New Arrivals
Brittle
With a detached curiosity, Grant Evans drops us into his petri dish of mud, bacteria, and fetid slop. At first, we have no roadmap to the drowning noise that slowly trickles down the throat and presses against the ear drums; but Evans is no sadist. Yes, volatile coagulations and conflagrations abound with malaise at the beginning to each of the side-long works to Brittle -- itself a vibrant landmark in the Evans\' rhizomatic back catalogue that slips through harsh wall noise, kosmische explorati…
A possibility (one of many)
40 Copies. Each Cover Is Unique. Francisco Meirino about the recordings: " Source recordings were conducted in the basement at Radio Picnic headquarters in Brussels, among all the gear available, I chose to use, as I often do in my body of work, only the low tech gear I found there, such as : a broken 7' record player, a dusty cassette recorder with a saturation problem, a couple of broken speakers powered by two 9 volts batteries and alligator clips, an AAA battery powered transducer, 3 xylopho…
Pan on fire
Toshimaru Nakamura is a pioneer on his instrument no-input mixing board. Releasing nearly hundred albums since the mid 90's, including 9 solo albums. However, in this project with Martin Taxt he appears with a new approach to his instrument. Taxt has connected his microtonal tuba to Nakamura's mixer through a microphone, and thus interrupts his analog signal. This creates a raw, brutal and surprising character to the music.
Soundtracks
Three compositions made for films.
1 – 4 . A grammar for listening 2
From Luke Fowler's 16mm film “A grammar for listening part 2”, 2009.
All sounds recorded in Paris, and Glasgow.
5 . A Hemero Phaestos 2 From Christian Jaccard's video “A Hemero Phaestos”, 2013. All sounds recorded in the Foundery Susse, Ivry
6 – 8 . Polymères 2From Marie-Christine Navarro’s drama “Ce pays qui s'appelle Tane”, 2012.With organ recordings (composed and recorded by Jean-Luc Guionnet)Eric La Casa says about his p…
Sunday afternoon (live at the Hundred Years Galley)
Live recording of Steve Noble, percussion with Daniel Thompson, acoustic guitar. Recorded in London in 2014. Repetitive accidents share space with manicured gestures and punctuation shocks to produce a pure abstract matter from the instrumental virtuosity.
Broken Light
Recently formed quartet composed of Mark Wastell, violoncello with Olie Brice and Dominic Lash, basses, and Alan Wilkinson, alto saxophone and bass clarinet. Improvisations of Huntington Ashram Monastery '(Alice Coltrane) and' Lonely Woman '(Ornette Coleman). Two interpretations and two originals. Registered in 2015.
North and South
Alan Wilkinson, saxophone, clarinet, Kim Johannesen, electric guitar, Ola Hoyer, bass, Dag Erik Andersen Knedal, battery. Live at Café Oto, London in 2014. Power and emotion of a seasoned saxophonist against routine improvisation with young musicians from the Norwegian scene already well informed on the issues of the scene!
15 Corners of the World, motion picture sound essay
The film 15 Corners of the World includes simultaneous audio and images. Images do not supplement the music here, nor does the music simply illustrate the photos. Meanings, senses, feelings, and scenes are created where those two spheres cross. Without vision, there is no “moving of the viewer’s imagination, the inventory of his feelings, experiences, and associations”, as Eugeniusz Rudnik defines the goal of art in general.
Speaking about vision and sound forces us to find some sort of prin…
Prominences
Prominences can last for many months just like unrealized love opens up a core of unstable emotions, left beyond the edge of the “Sun”, alternating between peaceful rides during the solar eclipse and strong spectral lines in its emission spectrum.like the northern winds, prominences blow its solar spell straight inside of your chest. Delicate resonating textures surround you, light piano massages your brain, bells are whispering the secrets, keeping concept parts of its mystery.
Tekla Mrozowicka…
Komuna// Warszawa plays Luc Ferrari Tautologos III
In 2011, the prose score of 'Tauologos III', served as framework for a chamber opera prepared in Komuna// Warszawa. Its core element consisted of three separate performances of a short fragment of Alfred Schnittke's String Trio. Violinist (Julia Kubica), violist (Wojciech Walczak) and cellist (Filip Rzytka) played their own parts of the given movement one after the other. Their performances were recorded live and finally overlapped and played back with no synchronization. The procedure was sprin…
play Alvin Lucier Chambers
Rinus van Alebeek and Michal Libera set out for a dozen of excursions into Calabrian towns armed with Italo Calvino's 'Invisible Cities' as a guide book, to recite, talk, read, listen, drink coffee, perform, play, record, play back... or: blow, bow, rub, explode, scrape, walk, ignore, talk, screw, dance, whistle, which are all suggestions of Alvin Lucier to make large and small resonant environments sound. The material recorded during these attempts to make invisible cities of Calabria sound was…
Harvestehude
After more than 10 years of enthusiastic experiences and encounters with so-called „Difficult Music“ throughout the 1980ies Martin Peinemann and Asmus Tietchens deemed their somewhat differing approaches to making music compatible and agreed upon a loose collaboration in the year 1992. For various reasons (organizational and others) the work was not to take place at Audiplex studios but at Peinemann’s home studio. This modest lab featured all the necessary technical equipment needed to realize n…
Porta 07
NASTRO is an eclectic duo based in Rome, well-known for an amazing and intense live set and for their arty and wacky approach to the music: no rules for them! "Nastro" means "Tape" in Italian: This cassette is entirelly recorded and mixed on the Tascam Porta07, 4 track analog recorder. Recorded and mixed directly on tape without any digital hardware or software. This EP follows the great last 2 LPs from nastro. "300mq" and "Terzo Mondo", both release on Upside Down Recordings.
They began record…
Broadcast #01
100 copies Soundtrack composed for Live Arts Week 2012 that took place in Bologna from 25.04.12 to 29.04.12, compiled by Claudio Rocchetti and Matteo Castro. Tapes are meant to be reproduced simultaneously, in loop..
Hypnomaghia
Hypnomaghia è la testimonianza di una lunga notte di quasi ∞ ore trascorsa a RAUM a Bologna l'11 gennaio 2014; sesto appuntamento di Hypnomachia – Nocturnal Emission —musica che si dipana lungo una notte intera, dove il pubblico è invitato a portarsi coperte e sacchi a pelo per accamparsi nello spazio— in questo caso commissionato a Palm Wine.Hypnomaghia è costruita su flussi decrescenti, pensata come una corsa archeologica che si snoda tra musica da ballo Sud Americana, repertori di field recor…
Punti Sulla Curva I
First two chapter in a series of releases based on field recordings. A stunning collection of nature interventions and humans observations. Edition of 100 each. Massimo Carozzi since 1994 concerned with the relations between sound and image, sound and script, sound and literature, sound and space. Carozzi has created sound design for theatre, documentaries, short films, installations. He played and collaborated with Sinistri, 3/4HadBeenEliminated, Starfuckers, Andrea Belfi, Stefano Pilia, Margar…
Punti Sulla Curva II
First two chapter in a series of releases based on field recordings. A stunning collection of nature interventions and humans observations. Edition of 100 each. Massimo Carozzi since 1994 concerned with the relations between sound and image, sound and script, sound and literature, sound and space. Carozzi has created sound design for theatre, documentaries, short films, installations. He played and collaborated with Sinistri, 3/4HadBeenEliminated, Starfuckers, Andrea Belfi, Stefano Pilia, Margar…
Dust and Chimes
Ben Chasny was on a holy roll when he laid down the eleven tracks on Dust and Chimes. It was 1998 and y'all were floating on that Bill Clinton peace-and-prosperity bubble. Meanwhile, Chasny had dropped his self-titled debut LP earlier that year, and the cognoscenti and illuminati were pricking up their ears. Dust and Chimes announced the arrival of a brow-furrowed troubadour whose complex, morosely beautiful guitar playing didn't Basho you over the head with Fahey-isms. The three solo guitar tra…
Carnets
Just as 2014's widely lauded Hidden Tapes marked a turn from saxophone improvisation to an embrace of what the Potlatch label referred to as "music for speakers" or, more elegantly, "sound diffusion,"Carnets is not only another leap forward, but could easily be considered Marc Baron's masterpiece.Carnets is a dynamic interplay of degraded magnetic tape and unsettlingly normal everyday recordings dating back to Baron's childhood, showcasing Baron's deftness in crafting compositions that leave the…
No. 4
A Quarterly Journal of Post-Rock Cultural Pluralism, edited by Byron Coley. Issue no. 4. In this issue:Alex Behr: Junior High Reviews; Tosh Berman: Tom Phillips IRMA the Opera; Alan Bishop: Pink FloydAnimals: Trevor Block: Rowdy Roddy Piper; Karla Borecky: Antonin Artaud: Pour en finir avec le jugement de dieu; Bree: KÅÂÂbÅ Abe Woman of the Dunes; Benoit Chaput: Plume Latraverse; Sharon Cheslow: Stand-up Comedy; Byron Coley: Column;Karen Constance: Igor Wakhevitch Hathor; Nigel Cross: Jeff…