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Luca Sigurtà has been composing electronic music since the early 2000s; Warm Glow is a great step forward in his compelling and very personal musical journey. On Warm Glow, Sigurtà's emotional electronic noise is mixed with slow-paced rhythms and delicate flows of analog synth. It's an original sort of trip-hop-noise-ambient, marked by remarkably melancholic melodies and beautiful digital and analog sounds. With a passion for silence and noise, Sigurtà has previously released on Fratto9 Und…
Leslie Winer is an artist and author living and working in France. Earlier releases include Witch (recorded in 1990, released in 1993), & That Dead Horse (recorded in 1994, released in 2010), Always Already (2011), and the retrospective compilation Leslie Winer &c. (WHO 003CD, 2012). She has collaborated with Jon Hassell, Bomb the Bass, Mekon, and her words and voice were heard on a track on CI by Diamond Version (Carsten Nicolai and Olaf Bender) (2014). As of 2015, she is co-editor and co-execu…
Saltern returns with a gorgeous new recording of Morton Feldman's Clarinet and String Quartet (1983) performed by Anthony Burr (clarinet), Graeme Jennings (violin), Gascia Ouzounian (violin), Che-Yen Chen (viola) and Charles Curtis (cello). This performance highlights Feldman's interest in notation by treating the slight differences in intonation and rhythm literally and specifically. Recorded by Tom Erbe in the living room of a friend of the musicians. Edition of 400. Housed in jackets print…
“Fusées” isn’t the first collaboration between Thomas Bonvalet and Jean-Luc Guionnet, their first joint effort “Loges de Souffle” appearing on Be Coq last year. The same label also put out a vinyl edition of “Fusées”, but now Sarah Hennies’ label Weighter Recordings has thankfully stepped in with a CD and download release for the rest of us. Although the two artists are primarily known for their attachments to a particular instrument (guitar for Bonvalet, saxaphone for Guionnet), these in…
"Sorcerer of Sound" or "S.O.S." is a concept album by Justin Wright of Expo '70. A collection of analog improvised experiments that harken back to the early days of private press releases. LP to be released on Polytechnic Youth late Summer. Cassette version will be presented in hand dyed outer shells in an edition of 50. Long-term devotees to Wright’s recording career will no doubt dig that although aspects of the recording equipment and improvised approach here may alter slightly, the …
Just 10 years ago, Down to the Bone was released by Les Disques du Soleil et de L'Acier - a Depeche Mode acoustic (piano, clarinet, cello, viola) tribute album on which Sylvain Chauveau went back to singing after several years exploring intrumental landscapes. 11 tracks that the musician reclaims in the sober style he is known for leaving just the bare bones of the originals. With the Nocturne ensemble, Chauveau redefines the contours of these hits we all know to provide an intimate and highly p…
A work of slowly evolving beauty that gradually unravels its meditative design. Recorded in 2013 in the mausoleum of Norwegian sculptor and painter Emanuel Vigeland (1875-1948) in Oslo, a recording space that is famous for its acoustics and its long and full-sounding reverb. These three tracks utilize both the delicacy and the power of acoustic instruments and human voice in relation to the unique recording space. Otherworldly and eerie but also with a great primal expressive force. Perfo…
Pinkcourtesyphone sends you a Sentimental Something from the depths of its obsessed heart. A sonic love note of smudged ink. Joined by the otherwordly Evelina Domnitch, friend and former cover model and vocalist on the acclaimed 2014 Description of Problem CD, which also featured contributions from Cosey Fanni Tutti, Kid Congo Powers, AGF, and William Basinski. On the central core, "Tears of Modernism," Miss Domnitch wields her dark magic on theremin, weaving a mournful kiss on the envelope fr…
In honor of groundbreaking American composer Terry Riley’s 80th birthday, Nonesuch Records releases One Earth, One People, One Love: Kronos Plays Terry Riley—a five-disc box set of four albums of his work composed for, and performed by, his longtime friends and champions Kronos Quartet—on June 23, 2015, in North America and July 10 for the rest of the world. Riley and Kronos met more than 35 years ago, and since then, the quartet has commissioned 27 works from him, more than from any other compo…
The KEW stands for a group of three composers: Krzysztof, Elzbieta and Wojciech, founded in 1973 when they were all students at the Fryderyk Chopin Higher State School of Music in Warsaw. They were a group of friends who enjoyed spending time in good (i.e. each other's) company and collectively coming up with new compositions. They weren't average students. Elzbieta Sikora had already been on probation (1968-1970) in Groupe de Recherches Musicales in Paris under the guidance of Pierre Sch…
Original and new realizations of five of Polish Radio Experimental Studio’s seven published scores. Pieces by Andrzej Dobrowolski (Music for Magnetic Tape and Piano Solo; Music for Magnetic Tape No.1), Bogusław Schaeffer (Symphony: Electronic Music), Włodzimierz Kotonski (Aela; Study for One Cymbal Stroke), and Krzysztof Penderecki (Psalmus) “performed” by Eugeniusz Rudnik and Bohdan Mazurek and by Lionel Marchetti, Thomas Lehn, Philip Zoubek and Wolfram, Arszyn and Piotr Kurek, Mar…
Pole Reports From Space collects together archival recordings and new commissions from the Polish Radio Experimental Studio on the theme of space. The Polish Radio Experimental Studio was founded in 1957, and like other electronic and experimental radio stations, frequently produced interpretations of the sounds of deep space, alien sound effects and the whirrs of the future. Pole Reports From Space is compiled and partly commissioned by Bolt Records.The Polish Radio Experimental Studio has been…
Double LP version. The ascent of Shit and Shine is one of the great audio headfucks in memory, from its genesis out of the South London noise rock revivalist scene to a zone where rabbit-costumed maniacs bled a unique form of multi-drum and electronic hysteria to its incarnation of destroyed lysergic dance music. Shit and Shine is the epitome of second-guess-subversion. With a foot in every pie, it continues on a fantastic, twisted path. Everybody's a Fuckin Expert lays forth another slab …
ten years after their "variety" cd a-musik present the brilliant second release by John Tilbury (piano) and Marcus Schmickler (computer). Recorded in january 2012 at Loft, Köln, mixed in december 2014 at piethopraxis.
Triple LP edition. September 2015 will see the release of Thighpaulsandra's 7th full length album 'The Golden Communion', his first since 2006's 'The Lepore Extrusion'. Well over a decade in the making, this is his debut for Editions Mego. It comprises 10 new songs, running well over two hours with individual pieces clocking in between 4 and 28 minutes. Featured musicians on the album include regular collaborators Martin Schellard and Sion Orgon, plus the odd guestghost from bands Thighpaulsandr…
Popol Vuh’s batch of Werner Herzog soundtracks receive a “definitive” vinyl reissue thanks to Wah Wah, that provide fresh pressings of a number of out-of-print albums from the kosmische icons. start our second series of Popol Vuh reissues with the fantastic Das Hohelied Salomos, which takes it over from where Einsjäger Und Siebenjäger left it. It features the classic trio of Florian Fricke, Daniel Fichelscher and Djong Yun, plus the help of Amon Düül's Al Gromer. The theme of the album is t…
Werner Herzog's 1972 film Aguirre, The Wrath Of God was the first collaboration between the famed director and Popol Vuh. Florian Fricke was approached by old friend Herzog to do the soundtrack for his third movie. Three years later, in 1975, after the international success of Herzog's film, Popol Vuh issued the LP Aguirre. It featured material recorded for the movie plus some other songs. Some of them recorded prior to 1975 - the Aguirre soundtrack ones, of course, plus there is the pres…
Letzte Tage, Letzte Nächte is probably the most "rock" sounding work of Popol Vuh's production. Recorded by the classic trio of Fricke, Fichelscher and Yun, plus Ted de Jong on tamboura and Amon Düül members Al Gromer on sitar and Renate Knaup on additional vocals, its sounds seem to be more based on power than on ambient. Strong guitar passages emphasize this, with Fischelscher's playing being harder than the Conny Veit ethereal parts on earlier records. The title track is also the firs…