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Fa 2012 + Fa (Mark Fell Remix). Mastered and cut by Rashad Becker at Dubplates and Mastering, Berlin, July 2012. Layout by Tina Frank. Special 12' featuring new versions of the track Fa, taken from the debut Fennesz solo albumÔHotel Paral.lel' (1997). 15 years after its initial release, Christian Fennesz gives this throbbing monster of a track a new seeing to, extending it and adding more of that magic he is so well known for. The album was always an exercise in exploring alternate means o…
Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies. These pieces were composed with created and found sound captured in San Francisco. 'Chorus After Rains': A strategy where we each use the same raw sound clips with different results. The two pieces are then melded to create one piece of music, the different modules becoming inseparable from each other. 'Things Lost That Will Never Be Found': A composition with live instruments, moving fro…
Voice by Pete Simonelli, guitar by Miron Grzegorkiewicz, bass Guitar by Michael‚ Biela, turntable by DJ Lenar. Text excerpted from 1939 Southern Recording Trip Fieldnotes by John Lomax and Ruby LomaxAudio quotes excerpted from their recordings.
The music of My Education, a five-piece group from Austin, Texas, tends towards the classical side of the spectrum. If you’ve read any recent think-piece about how the lines between rock bands and classical ensembles are blurring, you could pretty easily swap their name into the list of case studies provided without sacrificing accuracy. Besides recording their own compositions, they’ve also released their take on Arvo Pärt’s taut “Spiegel im Spiegel” and collaborated with the hip-hop group däle…
Celer & Machinefabriek are having a great year. In addition to their separate releases, they’ve toured, released a download set of the tour, and completed a trilogy of fine vinyl singles, of which Hei/Sou is the final piece. Perhaps the most exciting thing about their collaboration is the extent to which each seems to have been inspired and invigorated by the presence of the other. By pushing each other into new territories, they’ve each upped the ante, as best demonstrated on Celer’s late…
A serie of duet with André Jaume and another musician, recorded in 1980 and 1983 by Jean Roché, Jean-Marc Foussat, Daniel Deshays. Raymond Boni, electric guitar. Hervé Bourde, flute. André Jaume, saxophones, bass clarinet. Jean-Marc Montera, acoustic guitare. François Mechali, doublebass. Fred Ramanonjiarisoa, piano. Gérard Siracusa, percussions.
Super.Trigger is an absolute trove of percussive tensions and frequency-driven finesse and deals mainly with the basic principles of any modern music: rhythm. Frank Bretschneider takes his, never simple, but all the more heartfelt relationship to rhythm and its complexity to an intense inventory and, this time, works less out of suspenseful abstract sounds, than out of grooves. There is a real sense of perpetual evolution and coiled tightness to the pulsating rhythmic programming, while t…
Vinyl edition of this stunningly beautiful album of fragile and haunting Korean folk from Kim Doo Soo that was issued earlier this year on CD by Japan's consistently incredible PSF label. Kim Doo Soo's first major appearance outside of Korea was through the Damon & Naomi curated 'International Sad Hits' compilation featuring 4 tracks from Kim. This was followed with PSF releasing his first new record in 5 year, 2007's superb '10 Days Butterfly'. On 'Evening River', Kim has re-recorded some of hi…
Mordant Music beautifully join the dots between the hauntological zeitgeist and original library music with the 2nd of two vinyl reissues of seminal tape music by Tod Dockstader. Born 1932 in Saint Paul, Minneapolis, Dockstader majored in psychology and art but would go on to explore his interests in painting and film as an apprentice editor in Hollywood. This led to a job as a sound engineer in 1958, employed at Gotham Recording studios, where he started meticulously composing during lon…
Two new tracks from LA based duo Pedestrian Deposit. Side A is a little more noisy than last works, starting from jon's harsh-noise origins and the use of multiple layers of sound, they created a piece of musique concrète, near of what they did in Austere.Side B is dominated by shannon's cello and behind it, the sound of manipulated electronics and minimal textures to build the perfect background.
arthur doyle- tenor sax, voice; vin paternostro- roland 505; ed wilcox- percussions; leslie q- bass ;rec. march 26 & 27, 2004 at springwater tavern & artswatch...the final available rec. i have left of Arthur, unfortunatly ?! i kept it for the last since i find it a really special goody: a more intimate 4et live dates from 2004
Kye is proud to announce the release of Rules Of The Universe, a fully authorized anthology of archival audio work by the renowned Dutch artist Anton Heyboer (1924-2005). Heyboer's stature in visual arts is well known and internationally celebrated, but documentation of his audio work is scant and difficult to locate. Heyboer's only previous vinyl release - 1976's ill-fated 'She And She As One' LP (EMI) introduced a music so resolutely personal and uncommercial in nature that EMI ordered …
Meeting between visual artist Beni Bischof and electronic musician Norbert Möslang. Limited to 200 copies and hand signed by artists. With this somewhat confused, absurd or primitive Bishop chant, the result could be to remembered as a crashing jumbo jet
Heavyweight, tip-on style gatefold jacket printed on uncoated Stoughton stock includes download code redeemable from the label. Vinyl mastered by Lupo at D&M** In swift succession to his excellent Vallens 12", Barn Owl Jon Porras presents his third solo side under his birth name. Inspired by a book on the San Francisco Tape Music Centre, Jon creates expansive atmospheres from slowed down tape manipulated with analogue FX to complement the hazy grain and shapes of his signature, plangent g…
After ten years from the date of its recording (2003), this surreal jam between kaleidoscopic Stuttgart's collective Metabolismus and evergreen American improviser Eugene Chadbourne, is finally turning into a wax. You'll have the cheerful feeling of listening to Sun Ra jamming with Stockhausen while together on a trip to Stonedland! What's on this record is basically high lysergic psychedelia meeting crazy free jazz, with some spared funky grooves and fragmented tapes manipulations. You'll be…
Nate Young airs two of his alter egos on this great split LP: Demons, featuring Steve Kenney (oh you know, Steve Kenney - he's in those well-known beat combos The Pterodactyls and Isis & Werewolves.... No?) and Hatred, which combines Young once again with Kenney, but this time with the added presence of Spence Bryant. The Hatred side sounds like the motor on your turntable is continually breaking down, as if some perpetual Technics power-down effect was causing all manner of primitive pitch-slid…
The collaboration between Israeli electronic musician Shay Nassi and German media artist Nicolas Wiese began in 2008, with the exchange of some raw recordings of feedbacks and everyday objects, via internet. During the following years, several compositional sketches have been sent back and forth and so have been refined step by step, in multiple sonic layering and construction processes. The result is a 45-minute-long collection of dense, dynamic, ambiguos and twisted atmospheric pieces which ca…
LP version. Includes mp3 download and full-color poster. After two bone-chilling full-lengths for the Type Recordings imprint, Erik K. Skodvin has embarked on his first journey for his own Miasmah label with Black Tie. While originally conceived as a soundtrack to an installation by Norwegian artist Marit Følstad, Skodvin uses this as a starting point to craft his most unnerving long-form pieces to date. Split into two distinct movements, "Black Tie" and "White Noise," we are exposed to the y…
Packaged in a pro-press color jacket and a silkscreened pvc sleeve, Jeff Witscher, aka idiosyncratic electronic musician Rene Hell, presents a typically considered, challenging debut release via PAN. Those who've encountered his acclaimed albums for Type, or his NNA Tapes split with OPN, will hear a defined progress in 'Vanilla Call Option', whilst those new to his music should be prepared for a visceral, cerebral exploration of piercing timbres and sheer, hi-end computer sounds that in turn rec…