New Arrivals

Derek Bailey, electric guitar. Pat Thomas, keyboards. Steve Noble, turntables. Recorded at Moat Studios, London, August 1997.

Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…

another amazing japanese weirdo band with members of the great old punks of aburadako and the free birds of hasegawa shizuo, higher hair then benny b or the fresh prince of bell air, a mental harry pussy like guitar style, dead pan free drumming and a voice that could be recorded somewhere else or under a public shower! a lot of energy crammed on one records anyway, too much to dream of. kito-mizukumi rouber is formed at tokyo. we are dance bands. your ankle is be cramped with a rhythm! we are b…

These sample-based constructions incorporated sounds from free-jazz, new electronic-generated sounds, classical modernism & vintage geographical recordings. Discordant segments of wailing, top-end violins give way to clunking rhythmic passages of metal marimbas & tuned percussion; free-roaming passages of rasping, low-end bass & the shuffle of free-jazz recall the work of Prestige-era Moondog, as well as aspects of Harry Partch's instrumentation via mid- to latter-day period Tom Waits. Atonal am…

"For this new Latitudes release All Tomorrow's Parties mainstay Alexander Tucker joins forces with Dean Garwood, resulting in three terrific stretched out jams. Perhaps it's got something to do with the fusion of prog influences with jazz and psychedelia, but stretches of this bring to mind the Canterbury scene of the '60s and '70s from which Robert Wyatt and Soft Machine came to prominence. 'Golden Dome' slips into a bluesy cello riff (if that's not too much of a contradiction in terms) that lo…

'Zones Without People' was released in 2009 on a highly limited vinyl run for Arbor. All seven tracks featured in his Wire chart-topping 'Rifts' compilation, predating his mindblowing 'Returnal' album (surely one of the best of 2010) and displaying its prodigiously gifted creator amidst some of his most affective synthscapes. From the outset we could consider this to be classic material, as the miniature 'Computer Vision' - one of his very earliest creations circa 2004 - plugs into a spir…

'Human Skab was a 10-year old boy from Elma, Washington who played African music with buckets and spoons. Thunder Hips and Saddle Bags is a 1986 cassette recorded by young Travis Roberts with his neighborhood pals and siblings. It was injected into the underground network of tape traders, zine scribes, college DJs, and freak seekers who were universally bowled over by its bewildering and utterly poignant snapshot of the mid-1980s. Skab's music -- an orchestration of pots n' pans, three string gu…

Another sublime drone album from the unshakably good Root Strata camp, En's The Absent Coast is a real upper tier ambient release. Distinguished by its depth and effortless musicality, this album is one for genre fans to really savour. After the sandblasting noise/tonal onslaught of 'A Dying Sun/Return To Holyoke', the album calibrates itself to a stately simmer that comes to life during the quite sublime 'Honeysuckle Heart', which combines glassy sustains with crackl…

Ombrophilia is a collection of sound experiments I made with porcelain bowls filled with water between 2006 and 2008. Inspired by Jalatarangam, traditional Indian instrument, I started to play the 'waterbowls' with wooden spoons and metal wire (Mylapore, Jalatarangam Revisited). Since I immersed hydrophones in them, I have tried various ways of resonating the bowls without touching their surface : flicking, stirring, waving and dripping water All the compositions here are multitracked and…

Limited to 455 transparent vinyl copies, including remixes from Vatican Shadow, Roly Porter and Kangding Ray* Violetshaped is a collaboration between the enigmatic Violet Poison and Berlin-based artist Shapednoise. "Violetshaped Remixes Part 1" is the first of a remixes series divided into several parts. This first instalment features remixes from Roly Porter (formerly of Vex'd) following on from his acclaimed debut album for the Subtext label, Vatican Shadow - aka Dominick Fernow, owner …

The 1987 debut of one of the great forgotten bands of the post punk, dark-industrial era remastered at Dubplates & Mastering and reissued in a beautiful gatefold edition by Forced Nostalgia - 500 copies only* Pump were Andrew Cox and David Elliott, a pair of likeminded electronic music fiends who met at Brighton uni in '79. After staring a fanzine and a tape label the pair eventually began to record their own material (initially under the moniker MFH) and released several cassette albums …

There's something almost religious about this Charlatan (Brad Rose) LP, its narrative arc swinging from light to dark and back again. From the opening chords of "Lime Beauty," we're awash in polarized-lens glinting twilight, fluorescent skies over the water. "Trace Blue Outlines" is trance-like and reflective, with long, arpeggiated figures chasing each other skyward in a fugue. Darkness creeps in around the edges of "Vodka Rocks," with almost post-rock moodiness bringing the side to a cl…

Sun Ra was an extremely prolific artist and while hundreds of recordings exist of Sun Ra, there are only a handful where he can be heard playing solo. This amazing and rare solo performance recorded live in 1977 at the world-famous La Fenice opera house in Venice, and featuring Sun Ra playing a mix of standards as well as his own material on piano, is a rewarding journey into the repertoire of one of the most controversial and unorthodox musicians in the history of jazz.

"Revelationes is the 5th studio album from Tape, their first since 2008's Luminarium and the follow-up to their collaboration LP with Bill Wells (Fugue, Immune 008, 2010). The LP is co-released with Häpna in an edition of 1,000 copies worldwide and pressed on high-quality virgin vinyl at RTI with free MP3 download coupon. Tape have been playing their unique blend of pop, experimentalism, and minimalism since 2000; having released four full-length albums and collaborative recordings with Te…

One of the key but underappreciated episodes in avant-garde jazz, Sun Ra's Atlantis sounds far out even today. Rather than a full-on assault on the senses, Atlantis is an exercise in build-up, with long, almost forlorn passages of Ra on electric keyboards setting a vast echo chamber for his Arkestra to spring forth within. Captured during one of the most adventurous periods for Sun Ra, *Atlantis* features the orchestral perfection of the best big bands of the century-and then proceeds towards mu…

Temperatures are a London-based duo formed by Peter Blundell (bass, voice) and James Dunn (drums, synth). Blundell's rumbling delayed bass runs against Dunn's bursting drums that simultaneously trigger an unruly ARP 2600. Vocals are both muffled and shouting at times and eventually end up getting buried under a (controlled) landslide of sounds. Thanks to their instinctive but thoughtful approach to noise, Temperatures can express a suffocating sense of alienation and mal de vivre, as well as tod…

RESTOCKED!! An unreleased 30-minute piece by composer and sound artist Joe Colley. Composed from concrete materials and premiered at Field Effects, San Francisco, in 2002. Rehersal version discovered and slightly re-edited in late 2011. Joe Colley (b.1972 Ft. Lauderdale) is a self taught artist concerned primarily with the phenomena of sound and it’s unique ability to activate a consciousness set apart from rational understanding in a way very different from visual or verbal means. This co…

The second LP in the RRR Foley Artist Series. Another great noise-wall record from The Rita. Two sound sources, one for each side. Because each side is a completely separate sound source, lets consider it a split LP.

Bureau B reissues Piano Piano by German keyboardist Hans-Joachim Roedelius, originally released in 1991 on the Italian label Materiali Sonori. In classical music, "pp" (piano piano = pianissimo) is a dynamic indication of particularly soft music. And Piano Piano is a very soft, quiet album. Roedelius assumes the role of a fairytale character with his piano music, transported to a strange, fantastical landscape where, filled with awe and amazement, he tries to get his bearings. What he see…

Reissue of a classic tape from 1986. Bruno Cossano released 4 tapes thoughtout the 80s and appeared on various compilations such as the 'Hate's our belief' tape ion Aquilifer Sodality. Now for the firs time this Italian power electronics master can be heard on vinyl with some of his most powerfull and intense stuff.