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The title of Fern Knight’s 2006 release, Music for Witches and Alchemists, served simultaneously as a wonderfully apt description and an unambiguous product warning. If you prefer the mundane to the magical, move on: These are not the druids you’re looking for. Since then, the group has relocated to Arlington from Philadelphia, and while Fern Knight’s music evokes far-away times and places, it turns out the band fits in nicely with the D.C. area’s musical history—assuming you can stomach …
Luigi Archetti und Michael Heisch spent over two years experimenting in the studio. The result is the album the "Netherlandish Proverbs" – a musical approach to the painting by Pieter Bruegel the Elder (1525 – 1569). Conceived by a process of random selection, the album presents the listener with freshly perceptible, kaleidoscopic-like audio experiences."The Netherlandish Proverbs" is one of Pieter Bruegel the Elder's best known paintings. It contains over 100 sayings and idioms illustrating hum…
The best 12k/LINE release in ages - dark, Lynchian eroded tape-loops and analogue menace. ESSENTIAL PURCHASE! (boomkat) "The Transparence dubplate, developed at O ' in Milan, Italy, works within the physical limitations of the vinyl medium, employing the object as sound source and also sound medium, to become an instrument in its own right. Using the non-linear acoustics of the gallery at O', the dubplate was recorded, and later cut to disc in Berlin, at very low volume. This ephemeral audi…
Amish is pleased to officially announce a new release from Humboldt County's finest contemporary experimental unit, Starving Weirdos. A couple of years in the making, Land Lines documents a vital step in the evolution and refinement of Starving Weirdos' freeform improvisational practices, as well as its infamous and highly disciplined studio practices. Land Lines chronicles Starving Weirdos' most focused and structured release to date, with pieces that import a distinctly European flavor…
Likeness is the newest release from the duo of Tom and Christina Carter. Recorded over a period of several weeks during the Spring of 2006, the album is a return to the spontaneous composition of previous Charalambides records such as Houston and Union. With the exception of "The Good Life", which appeared in a primitive version on the Wholly Other CDR Home, all of the tracks on this release sprung forth after 'record' was pressed, and were fleshed out via overdubs, editing, and a malfu…
Marcus Fischer is a musician and multimedia artist currently based in Portland, Oregon. Field recordings, chance, and DIY instruments, coupled with acoustic instrumentation and visual art, define what has become his minimal signature. His uncanny ability to sculpt delicate beauty from the simplest of sound elements results in compositions that are both intimate and expansive.From January 2009 through January 2010, Marcus kept a blog called Dust Breeding to document the results of his goal to com…
Eri Yamamoto released two recording in 2008, each of which—in different ways—demanded attention. In a series of duos with friends such as William Parker and Hamid Drake (Duologue), Yamamoto was expansive and free, readily finding ways to play beyond conventional harmony without sacrificing “beautiful” pianism. With her trio (Redwoods), she was more in the pocket, mining vamps and grooves for what they could say about the blues, but always keeping things intelligently sweet. If you’d barely heard…
The music of Mount Eerie has taken many forms (see: The Microphones) but it is always made by Phil Elverum. Lost Wisdom is an album that finds Elverum in a more collaborative mode than usual, working with two legends of music and kindred spirits, Julie Doiron and Fred Squire. Elverum and Doiron share vocal duties almost equally on the record, making it an album comprised of dark pop duets.This time the songs were recorded quickly and quietly during a surprise visit by Julie Doiron, keeper of t…
A kind of different album from A. Baker (Nadja) as it leans more into shoegazery and drone-pop songs. “Green & Cold” is the strength of strings proved by A. Baker. His soft lyrics suffuse weightlessly into a humming cloud of perfumed guitar scour. Yes, when gazed upon, these patent leather shoes really do reflect up. However, “G&C” is accomplishes much more than throwing Loveless lights back up to Heaven. An ass-load or so of previous avant-garde releases has developed in Baker a skill-se…
'Hymnos' (1963) for organ & 2 orchestras. 'Hurqualia' (1960) for large orchestra. 'Konx-Om-Pax' (1968) for large orchestra & chorus. The Carnegie Mellon Philharmonic & Concert Choir. Juan Pablo Izquierdo, conductor. 'Canti del Capricorno' for voices & instruments. Pauline Vaillancourt, soprano. Douglas Ahlstedt, tenor. Volume 2 in Mode's scelsi Edition presents three of his rarely heard and recorded orchestral works, vividly captured in outstanding sound. Hymnos' large orchestra is divided antip…
2004 release ** "12k presents Every Action, the 3rd full-length release from the UK’s Motion (Chris Coode) and the follow-up to 2002’s critically acclaimed Dust (12k1019). In addition to his work with 12k (Dust, as well as a collaboration with Doron Sadja on 12k’s recent Two Point Two compilation, and an MP3 only release on 12k’s term. series) Coode has worked with Fat Cat and also released the debut Motion cd Pictures (now out of print) on his own imprint. The work on Every ActionPictures was p…
Guest contributions include David Sylvian, Daniel O'Sullivan (Miracle and Ulver), Duke Garwood and many others with the two creators, Daniel Lea and Matthew Waters, both taking a directorial role. The album was sculpted in Reykjavik by Ben Frost, enhanced by his signature aural physicality and visceral sub bass. The album is a vast collision of sound, from free brass and woodwind to "geometric" bowed cymbals and metallic percussion.But more than simply music, the multidisciplinary L A N D draw o…
Recorded live in concert at the Abrons Arts Center, NYC on October 15, 2009, Saturnian documents master saxophonist David S. Ware's triumphant return to performance following his kidney transplant in May 2009. This performance prompted features in The New York Times and on NBC Nightly News.Ware, in full peak of form, performed three extended pieces, each one on a different horn. "Methone" is on the saxello and "Pallene" features the stritch. David has played these lesser-known members of the sa…
Fourth opus of musical art brut, faithful to our precepts, we search out self-taught musicians. That means people who make contemporary music outside the customary production and distribution channels and with the determination and creative gifts that stem from unmistakable artistic talent. Some of these musicians operate in mental or social isolation and make their music in special workshops while others can be classified with the spiritualist or visionary artists. This particular relationship …
The second volume in a planned series of David S. Ware solo recordings, presenting two entire concert performances on sopranino and tenor sax at Park Slope and at Unmbrella Music Festival in Chicago. Each David S. Ware solo concert performance is a rare and magisterial happening. There were two such events in 2010, and both concerts are presented here in their entirety. The first took place in March at an intimate, invite-only event in Brooklyn; the second took place at the Umbrella Music …
Becalmed is the debut album from Sydney pianist Sophie Hutchings, recorded between two different settings: one with engineer Tim Whitten, best known for his work with The Necks, and one with Tony Dupe, who records on the preservation label as Saddleback. Becalmed isn't an entirely solo affair, and you'll hear Hutchings' family and friends helping her out with violin, cello and percussion - all elements that greatly help bring these recordings to life. Beautifully recorded, elegiac and romantic c…
The Preservation label presents From Here To There, the debut album from San Francisco’s Ben Swire. While From Here To There can sit snugly in the canon of electronica, it’s played out with expansive vision and immediate warmth. Woven together with a deft sense of minimalism and melody using double bass, interlocking guitars and crisp percussion, the use of live instrumentation against densely layered field recordings finds great balance between elasticity and deep ambient underpinnings. The acc…
Six untitled pieces compiled from improvisations recorded 2–3 July 2011 at Utterpsalm studio. The sound sample is an unused excerpt from the second recording session which took place on 14–15 September 2011 at Mark Durgan’s studio in Bristol. Edited by Mark Durgan.
'My role in bringing together this group was to provide a new context for the diverse talents of these musicians. From the outset, the aim of the group was to explore the range of possibilities at the intersection of jazz and computer music.' Adam Linson. This is a terrific CD with this stellar line-up: Axel Dorner (trumpet, electronics), Rudi Mahall (bass clarinet), Adam Linson (double bass, electronics) and Paul Lytton (drums, percussion). Recorded on 14 January 2008 in AL's studio, Josetti Hö…
'Absence and Presence (2006). Absence and Presence was originally written for five musicians and four loudspeakers positioned throughout the site of performance in order to explore the traction between amplified and acoustic space. The performance was predicated on a set of directions that determined the combination of musicians at specific times and the duration of their performance. Within these structural parameters the musicians chose what they played and how they responded to one another. T…