We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Subtitled: More Music From The Pioneers Of Electronic Sound. "Further to Chrome Dreams' enormously popular first Forbidden Planets CD comes this superb second volume of music from the pioneers of electronic sound. Compiled and annotated once more by music historian Alan Clayson, and featuring his extensive sleeve-notes, the two discs here, featuring 142 minutes of some of the strangest sounds ever recorded, will again delight fans of this most intriguing and previously un-compiled genre." …
First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…
'From Chinese traditional music to avant-garde freestyle improvisation, this beautifully-packaged double-CD features the music created by the meeting of these two extraordinary artists of different cultures and even different generations - violinist Malcolm Goldstein (born 1936), one of the greatest maestros in the field of freestyle improvisation, and Chinese pipa virtuoso Liu Fang, young master on the traditional classical music of China.' label info
A 2008 sequel to his highly-acclaimed first solo CD 'More is More' on psi 06.08.Peter Evans writes: Over the past couple of years one of my main creative outlets has been solo trumpet performance. These discs are meant to show various aspects of my music's development and were recorded in two different settings (studio and concert) and under two different circumstances. Jazz musicians have often referred to the playing of a solo as 'telling a story', which is essentially how I look at this musi…
The first disc is an anthology of the music Moondog made in Germany, after moving there in 1974. The second is a recording of his last concert, on 1 August 1999. Both are excellent and amazing examples of Moondog's skills. Excellent notes and photographs.
Lionel Marchetti's 'Adèle et Hadrien' is a captivating document of a holiday of Adèle and Hadrien, two young children around 10 years old. The recordings view a glimpse into the world of Adèle and Hadrien, who go swimming, are startled by strange sounds, and ponder the existence of bugs. They argue with their parents and make jokes, and although Adèle and Hadrien speak French, understanding the French language is not a prerequisite for getting a glimpse into their world. Marchetti practices his …
Gorgeous double CD issue of two crucial albums by "the greatest living flutist of South India", T.R. Malingham or Mali to millions of South Indians, presented in respectfully opulent stye by Japan's EM reissue imprint. This is meditative, spiritual, and exotic music of the highest order, combining his two most revered recordings from 1969 and 1970 over two very special discs. Mali is said to be able to commune with birds via his playing and that's quite understabable. His virtuoso use of …
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
The third (and perhaps final) project in the film director series which began with Andrei Tarkovsky - Another Kind Of Language and Yasujiro Ozu - Hitokomakura. Michelangelo Antonioni - Trilogy And Epilogue focuses upon the Italian auteur's landmark 'tetralogy' of films L'Avventura (1960), La Notte (1961), L'Eclisse (1962) and IlDeserto Rosso (1963). Antonioni was known for not being very keen to use music in his films, partially because he wanted the films to tell their stories free from 'add…
“In June of 1997 Thomas Lehn and Gerry Hemingway came together for a duo tour in Germany that had originally been planned as a quartet with Mats Gustafsson and Barry Guy. But the budget was meager and salvaging the tour seemed the best option and so the tour went on as a duo. Thomas recorded all of the concerts and the extensive recordings were recently compiled into this double CD, which was painstakingly edited, sequenced and mastered to provide the best possible showcase for this superb…
'Superbly stylish in conception and packaging, it shows that small independent labels can still be an inspirational force' (Daily Telegraph); 'definitive and essential' (Brainwashed); 'stunning in its historical interest and musicianship' (Boston Phoenix); 'phenomenal and mesmerizing' (Dusted); 'one of the major phonographic salvage operations of our time' (The Wire). 'The archival finds are, without exception, phenomenal – and mesmerizing. The oud, the santour and spike fiddle dominate. There a…
Stunning double disc collection of mind-erasing loops, avant classical drone and minimal cold wave threat from Jason Lescallett, presented as a back-handed tribute to Big Black’s notorious 1992 album Songs About Fucking: Songs About Nothing is the sound of pure entropy, moving from ear-scalding feedback sculptures through nod-out minimal synth repetition through scrambled choral works and widescreen soundtrack drones. The first disc unfolds in a series of stately movements linked by a form of ob…
Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, first conceived by the late Peter "Sleazy" Christopherson in Berlin in 2006. …
Raster Noton's rhythmic auteur, Frank Bretschneider, presents his first album in three years, a "music-visual project based on the idea that fine art should attain the abstract purity of music". 'EXP' is an attempt to assimilate the qualities of music, namely rhythm, movement, tempo, mood, intensity and compositional structure within the visual aspect. The music for the project is arranged from an array of generated and selected waveforms sourced from pure electricity, magnetism, light an…
Gérard Grisey’s Les espaces acoustiques is a groundbreaking work which defies assumptions about what music “ought” to be. Not for nothing did the composer describe it as “a great laboratory”, exploring the way we listen.The “Acoustic Spaces” cycle, begun in 1974 and completed in 1985, consists of six instrumental works that may be played consecutively, since each acoustic space extends the previous one. The unity of the whole is based on the formal similarity of the pieces and on the two acousti…
Totally essential two cd collection of some of the most elusive Moondog material of all . When the "Viking of Sixth Avenue" single volume compilation was reissued, we pleaded that here was truly a taste worth acquiring. Louis Hardin somehow managed to find the musical continuities between Bach, native american Sundances, be-bop, Stravinsky and yet still pursue his own musical paths and sound utterly unique. Strong claim, but the music truly bears it out. Drawing the entire disc one from the ultr…
Essential collection of previously vinyl only Nadja tracks which work brilliantly as a 2CD album. All of these tracks originally appeared on limited vinyl or cd releases between 2007 and 2009 and are now out of print. 'Jornada del Muerto' originally appeared on the Trinity CD (Die Stadt Musik) and 'Perichoresis' on the Trinitarian LP (Important Records), both of which releases featured solo tracks by Aidan and Leah and one Nadja track. 'Spahn' appeared on Tumpisa (Accident Prone Records), a …
Null II and Null III are the second and third part of the well-known Italian/Swiss composer’s massive electronic work on the theme of “nothing” (Null), whose first part saw the light with the 2010 Die Schachtel “Null” edition in ZeitComposers series.In this pieces Archetti’s thick sound drones borders on the edge of tonality as their many layers develop with a sort of “geological” pace. The work is in fact intended as a musical research on the “interior” of sound, obtained by large masses of sou…
eRikm, turntables, electronics, live sampling. Catherine Jauniaux, voice, bird call, cupule, cazoo. In the beginning, there are stories, sometimes dark, told by Catherine Jauniaux. With stunning ease, she invents imaginary conversations where several protagonists spring from deep in her throat, like rabbits out of a hat, like actors from Japanese Noh theatre. eRikm's electronic sounds fuse and infiltrate hers creating an unsettling environment Ð clearing the way or tangling it up in a so…
Recording: February, 21-24, 2000, Fürstliche Reitbahn Bad Arolsen 28-page booklet includes text in English, French and German “The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”