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Recorded live at Molde International Jazz Festival in 2006. The meeting between the godfather of free-jazz & the innovators of the modern free-jazz scene in Scandinavia, Mats Gustafsson & Paal Nilssen-Love, resulted in this mastodon of an album. This is the European free-jazz underground at its best. A devastating, blasting, raw, ferocious sonic assault on all senses. And beautiful, painfully beautiful.
The story behind Dopesmoker, the final LP in the life of pioneering stoner sludge trio Sleep, is one of perseverance not usually associated with such dedicated grass aficionados. Intended to be the Cali band’s third record and first for major label London, the album took shape as a single 63-minute track entitled “Dopesmoker,” an ode to the joys of getting baked. After nearly two months of work, the band (guitarist Matt Pike, bassist Al Cisneros and drummer Chris Hakius) pronounced the opus…
In May 2007 the sextet of Lucio Capece, Julia Eckhardt, Christian Kesten, Radu Malfatti, Toshimaru Nakamura and Taku Sugimoto convened in Belgium to work together and play two concerts, one in Gent and one in Brussels. During their time together the group played a mixture of improvisation and their own compositions. A number of exciting tensions were present. The contrast between loud and quiet, activity and inactivity and indeed improvisation and composition. Wedding Ceremony ties together many…
Intransitive Recordings is extra-proud to present 1975, the debut solo album of tightly-coiled, crackling electronic ambience by C. Spencer Yeh. While “debut” may seem a strange word to use to describe an album by a guy with such a deep discography, Yeh explains that 1975 is like nothing anyone has heard from him before. “One thing is I really wanted to focus on a certain feeling of stasis. So much of what else I do just kinda pushes and pushes forward. 1975 is more vertical than horizontal,…
After the concert in Prague last year in may, we followed the proposalof friends to play some acoustic instruments spontaneously on top ofthe hill, in Troja, into a circle of stones installations.Zithers, Tubes, Bells, Rattle and Shells, Flutes..the sessions wereinspired from the special place and the spring's vibes in the wind. Therecordings that are a blueprint of the spirit of that day, were editedin studio by Alio Die, then Mathias Grassow added his electronic dronesto expand the poin…
A narrow path of safety extending through the gloom, its edges bleeding into the fearful zones of disorder and formlessness that enclose it. Paths create borders, they limn the known from the unknown, the clean from the unclean, the citizen from the exile, the present from the past. But while paths create boundaries, they themselves are ambivalent, neither here nor there, neither now nor then. The act of making a path where none existed always involves the subjugation of the unknown and f…
Xavier Charles : clarinet, Michel Doneda : saxophone, Jean Pallandre : microphones. Following the first meeting in 1997, they went back to the same places to record again an incredible meeting of soundscape !
For fans of acoustic guitar music, James Blackshaw's The Cloud of Unknowing is a gift that's long overdue. Blackshaw's fourth album gracefully glides over the same sonic ground that his contemporaries generally tread with reverential obedience or dilettante tactics. Growing into his prodigious own at the relatively young age of 25, Blackshaw has finessed his 12-string acoustic guitar into a veritable solo symphony that's as schooled in uncommon beauty as it is in complex 20th century composition…
In 2007, Frank Bretschneider was invited to compose music for the Subharchord, a unique electronic instrument developed during the 1960’s at the RFZ, the technical center for radio and television of the East German postal service. Built in a limited edition of eight machines total, only three Subharcords (in Vienna, Trondheim and Berlin) are believed to survive to this day. The Subharchord is, broadly defined, a subharmonic sound generator, comparable soundwise to the Mixturtrautonium. It’s sugg…
Ah now, this is a lovely little CD. The group i treni inerti began life a decade or so ago now as the trio of Ruth Barberan, Alfredo Costa Monteiro and Matt Davis, and when their first album came out as one of the very first Creative Sources releases however long ago Brian Olewnick wrote what to this day remains one of my favourite opening lines to a review- something like “Yeah I can hear you sigh, yet another trumpet/trumpet/accordion trio…” In 2012, as David has long left Barcelona the group …
Marc and Olivier Namblard did some recordings of deer during the rutting season. Deer bellow and listen. Marc and Olivier work also with the idea of sound trap. They find a place where animals go through, they set up the recording equipment and come back the day after. Beautifull and amazing recordings. Comes with photos from David Hackel et Marc Namblard. Texts in French and English.
CD version housed in a Digipak following the immediate sell out of the LP version. Released to coincide with Ellen Fullman's new full length for Important titled "Through Glass anes." Full length collaboration between Ellen Fullman, Theresa Wong, and Barn Owl produced by The Norman Conquest. Barn Owl's extended drones and Theresa and The Norman Conquest's strings are the perfect accompaniment to Fullman's Long Stringed Instrument; a product of her own invention. This is an album of deep mater…
A split album with Volcano the Bear and La STPO. VTB tracks 1-5 and STPO tracks 6-9. Bears and Birds, oh my! One side keeps the hot hot. And the other keeps the weird weird. VTB’s typically atypical entomological set scratches like a hive that has evolved just to the point of thumping out tribal fealties to its giant insect God-Thing. Environmentally ritualized sub-rhythms mix musique-concrete with actual concrete, forming freakishly minimal foundations for the hive of whatevers to swarm within.…
"Electric Fruit" alludes to the vexing encounter between nature and technology, one of the most complex issues that we face as a global society. The album brings together a powerhouse of innovators—Weasel Walter, Mary Halvorson and Peter Evans—to emphatically capture, question and explore the throes of this crucial contradiction. "Electric Fruit" is a stirring and potent recording of the dangerous confrontation between the innate and the artificial, the organic and the robotic. Each member of th…
Beginning with her first Constellation release in 2006, Carla Bozulich’s Evangelista project has steadily been gaining recognition for its complex beauty and fierce, raging appeals. Bozulich has been knocking these and many other ideas into form for two decades (Neon Veins, Ethyl Meatplow, The Geraldine Fibbers, Scarnella). Evangelista is the best and the brightest, filled with adventurous risk taking that sometimes whispers and licks, sometimes pulls the listener so close that it is hard to bre…
The first meeting of two masters of improvised music. Concentrated solo pieces from each before an uncompromising duo.When Matthew Shipp was invited to London's Cafe Oto for a residency in 2010 he immediately asked to play with John Butcher, perhaps not the most obvious choice of collaborator but one that proved inspired. Although they generally work in very different areas of improvised music, both players share an intensity of focus and pugnacious individualism that heightened rather than hind…
Kristin Norderval (composer, vocalist) cut her musical teeth touring with Einstein on the Beach in 1992, went on to record works of American composers such as Tania Leon, David Lang, and Anne LeBaron, improvised in the New Circle Five with Pauline Oliveros and Susie Ibarra, and co-founded the electro-acoustic duo Zanana with trombonist Monique Buzzarté. Now she has released a solo CD of her works for voice and laptop. The composer writes: Aural Histories is a compilation of works for voic…