New Arrivals
Raised Coils Of The Giant Serpent Of Eternity / I Heard Only The
Opening the album with a harmonious set of gently spiraling tones, Daniel Menche’s piece “Raised Coils of the Giant Serpent of Eternity” offers only this brief moment of serenity before a headlong dive into a cacophonous abyss of darker dimensions. Suspended in pools of liquid bass, layers of molten brass hover, dissolve and reappear. Pitches rise and fall, intersecting for brief periods of melodic convergence before crumbling again into heaving slabs of rumbling dissonance. Closing out t…
Heterodyne
"I'm going to do something I never do -- I'm going to write this press release in the first person. This is a very special release for Type and it's been a long time coming. I met Arash Moori when we both attended the same Art School in Birmingham in 2000. We quickly realized that we both liked music -- I think it was a shared love of To Rococo Rot or Metamatics that sparked the first conversation -- and within weeks of meeting each other we were DJing fairly regularly. We kicked off a numb…
To You
Fiercely beautiful Danish jazz from 1968, sworn body-and-soul to the legacy of John Coltrane, and the raw sense of music as a healing force, tearing through the cosmos — but with its own intensely compelling voice, on the line from Copenhagen, to you. So a searching, hurting version of Naima gives way to Meinert’s terrific, succinct, Lateef-flavoured tribute to Alice Coltrane and a thrilling set of modal originals, including a tender ballad for Martin Luther King. Remastered from the ta…
Hexadic II
Several years ago, after tiring of the predictable patterns he sensed himself settling into as a guitar player, Ben Chasny of Six Organs of Admittance decided to design a theoretical framework that would force his hands into different positions. Chasny distributed a deck of poker cards in a circular array of sets of six, corresponding to the notes of the guitar. The relative positions of the cards gave Chasny a "tonal field" in which to operate, as well as a set of notes from which to pick, some…
Meta
In installation form, Meta consists of four transducers that are attached to the wall on each corner of a perfectly drawn six foot square. Meta is also a quadraphonic piece, composed to be spatially moving along the four assigned channels. When the listener places his/her ear to the wall the work can be experienced differently every time activating not only the internal space of the wall but also the listener’s focused ear. In this work Richard Garet focuses on investigating, exploring, and …
Ornamente (Zwischen Null und Eins)
"The latest release from Asmus Tietchens continues the ambiguity that has been prevalent through his recent works. Far from the early experiments with sampling and erratic, mechanical rhythms that characterized much of his early work; Ornamente (zwischen Null und Eins) is an opaque disc of hushed electronics and tiny bits of glistening noise. Moments of near silence are followed by digital glitches and massive, intense vibrations to result in another piece of conceptually challenging, y…
Isolation
Line is proud to present the latest work by Berlin based artist Frank Bretschneider. Renowned for his mastery of rhythmic elements throughout his discography, Bretschneider has set this palette aside for an unexpected and unsettling exploration into sensorial space. Isolation was initially composed in 2012 as part of the installation “Zwei Zellen/Hörgang Bautzen II” by Moritz von Rappard and Thomas Ritschel at the former Stasi prison Bautzen II, in Bautzen, Germany. This notorious prison, …
The Chosen Themes - Program I
ecorded between 2012-2014, Jared Blum's (of GiganteSound, The Talking Book, Blanketship, Vulcanus 68, et al.) Vision Heat project is a laser guided, hyper vintage conflation of early to mid 80's centric production, montage and style. Recalling such luminaries as Tangerine Dream, John Carpenter, Harold Faltemeyer, Craig Safan and such lofty houses as KPM, Bruton and Parry with nods to oddballs from Russia and the Eastern Bloc, Blum still manages to be forcefully yet effortlessly unique. In…
Aquarius
The origin to the name Oakeater is instructive to the underlying framework for this Chicago outfit. “Loosely influenced by Norse Mythology and an industrial shredder” cites Oakeater’s Alex Barnett, locating the band as a chimera of loaded allegorical components. Barnett, alongside Seth Sher and Jeremiah Fisher, formed Oakeater in the mid-aughts, recording and performing in fits and starts. The division of labor is rather fluid in the use of re-purposed electronics bolstered by guitars, sy…
Live in Paris, 1964 LP
"already released on vinyls in the late 80's (Naima/Serene were on a Jazzway LP and Serene/Springtime on a West Wind album) but NOT with this track sequence and i may sounds exaggerated but in this way to me it's simply Eric Dolphy's best album to date. perfect & totally in tune, you'd play this one all night & all day too... rec. with a fantastic 6et wich include the great Donald Byrd and Nathan Davis, most probably his very last live rec. since Eric left this planet on June 29, 1964 (the…
The Medium Is the Massage
When Marshall McLuhan proposed his idea to create an audio companion piece to his landmark 1967 book The Medium is the Massage, no one quite knew what to expect. The book itself brilliantly captured McLuhan's theories on media and technology, arguing that the medium by which information is transferred to people was more important than the actual content being relayed. McLuhan hoped that an audio recording would help give greater depth to his theories, and in the late 1960s he and producer …
Unstopable
A new self-released casette from this unpredictable belgian artist. Both sides of this tape were made by doubling live studio recordings in stereo. You can also unplug one speaker to hear the original recordings.
Floris Vanhoof, filmmaker and musician from Antwerp, is one of the most versatile and inventive artists in Belgium. As a musician he has published with Breaking World Records, Taped Sounds, Ultra Eczema. He has made a split with Dolphins Into The Future for the Experimedia label and is…
Brittle
With a detached curiosity, Grant Evans drops us into his petri dish of mud, bacteria, and fetid slop. At first, we have no roadmap to the drowning noise that slowly trickles down the throat and presses against the ear drums; but Evans is no sadist. Yes, volatile coagulations and conflagrations abound with malaise at the beginning to each of the side-long works to Brittle -- itself a vibrant landmark in the Evans\' rhizomatic back catalogue that slips through harsh wall noise, kosmische explorati…
A possibility (one of many)
40 Copies. Each Cover Is Unique. Francisco Meirino about the recordings: " Source recordings were conducted in the basement at Radio Picnic headquarters in Brussels, among all the gear available, I chose to use, as I often do in my body of work, only the low tech gear I found there, such as : a broken 7' record player, a dusty cassette recorder with a saturation problem, a couple of broken speakers powered by two 9 volts batteries and alligator clips, an AAA battery powered transducer, 3 xylopho…
Pan on fire
Toshimaru Nakamura is a pioneer on his instrument no-input mixing board. Releasing nearly hundred albums since the mid 90's, including 9 solo albums. However, in this project with Martin Taxt he appears with a new approach to his instrument. Taxt has connected his microtonal tuba to Nakamura's mixer through a microphone, and thus interrupts his analog signal. This creates a raw, brutal and surprising character to the music.
Soundtracks
Three compositions made for films.
1 – 4 . A grammar for listening 2
From Luke Fowler's 16mm film “A grammar for listening part 2”, 2009.
All sounds recorded in Paris, and Glasgow.
5 . A Hemero Phaestos 2 From Christian Jaccard's video “A Hemero Phaestos”, 2013. All sounds recorded in the Foundery Susse, Ivry
6 – 8 . Polymères 2From Marie-Christine Navarro’s drama “Ce pays qui s'appelle Tane”, 2012.With organ recordings (composed and recorded by Jean-Luc Guionnet)Eric La Casa says about his p…
Sunday afternoon (live at the Hundred Years Galley)
Live recording of Steve Noble, percussion with Daniel Thompson, acoustic guitar. Recorded in London in 2014. Repetitive accidents share space with manicured gestures and punctuation shocks to produce a pure abstract matter from the instrumental virtuosity.
Broken Light
Recently formed quartet composed of Mark Wastell, violoncello with Olie Brice and Dominic Lash, basses, and Alan Wilkinson, alto saxophone and bass clarinet. Improvisations of Huntington Ashram Monastery '(Alice Coltrane) and' Lonely Woman '(Ornette Coleman). Two interpretations and two originals. Registered in 2015.
North and South
Alan Wilkinson, saxophone, clarinet, Kim Johannesen, electric guitar, Ola Hoyer, bass, Dag Erik Andersen Knedal, battery. Live at Café Oto, London in 2014. Power and emotion of a seasoned saxophonist against routine improvisation with young musicians from the Norwegian scene already well informed on the issues of the scene!
15 Corners of the World, motion picture sound essay
The film 15 Corners of the World includes simultaneous audio and images. Images do not supplement the music here, nor does the music simply illustrate the photos. Meanings, senses, feelings, and scenes are created where those two spheres cross. Without vision, there is no “moving of the viewer’s imagination, the inventory of his feelings, experiences, and associations”, as Eugeniusz Rudnik defines the goal of art in general.
Speaking about vision and sound forces us to find some sort of prin…