity Plonk have been great fans of the music of Pseudo Code, a trio of Alain Neffe, Guy Hinant and Xavier S. Electronic, minimal, desperate, lonely, frightful, and simply beautiful. Music that can only be fully identifief as Potlatch Music. Over the past thirty years a number of releases have been available displaying their unique …

Exact repro edition of this LP, originally issued in 1964. This is the limited edition colored vinyl version. "John Berberian is considered to be one of the finest oud virtuosos in the world. He has been featured in numerous concerts and dances throughout the United States, Canada, and South America. John is known for a series of successful Armenian and Middle Eastern recordings and has recorded with such major companies as: MGM, RCA, Roulette, Verve and Mainstream Records. Expressions Eas…

Stunning release from Cristian Vogel and SØS Gunver Ryberg as SGR^CAV for The Tapeworm. The label informs us that "Their compositions encourage the listener to observe and explore the resonances of a powerful musical awareness" and 'Moved By Magnets' exhibits a keen sense of spatial perception, tone and presence which entirely justifies that claim. Over four pieces they explore diffuse, free-formed spaces charged with a slow-moving, chaotic sort of energy ranging from the shuddering metallic res…