New Arrivals
Leyfou Ljosinu
Icelandic cellist Hildur Gudnadóttir presents a new album, Leyfdu Ljósinu (trans. "Allow The Light"), recorded live at the Music Research Centre, University of York, in January 2012, by Tony Myatt, using a SoundField ST450 Ambisonic microphone and two Neumann U87 microphones (NB -- it was not played in a concert environment and there was no audience). To be faithful to time and space -- elements vital to the movement of sound -- this album was recorded entirely live, with no post-tampering …
Bloom
First in the 'Neither Speak Nor Remain Silent' series of three CD EPs by this new project founded by Irish singer Clodagh Simonds. Contributors incl. Brian Eno, Roger Eno, Laura Sheeran, Lydia Sasse, Cora Venus Lunny, Toby Arnott, Carter Burwell and Andrew McKenzie of The Hafler Trio. The CD comes in a beautiful embossed cover in an edition of 2000 copies.
Plekzationz
CD version. This recording contains seven remixes by UK-based artist and electronic musician Mark Fell of the first three 12" singles released on the record label Sensate Focus in 2012. These were called 10, 5 and 3.3.... The first of these, 10, was itself a reworking of materials from an earlier project by Fell and Terre Thaemlitz, released on Comatonse Recordings in 2012. The seven remixes were written and recorded in June 2012 at the Upper Lounge, Chatham Street (UK) using a MacBook Pro ru…
Ullakkopalo
This is the first release from Finland's Kemialliset Ystävät since 2007. Kemialliset Ystävät equals Jan Anderzén. He is one of the few Finnish musicians to have achieved renown in the international experimental circuit. In the case of Anderzén -- who also plies a trade as a visual artist -- this is not a matter of juxtaposition between experimental and mainstream, or a calculated career choice. Using music and images, he is busy creating a world that is a law unto itself, a world of exceptional …
Ocean fire
Christopher Willits and Ryuichi Sakamoto’s new release, Ocean Fire, is a sublime soundtrack for the ocean. It is an intense and stirring wash of cascading tones and textured harmony. Willits + Sakamoto surprise with rare form in this collaboration, creating a sound world unlike anything they have produced previously. Each artist has gently pulled the other into new sonic territory. Sakamoto’s gorgeous processed piano sound reflects Willits’ beautiful shimmering clusters of notes, a new aspect of…
Grisp
Running the gamut of improv, concrète, industrial tape music, and cut-up sounds. Featuring appearances by MITCHELL BROWN (GASP), AARON HEMPHILL (LIARS), PETER KOLOVOS (OPEN CITY), RICK POTTS (LAFMS, SOLID EYE, AIRWAY), and source material by SMEGMA and the HATERS. Partially collects material from the Beat (777 Was 666), Grisp, and DDT (Chondritic Sound) cassettes. For those that say things like, "I don't really listen to CDs"—you're totally lame.
Reception
The Sons of God: 32 amplified iron plates. Mats Gustafsson: live electronics. Recorded by Olof Madsen on the 5th of March 2006 at Frgfabriken, Stockholm, Sweden. Reception was a sound installation at Frgfabriken (February 18 - March 5, 2006). by the Sons of God and Emanuel Swedenborg and a part of the festival Place and Space, Stockholm New Music. The festival was curated by Magnus Haglund and Magnus Andersson. During the installation period, the following guest-artists were invited for performa…
Inexistence
A brand new album of minimal, cryptic & static sounds. The inexistence is the aplanatic condition of what is not existing, therefore doesn't subsist in the shot reality. Transferring this entomologic concept to radical music, we're consequently asking: inexistent sounds for existing people or existing sounds for inexistent people? Without schizoid presumption, "Inexistence" is replying to this existential question
Cristallisation
Over 4 hours of improvisations were recorded over these two days in april 2010. We then trimmed the sound sequences and the silence, while keeping our specific interactions and phrasing of sounds between us and with the location. But sound is a flexible material and what remains of this session are frequencies that are like vestiges to be reinvented. To help this there is some 'presence'. The acoustic character and the intense immobility that fill the air of the chapel of Las Planques, in the da…
Music In And On The Air
"A major gap in Clara Rockmore's recorded legacy will be closed with the release of Music In and On the Air, a CD derived from a live 1979 WQXR broadcast. To celebrate the 9th anniversary of a series called The Listening Room, Clara brought her theremin to The New York Times building, and before a full house in the auditorium there, played solos and chamber pieces with her renowned pianist-sister Nadia Reisenberg, the superb violinist Erick Friedman, and eight members of the Violincello Society.…
Evergreens
"Mani Neumeier & Luigi Archetti's avant-free-live CD. Tire Der Nacht are good for early Guru Guru fans." Live recordings from 1996 by the Guru Guru drummer and Swiss free guitarist Luigi Archetti
Outmospheric Arts of the Outmosphere
"Ben Reynolds has emerged as one of the most prolific contributors to the UK ecstatic-drone scene over the past year. He has released numerous solo CD-Rs and last year saw his first CD on the Finnish Ikuisuus imprint. Outmosphere was originally intended to add to the list of CD-R releases, but once we heard it, we knew it deserved something bigger. Many moons later, this is Ben Reynolds' first stateside widely-available CD release. As his music has developed, Reynolds has given nods t…
Nothing Special
The best-selling instrumentalist in the world, with over 70 million albums sold to date, Kenny G. is an international superstar who has earned countless prestigious awards throughout an illustrious career that spans three decades. He has distinguished himself as a master craftsman and one of the most gifted artists in the world, through nineteen best-selling releases. Now add one more to that list of multiple-platinum chart-topping records: NOTHING SPECIAL. Kenny's first album in at least…
Point Break
In 2010 electronic musician Esther Venrooy and drummer Lander Gyselinck were invited to collaborate with two Chinese musicians during the Shanghai World Expo. This event inspired Venrooy and Gyselinck to start their own collaboration which resulted in the creation of Point Break. Fascinated by speech patterns, film dialogues and cut-up techniques they explore the interaction between acoustic drums, electronics and digital processing.
Ore
Fluid forms of drones, doomy laments, & folk melodies fleshed out from a backbone of sine oscillators & violin. Behind these droning squalls is the lone figure of Marielle Jakobsons. Armed w/ her tiny army of sonic weapons, she concocts a lavaflow of melodies only to then bury them underneath a flowing river of muck. Limited to 500.
Chimeric
"Which brings me to Radian with long player 'Chimeric'. The post rock button has genuinely been pushed. This record offers a lot to bearded, stand with your arms folded at gigs nodding types. They have quite a claustrophobic quality.With vibraphone and introverted samples dominating proceedings, but does not seem to move above brooding pace, which gives it a soundtrack effect. The cover is really poncey as well its a broken vase with dying flower petals strewn about the place.Its probably meant …
Every live is problem solving
A suggestive gallery of abstract images, confused fragments of life and real living experiences, sights of urban landscapes... Noisy and electronic interferences, mechanical machines movements, concrete noises, low frequences fluxes, hissing sounds, interferences, but also melodic acoustic guitar pieces, human voices and other field recordings... A brave, uncompromising and heterogeneous "decomposed" mosaic of avantgarde sound art beyond time, beyond any point of view and any geometric coordina…
Tidings / Amesthyst Waves
Trying to put the last 15 years of music into context, you’d be hard pressed to get anyone to agree on a single thing. If anything, this period has been a collective convergence of all things cool-sounding: naïve experimentalism, academic composition, art-rock synthesis, electronic nihilism/flagellation, and, well, everything else. Mark McGuire could muddy anyones interpretation of the contemporary canon with his buddies in the triadic mega-unit, Emeralds, his collaborative outings in Sun Wa…
What Are The Roots That Clutch
It was a cavernous tone that broadcast from a ventilator duct that inspired Patrick McGinley to begin collecting field recordings and working them into his slow-arc compositions. At the time when he heard that particular tone in that particular city at that particular time, he had no gear to recording device on hand. Over the next fifteen years (and counting) McGinley has eased into a peripatetic lifestyle, wandering the European countryside and forests (but never straying too far from th…
Musics In The Margin Vol.4
Fourth opus of musical art brut, faithful to our precepts, we search out self-taught musicians. That means people who make contemporary music outside the customary production and distribution channels and with the determination and creative gifts that stem from unmistakable artistic talent. Some of these musicians operate in mental or social isolation and make their music in special workshops while others can be classified with the spiritualist or visionary artists. This particular relationship …