New Arrivals
Correspondance Sonore
A mail collaboration between Denis McCarty (turntable, cassettes, vinyles) & Martial Bécheau (cut-ups, computer, sounds). Martial Bécheau practice montage, the assembly of this matter that is the sound. Orchestration reports, juxtaposition plans, rhythm & density. Implement disparate materials, and compare the sonorous (sounds, words, music, soundscape, etc.).. Organize of the time factor - Subversive resonances - Respiratory theatre - Walled up silence - Temporal confrontations. Between collag…
So sorry
A meeting between Japanese sound artist Takahiro Kawaguchi and two american improvisors, Nick Hoffman (head of the Pilgrim Talk label) and Aaron Zarzutzki. Recorded by Brian Sulpizio at The Chateau, Chicago, in September 2011 and then edited and mixed by Giuseppe Ielasi in Oreno.Numbered edition of 250 copies. Black vinyl (cut at SST), screenprinted cover on heavy grey stock.
Wound Response
Already sold out at source ! Ltd edition of 350 LP. 'Wound response' is the third solo harp release by improviser and harpist Rhodri Davies following his albums 'Trem' (2003) and 'Over Shadows' (2007) on the Confront Label. Moved by the diverse and vital music scene in the North East of England this is a weighty departure for Davies. wound response is loud, distorted and forms an attempt to work with rhythm and pitches in an open and fluid way. The album comes pressed on heavyweight transl…
Afro Noise I (Volume 4)
Dirter Promotions presents another volume of Cut Hands material, containing reworked and remastered versions of some tracks from his Afro-noise project. Comes in a beautiful special edition on 180 gram vinyl mastered by Noel Summerville and featuring the magical vévé artwork of Mimsy DeBlois, in a one-off pressing of 750 copies. The entire 750-limited pressings of Volume 1 and Volume 2 sold out on release day, so don't miss these! A reclamation of the conscious through 16 pieces (split betwe…
Sieve
As a duo Tim Catlin and David Brown aka Candlesnuffer come together as 'Helium Clench' and boast long histories in the Melbourne and international avant-garde music world. Both have independently developed a fascination with microtonal sound, in particular through Catlin's construction of harmonic overtone guitars and metal rod instruments tuned in just intonation, and in Brown's case through his explorations using the quartertone bass guitar. 'Sieve', their first duo recording is a stud…
More Alien than Aliens
While the band is preparing for the recordings of the fourth album, Mamuthones goes back to the solo output of Alessio Gastaldello for a new EP of meditative and trascendental music. Once again deeply involved in tradition and ancestral memories, More Alien Than Aliens is mostly based on acoustic instruments with the aid of few analogue synthetizers. You can hear antique rites being consumed around fires at night, cavemen’s invocations and signs of extraterrestrial life as seen by the anc…
Live in Israel
Iancu Dumitrescu 'Liminal involvement' for ensemble. 'Le silence d'or' (Israel version) for ensemble and computer sounds. Ana-Maria Avram 'Lux animae XII' for ensemble and computer sounds. 'Telesma' (Israel version) for bass clarinet, ensemble and computer sounds. Contemporary Music Ensemble from Tel Aviv under direction Ilan Volkov with special guest Stephen O'Malley.
Sunrise
The music of My Education, a five-piece group from Austin, Texas, tends towards the classical side of the spectrum. If you’ve read any recent think-piece about how the lines between rock bands and classical ensembles are blurring, you could pretty easily swap their name into the list of case studies provided without sacrificing accuracy. Besides recording their own compositions, they’ve also released their take on Arvo Pärt’s taut “Spiegel im Spiegel” and collaborated with the hip-hop group däle…
Cry
Cry was recorded in a shed at Taieri Mouth between 1998 and 2000 and then released by Emperor Jones on CD in 2000. Alastair has always been one of the most admired yet paradoxically ignored musicians from the New Zealand underground since he first started out in The Rip on Flying Nun Records in the early 1980s. Having already worked with the incredibly talented New Zealander otherwise known as Michael Morley, it seemed natural for MIE’s next step to go on to work with Alastair on getting …
Balf Quarry
LP version; printed innersleeve with lyrics. Before Balf Quarry landed on my desk, I figured the dirtiest thing in Connecticut was Chris Dodd's browser history. Not so. Among other things — like guitar tones that buzz around like contact-high June bugs, Elisa Ambrogio's slack vocals wavering between coy calls and willfully distant snarls, and a production value so low and dense you feel you're listening to them from the dining room above their rehearsal space — Hartford natives the Magik Markers…
Nothing Is Forever
Recorded at Forest City Gallery, London, ON with help from John Clement. 'The NSB was formed in 1965 by a group of people who enjoyed music and wanted to play in a band. There was no desire to learn to play traditional instruments so kazoos were bought and assorted noise makers modified or built from scratch. The band started playing regularly every Monday night in 1966 and has just carried on. The personnel has stayed the same. John Boyle (artist) kazoo and drums, John Clement (MD) guitar…
Blues Sermon With Congregation
The first vinyl document of the Dredd and MV & EE collab recordings, this is a reissue of two deep sides originally released in 2004, as companion volumes to Kissing the Contemporary Bliss, in extremely limited runs. The sessions behind this record represent a singular apex of high in the catalogs of both Dredd Foole and MV & EE, where the playing and being of each of the three individuals involved coalesces into a singularly cosmic perception and extrapolation of the blues doctors' truth…
Inconsistent Images
Inconsistent Images includes three works of musique concrète composed in 2012. The title is derived from an observation of inconsistencies in stereo image, but also describes the destabilisation of certain media, utilised for their musical properties, and at the same time suggesting a pseudo-visual response.”
Adam Asnan is a London based composer-performer of musique concrète, acquiring an MA under the supervision of Denis Smalley in 2009. Adam’s work promotes the aesthetic potential of f…
Latex
This fourth audio document, in a series of six, is a split Lp, titled LATEX. It involves two of the most dissolute and sinful names in the Noise scene : Black Leather Jesus and Richard Ramirez. Texas legends for almost 23 years, Black Leather Jesus have destroyed minds, ears, and stereos with their extreme soundart. An orgy of blood, junk metal, chains, screaming electronics, and gay pornography. The band has become a staple of the harsh noise scene. Noise legend, Richard Ramirez has become an i…
Hei / Sou
Celer & Machinefabriek are having a great year. In addition to their separate releases, they’ve toured, released a download set of the tour, and completed a trilogy of fine vinyl singles, of which Hei/Sou is the final piece. Perhaps the most exciting thing about their collaboration is the extent to which each seems to have been inspired and invigorated by the presence of the other. By pushing each other into new territories, they’ve each upped the ante, as best demonstrated on Celer’s late…
Chance of rain
A cerebral exploration of the intersection between rhythmic and ambient music, drawing together ideas of movement and stillness, psychedelia and presence of mind. On Chance Of Rain dance tracks are imbued with unpredictable structures, ambient drift and deep harmonic passages, while keyboard-based interludes reinforce both the far-out and contemplative aspects of the record as a whole.” The tracks on the album are apparently fleshed out versions of live hardware improvisations, a move not unknow…
Fa 2012
Fa 2012 + Fa (Mark Fell Remix). Mastered and cut by Rashad Becker at Dubplates and Mastering, Berlin, July 2012. Layout by Tina Frank. Special 12' featuring new versions of the track Fa, taken from the debut Fennesz solo album ÔHotel Paral.lel' (1997). 15 years after its initial release, Christian Fennesz gives this throbbing monster of a track a new seeing to, extending it and adding more of that magic he is so well known for. The album was always an exercise in exploring alternate means o…
Swisher
The Blondes duo refract their house abstractions through a smudged psychedelic prism on 2nd album 'Swisher' for RVNG Intl. Picking up where their eponymous debut left off, Sam Haar and Zach Steinman start with the kosmic organ swell and atom-split rhythms of 'Aeon' before locking down to a driving, technoid momentum with 'Bora Bora' which carries through the album in the glyding dub-house gait of 'Andrew' to the ornate, future-baroque arpeggios of 'Poland' to the laser-grabbing, Belgian-styled t…
La Bas (1987-1992)
JFK is the project of British rock and electronic musician Anthony Di Franco (Ramleh, Skullflower, Ethnic Acid). Originally active between 1987 and 1992, JFK was conceived as an experimental rock band that could create "a total music, absorbing all possibilities." This exclusive CD compiles rare and previously-unreleased tracks, including the Temple of Set/Sexodus 7" (previously-released by Fourth Dimension in 1992). The JFK sound is a brain-melting clash of electronic rhythms, blazing guitar ri…
Live from the Sahara
The Kel Tamasheq people of the Sahara respect an ancient social order of noble families supported by lesser nobles, craftsmen and former slaves. Noble princes never would pick up a musical instrument -- that was for the craftsman, the griot, the professional bard, or the lesser nobles. But all that has changed during the droughts and rebellions of the past 50 years. The whole social order has been challenged. In the 1970s, electric guitars appeared in the desert. Everything began to c…