New Arrivals
Ivy (Vatican Shadow / Lakker Mixes)
**Transparent Vinyl - Individually numbered edition of 300 copies** Vatican Shadow and Lakker provide remix reinforcement for the killer debut from Berlin's Tommy Four Seven and Alain from One Million Mangos Mastering as These Hidden Hands. Their original 'Ivy' is heavily informed by the romantic dystopia of mid-late '90s IDM and D&B's grander gestures, gazing out on drizzly grey north European synth skies whilst the reduced tech-step torque ticks and prods like a not-so-dystant cousin o…
'How Wheeling Feels When the Ground Walks Away
James Hoff’s “How Wheeling Feels when the Ground Walks Away” presents an audio landscape comprised of various historic riots, from the concert hall and music venue to the sounds of modern warfare. Presented in surround sound, the work relentlessly envelops the audience as the tumultuous panorama of over-layered riots travel around the gallery. Part of Riot Radio Ballad, which explores the performative and futurist aspects of spoken word, audio, and radio material. Curated by Mark Beasley.…
One Point Music
Amazing unlikely limited edition reissue of this legendary obscure private press LP that remains one of the most elusive and highly sought-after recordings ever to escape the Nurse With Wound list. Pekka Airaksinen was a member of the equally elusive Sperm, whose amazing 1970 Shh! LP on O Records recently got the reissue treatment. One Point Music goes even further than that outré side with a series of heavily rhythmic/percussive electro/primitive jams that almost comes over like a Cromag…
Voyeur
Husband-and-wife duo, Will Long and Danielle Baquet-Long, who self-released handmade items and created sound for installations and exhibits along with producing conventional releases. "A few years ago I was commissioned by a film company in California to create a musical score for a film inspired by the Hitchcock 1954 film Rear Window, but with a more surrealist, two-sided viewer plot. As filming hadn't begun, I was given the screenplay and timeline, and asked to make specific music that might f…
Radiator
Beautiful new work from Kevin Doria (Growing). Packaged in a deluxe 2 color screen printed jacket. Hand numbered edition of 500. If Eliane Radigue and Kevin Drumm made a record together it might sound something like Total Life. Kevin Doria creates a sound world with deep inner dynamics shrouded by distortion. Whether you stay on the surface or listen deeply, the energy in this work is vivid. Recorded and mixed at home in the winter of 2012, Radiator represents the first proper full length releas…
Industrial tape
Feathered Coyote is very proud to present this re-issue of Maurizio Bianchi's "Industrial Tape", originally self-released in 1980. Four tracks of explorations on analog synth, moving between eerie soundscapes that wouldn't sound out of place in a late 70s/early 80s horror movie, repetitive rhythmic structures and barrages of noise.
Forms
Forms represents Pausal's sophomore production for Barge Recordings and sees the British duo merging their finely detailed sound design and ambience with a newly heightened sense of space and structure. Simon Bainton and Alex Smalley have clearly developed their compositional abilities since their earlier output; the ten pieces here are presented as four long tracks and feel natural in their melding of experimentation and harmonic progression. The rich, sprawling waves of aural grandeur a…
Helena Espvall and Masaki Batoh
Restocked, few available..."If the pentagrams and moccasins and ponchos of the now nearly bygone “freak folk” era made listening to Fairport Convention cool again, Helena Espvall and Masaki Batoh’s self-titled collaboration serves as a reminder that British longhairs of the ’60s were nerds, nerds, nerds. Cellist Espvall, best known for her work with Espers, and Batoh, the guitarist of Japanese psych band Ghost, deploy an arsenal of exotic stringed instruments. They play earnest cover…
The beauty bath
This is another landmark of the most respected artist in today's noise scene, Aaron Dilloway. Atmospheric and beautifully simple, a pure tape composition stands out his crude and intense nature. Nothing ever released like this before. Comes with the flyer of Aaron dilloway and Hanson Records 20 years anniversary exhibition "Archive" at gallery haus in Tokyo which can get only at here. Plus we have a special package comes with very limited "Archive" exhibition catalog zine book which also can get…
P.A./Hard Love
On P.A./Hard Love, New York-based composer and conceptual sound artist Marina Rosenfeld generates an esoteric universe of radical sonic collisions. Developed initially in 2009, the album draws its roots following a series of idiosyncratic quasi-sculptural sound-system installations Rosenfeld installed in various disused and monumental sites including New York's Park Avenue Armory and Liverpool's Renshaw Hall car park. The music she composed for these installations was heterogeneous, reposit…
Rules of the universe
Kye is proud to announce the release of Rules Of The Universe, a fully authorized anthology of archival audio work by the renowned Dutch artist Anton Heyboer (1924-2005). Heyboer's stature in visual arts is well known and internationally celebrated, but documentation of his audio work is scant and difficult to locate. Heyboer's only previous vinyl release - 1976's ill-fated 'She And She As One' LP (EMI) introduced a music so resolutely personal and uncommercial in nature that EMI ordered …
Rework: Philip Glass Remixed
There are two basic reasons why composers like Philip Glass end up getting remixed: rhythm and repetition. Glass' most identifiable music is simple, or so it seems: Play a chord, break it down into its constituent notes, and repeat the notes in hypnotic succession. If there's another instrument playing, they're probably playing the same notes in a different order. At the foundation of the music, there's what's called an ostinato. One way to think of it is as a bassline; another, in the words of …
Winds & Skins
Winds & Skins transpired to be the very last set of recordings made by Afro-Cuban percussionist Sabu Martinez, who sadly passed away precisely one month after this December 1978 session was committed to tape. The album draws a line under a career that saw the illustrious musician performing alongside Dizzy Gillespie and Art Blakey as well as releasing a string of out-and-out classic Latin jazz records. Here the noted conguero teams up with the lauded saxophonist/flautist Sahib Shihab, who himsel…
Two characters
Through more than 25 years of existence, the french composer Christian Renou, aka Brume, has developed a unique 'handwriting' style within the experimental underground, something one may call 'atmospheric musique concrète'. It is the marriage of many concrete sounds, hand-played acoustic instruments and electronic drones noises that are arranged in a manner somewhat akin to a 'narrative' - highly emotive and often evolving in a dramatic way. We are delighted to have received two tracks for the S…
Surrender to the Fantasy
Stop right there, hands in the air! If you want to know what Magik Markers think is good for you, you'll Surrender to the Fantasy. For this long-desired alpus, they've been working in threes and stuff. Triangles. The hermetic trifecta of knowledge, Christ and the two thieves, Alvin and the Chipmunks, and the original tagline of the Markers' symbol: '3 down, no to go.' Meaning, these three get it and literally no one else needs to, 'cept the record-buying public, tra la la, ha ha ha ha. STTF (nev…
Cry
Cry was recorded in a shed at Taieri Mouth between 1998 and 2000 and then released by Emperor Jones on CD in 2000. Alastair has always been one of the most admired yet paradoxically ignored musicians from the New Zealand underground since he first started out in The Rip on Flying Nun Records in the early 1980s. Having already worked with the incredibly talented New Zealander otherwise known as Michael Morley, it seemed natural for MIE’s next step to go on to work with Alastair on getting …
V/A
Collection of 20 unreleased tracks by the likes of ALASTAIR GALBRAITH, BLACK TO COMM, ARP, PIGEONS, IGNATS, ALVARIUS B, WILLIAM TYLER, SUPREME DICKS, FILIPE FELIZARDO, HAMILTON YARNS, & CIRCUIT DES YEUX. It also hosts 3 new collective projects: Mendrugo (feat. JOSEPHINE FOSTER joining forces with husband Victor Herrero, Jose Luis Herrero, Jose Luis Rico & Takuhiko Nochimoto); Raajmahal, the reunion of Pat Murano (NO-NECK BLUES BAND), Carla Baker, & Santa Wolanczyk; & Syracuse Ear, a 1st …
Full Blast
Ass-whooping live set from the Full Blast trio, recorded in Cologne in 2006: Brotzmann’s work with electric bassist Marino Pliakas and drummer Michael Wertmuller extends his work with Last Exit in that it combines an almost metal/No Wave attack with a fluid non-stop dynamic and a feel of electric blues. Brotzmann has always favoured electric bassists – Bill Laswell, Massimo Pupillo – and there’s something about the unyielding aspect of the instrument that acts as a propulsive metal backbone for …
Body issues
Patricia's warm, fuzzy post-techno-house slots neatly with the Opal Tapes aesthetic on his debut album, 'Body Issues'. Six tracks come off like a boosted 1991 or Huerco S, pushing malleable bass hits below swirling streaks of melody bursting with ferric quality. There's firm parallels to be made here with Anthony Naples, albeit with a noisier bent in 'Hissy Fit', whilst on 'Melting' juicy acid forms over a brittle jack track and the sweet-but-slamming 'Jospehine' and 'Plural' appear like some GH…
Right Nightmare
The computer-controlled Hoover bass is back: EVOL have returned with their unique brand of extreme economy on Right Nightmare, the latest instalment in their continuing ‘rave synthesis’ series. And this time they have brought a friend.Despite the lack of variation – a general description of EVOL’s work being one sound source stretched to absolute breaking point – the progression found in Right Nightmare as the latest in a series is noticeable. The material, admittedly, is only spread across two …