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The latest effort by the legendary noisers...Incapacitants (インキャパシタンツ Inkyapashitantsu) are a Japanese noise music group formed in 1981. It consists of Toshiji Mikawa and Fumio Kosakai, whose stated aim is to produce "pure" noise, uninfluenced by musical ideas or even human intention, using primarily feedback, vocals, and various electronics. The group was formed in 1981 in Osaka, Japan, as the solo project of Mikawa, a member of the noise improv group Hijokaidan. Mikawa, a bank employee, later …
Doxy present a reissue of George Russell Sextet's Ezz-thetics, originally released in 1961. The sextet features George Russell, Dave Baker, Don Ellis, Eric Dolphy, Steve Swallow, and Joe Hunt. Includes bonus track. Edition of 300 (numbered). "With a group of musicians assembled for the occasion, pianist/composer/theorist George Russell goes into Riverside's studios in 1960 to record Ezz-thetics. Nowadays frequently found on 'greatest jazz albums' lists, this fantastic record is difficult to cat…
Mike Kitcher's Processed Snippets falls firmly into the category of new exotica, a music created from a very specific location that becomes placeless through abstraction. Kitcher reworks moments recorded from the SWP Records re-mastered release of Congo Traditional 1952 & 1957 (SWP 046LP, 2014), a collection of recordings by Hugh Tracey. Tracey, a pioneering documenter of traditional music across the continent of Africa was notable for the extent of his travels and the breadth of his work, as we…
2015 release. Along the arc of Lucrecia Dalt's music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, renunciation, an embrace? Is she driven by a backdrop of conceptualism, or is this a lyrical wandering? What is known, for starters, is that she made Ou immersed in a cinema of her own, curatorial creation. Ou's filmic quality is a direct consequence of…
2013 release. Scott Cazan's music is driven by a fascination in the fullness of sound as well as an interest in network and information theory. Like the writings of those who inspire him, such as Deleuze, Baudrillard, and Alexander Galloway, his work, for all its directness, has a dark and seductive aura. Swallow is an album that lingers at the borders between memory, ambience, and feedback.
Alberto Picchi is the man behind Ambascha, and had this not been mentioned on the information that came with this release, I would not have recognized his name as one of the members of Italy's VipCancro. In that group he plays electronics, which is something that he also does on his solo release. The cover lists 'BK function generator, Korg MS10 filter bank, deck, tapes & pedals'. "His work is inspired by unity of opposites theory applied in a sound context and is focused on digital - analogue, …
Jean-Louis Huhta (Dungeon Acid) and Ideal label head Joachim Nordwall unite once again as High Boys for an EP influenced by their love of old school acid, bad vibes, dub 7”s, William S Burroughs and 80s industrial music. The pair are already bandmates of sorts as part of the mighty Skull Defekts, but anyone familiar with Dungeon Acid’s much sought after catalogue or Nordwall’s sprawling, eclectic interests will no doubt already have their ears pricked for this one. The results are pretty much in…
Gothenburg-based artist Johan Zetterquist delivers his debut album for the excellent iDEAL label, unspooling three extended pieces shaped like sound sculptures. It's a profound drone metal variant recorded on a Gibson SG, amplifier and effects, live with no overdubs, slowly unfolding to reveal blistered shards of sound that recall everything from Stephen O’Malley to Maryanne Amacher's seminal Sound Characters. Zetterquist gets a huge amount of mileage out of the contrast between extremes produce…
Utterly destructive and heart-wrenching power noise and catharsis from the don gorgon of Hospital Productions, making Prurient's first album confession since the release of the stunning Frozen Niagara Falls. Taking almost 40 minutes to spell out a litany of ills that mark up as classic, pain-saturated Prurient in contrast with the more layered, nuanced narrative and more complex production values of his last album, the set boots off with the infernal backdraft and flagellating vox of the album’s…
Gorgeous new album from Teresa Winter, an uncanny collection of ambient / dream pop / entheogenic reveries that comes highly recommended if you're into anything from Grouper to F Ingers to Leyland Kirby to Delia Derbyshire to early AFX. Teresa Winter’s LP debut Untitled Death is a hallucinogenic wormhole of sensuously ambiguous pop and electronic experiments primed for the after-after party and altered states of reception. Realised thru a mesh of strategies from live, lo-fi tape recordings of sy…
Hyper colourful and shiny modular synthesis and effected Clarinet ecstasies from the American contemporary avant garde...“As the duo Golden Retriever, Matt Carlson and Jonathan Sielaff have explored an ocean’s worth of sound. Primarily working with the intersection of modular synthesis and amplified/effected bass clarinet, the duo has done eight releases for labels like Thrill Jockey, Root Strata, and NNA Tapes. Their music combines an intense emotional immediacy and meditative focus with strong…
"Concept Bongo"'s completely minimal logic is not exhausted in the fact that it is an album that is only played with bongos. Because beyond this conception, the music we find in its thirty minutes is characterized by a mystagogic feeling which, through an abstracted and repetitive ambience, keeps you totally transfixed, marginally helpless to react to it. References to the musical culture of the percussion instruments are stimuli left to the listener's own discretion: you can understand "Concept…
Taximi is the improvisation during the performance of traditional musical pieces, using soloistic folk instruments. It has roots in the eastern Mediterranean and Arabic culture and can be commonly found in Greek music and specifically in rebetiko. Taximi is a free rhythm melody, an author's imagination, alternating between various emotional paths with a passion respective to each one who carries it. The main prerequisite in order to play a taximi is not to have excellent technical knowledge, but…
Blick : voice and texts. Jean-Marc Foussat : AKS Synthi, voice. Recorded in 2016. Voice imprecation and electronic environement, both always in movement.
Five CD box set in DVD size metal tin with PVC jacket. Very limited edition, 100 copies only ! Five factory pressed CDs. Five postcard inserts. Individually numbered. Mark Wastell has been organising larger formations of musicians, collectively known as The Seen, for over 10 years, featuring John Butcher, Wolfgang Fuchs, Rhodri Davies, David Toop, Phil Durrant, Lee Gamble and many more. Using predominantly improvised material with occasional instructions or themes distributed to individual music…
Impossible-to-find Italian library music oddity from semi-mythical producer and Fabio Frizzi collaborator Giuliano Sorgini, aka Raskovich. Best regarded for his groundbreaking electro-acoustic and concrète sound design input to The Living Dead At The Manchester Morgue and Zoo Folle , Raskovich is also linked to a wealth of impossible-to-find cult LPs with Alessandro Alessandroni’s Braen, Giulia Alessandroni’s Kema, and their mysterious supergroup The Pawnshop, all amounting to a catalogue which …