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Kassidat: Raw 45s from Morocco is a full-length LP that features six extended tracks from the golden age of the Moroccan record industry. After Morocco gained its independence in 1956, Moroccan-owned record labels sprouted and flourished in Casablanca. The inexpensive 45 rpm format allowed the record companies to release thousands of songs during the 1960s, creating a snapshot of the raw and hypnotic Berber music that thrived throughout Morocco. Powerful traditional styles were still aliv…
This fourth audio document, in a series of six, is a split Lp, titled LATEX. It involves two of the most dissolute and sinful names in the Noise scene : Black Leather Jesus and Richard Ramirez. Texas legends for almost 23 years, Black Leather Jesus have destroyed minds, ears, and stereos with their extreme soundart. An orgy of blood, junk metal, chains, screaming electronics, and gay pornography. The band has become a staple of the harsh noise scene. Noise legend, Richard Ramirez has become an i…
After meeting for the first time in Beirut during the Irtijal Festival 2006, Axel Dörner and Jassem Hindi had their first musical collaborationin Switzerland two years later in 2008. From that time on they have regularly performed as a duo on different occasions.The music of the duo is electroacoustic music with trumpet and electronics, both musicians using their musical equipment and systems in an unusual way, developing their own techniques of sound creation.They are interested in explorin…
Vinyl edition of this stunningly beautiful album of fragile and haunting Korean folk from Kim Doo Soo that was issued earlier this year on CD by Japan's consistently incredible PSF label. Kim Doo Soo's first major appearance outside of Korea was through the Damon & Naomi curated 'International Sad Hits' compilation featuring 4 tracks from Kim. This was followed with PSF releasing his first new record in 5 year, 2007's superb '10 Days Butterfly'. On 'Evening River', Kim has re-recorded some of hi…
Limited edition 12" vinyl. Comes in a 140 micron polished finish PVC sleeve. Contains 2 locked grooves and a palindrome. 45 RPM. A double blow of brutalist composition and raw electronic music. Key words: extreme rave, radical synthesis, computer music for hooligans.
Saxophonist Gerd Dudek's 2012 concert in London at the Vortex in a quartet with Hans Koller (piano), Oli Hayhurst (bass) and Gene Calderazzo (drums), with Dudek and Koller picking some of their favorite jazz tunes including works by Nichols, Shorter, Coleman, Wheeler, &c. Gerd Dudek (soprano & tenor saxophones), Hans Koller (piano), Oli Hayhurst (double bass), Gene Calderazzo (drums). Gerd Dudek came to London early in 2012 to give a concert at the Vortex. The next day the quartet went to…
In March of 2012, nearing the end of a tour together through the Netherlands and Belgium, Celer, Machinefabriek, and Jan and Romke Kleefstra gathered in a country studio, spending an afternoon improvising to record Gau. Recorded by the old hardcorerocker Jan Switters at the Landscape studios in Gauw, situated in the countryside in the midst of Friesland, the place was surrounded by green fields with idle tractors, few trees, buzzards and only massive farmhouses dotting the horizon. From the almo…
Michael Wintsch, piano, synthesizer. Christian Weber, bass. Christian Wolfarth, drums. Ten years ago Michel Witsch (piano, synthesizer), Christian Weber (bass) and Christian Wolfarth (drums) met - 3 musicians who have not only shaped the European scene of improvisation in the most different formations but who also catch an ear with the maybe most relevant aspect in music whatsoever: SOUND. Wintsch, Weber and Wolfrath make music with a breathtaking mental vigor. The long time working band has…
This LP is the first release from young Melbourne-based composer Robert McDougall, presenting four electroacoustic studies, the fruits of many hours of private sonic research and improvisation. Simple electronics, acoustic instruments, field recordings and textural manipulations are subtly processed, fragmented and iterated into patiently evolving forms. Eschewing the jump-cut dynamics of academic electroacoustics while making use of a large variety of source material, McDougall allows the eleme…
New split 12′ between two modular experimentalists stretching the world map for this split release. While Keith Fullerton Whitman comes with one of his more accessible / danceable piece to date, Floris Vanhoof had full reign to record a dark and hazy drone piece for the flipside. Using purely analog synths, both build very unique although complementary compositions. Keith Fullerton Whitman – you already know him – is an American electronic musician who has recorded albums influenced by many genr…
The GGRIL is an ensemble of musicians who have decided to give a space to experiment with various forms of interactions possible in an orchestra without a conductor.The group brings together a dozen musicians from different backgrounds, but all eager to explore new territories offered by bands where the music is alive, freed from the linearity of writing.Powered by Tour de Bras, Rimouski, this set is a way to involve a large number of musicians and composers in the region around a unifying pro…
One of the most original and innovative Krautrock bands, Embryo fused traditional ethnic music with their own jazzy space rock style. Over their 40-year existence, during which Christian Burchard has been the only consistent member, the group has traveled the world, playing with hundreds of different musicians and releasing over 20 records. This is a never before released jams recorded live during 1976 in various locations. This is the only record of the collaboration with the italian jazz legen…
"12k kicks off its 11th year with a new release that takes the label down new sonic pathways. Caught between the organic and electronic minimalism that 12k is known for and the unconventional Japanese pop musings and songwriting style of Happy, Moskitoo's Drape is an infectiously strange, bleepy, and dreamy debut release. Sanae Yamasaki (Moskitoo) hails from Sapporo, Japan in Hokkaido, the country's northern-most prefecture. Perhaps a reaction to the cool climate of her home, her multi-instrumen…
Blackest Ever Black presents the first vinyl edition of Dickon Hinchliffe's original score for 1980 -- the second part of Channel 4 and Revolution Films' Red Riding trilogy, adapted by Tony Grisoni from David Peace's quartet of novels and first screened in 2009. Each film in the Red Riding trilogy, a landmark achievement in British television history, was helmed by a different director and had its own distinctive look, sound and feel. While Julian Jarrold's 1974 and Anand Tucker's 1983 were bo…
Deluxe double LP pressed in an edition of 1000 copies, housed in a gatefold sleeve.Acid Mothers Temple\'s In Search of the Lost Divine Arc heads in a completely different direction from 2012\'s Son of a Bitches Brew. Harder, faster, and more riff-rock oriented, this record is here to slay. AMT skews their vibe between Zeppelin and Beefheart, coming out with another classic Acid Mothers ripper in the process
At first look this might seem like a weird move for the Constellation label as Matana Roberts’ debut for the imprint is pretty much straight-up free jazz. But she’s got some serious history with the Montreal collective, even throwing down horns with Godspeed Thinking about it too, there’s always been a nod towards the free jazz scene (not least on Colin Stetson's recent genre-bending LP) but where others were a nod, ˜COIN COIN Chapter One : Gens de Couleur Libre…
Opportunities for introspection have come few and far between for Canadian-born, New York City-based cellist Julia Kent. After coming to prominence as a member of the cello-driven group Rasputina in the ‘90s, she went on to arrange and play on numerous recordings and tour extensively as a member of Antony and the Johnsons, among other projects.The opportunity to explore her own emotional and creative world came with her solo LPs, Delay (2007) and Green and Grey (2011), and it is something she ap…
Rhys Chatham's 'Harmonie Du Soir' presents three compositions. The title track is the first major piece written for the configuration of six electric guitars, electric bass and drums since Die Donnergtter (1986). The second is The Dream of Rhonabwy, a piece written for large brass ensemble and percussion, realized in 2012 by a 70-piece brass band called Harmonie de Pontarlier, lead by the French conductor Patrick Erard. The last track on the CD version and bonus download for the vinyl edition is…
**Transparent Vinyl - Individually numbered edition of 300 copies** Vatican Shadow and Lakker provide remix reinforcement for the killer debut from Berlin's Tommy Four Seven and Alain from One Million Mangos Mastering as These Hidden Hands. Their original 'Ivy' is heavily informed by the romantic dystopia of mid-late '90s IDM and D&B's grander gestures, gazing out on drizzly grey north European synth skies whilst the reduced tech-step torque ticks and prods like a not-so-dystant cousin o…
After the mind-erasing and shamanic Amaranthine released in January 2012, MIE is ecstatic to be working with Richard again on a true magnum opus of the Youngsian experimental catalogue. Regions of the Old School is an epic and proudly sprawling collection of instrumentals and songs. In a conceptual nod to the long out of print Festival, released in 1994 by Table of the Elements, it features five extended tracks scored for a diverse array of instruments with guest vocals by Madeleine Hynes and ad…