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Previously only available as a Japanese CD, now a limited 2 X 12" cut at 45rpm for maximum fidelity & feat. art & production by EYE himself. Limited to 2000.
"I don't know about you lot but we're absolutely crazy about Grails here at Boomkat HQ, last year's incredible 'Black Tar Prophecies' album on Important blew us away so it's great to see 'The Burden of Hope', the band's 2003 debut, back in press on vinyl finally. At this time the band were working under the messy banner of 'post-rock' and lumped in with the whole Godspeed You! Black Emperor/Constellation scene; they were using violins, letting themselves succumb to the influence of dusty America…
Repressed! "Roberto Cacciapaglia is an Italian electronic composer who's made albums using every possible permutation of the same six notes, right up to modern classical, with The Ann Steel Album as the weird anomaly. Made with an American model who moved to Italy to make it big in fashion, Roberto took her languid, Laurie Anderson-esque voice and created a detached futurist popstar. The odd sound of these European futurist pop songs make it sound like the machines are breathing, creatin…
LP version, The African Twintowers Suite" represents a lost soundtrack; compiling the most interesting recordings, newly edited, layered, collaged, shortened and mixed between 2009 and 2010. Seminal German director Christoph Schlingensief (R.I.P. 2010) shoots his latest feature film "The African Twintowers" in Lüderitz-Namibia with Irm Hermann, Klaus Beyer, Robert Stadlober, Patti Smith... Autumn 2006: Schlingensief approaches Berlin musician-composer Hanno Leichtmann (Groupshow, Static, …
"Guitar drag by Christian Marclay is now being released on neon records. The record is actually the sound track for Marclay's video with the same title that was shown first at London's Hayward Gallery sound art exhibition "Sonic Boom" in 2000. The piece as well as Marclay has become an icon in sound art circles, and although the video can only be seen in exhibitions as an installation, it is widely known. The full 14 minutes sound track is released on a beautiful one-sided 12'' clear vinyl recor…
Xex were an all-synthesizer band from South River, New Jersey who recorded their debut album group:xex in 1980. Formed when a trio of high school misfits with funny names (Waw Pierogi, Thumbalina Gugielmo and Alex Zander) teamed up with some friends from Rutgers CollegePerformed entirely on then-state-of-the-art Arps, synths and electronic drums – no guitars anywhere – group: xex aims for the future, but comes across now like a time capsule from the deepest, darkest Reagan years. Each song burro…
the Pyramids first album, recorded in Yellow Springs, Ohio in 1973. It was recorded in Ohio, yes, but band leader Idris Ackamoor grew up in Southside Chicago, & this album was recorded after the core of the band had made an extended trip to Africa, & these facts give a better idea of where this music is coming from. The Chicago thing is happening in that this is definitely informed by the AACM approach, especially the Art Ensemble. The African thing is probably the more important element, though…
The entirety of Origin's musical material is comprised of the vibrating strings of Pitre's ensemble of bowed "harmonic-guitars," which are unconventionally strung electric guitars (utilizing multi-unisons) tuned to intervals corresponding with the Harmonic Series, a.k.a. Just Intonation. No effects processing (pre or post) was used in this recording. All effect-like qualities result from the multi-unison strings (phasing), sympathetic vibrations, combination/difference tones (of the chosen just …
f you're wondering whether record labels still matter, consider the case of Wolf Eyes. Their last two widely distributed albums, 2004's Burned Mind and 2006's Human Animal, came out on Sub Pop and got lots of media attention, even landing the band on the cover of The Wire. Three years later, Wolf Eyes return with Always Wrong, a follow-up of sorts after reams of smaller-run releases. It came out on Hospital in May, and I can't find a single review beyond a few blog entries and tweets. Even The W…
Over 15 years ago Daniël de Wereldvermaarde Botanicus (hat and cacti collector Cassis Cornuta) deejayed a ton of horrible la bamba versions for 2 hours in the now defunct situationist radioshow RTVS (Radio Centraal-Antwerp). The 'galdezen' of RTVS yelled-sung along, creating their own versions of la bamba while getting more and more hammered or naturally gone from a bamba trance! After telling me this short story Daniël mumbled 'I always wanted to dj all night long la bamba, I think it will driv…
The 'Filter of Reality' is a machine imagined and built by Jacques Brodier - Le Havre, France. Penultimate Press is proud to publish the first ever collection of recordings by this unique French artist, researcher, writer and inventor. Between 3 and 30 MHz, radio waves have the property to travel around the Earth by bouncing on the ionosphere, which acts as an imperfect mirror, wave-agitated under the flux of sun's particles. The machine explores this boundless electromagnetic ocean, wher…
This disc brings together the Sun Ra recordings "Cosmic Tones For Mental Therapy" and "Art Forms Of Dimensions Tomorrow" (recorded in 1963 and '61-'62 respectively). Cosmic Tones functions as a kind of blueprint for the sort of large-scale jazz weirdness that would inform much of Sun-Ra's subsequent works, featuring the woozy reeds of 'And Otherness' and the afro-jazz experiments of 'Thither And Yon'. On 'Adventure Equation' a space echo treatment on the recording which is reprised for the sax f…
D. Charles Speer & the Helix came together through a shared love of musical interplay that moves the mind and body. Born from the obsessions and predilections of David Charles Shuford, strains of glassine cruelty, broken glasses and ruptured knees mixed with memories of Chet Atkins lullabies and ZZ Top vids to generate a songcraft steeped in tradition but themed for the burned. A practicing multi-instrumentalist in various New York City improvisational ensembles for the last 15 plus yea…
Edition of 110 copies, vinyl only, one time pressing with download card. “Whereas most other music squabbles for your attention whilst it plays, Unraveling Designs is content to remain in your subconscious mind, gently seducing you in an unhurried manner. The steady swelling of opener Recognition is a welcoming crescendo of highly atmospheric textures, seguing perfectly into the bubbling Down From The Sea, which is certainly one of the most carefully conceived and expertly executed number…
One of the best-remembered Sun Ra albums from the 70s – a really cool little session that features Ra playing the unusual "rocksichord" all the way through! The instrument's a very weird one – kind of like a messed-up electric piano, with lots of cool broken notes and a weird fuzzed-out tone – one that almost feels like a guitar's being fitted into a keyboard, with almost psychedelic results! Ra's use of the rocksichord gives the album a really eerie, outer spacey sound – one that mixes strongly…
Sebastien Borgo, Alan Courtis, Frank De Quengo, Nicolas Marmin are L’autopsie and they just discovered the Musique Acouscousmatique as you will see on the poster inside the LP. Anyway here’s another great mix of post-industrial and shamanistic noises cut into 41 tracks. 200 copies art edition LP with stamped labels and sleeve, poster and inserts. “L'autopsie a révélé que la mort était due à l'autopsie is a musical projet that started back in 2007. The four musicians of L'autopsie... were first g…
Reissue limited to 200 copies, originally released as private press in a limited edition of 100 copies in 1977, this ia a Major historical reissue: Slit And Pre-Slit was Jim Shepard’s first ever release, privately pressed in an edition of only 100 copies in 1977 and mostly given away to friends and musical/cultural heroes like Lester Bangs, Todd Rundgren, Lou Reed, David Bowie, Brian Eno, John Cale etc. Its extreme rarity has meant that few have had the chance to wrap their ears around it, …
With any sizeable Brötzmann group, the temptation is always there to compare it to his classic Machine Gun unit. This new tentet doesn’t match up to the unbridled ferocity of that earlier grouping, but then what has? Perhaps the greatest sea change since the heavy-drinking glory days of 1968 is that ecstatic playing is now as much an idiom as an instinctive response. For all its supposed iconoclastic freedom, this idiom now has its own traditions, its own heroes, and its own stock cliches. Youth…
Remix albums might be the new live albums, but over the past few years, "sessions" have also come to prominence as a way for artists to reimagine or repurpose their music in a variety of different scenarios. Things like Daytrotter, La Blogotheque, Black Cab Sessions, "Don't Look Down" and other Pitchfork.tv shows, and AOL Sessions, have become the "MTV Unplugged" for the era of inexpensive digital technology, constantly shifting economic imperatives, and small-but-fervent online publ…
Third in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…