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New Arrivals

Cat mask at huggie temple
“The outcome of a collective trudge across the European/American desert for 40 days and 40 nights.” Cat Mask at Huggie Temple is the superb debut 12” by Desert Heat, a dust bowl rock trio of Steve Gunn, John Truscinski and Cian Nugent. The trio originally came together when they played a bowling alley followed by an appearance at Tusk Festival in Newcastle, UK where the trio jammed together like they had been a band for years. Part of the group\'s success hinges on John and Ste…
Complete Spiral
Two of the world's most distinguished electronic musicians have drawn upon their shared passion for the sensuality and groove of late '80s / early '90s NYC House to hatch a genuine anthem for unsuspecting and open minds. DJ Sprinkles, aka Terre Thaemlitz, is a now Tokyo-based producer who, among so much other stuff, released the hugely loved, genre-defining "Midtown 120 Blues" album back in 2009. Mark Fell is the South Yorkshire-based sonic genius known for groundbreaking work as half of…
Cold Soup
First release from this duo of Tokyo-based guitarist, Tetuzi Akiyama, and New York's Che Chen. Akiyama is in rare "Don't Forget to Boogie" form here; his heavily distorted, locomotive guitar lines chugging away as Chen's electrified fiddle drones, screeches and scrapes. Sine wave generators and a modified tape delay round out the mix. Sidelong live track on one side, studio jams on the flip. Released on Jozef Van Wissem's Incunabulum Records.
S/t
Attila Faravelli and Nicola Martini are two of the most innovative italian artists working in the field between sound art, electro-acoustic music and raw resonanting materials. This recordings, edited by Giuseppe Ielasi, are the result of a couple of years of real experiments with a crazy amount of different materials, stones, chemical acids, vibrating obojects, modified electronic devices and acoustic spaces.  
Gamma
""Vinyl of the Month must surely go to the epic "Gamma" by Italian quartet VipCancro, whose startlingly out there performance pitches the ensemble against such Krautrock epics as German Oak, Yatha Sidra and early Guru Guru. Indeed, for anyone requiring brain tissue abandonment Gamma will entirely do you justice. Their peculiar line-up of two synthesists, bass player and samples places VipCancro into a pure avant-garde territory, allowing splendid outbursts of canon-like percussion, and cin…
Nigeria Special Volume 2: Modern Highlife, Afro Sounds & Nigeria
Nigeria Special 2 is the second part to the best selling Nigeria Special album released to critical acclaim in 2007 and further extends the look at the most exciting period in Nigeria’s recording history. The range of styles vary from highlife to Juju and Nigerian blues in the languages of Yoruba, Igbo, Bini and Ijaw. With a peppering of ‘afro’ experimentation the same musical stew pervades volume 2 as it’s predecessor – some artists appear again alongside some new …
Molam: Thai Country Groove from Isan
Double LP reissue of the long out-of-print classic CD first released in 2004 -- the first modern electrified Molam recordings from the 1970s ever presented outside Thailand. Molam is a multi-faceted folk music native to Laos and the predominantly rural Northeastern region of Thailand known as Isan, home to myriad ethnic groups and provinces, and once a part of present-day Laos. Mo meaning "master" and lam meaning "song," "molam" literally translates into "master singer," but it remains mor…
Split LP
Alo Girl is an obscure Italian noise project that keep with-in  deeper roaring and at times almost subterranean obsessive & paranoid tones through-out the piece, as well as managing to keep the sound tinged with a nice sleazy and airless atmosphere.Last Rape is a Richard Ramirez project that saw its debut in 1995. This harsh noise/HNW project remained untouched until 2005 relaunched with Naoki Chisato (ex-Forced Orgasm). In 2008, Sean Matzus (In The Land of Archers) replaced Chisato and is…
Rework: Philip Glass Remixed
There are two basic reasons why composers like Philip Glass end up getting remixed: rhythm and repetition. Glass' most identifiable music is simple, or so it seems: Play a chord, break it down into its constituent notes, and repeat the notes in hypnotic succession. If there's another instrument playing, they're probably playing the same notes in a different order. At the foundation of the music, there's what's called an ostinato. One way to think of it is as a bassline; another, in the words of …
Ambivalent Scale; Tape Recordings 1979-82
Peter Becker is one half of famous Eyeless in Gaza. In 1979/80 Peter Becker and Martyn Bates formed their own label called „Ambivalent Scale Recordings“ in order to release their own music as well as projects of friends like Kevin Harrison or Bron Area. Peter released two Solo-Tapes called "They brought the Statosphere" (ASR04) and By Train to the Coast (ASR10, which also found release on Ian Dobson's Flowmotion Label) Peters recordings from those two Solo-Tapes contain a wide variety from athmo…
Perhaps
Limited double LP version. Recorded live on December 8, 2006 at a memorial event for James Tenney at California Institute of the Arts, Perhaps is Harold Budd sublimely distilled. Striking in its restraint and simplicity yet profoundly resonant in its depth and message, it is both eulogy to a departed friend and defining statement from an artist at the apotheosis of his career. Originally available only digitally (and only from Samadhisound's web site), Perhaps sees its first-ever and much-de…
Systemisch
The extremely influential 1994 classic album from Oval is finally re-issued on vinyl. Freshly cut to vinyl by Roger Seibel at SAE Mastering the two LPs are pressed on clear vinyl and housed in black paper inner sleeves, packaged in a jacket replicating the original. Included for the first time is a free download coupon. Limited to 1,500 units worldwide. Systemisch was the debut Oval album released on Thrill Jockey. On this recording Oval was Markus Popp, Sebastian Oschatz and Frank Metzge…
Interval Signals
Brian Pyle is becoming a big name in disquieting ambient and haunted audio, and two new releases (this and Light that Comes, Light that Goes) from him this week aptly explain why. Interval Signals is an enticingly evocative story, a single-take journey through a series of interiors and exteriors spaces layered with memories and geographies. Melancholy like an old crime scene, its mixture of ancient broadcasts, echoes trapped in the dusty twentieth-century telephone network, spiritualistic tuned …
Immer Etwas
Immer Etwas is the first full length release from this one man bedroom recording project turned full on 5-piece live band. Nice Face have been turning out singles, comp tracks, and cassettes at a steady clip over the past two years and change. This LP is a solid thirteen tracks of drum-machine driven blown out hook-laden punk rock that one reviewer prone to curmudgeonly ranting proclaimed “locks Blank Dogs in the pound, erases ‘Psychedelic’ from Psychedelic Horseshit, makes purses and boo…
Hassaniya Music from the Western Sahara and Mauritania
In 2006, Hisham Mayet returned to West Africa to continue his search for an unknown musician he had heard six months earlier on the radio in a Morocco hotel room. Knowing only that it was Sahrawi music -- music of the south -- he headed down through the vast and remote desert landscape of the Western Sahara and Mauritania in hopes of finding someone who could identify these revelatory recordings. The story of how he finally found this elusive artist is the stuff of ethnomusicological legend. But…
Jealous Heart
Mark Templeton presents Jealous Heart, an album which re-imagines the story of his sound in an approach that is both staid and deeply emotional, reorienting what is offered and what is held back through a myriad of smeared stringed instruments, fragmented horn phrases, tape loops, and found-sound-driven explorations. Templeton's music is always difficult to truly classify, which is part of its charm. It is way too dense and detailed to qualify as ambient in a traditional sense -- instead …
BIPPP : French Synth-Wave 1979/85
Sounding as current as any of the recent output from France's Ed Banger, Kitsune or Institubes labels, and on influential blueprint for the evolution of the French electronic music genre at large, the majority of the performers featured on B.I.P.P.P. never made it beyond limited DIY pressings of 500 or 1000 copies of 7" vinyl singles.
(B)Haunted
Following his collaborations with Fabio Orsi and Luigi Turra published in 2012-2013, it’s time for another Gianluca Becuzzi solo album on Silentes. This electronic / electro-acoustic composer and sound-artist boast an enviable curriculum: active since the first half of the ‘80s as founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward abstract aesthetic forms and micro/macro …
One four and two twos
John Stevens, batterie et voix. Paul Rutherford, trombone et euphonium. Evan Parker, saxophones ténor et soprano. Barry Guy, contrebasse et électroniques. Londres, août 1978. Un quartet initialement sorti en vinyl chez View en 1980 et en CD chez Konnex en 1994. En bonus, Paul Rutherford, trombone et électroniques et Barry Guy, contrebasse à Milan en 1979. John Stevens, batterie et voix et Evan Parker, saxophone soprano à Londres en 1992. Free et historique!
An Ambassador for Laing
LP version. Debut album from the Edinburgh-based duo of Marc Dall and Alex Ander, who work with intricately-stacked percussion, dub-wise bass and a rich harmonic tapestry of processed voices, keys, harp, vibraphone, guitar, woodwind, strings and synthesizer -- every sound re-sampled to the nth degree then subjected to subtle automation and rigorously fine-tuned over a period of many months. From the mesmerizing, pastoral drift of "Anger Sees Red" and "Dwelling by the Meadow" to agitated arabesqu…