New Arrivals
Songs Of Flowers & Skin
Doomgaze. Is that a thing? In ancient times "Songs Of Flowers & Skin" might have done time on 4AD, Creation, or even Sarah. Except of course, for the slender demonic tail woven into the melodies, which would have left a smoldering pile of pointy shoes in its wake. Though the tracks here are not metal, there is no lacking of heavy. The songs (yes, songs) simmer to a point just below explosion. Aidan chooses to excavate with atmosphere in lieu of caterwauling electricity, filling the spaces…
Dispositions Furtives
Through the open sound portals created by his compatriot Castiglioni, the Italian pianist Alfonso Alberti first entered col legno's World of New Music; on his second album, he dedicates his sensitive and brilliant musicality to Gérard Pesson's fragile and puzzling fabrics of sound. A selection of piano pieces has been compiled in a joint effort by the pianist and the French composer; in his interpretations Alberti lets us catch glimpses of musical structures as though they were glittering just u…
Sax Pax for a Sax
Classical world-folk style by Moondog joined with jazz timbers by The London Saxophonic: the amazing and original collaboration between two distinct way of music.
Not a leaf remains as it was
In 1995 Steve Peters and Steve Roden toured as a trio with singer Anna Homler; sometimes they would vocalize behind her, and they liked the way their voices blended together. They then spent about 15 years saying that “someday” they should record a voice-based project together. Aside from the physical distance between them, the problem was always: What would we sing? Neither wanted to write or sing lyrics.Inspiration came in the form of a book of Japanese jisei – poems allegedly written by monks…
Phoenix & Phaedra Holding Patterns
Live composition for portable radios, FM transmitter, 4 corner speaker PA, found sound textures, & Shruti drone box. Sound is all around us. An ethereal tapestry of invisible radio waves and sound pressure waves fills our world. Live in concert, Phoenix and Phaedra plays with our sense of place and scale, by using a surround sound speaker system in combination with a short range FM transmitter which broadcasts to a collection of hand held radios located within the audience. The concert is perfor…
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Back in stock. Helge Sten, aka Deathprod, sat through over 30 hours of live material to compile this 70 minute collection - widely regarded as Supersilent's most subdued work. Often compared to the fusion aesthetic favoured by Miles Davis in the early 70's and the post-modern compositional structure of Stockhausen, the result here is once again surprising and breahtaking, new sounds unearthed around every corner, you get the feeling that the ground beneath you is about to collapse with the sheer…
featuring Ginsberg, Hentz, Irmler
Bob Rutman has invented what may well be the largest stringed instrument ever made. with a bow made of fishing line, he bows the suspension of a gigantic steel sail and in this way creates drones whose volume is not unlike the noise of a plane taking off. we might be reminded of russolo and 'the art of noise' by the futurists, or of machine music or industrial. and we're right and wrong there. of course, simply the look of rutman's steel cello gives a martial impression. so, it's not surp…
Vom Klang Des Lebens/Of The Sound of Life
Solo piano, performed by Roger Woodward. "A co-production between Celestial Harmonies and Bayerischer Rundfunk, Vom Klang Des Lebens/Of The Sound of Life features pianist Roger Woodward on a Steinway model D, playing Peter Michael Hamel's cycle of works composed for and dedicated to his wife and new son. The producer/engineer for the recording sessions in January 2006 was Ulrich Kraus. Long before he discerns the light of the world, still in the womb, nascent man begins to sense the sounds of li…
Lifetime Of Romance
Heartland synthesist Dylan Ettinger follows up 2010's widely lauded New Age Outlaws imaginary cyber-soundtrack with a stark, dark, and intensely different collection of misshapen new wave weirdnesses, Lifetime Of Romance. Recorded at a proper studio, and written over the course of a year, the seven songs of Romance reflect a heavy influence from the fringier strains of bummed out quasi-industrial synth-pop in the vein of Fad Gadget, certain Cabaret Voltaire, early Human League, etc, but dra…
Oltre
The best 12k/LINE release in ages - dark, Lynchian eroded tape-loops and analogue menace. ESSENTIAL PURCHASE! (boomkat) "The Transparence dubplate, developed at O ' in Milan, Italy, works within the physical limitations of the vinyl medium, employing the object as sound source and also sound medium, to become an instrument in its own right. Using the non-linear acoustics of the gallery at O', the dubplate was recorded, and later cut to disc in Berlin, at very low volume. This ephemeral audi…
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Vibraphonist Jason Adasiewicz's (of Exploding Star Orchestra fame) Chicago Trio with drummer Mike Reed and bassist Nate McBride in a great modern jazz release of original compositions, informed, warm and compelling music. "The Jason Adasiewicz Trio features Jason on vibraphone, Mike Reed on drums, and Nate McBride on bass. The Chicago jazz group formed in 2008, first experimenting as a free improvising trio, and later focused attention on arranging tunes that Adasiewicz wrote during his wife's …
For Adolphe Sax
At last, the reissue of German saxophonist Peter Brötzmann's long out-of-print first record, one of the most auspicious debuts of free music, and a trenchant tribute to the inventor of the saxophone. For Adolphe Sax is a roundhouse punch of European free jazz, delivered in1967 by the saxophonist's first classic trio featuring drummer Sven-Ake Johansson and bassist Peter Kowald. Initially issued in a tiny private run on Brötzmann's own BRO label -- silkscreened cover designed by Brötzmann, with h…
For/Not For John Cage
Line is pleased to announce the upcoming release of a elegant new sound work by Australian artist Lawrence English, inspired by John Cage.In 2011, anticipating John Cage’s centenary, I began thinking about how to approach a work that might act as a homage to the aspects of his life and work that have inspired me over the past two decades (ironically, those in which he has been physical absent, but philosophically more present than ever). John Cage, with that beaming smile and trademarked c…
s3d (Ear & Eye)
s3d presents a world of fresh sounds from invented and unconventional instruments with names as curious and evocative as the sounds they produce: mothics, shimsaw, kyurukyuttsu, gloopdrum, corrugahorn, sprong, sundrum and many more. An international collaboration. Twelve experimental instrument builders/improvisors in an inspirational world-first.
Field Recordings 1969/70
Field recordings made at Mariental-Dorf (Germany) 1970, Göteborg 1970 (Sweden), Wolfsburg 1969 (Germany) Sonnenberg, Harz 1970 (Germany) with a Uher mono recorder and a microphone Sennheiser MD 421 N
Mind Ctrl: Psychic
A new label (The Fader) brings a deluxification of 2009's Psychic Chasms, which now also contains the bonus album Mind Ctrl: Psychic Chasms Possessed, featuring nine exclusive remixes and cover versions by Toro y Moi, Body Language, Javelin, Bibio, Yacht, Darby Cicci of The Antlers, Twin Shadow, Dntel, and Anoraak!An elusive new project from composer Alan Palomo, Neon Indian delivers equal parts synthetic nostalgia, dream-pop lullabies, and grinding guitar noise to create something eerier t…
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Once again unveiling hidden treasures from his archive of tape loops, William Basinski releases three pieces made at his Brooklyn apartment during one night in 1982, adding a fourth composition (based on the same source material) made earlier this year. You can't help but wonder why this music, recorded so long ago, is only just surfacing. Was the world not ready for WIlliam Basinski in 1982, or was WIlliam Basinski simply not ready to hand himself over to an audience at that point? Whatever the…
Can't Stop It! (Australian Post-Punk 1978-82)
Originally released in 2001. A long overdue compilation of Australia's incredible post-punk history, featuring the finest selection of bands from the period 1978-82, with many previously-unreleased tracks. This is a fantastically inventive and dynamic time in Australian music history, a time when Australia stepped out of the shadow of overseas influence and asserted its own musical identity for the first time. All of the bands on Can't Stop It! released their music independently, either t…
Killing HF Harlow
Terrapin is Giovanni Lami & Shaun McAlpine. An improv duo based on real time processing field recordings, analog instruments and digital sounds, all played and processed live. This work comes from some recording sessions in Giovanni’s Studio. Later subtlety edited without any overdubs, just choosing the most suitable parts, noticing something evolve from the session, forming a solid arrangement.
The fundamental idea behind the project is vivisection, holding an historical vivisectio…
Drape
12k kicks off its 11th year with a new release that takes the label down new sonic pathways. Caught between the organic and electronic minimalism that 12k is known for and the unconventional Japanese pop musings and songwriting style of Happy, Moskitoo’s Drape is an infectously strange, bleepy, and dreamy debut release.Sanae Yamasaki (Moskitoo) hails from Sappporo, Japan in the country’s northern-most prefecture of Hokkaido. Perhaps a reaction to the cool climate of her home, her multi-instrumen…