New Arrivals
Soulnessless EP 2 (DJ Sprinkles Remix)
The 2nd of two keenly awaited vinyl EPs supporting the ambitious 32 hour, 16GB microSD card release of Terre Thaemlitz's 'Soulnessless' - this time featuring a killer reworking from Terre's DJ Sprinkles Alias, plus a sublime 18 minute Piano excerpt of the original. With 'Meditation on Wage Labor and the Death of the Album (Sprinkles' Unpaid Overtime)' on the A-side Terre returns to the deeply arresting New York/New Jersey minimalist House approach which made his 2009 LP - 'Midtown 120 Blue…
Retrieval
Formed by Richard Chartier at music research centre, York University (York, UK). These works utilize original loops and recordings from 1990-1993 as source material.
Kablys. Live at 11:20
This is a great live performance of the best Lithuanian contemporary jazz musicians played live at the small punk club in Vilnius. That was a hot night. Liudas Mockunas - tenor, baritone and soprano saxophonesEugenijus Kanevicius - bass and electronicsDalius Naujokaitis – drums
Frequency Conquistadors
Words are more often then not the point of departure for many works of Das Synthetische Mischegewebe. The track - titles here stem from ‘El Mundo Alucinante’ de Reinaldo Arenas, which itself is inspired by François-René de Chateaubriand’s ‘Mémoires d'outre-tombe’. It is about time rather than history and about being in history. Having lost the war of time, the only thing that remains to do is being, and here we go, ‘being infiniment exigent’ in it’s means of expression. DSM began in Berlin arm…
Future Days Live
This album is made up of one long jam session recorded live-in-studio at Inner Space in Cologne during the 1973 Future Days sessions. More ambient than their previous efforts, Future Days was also singer Damo Suzuki's final album with Can. Members of Can had first encountered the self-defined '20th century nomad,' Kenji 'Damo' Suzuki, a few years earlier on the streets of Cologne. It was shortly after original Can vocalist Malcolm Mooney had left the band and they were left without a singer…
Loving Machinery EP
Formed in 1981, Central Unit were among the first in Italy to manipulate synths, drum machines and other electronic devices (as far as we know they were one of the few bands in the world able to program a Korg-KR55 drum machine) to create atmospheric soundscapes combined with mechanical basslines and relentless bass guitar meanderings, with slothy saxophone murmurs peeping out here and there
Give It Up
Initial copies come with a bonus full-length CD album, an incredible soundtrack to Donald Prokop's film 'Gone' specially composed by Zelienople - and trust us when we say it's worthy of the cost of admission in itself* This unbelievable album from Chicago's Zelienople evokes the spirit of some of the most treasured music we've come to know over the years, fusing in elements of Talk Talk at their most washed-out, early Bark Psychosis and the narcotic sweeps of Slowdive fused in with the smoky men…
Split
The third LP in the series produced by Kommisar Hjuler and Mama Baer has just Mama Baer on one side and on the other side we find the highly respectable Runzelstirn & Gurgelstock. This originally Swiss project has moved to Japan ages ago, and there (and most likely anywhere else) he performs his pieces, aktions as they are called in the best performance tradition. Here a piece from April 2009 in Osaka and its quite a surprising one, if you know their previous work. Much of that older work consis…
Patience
LP version with free downloadable MP3s. Patience is both appropriate and inappropriate as a title for the latest release by The Dead C. Inappropriate because its been only two years since the last album, which in Dead C Time is but the flicker of a candle; appropriate since the key to enjoying the Dead C is willingness to sit down, listen and let the music take over your mind. With an unforgiving and intense four tracks, Patience will not be confused with the work of any other band.' label info
Spirit Of The Positive Wind
featuring Brian Sullivan & Nate Nelson (Mouthus), Pete Nolan (Magik Markers, Spectre Folk) and Karl Bauer (Axolotl). The LP features two side-long tracks of bubbling, meandering noise-drone collages. "What the hell is this madness? After the Georgia Sea Island Singers took me somewhere nice it’s up to this super-group to drag me back to the fierce, nightmarish industrial landscape from whence I came. Then again this isn’t the sound of Bradford. I don’t know what it’s the sound of actua…
Stellar Pulsations
Originally schooled in the foundations of hard bop, cornetist Rob Mazurek, quickly surpassed the form's conventional limitations; his multihued electro-acoustic work over the past two decades has subsequently drawn inspiration from numerous genres besides jazz. Mazurek's unfettered creativity and stalwart leadership skills have thereby cemented his reputation as a key figure in the Chicago scene—primarily as organizer of the venerable Chicago Underground Collective and several other innovative e…
Ragged And Right
LP edition: Link Wray became the thematic soundtrack for a 2008 JACK ROSE tour with D. CHARLES SPEER & THE HELIX. Jack got so excited by the vibes emanating from these songs that he thought to break with his usual acoustic approach & enlist the Speer band to join in some unhinged & unrepentant fun in the studio. Recorded using an all live, no overdub approach, a gleaming bottle of Buffalo Trace helped shepherd them through the night. Feat. the original Helix lineup in peak form & lap steel & Ros…
Bloodlines
"brad rose is an artist who is notoriously hard to pigeonhole. he might spend his days running the esteemed digitalis imprint (sidelining the wonderful foxy digitalis webzine) but his nights are wiled away chiselling at the petrified corpse of experimental music. donating sounds to ajilvsga, altar eagle, sea zombies and ossining (among many others) he has somehow found time to fashion a new solo work for type and it could hardly be further removed from his last outing. 'bloodlines' is an album r…
July 19, 2006
may 2009 release: label-less lp release (“private,” if you will) covering the first ever duo set between myself & geoff mullen, recorded in concert at the brendan murray-curated “uppercase sound #2” event @ pa’s lounge, somerville, ma, 02143, usa, on july 19th, 2006 ...the music is entirely improvised, with geoff sticking largely to a suitcase-electronics-based setup (although he does provide some fine guitar & pedal alterations throughout) & myself to the doepfer (ditto guitar & korg guitar-syn…
Detached From All Objects
Detached from all objects" is almost completely spared from today's hysteria and is more foreboding and distorted as their first album "teslas aquarium". They operate with great pleasure in dissecting the vast possibilities of the song formats without losing any of the clarity. "eEure qual ist unser quell" exemplifies the keyboard virtuoso kubin truly is. He works as always with historical analog maschines, organ instruments and with sessile affections to the 60's electronic scene, "geniale dill…
The Rising
Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …
Boca Negra
LP version, ultralimited: For a band with only two members, this group gets an impressive variety of sounds. Rob Mazurek on cornet and Chad Taylor drummer also use the studio as an instrument, alternating between post bop jazz and near ambient soundscapes. Taylor's rhythmic sense is unerring throughout the album, whatever the tempo. Electronics are added at times, and add effect, especially at slower tempos making for spooky music along with slurred horn. "Green Ants" has sputtering …
The Age Of Swing
After the monumental Hammond Pops, new work for finest norwegian noise duo Golden Serenades. Two long track clocked at 35 minutes for their most violent and complex work to date. 140 gr vinyls, black inner sleeves, printed labels, deluxe 330g ivory paper.Ltd 150
Heaps of nothing
The second album from Australian band Naked On The Vague, who have doubled in size for this batch of new material. The tone is characterised by dark and fearsomely heavy garage-punk, with a wafer-thin coating of distortion lending a little extra bite to the band's already vicious dynamics. "Bleak, unrepentant, withering and droll, Heaps of Nothing is a 21st century codification of the gallows wit and mesmerizing otherworldliness of (Dub Housing-era) Pere Ubu, Primitive Calculators and L…
Third Mouth
British avant pop artist Alexander Tucker releases his much anticipated new album, Third Mouth, on Thrill Jockey in 2012. This album builds on the strengths revealed by his landmark debut for the label, Dorwytch released in April 2011, culminating in his finest work to date. Using songs written over a 12 month period he achieves his own inimitable blend of psych rock and ambient pop using a variety of studio crafted effects, rudimentary beats, guitar and bass, as well as synth and cello drone…