New Arrivals

** 2021 Reissue ** Thomas Köner is one of the most influential modernist minimal composers. Alongside Wolfgang Voigt’s “Gas” project, Köner has been centrally responsible for electronic music’s fascination with depth and reduction. His signature sound is vast, seemingly endless, which at first seems homogenous and infinite, but once exposed to it, when our senses calibrate to the fine nuances of changes, we discover and immerse into abundance of textures, richness of modulations and almost infin…

** 2021 Reissue **Techno isn't a genre that has birthed many classic albums, and the dub techno subgenre even less so, but one indisputable classic is Porter Ricks' debut Biokinetics. Originally issued on the legendary Basic Channel sub-label Chain Reaction in 1996 following a trio of 12"s, Biokinetics was the first of the label's album releases, and still stands as its crowning achievement. The duo was made up of dark ambient pioneer Thomas Köner and sound engineer Andy Mellwig, and between the…

** Edition of 100, bilingual (German / English). Text and photo accordeon by Christian Y. Schmidt and an aerosol. Original drawing by Hartmut Andryczuk ** When Christian Y. Schmidt returned to Berlin with the last flight from Beijing on 12 February 2020 to promote his book Der kleine Herr Tod, he felt like he was on a strange planet. In January and February he had already witnessed the pandemic measures in Beijing. With this knowledge advantage, he tried to warn his numerous virtual friends and …

Slam Productions presents Loveland Concert of free improvisation with British George Haslam, Italian Stefano Pastor, Czechs Jan Faix and Jan Šikl plus Slovak Jozef Láska (resident in Prague, Czech Republic, for many years). This recording is taken from a live concert, held in 2010 in Prague in the Czech Republic. George Haslam on baritone sax and tarogato has been playing since 2002 with local musicians, here he is on a short tour with Stefano Pastor on violin and rhythm. consisting of Jan Faix …

A look at the activist artist group Guerilla Art Action Group (Jon Hendricks, Poppy Johnson, Silvianna, Joanne Stamerra, Virginia Toche and Jean Toche), The Guerrilla Art Action Group, 1969-1976: A Selection is a compilation of manifestos, letters and press communiqués issued by the group (to Nixon, Hoover, The Secretary of Defense and Museum officials.) Originally published in 1978, the publication documents the art actions by the Guerrilla Art Action Group between 1969 and 1976

** Limited edition of 70 copies with small insert with a photo of Charles Plymell in close coorperation with Cherry Valley Editions * An intimate reading by one of the last original Beats. Recorded at his Cherry Hill farm.

Listening to the sound practices of bands and musicians such as the Asian Dub Foundation or M.I.A., and spanning three decades of South Asian dance music production in the UK, Transcultural Sound Practices zooms in on the concrete sonic techniques and narrative strategies in South Asian dance music and investigates sound as part of a wider assemblage of cultural technologies, politics and practices. Carla J. Maier investigates how sounds from Hindi film music tunes or bhangra tracks have been sa…

The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s into a turbulant field of academic critique and a…

Mute Records is one of the most influential, commercially successful, and long-lasting of the British independent record labels formed in the wake of the late­1970’s punk explosion. Yet, in comparison with contemporaries such as Rough Trade or Stiff, its legacy remains under-explored. This edited collection addresses Mute’s wide­ranging impact. Drawing from disciplines such as popular music studies, musicology, and fan studies, it takes a distinctive, artist- led approach, outlining the history …

Decca presents Journeys In Modern Jazz: Britain 1961-1973. The rediscovery of British jazz of the 60s & 70s is a phenomenon of our days. Some time ago this music seemed forgotten, today it is cult and artists like Shabaka Hutchings and Kamasi Washington call it a formative influence on their own music. British Jazz is cool again! Now, under the title British Jazz Explosion, Universal Music is diving deep into its jazz archives and reissuing the most sought-after, hip and collector-market pricele…

** Vinyl audio remastered & cut from the original master tapes by Gearbox Records. 180grm Optimal Pressing. Flip-back LP sleeves on 380g heavy card, front laminated sleeves with 12 x12 insert with new liner note insert + audio download voucher ** Heavyweight Vinyl / U.S.A. Original Glued Prints on Thick Cardboard / handily gluing / Original Black and White Private Press artwork. Originally issued in 1972, Space Walk was the final album recorded for the famed Lansdowne Studios by iconic British s…

** 2021 Stock ** A rare recording from an under recorded period of Bobby Bradford's music. This date stems from a California radio broadcast. The line up is Bobby Bradford on trumpet, James Newton (flute), Richard Rehwald (bass) and John Goldsmith (drums). Includes a bonus track duet with Vinny Golia (clarinet) from a 2003 gig.

The state of contemporary music is dizzyingly diverse in terms of style, media, traditions, and techniques. How have trends in music developed over the past decades? Music Composition in the 21st Century is a guide for composers and students that helps them navigate the often daunting complexity and abundance of resources and influences that confront them as they work to achieve a personal expression. From pop to classical, the book speaks to the creative ways that new composers mix and synthesi…

What is sound design? What is its function in the early 21st century and into the future? Sound Works examines these questions in four parts: Part 1, "Why This Sound?", presents an overview of the modern history of sound design. Part 2 is highly visual and provides a glance onto a sound designer's workbench and the current state of "Sonic Labor." Part 3 uses cultural analysis to explore our contemporary "Living with Sounds." The final and fourth part then proposes a series of anthropological and…

Noise has become a model of cultural and theoretical thinking over the last two decades. Following Hegarty's influential 2007 book, Noise/Music, Annihilating Noise discusses in sixteen essays how noise offers a way of thinking about critical resistance, disruptive creativity and a complex yet enticing way of understanding the unexpected, the dissonant, the unfamiliar. It presents noise as a negativity with no fixed identity that can only be defined in connection and opposition to meaning and ord…

The Bloomsbury Handbook of the Anthropology of Sound presents the key subjects and approaches of anthropological research into sound cultures. What are the common characteristics as well as the inconsistencies of living with and around sound in everyday life? This question drives research in this interdisciplinary area of sound studies: it propels each main chapter of this handbook into a thoroughly different world of listening, experiencing, receiving, sensing, dreaming, naming, desiring, and c…

In Sound arts now, Cathy Lane and Angus Carlyle explore contemporary artistic practices and theories, and what contributes to or hinders artistic and career development. This is conducted through a series of interviews with artists and curators, putting the often-unheard voice of the maker at the centre of the discourse.  There is a conscious shift of reference away from the “white men from the global north” who have dominated the canon during the decades of the discipline’s emergence and establ…

In Resonant Matter, Lutz Koepnick considers contemporary sound and installation art as a unique laboratory of hospitality amid inhospitable times. Inspired by Ragnar Kjartansson’s nine­channel video installation The Visitors (2012), the book explores resonance—the ability of objects to be affected by the vibrations of other objects—as a model of art’s fleeting promise to make us coexist with things strange and other. In a series of nuanced readings, Koepnick follows the echoes of distant, unexpe…

Acoustic Justice engages issues of recognition and misrecognition by mobilizing an acoustic framework. From the vibrational intensities of common life to the rhythm of bodies in movement, and drawing from his ongoing work on sound and agency, Brandon LaBelle positions acoustics, and the broader experience of listening, as a dynamic means for fostering responsiveness, understanding, dispute, and the work of reorientation. As such, acoustic justice emerges as a compelling platform for engaging str…

From its use in literary theory, film criticism and the discourse of games design, Salomé Voegelin expands ‘possible world theory’ to think the worlding of sound in music, in art and in the everyday. The modal logic of possible worlds, articulated principally via David K. Lewis and developed through Maurice Merleau­Ponty’s phenomenological life­ worlds, creates a view on the invisible slices of the world and reflects on how to make them count, politically and aesthetically. How to make them thin…

From the late 1990s until today, China’s sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electroni…

Steve Beresford's polymathic activities have formed a prism for the UK improv scene since the 1970s. He is internationally known as a free improviser on piano, toy piano and electronics, composer for film and TV, and raconteur and Dadaist visionary. His résumé is filled with collaborations with hundreds of musicians and other artists, including such leading improvisers as Derek Bailey, Evan Parker and John Zorn, and he has given performances of works by John Cage and Christian Marclay. In this b…

Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go...' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and liste…

From the mid-20th century to present, the Brazilian art, literature, and music scene have been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, mail art, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recog…

Impulse! presents Black To The Future by Sons Of Kemet. Fire and Fury! We're so hyped to welcome back Sons of Kemet with a whole host of guests too. The follow up to 2018’s Mercury Prize nominated breakout release Your Queen Is A Reptile. This is their 4th record, and 2nd on impulse! Compared with ”Your Queen is a Reptile”, this album has featured vocalists and more of an emphasis on fuller compositions and arrangements. Guest artists include Kojey Radical, Moor Mother, Angel Bat Dawid, Joshua I…

** Edition of 120 ** B.A.A.D.M presents Schouwspel by Opéra Mort. Originally recorded in AB Salon, Brussels. Graphic Design: Mathieu Serruys & Joris Verdoodt. Thanks to Mich Leemans.

Porter Ricks is a collaboration between Thomas Köner and Andy Mellwig. After the Re-release of the legendary album “Biokinetics", which is superb subaquatic dub techno, we re-release Porter Ricks first album on Mille Plateaux. The album demonstrates the move to a kind of discoid funkyness with an underlying almost organic rhythmight. But still its not music for beautiful souls. Instead, it combines funkyness with alien sonic fluxes and the rhythm of a killing mover.

** In process of stocking ** Liturgy is a journey into the uncanny realm of the senses that dives into histories of perception and intuition. The artist Flora Yin-Wong deploys a variety of images and texts to explore issues related to cosmic principles, conspiracies, and parallel universes. The result is a constellatory work filled with religion, dreams, and fragmented memories and knowledge that also gestures at the artist’s own history. The book’s chapters—Rituals & Fire; Omens; Hexagrams / Or…

First published in 1994, Camino Road is artist Renée Green’s debut novel—a short, ruminative work infused with semantic ambiguity and the dreamy poetry of the quotidian. Republished here in a facsimile edition, the book ostensibly traces its protagonist Lyn’s journeys to Mexico and her return to attend art school in 1980s New York, but what emerges is more an intertextual assemblage of the moments between drives, dreams, and consciousness. Lyn does her Spanish homework and makes note to read Ann…

I met Sugai Ken a few years ago in Tokyo, outside the Dommune radio studios. His personality and music, a very special brand, touched me. His music is a coded vision of a dream world. A trade that is progressive yet traditional - in the most positive sense of the word. Recently out of the blue, Sugai San sent me a collection of personal field recordings he made of folklore groups and public performances in Tokyo, Toyama, Kanagawa, Kyoto, Tottori, … The close listener already knows that Sugai San…

An absolutely stunning effort from one of the great journeymen of Italian experimentalism, Walter Maioli's 'Il Suono delle Api / La Vibrazione del Cosmo', issued by Villa Lontana Records, is electroacoustic music at its absolute, vibrant best. Pressed in two extremely limited editions on black and transparent vinyl and laden with rich tonalities, deep drones, and hypnotic arpeggiations, it's a truly mind-melting, free-standing sonic world that encounters Maioli at the top of his game.

**Original 1977 copies * Beautiful artist book based on Melody III  (1975) for tape and slide projections Rather than a musical score, the work in this book is a graphic realisation of the structure of a musical composition. The pattern which unfolds takes on elements of landscape and architecture in stark black and white.

This video and book are based on Dan Graham’s Rooftop Urban Park Project, which opened as an extended exhibition at Dia Center for the Arts in 1991. Re-released as a VHS and packaged with the original 1992 publication, this title includes an essay by the artist and a 20-minute video.

Mohammad are back!! With their name compressed into MMMD deliver their most lyrical work to date on the original soundtrack for Lukas Feigelfeld's slow-burning gothic horror movie “Hagazussa – A heathen's curse”. The music is absorbing, emotional and powerful as ever and bears MMMD's familiar idiosyncratic universe galvanized in their previous releases, while open to new sonic territories that reflect the film's constant state of dread as well as key elements such as trauma, isolation, anxiety a…

** 2021 Stock ** Stone Garden started in a basement studio in Prague with a nearly continuous session over several days and nights. The original concept was influenced by the raw and seemingly endless jams of psychedelic pioneers. The freeform songs that emerged from these sessions were refined over several months at the band's home in Tokyo where each song was sculpted into an uncommon form. Compared to the relatively song-based House In The Tall Grass (2016), Stone Garden is a window into Kika…

** Limited 250 only transparent yellow vinyl LP housed in a colour gloss finished outer sleeve with black polylined inner ** Bootleg style LP from future Japanese psych legends Hibushibire! The band have gone through some line up changes since their 2019 second album 'Turn On, Tune In, Freak Out!, so while we eagerly await a new album here's a bonus. Recorded live at J.T. Soar in Nottingham (UK) on May 17th 2019.

Acid Jazz Records continue their exclusive licensing agreement with Albarika Store, the legendary record label that defined the sound of Benin and influenced the entire region of West Africa and beyond. Albarika Store is home to many rare recordings, from more traditional folkloric and Sato styles, to the funk, blues and psych inspired workouts of the All Mighty Orchestre Poly Rythmo de Cotonou, as they referred to themselves. Many of the original records are sought after by DJs and collectors a…

** Edition of 150 ** Andromache is an unforeseen homage to an unfamiliar friend. Recorded over a five year period on abandoned and ruined pianos all over Europe, the project culminated inside a death-struck apartment in the south of Athens. Andromache includes new re-worked versions of previously released pieces from the MMMD discography. Recorded 2012-2017 in Copenhagen, Lausanne, Budapest, Kallithea.

Acid Jazz Records continue their exclusive licensing agreement with Albarika Store, the legendary record label that defined the sound of Benin and influenced the entire region of West Africa and beyond. Recorded and issued in 1974, Le Sato is one of the earliest releases on the Albarika label and it is also one of the deepest. Sato is the term for the traditional rhythms that soundtrack Vodun (Voodoo) rituals and ceremonies in Benin. Performance of Sato is reserved for these sacred rites, which …

** Edition of 300 copies pressed on clear vinyl. Mastered by Veronica Vasicka ** A weight of history flows through Ann Margaret Hogan’s keys with a stark intimacy, beautifully illuminated by naturally effortless, quietly grand songwriting. It’s a direct continuation of the landscaped themes and atavism of 2020’s ‘Honeysuckle Burials’ and the ‘Reversing Into Tomorrow’ collaboration with Karl O’Connor, vividly capturing the slow passage of time in a way that has quite literally compelled us to sto…