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Pete Swanson (electronics, vocals) and Gabriel Mindel Saloman (electric guitar, electronics). Produced and recorded for Dwars by Berry Kamer, Amsterdam, May 17th 2007. Packaged in a 3-panel cardboard relief sleeve. Artwork & concept by Staalplaat. Limited edition of 500 copies.
Klaus Ellerhusen Holm, alto saxophone & clarinet. Tor Haugerud, drums & percussion. Kim Myhr, guitars & objects. Martin Taxt, tuba. Muringa navigates playfully in a polarized world of opposites. Between speed and tranquility, industry and flora, violence and tenderness, noise and silence, chaos and order; Muringa gives the listener the hegelian third choice. The group consists of four of the most active improvising musicians from Norway. All occupied with other SOFA-projects such as Mural…
This is a collection of previously-unreleased studio and live material. Originally released in 2002 and deleted for years -- this collection is now made available again in 2012 due to demand. The studio material is as beautiful and sad as "Dirty Old Town," made famous by The Pogues, which is released on CD for the first time here. The oldest song, "Willie Boy," was recorded during the 1991 session for Documentary but didn't make it onto the record. "German Mustard," "Where I Lead Me," "Heav…
Four exotic and talented women doing the Book of Angels. A capella. “Mycale” is definitely not my favorite entry in the already 13 albums long series (even though I only have half of those yet), but it is an entirely new approach to the material and therefore about as fresh and original as I suspect it can get after versions over versions of these kind of compositions. But mainly it’s just a lot of fun.
It has been quiet for Flim, also known as Enrico Wuttke, since his last release 'Pola Music' and 'Ohne Titel, 1916' (the latter being his second release on Plinkity Plonk). However he still works as a designer, and creates music for dance companies and short films, as well as enjoying family life. His new release is a 28 minute EP with four pieces he created for a dance piece 'Refugium', based on the novel 'The Wall' by Marlen Haushofer. Originally published in German in 1962 and touted more rec…
"Two improvisations on piano & tenor saxophone, one in concert and the other before the audience arrived, recorded at the Bimhuis in Amsterdam in 2006. The sleeve design is derived from work by the late Tomas Schmit whose work is much loved by both MM and EP."-psi
'Z'EV: percussion. Jason Kahn: percussion, analog synthetizer. Recorded by Jason Kahn April 13-14, 2009 in Zürich and Lausanne, Switzerland. Mixed and mastered by Z'EV. Artwork by Mirt.' label infoJason Kahn, born 1960, New York, USA. Composition, installations, percussion, electronics. Based in Zürich, Switzerland. Z'EV. After studying at CalArts with Concrete Poet Emmett Williams he concentrated on producing visual and sound poetries, and was included in the ÔSecond Generation' show at the Mu…
Seductive but perilous, he Kilimanjaro Darkjazz Ensemble's new session under the Mount Fuji Doomjazz Corporation name is a new combination of drones and jazz. Creating sensual, murky and dark atmospheres, “Succubus” the evolution of this band, with stronger horns and a focus on hypnotic, soundtrack-like material. A deep, dark and yet seductive trip again for the corporation.
The Neon Judgement was formed in 1980/1981. Instantly they self-released two cassettes. With a limited amount of electronic instruments, they recorded their debut: "Suffering". The first version of their classic track "Factory Walk" is on this tape, a much more raw version than the one which would later become an underground clubhit. "Sweet Revenge" and "Schyzophrenic Freddy" remind of Suicide and the almost claustrophobic sounding tracks "Harem" and "Army Green (WOIII) are in the veign o…
FOLK XII" was born as a CD re-edition of Militia's - a band from Perugia, Central Italy - debut release (a four tracks EP entitled "Folk II" released by Contempo in 1985), but also, as the title aptly suggests, as a new reading of that work with the help of modern technology (which produced a partial remixing and remastering by the musicians themselves) and its integration with unreleased tracks that were left aside until today. That 12", althought still immature, was favorably received by the p…
Unbelievable but true! baudrillard recites his poetry backed up by an all star band featuring tom watson, mike kelley, george hurley, lynn johnston, dave muller and amy stoll special guest vocalist allucquère rosanne stone. recorded live as part of the chance festival at whiskey pete's casino in stateline nevada, 1996. you've never heard baudrillard like this before! music to read nietzsche to.
"[...] Satie, the original "Enfant Terrible", was a strange man with strange thoughts that produced strange music with strange titles that don't seem so shocking today ("Jack-in-the-Box", "Driveling Preludes for a Dog", "Dried Embryos"), but considering that he was born two centuries ago, this bad boy of classical music deserves a very close look.Satie lived an unconventional life and demanded the same from those who attempted to sneak a peek into it. For example, his notes to Vexations r…
The Preservation label presents Grandfather Harmonic, the new full-length album from Sparkling Wide Pressure. The alter ego of Murfreesboro, Tennessee's Frank Baugh, Sparkling Wide Pressure has drawn from a seemingly infinite well of sonic inspiration to record at an incredible rate since 2008, having his work appear on labels such as Digitalis, Stunned, Housecraft and Students Of Decay. This transfixing entry into his weighty catalog pinpoints Baugh's increasing fascination with song-forms…
Terrapin is Giovanni Lami & Shaun McAlpine. An improv duo based on real time processing field recordings, analog instruments and digital sounds, all played and processed live. This work comes from some recording sessions in Giovanni’s Studio. Later subtlety edited without any overdubs, just choosing the most suitable parts, noticing something evolve from the session, forming a solid arrangement.
The fundamental idea behind the project is vivisection, holding an historical vivisectio…
restocked! Originally released in 1975 as an LP on Offbeat Records (ORLP-1005). 'Fragment II: Gradually Projection'. 'Fragment III: Percussion Solo'. 'Fragment VI: Mass Projection'. All compositions by Masayuki takayanagi. Masayuki takayanagi New Direction Unit: Masayuki takayanagi: guitar. Kenji Mori: reeds. Nobuyoshi Ino: bass, cello. Hiroshi Yamazaki: percussion. Recorded live at Yasuda Seimei Hall, Tokyo, September 5, 1975. Remastered by Tsutomu Suto. 'One begins to see--and hear--each sound…
Through their use of low tech means and focusing on the blending of guitar noise and electronic voice processing, Lovesliescrushing can be seen as the early 'missing link' between the likes of Slowdive and Fennesz. Their output has been consistently and beautifully crafted... works that contain an element of sonic mystery and still sound timeless. Lovesliescrushing is an important, if perhaps overlooked, point in the timeline of contemporary electronic music. - Richard Chartier.Loveslies…
Awesome reissue! The world famous Impulse jazz catalogue is so cavernous you truly need a music-minded flashlight to uncover its deepest and darkest secrets. Thankfully Light In The Attic has recently acquired such luminescent technology and the first discovery is Hungarian guitarist GABOR SZABO’s 1967 Indo-fusion landmark, Jazz Raga. combines Szabo's distinctive 6-string touch & open-minded ideas. It brings together jazz, pop-rock & his native European influence, along with hypnotic sitar, st…
Korm Plastics is proud to present the eigtheenth release in the Brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative projec…
Sydney, Australia's Holy Balm trio jack out a heat-warped LP of avant-dance songs for Not Not Fun. 'It's You' feels like dance music that's been made in a hot country. It's got a faded, sun-bleached quality and drunk-in-the-afternoon sloppiness that's entirely endearing to our tastes. Their synth melodies are always prone to slipping saltily off-key and the beats are basically functional - lumpy kicks and squirmy, acidic synth pop bass - ridden with alluring nonchalance by Anna John in a hybrid …