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180 gram vinyl version. Tracklisting: "Circe," "The Nile," "Brazilian Sun," "We Travel the Spaceways," "Calling Planet Earth," "Dancing Shadows," "The Rainmaker," "When Sun Comes Out." First two tracks probably made during the same session at the Choreographers' Workshop, late 1962 or 1963. Remaining tracks recorded during different sessions around the same period. The master tape of side B is in stereo; all known pressings of the album are in mono, however. The master tape also includes …
It probably wouldn't surprise most, but the Type label was originally formed with soundtracks in mind. The moody music that usually accompanied their favorite independent films was a starting point for the label, so it seems perfect that nearly seven years on, they are going back to their roots, if you like, with this album from acclaimed Icelandic musician/composer/producer Jóhann Jóhannsson. Jóhannsson emerged on the influential Touch label with the genre-defining Englabörn (TO 052LP) album in…
Poet Laureate of East St. Louis+founder/editor of internationally acclaimed journal "Drum Voices Revue". Principal architect of black cultural arts movement of the 60s, teacher & acclaimed writer of countless volumes of poetry, Redmond has been called "the preacher of poetic rhythm" by Maya Angelou, "a carver of high song magic" by Quincy Troupe & "a worker & healer" by Ishmael Reed. On this spirited, funky, streetwise collection of 12 vintage cuts recorded live in the studio in Sacramento in 19…
Poland's mik.musik agent wojt3k kucharczyk bugged his robotron family. "entertaining physics" is a poetic and secretful electroacoustic work that sounds like a gathering of digital clocks in the waiting room of an abandoned building. mechanical ants are crawling over piles of paper next to protesting copy machines and sadly shaking faxes. quiet industrial diseases spread in the attic and the doors clap in a-synchronicity. in between, interplanetary melodies are humming in retired telephones. all…
Limited to 200. Zak Boerger's combination of fuzz, acoustic guitar & extended downer ballads most immediately aligns him with the New Zealand scene centered around Peter Jefferies & Alastair Galbraith as well as associated international satellites like Flying Saucer Attack & the Twisted Village roster, but there's a lonesome edge to the music that would situate it ouside of any particular historical tradition & closer to the mystery school of regional private press obscurities. The acoustic trac…
The second album from Australian band Naked On The Vague, who have doubled in size for this batch of new material. The tone is characterised by dark and fearsomely heavy garage-punk, with a wafer-thin coating of distortion lending a little extra bite to the band's already vicious dynamics. "Bleak, unrepentant, withering and droll, Heaps of Nothing is a 21st century codification of the gallows wit and mesmerizing otherworldliness of (Dub Housing-era) Pere Ubu, Primitive Calculators and L…
The sound of CHEN YI is rough & brutal... electronic music, soundcollages that reminds to Throbbing Gristle or (early)SPK aswell as electro-pop-tracks & songs like early Cabaret Voltaire, Chris & Cosey, Severed Heads...The Chen Yi Commune was founded in 1978 by about 20 women & men from London. The aim of the commune was to create a closed subsystem, a kind of subsociety and to narrow down its contact to the outside world only on very few specific actions.The Chen Yi commune never was interested…
Guitarist /composer Glenn Jones claims a lengthy and rich relationship to what his longtime friend John Fahey so famously dubbed "American Primitive Guitar". Aside from being seduced by punk in its latter-70's heyday and brandishing the electric for a large portion of his career (including 20 years as a founding member of post-rock instrumentalists Cul de Sac), it was the acoustic steel-string and the seemingly multi-directional genres born from Fahey's homespun Takoma imprint that informed much…
Tracks: Side A - civil / headless / lo v / wiped out / closest Side B - break bone / end flux / without one / civilizationRecorded live 2009-Present, various locations, Los Angeles, CA.Tearist: Yasmine Kittles, William StrangelandCover Photograph: Olivia Crawford Sound/Visual Design, Production: Peter Kolovos, William Stangeland Vinyl Mastering: Pete Lyman at Infrasonic SoundLimited edition high quality vinyl in full color & hand-letterpressed heavy tip-on jacket.
Limited edition of 400. Handmade letterpressed covers. Deceh is a fine drone quartet utilizing traditional ethnic drone instruments as well as vintage analog synthesizers. This record was recorded on a centered room microphone as the group sat in a perfect square around it. This method of recording perfectly captured the focused intimacy of the moment, complete with the crackling bellows of an ancient harmonium. Bringing strict discipline, control and patience, theyre able to achieve densely tra…
The third LP in the series produced by Kommisar Hjuler and Mama Baer has just Mama Baer on one side and on the other side we find the highly respectable Runzelstirn & Gurgelstock. This originally Swiss project has moved to Japan ages ago, and there (and most likely anywhere else) he performs his pieces, aktions as they are called in the best performance tradition. Here a piece from April 2009 in Osaka and its quite a surprising one, if you know their previous work. Much of that older work consis…
romantic low-fi death rock creepers from prolific Providence showman/illustrator/film-maker Carlos Gonzalez. Some of his catchiest tunes yet. To be listened at night on headphones. Reminds me of morbid childhood, the thing in the mirror, the AM rock n roll station and it’s chintzy announcers, hair collectors and men in heels - - #1 pop hit of the year - - -
Presented here for the first time on vinyl, Joe Colley's 'Anthem' LP gathers material from limited edition releases issued between 2001-2006. Side A presents Anthem a long form tonal study with contrasting climax. Side B edits together 4 shorter explorations culled from the Triptych triple business card cdr release and inserts a track from the 2001 compilation CD Coalescence. Mastered for vinyl by Giuseppe Ielasi. Pressed in a limited edition of 200 copies housed in a deluxe tip-on jacket…
Ultra limited LP re-edition, handsigned copies....like most of Maurizio Bianchi's fascinating works, "Armaghedon" is turned to noisy, long minimal sonic dreamscapes, including physical addictive sounds. In this early effort written for a non released experimental movie, Maurizio Bianchi explores sound intensity, somnambulism and "insolit monotony". Try to imagine something between "Phaedra" most intellectual, hallucinatory sequences, the destructive, destructured sounds of Whitehouse and the sac…
"the coming together of this quartet on "paper of pins" has resulted in mature, yet unforced sounding compositions. the touching number "brown reduse" wins you over with its catchy piano sounds and subtle trumpet which is rounded off by the electronica. it's a small orchestral gem in the jazz style which is still edgy despite its perfection. this is highlighted, for example, by the fact that you can hear the brass player drawing breath on some tracks. certainly, the scottish composer is no perfe…
As a slow motion Stan Brakhage on K, this last and definitive new album from Aaron Dilloway is fluid and cinematic. After the monumental Chain Shot Lp and a furious live activity, the Mid West's mad tape-scientist is back to take your hand and dive you in a buzzy ocean of muddy water loops. Welcome to this creepy journey to the south of heaven, here you can just crawl like a worm.
Sun Ra was an extremely prolific artist and while hundreds of recordings exist of Sun Ra, there are only a handful where he can be heard playing solo. This amazing and rare solo performance recorded live in 1977 at the world-famous La Fenice opera house in Venice, and featuring Sun Ra playing a mix of standards as well as his own material on piano, is a rewarding journey into the repertoire of one of the most controversial and unorthodox musicians in the history of jazz.
I don't care how many goddamn cute hobo bands there are out there right now. Not two runny shits. There's something Hank IV knows that few other current "of interest" bands realize, and it's a painfully simple thing: guitars were meant to sound like this, not that (pick something). That's as plainly as it can be put. This is twin-guitar punk rock in a class of its own, driving more than dueling and hot-sauce-free. I'd say "power with taste" but then I'd have to kill myself. I will say that…
ultralimited lavishly packaged LP (100 handnumbered copies only!), this ground-breaking electro-acoustic trio made my day. The album is largely improvised, with extracts of Charles Bukowski’s poetic works overlapping on the interweavings and multiple stratiï¬Âed references in the trio’s music. It features a faceted palette of acoustic, analogue and digital colours: drums, metallic objects, ethnical instruments, samples, sequences, filtered voice, pedal effects, vinyls, digital electronic…
After a long time out of print Sacred Trails 7", a new release from Altar Of Flies for Wendy.Minimalistic textures, tape loops, field recordings and junk abuse, all mixed in an unique cruel sound. AOF explores line between man and nature, with analog machines he transforms in sound the cold of his lands, the feeling of no light, the man perfection in loneliness. The result is the must organic, deep and dark AOF release ever.A new start for this criminally underrated artist, a new powerfully soun…