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Mark Templeton presents Jealous Heart, an album which re-imagines the story of his sound in an approach that is both staid and deeply emotional, reorienting what is offered and what is held back through a myriad of smeared stringed instruments, fragmented horn phrases, tape loops, and found-sound-driven explorations. Templeton's music is always difficult to truly classify, which is part of its charm. It is way too dense and detailed to qualify as ambient in a traditional sense -- instead …
Well further gifts abound, as this 1976 concert on Galactic Zoo Disk/Drag City will attest. Clearly, the explorations of Sandy Bull were not lost on the far-out audiences of the Bay Area, and though the heady days of the '60s have gone, the Berkeley heads are still in full force, hanging on Sandy's every note with a clearly expressed delight as they wait for headliner Leo Kottke to take the stage. Even though there were no further albums after 1972's Demolition Derby (a candidate for unhi…
Meeting between visual artist Beni Bischof and electronic musician Norbert Möslang. Limited to 200 copies and hand signed by artists. With this somewhat confused, absurd or primitive Bishop chant, the result could be to remembered as a crashing jumbo jet
People of the North is Kid Millions (drums) and Bobby Matador (keyboard, synth, vocals) of Oneida, and Sub Contra is their Thrill Jockey debut. While their sound, like Oneida's, is constantly shifting and absorbing new concepts and ideas, Sub Contra is a work that fully embraces tumult and darkness in startling and dramatic ways. People of the North have been an active entity since 2003, but it wasn't until 2010 with the release of Deep Tissue on their own Brah imprint and Steep Formations, whic…
special artist multiple signed edition, limited to 150 copies, this is a collaborative record by swiss artists Marc Zeier (G*Park), Luigi Archetti, and Ian Anull. Released for their Exhibition 'Made in China' at Hans-Trudel-Haus, Baden, Switzerland, April-May 2009. The music consists of (manupulations of) recordings the three artist made during their travel to China in 2008. Traditional instruments and field-recordings with electro-acoustic treatment.
Automatic Music: Volume II' is the mesmerising follow-up to John Chantler's self-released first volume, originally released in 2011, the same year as his 'The Luminous Ground' LP was charted in The Wire's annual top 50. Two extended pieces for synthesiser/organ yield contrasting results on each side. First, 'For Nuno' is the more melodic of the two, with melting, kinetic modular scree and wheezing organ motifs seemingly attempting to untangle a conundrum which only gets more perplexing across it…
Heavyweight, tip-on style gatefold jacket printed on uncoated Stoughton stock includes download code redeemable from the label. Vinyl mastered by Lupo at D&M** In swift succession to his excellent Vallens 12", Barn Owl Jon Porras presents his third solo side under his birth name. Inspired by a book on the San Francisco Tape Music Centre, Jon creates expansive atmospheres from slowed down tape manipulated with analogue FX to complement the hazy grain and shapes of his signature, plangent g…
Monsieur Laurent Gerard, aka Él-g, aka one third of Ghedalia Tazartes' Reines d'Angleterre has been slowly building a little world of his own with several homemade records, cassettes and CDr's through the past few years and also through several interesting collaborations. Capitaine Present is his most intimate project with already 4 volumes released on CD, cassette and DVD. This fifth outing (and first on vinyl) consists of a hallucinogenic promenade inside his psyche. Cut up spoken words, poetr…
Two key 80s moments from Peter Brotzmann – split together here on a heavy LP! First up is material from the album Low Life – hard-handed work from the duo of Peter Brotzmann on reeds and Bill Laswell on bass – a set that's kind of a side project of the Last Exit quartet, and one that comes across with a similar sense of power! Laswell's handling a fair bit of basses here, often with a bit of processing – thanks partly to producer Martin Bisi – and there's a dark, electric undercurrent to the who…
New split 12′ between two modular experimentalists stretching the world map for this split release. While Keith Fullerton Whitman comes with one of his more accessible / danceable piece to date, Floris Vanhoof had full reign to record a dark and hazy drone piece for the flipside. Using purely analog synths, both build very unique although complementary compositions. Keith Fullerton Whitman – you already know him – is an American electronic musician who has recorded albums influenced by many genr…
CD edition: Pan Sonic space explorer Mika Vainio and Sunn 0))) strongarm Stephen O'Malley rock our world to the foundations with this anticipated union of electronics and guitars recorded as ÄÄNIPÄÄ, featuring vocals by Alan Dubin (Khanate) and string arrangements from Eyvind Kang. In gestation for some years now, the results are little short of a modern doom masterpiece; a bracing exposition of cold, condensed, rage and stoic passion delivered like a slow, internally bruising hate-f**k t…
A pretty darn incredible record from Sun Ra -- with a soulful, spiritual approach that's missing from most of his other albums of the time! The album features Ra playing a good deal of organ (dubbed "intergalactic organ" in this case!) -- grooving soulfully on some short tracks that almost hit a soul jazz mode, and which recall the late 60s experiments of organist Freddie Roach.
First release from this duo of Tokyo-based guitarist, Tetuzi Akiyama, and New York's Che Chen. Akiyama is in rare "Don't Forget to Boogie" form here; his heavily distorted, locomotive guitar lines chugging away as Chen's electrified fiddle drones, screeches and scrapes. Sine wave generators and a modified tape delay round out the mix. Sidelong live track on one side, studio jams on the flip. Released on Jozef Van Wissem's Incunabulum Records.
"The psychedelic find of the decade-their long-lost final magnum opus. Rumored to exist for years-often put down as just rumor though. Here it is, unearthed from tapes thought lost forever but now found after nearly 30 years. The first thing to be released from Ya Ho Wha 13 since 1975. In the spring of 1975 the Family was homeless and was travelling on the West Coast after having been driven out of Hawaii by local laws (they would return later that year for what would be the final time wi…
Joachim Badenhorst (1981) is a Belgian reed player who divides his time between NYC and Belgium. Over the last 5 years Joachim has released a number of albums with different projects, such as Baloni, Han Bennink Trio, Rawfishboys, Taro, Tony Malaby’s Novela, Thomas Heberer’s Clarino, Mogil, Polylemma, Os Meus Shorts, International Trio, Red Rocket and Equillibrium.The Jungle He Told Me is Joachim's first solo album. It consists out of nine pieces on clarinet, bass clarinet and tenor saxophone. B…
Initially published on CD by Smalltown Superjazzz in 2011. Mats Gustafsson, tenor and baritone saxophones. Ingebrigt Haker Flaten, bass. Paal Nilssen-Love, drums. The Thing music + two Sonny Rollins tracks and one Norwegian trad. Recorded and mixed 2011 in mono in Melbourne, Australia. Limited release of 500. Heavyweigt double-vinyl, first time on vinyl. Manufactured by Trost Records." (label info)
Jamal Moss aka Heiroglyphic Being presents The Electronic Belt, his second release for Alter, and perhaps his most dancefloor-oriented release. The EP is made up of three choice cuts from 2012's Man with the Red Drum transmission with each track bearing the signifiers of Jamal's rough and distinctive production; melodies twisting themselves into psychedelic wormholes, raw kicks and toms that hit hard and tight. Yellow vinyl edition in five different colored disco bags, mastered for vinyl by Step…
...of What My Love Could Be" EXCLUSIVE!! 2LP vinyl. This is ground zero for one of the 90s last true cult bands; now legendary for churning ghostly wailings, unearthly bellows, & gentle whispers together into one soaring, crawling, ugly & beautiful blend of brilliance. An essential listening for all fans of hard & heavy post-rock. Comes w/ 12x12 insert. Don't sleep on this!
Homicidal Texture was released by Slaughter Productions in early 1995 in a bizarre packaging consists of a metal mesh that completely envelops the cover. The four tracks on the tape are based on obsessive synth drones. The smell of death is soaked in every sound produced by the brilliant and twisted mind of Marco Corbelli. Anxiety, alienation and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power…