New Arrivals
Different Selves
Shapednoise is Italian producer Nino Pedone, and since emerging in the early 2010s he's built a name for himself issuing music that bridges the gap between the basement and the club. Noise and techno are proven bedfellows at this point (for better or for worse), but Pedone pushes harder and further, and Different Selves, as the title suggests, is his most diverse and challenging work to date. Fusing the industrial grind of early Godflesh (Justin K. Broadrick even makes an appearance on openi…
Low Cost Space Flights
2014 Release. It has been eight long years since we've had a new duo album by Paul Flaherty and Chris Corsano. The two have played together in other configurations, but we all know there has always been something special and telepathic about their duo collaborations. From the moment they began playing together late in the last century, Paul and Chris communicated in weird, deep ways. And so it is here. Low Cost Space Flights was recorded in June 2013, at Eric Gagne's 'Thing in the Spring F…
Oh.
"Roger Miller, king of many roads both known and unknown, has a long and illustrious recording history. As a member of Sproton Layer, Destroy All Monsters, Mission of Burma, The Din, etc., he has made many records that are definitive statements of powerful outsider rock music in many guises. But this, his third solo LP, originally released by Forced Exposure in 1988, remains one of the great lost chords in his discography. Although he'd been focusing mostly on extended keyboard techniques for a …
The Four Seasons
"The Four Seasons, a possible interview with myself Where does the title The Four Seasons come from? This project started inadvertently in 1993 with the composition of the first work of the cycle Instants d’hiver (Winter instants). It is a work in several movements, some very short, coming from unfinished musical projects that I had abandoned. All these previous projects should have taken place in wintertime during the five years preceding the composition. I selected a lot of material I ha…
Detaching From Satan
CD edition, comes with obi, inner sleeve and insertThe 1984 debut solo work by Italian doom experimentalist Paul Chain, master of esoteric doom metal. Detaching From Satan supplies listeners with plenty of psych guitar playing while simultaneously building a tense foundation of doom and dark magic. Chain’s mostly unintelligible, chaotic cries sound like a pure fusion of anger and pain
Nearly Invisible
Packaged in oversized 16-page full colour book. Limited to 230 copies Cristiano Deison and Gianluca Favaron met in 2011 when the latter was a guest on Deison's "Night Sessions" album on Silentes. Both involved in many projects and music collaborations - Favaron with Lasik Surgery, Maribor, Zbeen and Under The Snow, and Deison with Mingle, Matteo Uggeri and Maurizio Bianchi - during the summer of 2015, at last free from previous engagements, they finally decide to mix their sound attitudes and g…
Tracks To Glow In The Dark
This Double-CD is a reissue of the second Lp of Experimental Products on VOD-Records (VOD77). It contains all their previous official Vinyl-Releases plus more MinimalSynth and dance-Classics by Experimental Products plus a Live in the Studio performance from 1985
Elitism For The People 1975-1978
The target audience for Elitism For The People, Pere Ubu’s vinyl archival boxed set of studio and live work from 1975-1978, is exceedingly focused, so let’s assess the set on those terms: If you’re the sort of fidelity geek who squealed when the “Coppola Restoration” of The Godfather allowed you to actually see the blood mist bloom behind Sollozzo’s head when Michael Corleone clipped him in the restaurant, welcome home. Elitism’s four discs of 180-gram vinyl—comprising studio albums The Modern D…
Divers
The dreamer dreams again with her 4th album of otherworldly microcosms, 'Divers', recorded by Steve Albini and featuring contributions by Nico Muhly and The City of Prague Philharmonic Orchestra, arriving five years since her last opus for Drag City. Still possessed by a voice that teeters between sublime and ridiculous (I honestly laughed out loud at the first song), Joanna Newsom remains a precious spirit within the indie folk paradigm, blessed with an air of stately patience and poised, imma…
Tongue
Oren Ambarchi and Johan Berthling are two masters of reducing music's peak intensities to their root meaning. Oren's early solo guitar works rendered this process with an instantly recognisable combination of sine wave throb and precisely controlled attack that has bloomed in maturity - concentrating the ecstatic potential of the guitar solo by folding it back on itself and stacking the points of greatest liminal intensity into waves of powerfully psychedelic excess while also encompassing…
Concerts
2016 restock. Originally released in 1976, this collection offers a snapshot of Henry Cow as audiences would have heard it in the year before. In the chronology, Concerts came between In Praise of Learning and Western Culture -- that is, after Virgin had lost interest in releasing any more Henry Cow studio records and before the band quit to make one of its own. It was also the year of the 'merger' with Robert Wyatt for a series of concerts in which compositions were shared -- the last sho…
Aeonflower
An exploration of warped, dream-like atmosphere and taught, noise-ingrained electronics, Paper Dollhouse has evolved from the solo work of Astrud Steehouder into an expansive, cinematic project now involving multi-media artist Nina Bosnic. Recorded with a stronger focus on electronic processes and with a deeper, light-starved aesthetic, Aeonflower’s emboldened use of crushed-noise dynamics takes the London-based group’s debut “A Box Painted Black” (2011, Bird/Finders Keepers) frame into …
All Tense Now Lax
CD edition. Hermetically sealed and reveling in tumult, All Tense Now Lax is the most significant and developed work yet forged by Liberez. Based in main orchestrator John Hannon's remote studio No Recordings in Rayleigh, England, Liberez have expanded their palette from previous outings on Alter to produce a perfectly engineered machine that consumes the beholder. A tense, gut-wrenching listen wrought with carefully considered space, the range of techniques and the depth of atmospher…
Transfiguration
2015 repress. In 1966, she replaced pianist McCoy Tyner in her husband John Coltrane's group. Coltrane's work became a spiritual wellspring for her, but she surely developed her own style on piano, organ, harp, and later, Indian instruments such as the tamboura. After Coltrane's death in 1967, Alice began recording under her own name for Impulse!, leading groups that included at various times saxophonists Pharoah Sanders, Archie Shepp, Joe Henderson, Frank Lowe, and Carlos Ward, double bass play…
For Letha
Four tracks of instrumental acoustic guitar from the master songwriter. Starting out in London as a devotee of various blues and old time country musicians (Skip James, Dock Boggs, Robert Wilkins, etc) Dan Melchior soon found that slavish impersonation wasn’t the right route for him. After a period of mainly re interpreting traditional material, Melchior found a way to express his own concerns and ideas lyrically, and set about melding them to a backdrop of over driven, buzzsaw rock, with variou…
Yamedan
"Self produced album from Niger Tuareg rock outfit TisDass. Looping electric guitar and thumping two chord rhythms. Led by singer songwriter Kildjate Moussa Albadé, former bassist for Group Bombino, his solo project draws on his vast repertoire of influences, inspired from his years on the road. Covers and some original compositions, paying homage to desert origins of assouf music, while ushering in a new global sound."
The House by the Cemetery
The score uses a basic ensemble of piano, drums, synthesiser, electric bass and guitar, a line-up similar to the one established by Fabio Frizzi in his scores for Fulci. The signature sound of The House by the Cemetery is a heavily flanged electric guitar, which seems to twist and curdle in the air like decaying filaments of some malevolent odour seeping from the cellar of “that Freudstein house… that Freudstein house”. “Quella Villa”, which underscores the film’s opening scenes, is a Morricone-…
Assault On Precinct 13
Death Waltz Recording Company are very proud to be releasing one of the most seminal electronic scores in film history. Recorded in just one day, this minimal electro masterpiece by Director/Composer John Carpenter has been sampled by Afrika Bammbaataa , Tricky and covered countless times. This newly remastered version has been approved by director John Carpenter himself who has also supplied brand new and exclusive sleevenotes.
No Time Left To Start Again, The B and D of R'n'R
Allen Ruppersberg’s project subjectively explores the documentary history of Post-War American popular music and music graphics. With album covers designed by the artist, each record features tracks culled from 78 and 45 rpm records found in flea markets, antique malls, and junk shops.
Vol. 1 (dedicated to Little Richard) centers on R&B.
Vol. 2 focuses on country and folk songs…in other words, the combination of the ‘Blues’ and the ‘High Lonesome Sound’ that created Rock ‘n’ Roll.
Vol. 3 featur…
ASPHALT
Improvised concert as live soundtrack for the German silent film Asphalt (1929), shown in Cinemateket, Copenhagen, February 2014, presented by Goethe-Institut and Wundergrund. Released on The Being Music and arbitrary. Performed, edited and produced by Jomi Massage (voice, keyboard, chimes, kalimba, effects), Maria Laurette Friis (Korg MS-10, upright piano, human whistle, effects) and Mads Emil Nielsen (synthesizer, effects, cymbal/percussion).