We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Released October 2012. Chip Shop Music (Erik Carlsson, percussion, Martin Küchen, baritone & alto saxophones, radio, David Lacey, percussion, electronics, Paul Vogel: computer, clarinet) + Toshimaru Nakamura (no-input mixing board). Live 2009 in Ireland.
Fans of Sun Ra, take notice -- there is a new American original on the scene who hails from Birmingham, Alabama. Lonnie Holley's music is unlike anything ever heard, and these recordings are a welcome addition to the continuum of music. This album marks the first time Dust-to-Digital has taken an artist into a recording studio. Lonnie Bradley Holley was born on February 10, 1950 in Birmingham, Alabama, the seventh of twenty-seven children. From the age of 5, Holley worked various jobs: pi…
Second full-lenght album from rashomon (aka Guapo founding member Matt Thompson). Inspired by public information broadcast The Finishing Line (1977), the record is a sonic re-imagining of the film as haunted meditation on the power of memory, drawing the listener into a claustrophobic sense of unease and mounting horror. An amalgam of library music, 1970s prog soundtrack, musique concrète and spectral jazz
"Formed in the summer of 1964, although the New York Art Quartet existed for barely a year and a half, great interest remains in their work. They consisted of co-leaders John Tchicai (alto sax), who participated in John Coltrane's ground-breaking Ascension album and Roswell Rudd (trombone), considered to be the first free-jazz trombonist, along with bassist Don Moore and drummer Milford Graves. The band participated in the legendary 'October Revolution in Jazz', which journalist Bill Shoemaker c…
Developing on the trance-induction and brainwave entrainment techniques explored on the first Ethernet album 144 Pulsations of Light, Opus 2 moves into deeper, more introspective and emotive territory. A stronger focus on melody and harmonic structure results in pieces that almost approach, but never quite arrive at, traditional song forms, while still leaving much to the imagination of the listener, evading mental categorization and revealing new sonic experiences with each listen. The bu…
16 page booklet including Cage's Place In the Reception of Satie by Matthew Shlomowitz. Erik Satie's 1893 Vexations is musique d'ameublement - literally, "furniture music", the phrase coined by Satie in 1917, where he identifies sound as drapes, tiling, wallpaper - items belonging to the environment and changing it simply by being in it, by actually becoming elements of the space. This recording is the second instalment in a series of furniture music (after Marcel Duchamp's Musical Erratum), and…
Large ensemble Sissy Spacek recordings featuring the cream of LA. The line-up: John Wiese, Mitchell Brown, Joey Karam (The Locust), Peter Kolovos, Rick Potts (LAFMS), Damion Romero, Corydon Ronnau and Shannon Walter (16 Bitch Pile-Up). All the source recordings used for Sepsis were taken from a group improv session recorded for the Dublab radio in 2008. The recordings from each individual channel were later chopped and rearranged into audio collages byWiese without any regard to preserving group…
Rutger and Stephen sort of accidentally met through e-mail. A simple note regarding an ordering question for a CD led to an enthusiastic e-mail conversation and climaxed in a musical collaboration. This all happened in a very short period, both musicians being very inspired by the concept of “exchange,” as a means to cross space and time -- Rutger living in the Netherlands and Stephen in Virginia.
Most of the time, when (electronic) musicians work together it’s a matter of swapping digital files…
Another previously-unreleased gem from South African pianist/composer Chris McGregor and his cohorts in '60s UK free jazz. Our Prayer was culled from the same sessions that produced the also never-released Up To Earth in 1969 and was produced by Joe Boyd and engineered by John Wood at Sound Techniques studio. The previous year they had signed to Joe Boyd's illustrious Witchseason production company alongside Fairport Convention, John and Beverley Martyn, Nick Drake and the Incredible String Ba…
A new landscape is painted out of darkness by progressive strokes of the dawn. The finished piece is neither night nor day, but the transformation itself. Aidan Baker's (Nadja) "Book Of Nods" crests experimental peaks in similarly paced sonic transmigrations. His lustrous chimera blooms open in shifting onion layers built out of slow-moaning guitar, flute, organ and drums. The resonant frequencies of quietly crashing nodes vibrate the ozone with a sub-textural beating of multi-pianic fea…
Regarded by collectors of Anatolian rock as The Daddy of all Turkish rarities, this instrumental record from 1973 has to be heard to believed and even then it’s unbelievable. Either these guys had time machines or DJ Kool Herc had secret Eastern connections. Ten tracks of swinging hybrid grooves that run from blues to jazz to folk to soul to kraut, Latin, African and beyond. Rare grooves, indeed.
The Necks in quiet mood recorded at a concert recording in Townsville, Thuringowa, Northern Queensland. Though many Necks' pieces open with - or eventually arrive at - some discernable groove, Townsville just floats in a state of suspension from beginning to end. It's like watching the ocean as wave follows wave follows wave: each the same; each different; assymetric. Bassist Lloyd Swanton who, on this occasion, provides the motif that set Townsville running says he had had no idea where it woul…
Gunn Amps and Smashed Guitars. Surface of the Earth was recorded live to cassette, using two microphones in a wooden community hall in Wellington, New Zealand. The lp was gathered from two or three recording sessions in 1994/95. Back then we used to book out the hall for a couple of days, set up our gear and then record everything. It was a very atmospheric room for recording. Tony and Donald would put their guitars through their two old Gunn valve amplifiers and get to work. Tony often used thi…
CD edition, lavishly packaged: In the last couple of years there's been no shortage of lost folk albums re-appearing for the world to enjoy once more, and the wonderful Numero Group label (which is fast becoming one of our most loved imprints...) has managed to find another. Hailing from the bleak northern city of Halifax, Catherine Howe was initially trained at drama school, gaining a brief stint in Doctor Who ('The Underwater Menace' for all you Whovians out there, wink wink) among othe…
What’s this? A rockin’ new album by Devin Flynn and Gary Panter? Yes, it’s a breezy country/psych full length jam from Devin and Gary. Gary sings lead and guitar and Devin conjures forth ambitious, omnivorous and altogether ambidextrous soundscapes, not to mention some sweet harmonizing. The sound of this record is the sound of two dudes hanging out on a Spring day, having fun. Devin and Gary: they don’t just go outside, they go all the way. - Picture Box
Now this a strange one. I never would've thought I would be paired with Jaap Blonk... it seems an unlikely combination. But when Tijs van Trigt asked us to perform at his AMPsnacks event in Arnhem, we had such a blast that we decided to do some recording together. This cd is a selection of three hours of improvisation we recorded at STEIM in Amsterdam. Quite a rollercoaster I'd say!
Another uncommon sonic wringer from Portuguese label Creative Sources has been signed by a couple of Switzerland-based (as you could easily surmise from the geographical coordinate, which point to a place the district of Franches-Montagnes in the canton of Jura in Switzerland, they used to name this release) musicians, Lea Danzeisen and Christoph Schiller, who decided to squeeze the spinet, the little brother of harpsichord and piano, whose sound got totally transfigured by meticulous mod…
In Rene Daumal's Mount Analogue, a peradam is described as a clear and extremely hard stone, a true crystal. It is so transparent that it is nearly impossible to see. To discover a peradam was always the result of an inner act. At said moment in time, the stone's brilliance might catch the eye of one who seeks the truth. Most peradams were found on the rough and dangerous trails up the mountain. Peradam is the result of Marcia Bassett (Zaimph, Hototogisu) and Jenny Grf (Harrius, Metalux) collabo…
A Chilean band living in Paris, who do a really fuckeded up punk rock influenced equally by Captain Beefheart, Os Mutantes, and Caroliner. Limited to 300 copies.
"The 2nd Digital Primitives release (Cooper-Moore, Assif Tsahar, Chad Taylor) digs in deep to fuse a new sound from blues, folk, jazz & funk, with accents from the music's African antecedents."