New Arrivals
Temple
'Temple' is the final installment in Jan Jelinek's series of four vinyl compilations that bring together the wide variety of his music: commissioned works, live recordings, collaborations with other musicians as well as unreleased material from the last five years. Temple stems from a collaboration with French-Canadian choreographer Sylvain Émard. Temple is a re-worked excerpt of the music for the dance piece Fragments – Volume I and is a 10 minute drone work that builds from nothing more than a…
The Acrylic Widow
Awesome! Quoting Metamkine review "Dylan Nyoukis returns assemblying iconoclastic voices, collages of field recordings, reminding a Tibetan monk lost in a festival of sound poetry or the music concrete by Michel Chion". Four measured tracks, all washing up a new kind of psychedelic moss, fresh thin tendrils, easy to snap, but determined to grow among loose grey matter late on into the next day, and the next and the next. Dry coughs and outta-whack piano chords play into Boy Scout bike repairs. …
The Island Of Taste
'IFCO follows up our highly ignored Stranded LP with an equally, if not more so, strong statement. Core members Karla Borecky and Scott Foust are joined by an all-star cast: Meara O'Reilly and Jessi Leigh Swenson from Stranded, as well as Frans de Waard, Graham Lambkin, and Dr. Timothy Shortell. The island of taste depicts a manoeuvre in which The beauty becomes more beautiful as The desperation becomes more desperate. A stark and romantic mission to The rocks. Lavish package featuring an excell…
Raudive Bunker Experiment
Double LP version: Reissue of the rare LP from 1982 and additional material from various tapes of that period. Includes two long Industrial tracks in the way of Throbbing Gristle and 22 tracks of experimental minimal, comparable to early Cabaret Voltaire or Conrad Schnitzler.All composed and recorded in the early eighties by Andy Wilson, who also played with Bourbonese Qualk, released a book about german band "Faust" and nowadays plays under the name "Sunseastar" and "The Grand Erector". Limite…
Don't tell the driver
Finally, after 15 years, Big Mick Turner has turned in the big rock record we always knew he had in him. Yeah, Don't Tell the Driver is a different kind of record from all the Mick Turner records -- not just his own, but the ones he's done with Dirty Three, Bonny Billy, Cat Power, Fungus Brains, and Venom P. Stinger put together. So, what's so different about Don't Tell the Driver anyway? Well, Mick grew a mustache for this one. That must mean it's his Sgt. Pepper; a consolidation and developmen…
Ritual
gorgeous LP of this obscure live recording, an ethereal vortex of electric moon-sounding mandolin and slow bass (luca massolin), spacy keyboards (david vanzan), primitive astral soprano sax and voice (virginia genta). atmospheres for the end of the earthly. handmade collage cover art. limited edition of 280 numbered copies.
Live
Founded in 1970 in Dusseldorf, Kraftwerk was the only German band to rise from the so-called 'krautrock' scene to true international stardom. Of course, it was partially their distinct look that set them apart. At a time when long hair and scruffy clothing was the norm for musicians, Kraftwerk cut their hair short and wore handmade suits. And at a time when guitar rock reigned supreme, Kraftwerk did not even have a guitar player. In fact they soon did away with instruments altogether, beco…
Broselmaschine II
"Second chapter on the Bröselmaschine saga after a four-year hiatus. The band's second incarnation came to life in 1975, when Peter Bursch reformed the group together with old member Willi Kissmer and new recruit, Klaus Dapper (flute, sax, tuba). Helped by such honorable guests as Mani Neumeier and Roland Schaeffer (from Guru Guru) or Jan Fride from Kraan, their 1976 album was a solid session of progressive folk, very different than its predecessor but also with an atypically hypnotic and…
Freermasonry
Lyrically Freermasonry consists of a series of poems and discourses. Early on in Freermasonry during 'SOL,' the Mother allusion is referenced out of Faust Part Two. It's a small portion and short moment. Faust does an invocation to the Mothers, but the execution is as trickery through occult charlatanism and not truly believed ritual. Goethe found passages about dark goddess figures known as Mothers in the writings of Plutarch. The metaphor is ambiguous, generally associated with creative dar…
How To Get Out Of The Cage
From 1982 to 1992 Frank Scheffer worked with John Cage on many different occasions, which resulted in a unique archive of historical audio-visual material. Based on this unique archive, including interviews, musical performances and images of different locations related to his life and work—filmed on 16mm—the filmmaker Scheffer created How to Get Out of the Cage—A Year with John Cage. Frank Scheffer wrote: "The famous artist Marina Abramovic introduced me to John Cage. She thought it woul…
The Further The Flame, The Worse It Burns Me Greek Folk Music
Early 20th century recordings from the great Greek singer Marika Papagika – recordings made for Columbia Records in NYC between 1919 and 1929! Beautiful material that quite easily could have gone lost to the world over the long, long years – very few photos of Marika are even known to exist! The sound is still wonderful, and it's put together in a great vinyl release by Mississippi! It comes with a lovely folder of notes, a bit of a nod to classic Folkways releases. Titles include "H…
No Input Mixing Board #8
Toshimaru Nakamura returns with another outstanding full-length of no-input mixer improvisations. Hello, Dear…ah, anyone who takes this up in front of your eyes and ears. Here’s my new (in 2013) solo album. I hope you find it worthy enough to take your time and have a listen. It was recorded in one day. Compared to my previous releases, “Maruto” on Erstwhile Records (2 years to produce), “Egrets” on Samadhisound (5 years), it came to life quite quickly. Almost like it popped out. But it took thr…
Danse Sacrale
A cherry-picked compendium of EDM prototypes circa 1956-1971 by Pierre Henry, Jean-Claude Vannier, Igor Wakhevitch, Henk Badings and more "The roots of Electronic Dance Music" (EDM) by definition. An unlikely combination of early recordings by international electronic and avant-garde composers as well as infrequent collaborators retrospectively unified by their commitment to the musical enhancement of 20th Century ballet and the evolution of modern dance. Presenting key exponents of the musique …
Afro Noise I (Volume 4)
Dirter Promotions presents another volume of Cut Hands material, containing reworked and remastered versions of some tracks from his Afro-noise project. Comes in a beautiful special edition on 180 gram vinyl mastered by Noel Summerville and featuring the magical vévé artwork of Mimsy DeBlois, in a one-off pressing of 750 copies. The entire 750-limited pressings of Volume 1 and Volume 2 sold out on release day, so don't miss these! A reclamation of the conscious through 16 pieces (split betwe…
Protoplasm
Hand-stamped edition of 500 copies** Blackest Ever Black present recordings of Black Rain's riveting performance at Corsica Studios in October 2012. It's the first release by Stuart Argabright (Ike Yard/Death Comet Crew) since BEB compiled and reissued their seminal cyberpunk missive 'Now I'm Just A Number: Soundtracks 1994-95' on LP, and offers a murky glimpse of what to expect from the Black Rain album due in early 2014. There are few others who do this sound with such authenticity and …
Wound Response
Already sold out at source ! Ltd edition of 350 LP. 'Wound response' is the third solo harp release by improviser and harpist Rhodri Davies following his albums 'Trem' (2003) and 'Over Shadows' (2007) on the Confront Label. Moved by the diverse and vital music scene in the North East of England this is a weighty departure for Davies. wound response is loud, distorted and forms an attempt to work with rhythm and pitches in an open and fluid way. The album comes pressed on heavyweight transl…
I am here where are you
After the great 2012 record by Brötzmann / Noble / Edwards, the worse the better, Peter Brötzmann and Steve Noble started to play some gigs as a duo. It worked out really well, wonderful pieces of music that had to be put on cd; an expert, you might even say telepathic, interplay between those two outstanding musicians, sometimes delicate and swinging, sometimes full-force free jazz.
Aoyama Crows
Aoyama Crows is the fifth album by Peter Brötzmann's Die Like a Dog Quartet. Saying the music can still surprise would be a lie. But that doesn't mean it lacks excitement, on the contrary. The performance, recorded at the Berlin Total Music Meeting in November 1999, contains all the elements necessary for an enticing free improv session. The rhythm section formed by Hamid Drake and William Parker is tried, tested, and true. The drummer can oscillate in and out of a pulse with incredible ease. He…
(no thing-ness)
"(no thing-ness)" comes hot on the heels of Brian Pyle’s latest highly acclaimed Ensemble Economique album on the Not Not Fun label. While "The Fever Logic L.P." saw him head diving into a sort of ambient goth pop this brand new 12“ appears to be more influenced by industrial, almost EBM-ish textures. The atmosphere seems more aggressive with an almost militaristic touch, and titles like "New Banking System" hint at the source of this anger. Combined with Pyle’s cinematic tension this makes for …
Kassidat: Raw 45s from Morocco
Kassidat: Raw 45s from Morocco is a full-length LP that features six extended tracks from the golden age of the Moroccan record industry. After Morocco gained its independence in 1956, Moroccan-owned record labels sprouted and flourished in Casablanca. The inexpensive 45 rpm format allowed the record companies to release thousands of songs during the 1960s, creating a snapshot of the raw and hypnotic Berber music that thrived throughout Morocco. Powerful traditional styles were still aliv…