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'When dealing with female interpreters of the art of advanced vocalism, four personal favourites come to mind : Diamanda Galàs, Meredith Monk, Shelley Hirsch and - more recently - Non Credo's Kira Vollman. I'm afraid that I'll have to add a fifth chair at the table. I had already met Ute Wassermann in a great CD on Creative Sources, Kunststoff, a duo with trumpet player Birgit Ulher; yet, Birdtalking is one of those records that immediately raise all aerials, a top-rank effort in which a single …
Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…
Fantastic all-electric three way that sees Bruce Russell of The Dead C (on analog electronics) joined by Richard Francis on modular synth and computer and Jason Kahn on analog synth, radio and mixing board: recorded live on January 28th 2011 at Dunedin Public Art Gallery in New Zealand, this is a single 38 minute improvisation that feels environmental in scale but with a heady synthesized aspect that makes for a ghostly metal machine music. Three distinct voices make for a bafflingly beau…
On a mission to bring again the best works of the Italian Industrial acts of the 80s and 90s to the light, Officina Fonografica Italiana offers its first release in the form of a CD reissue of the historic "Armaghedon" by Maurizio Bianchi. Originally released on vinyl in 1984 by the author, this album has longly been his last work before his return to music in the late 90s. Conceived as a soundtrack for a movie by Bianchi himself - unfortunately never finished and now lost - "Armaghedon" is a co…
2009 release. Outstanding reissue covering some of the best Yuasa experimental and electronic works from the 60s and 70s: Yuasa was developing a fascination for tape music from the very beginning, and the inner journeys that such music would take him on. As he later wrote: “Tape music was [a] completely unknown field at the time. Even reversed playing of recorded sound, change of tape speed, filtering and feedback echo were totally new for the ear.” However, as Yuasa’s knowledge of technolo…
Jonas Kocher, accordion with Hans Koch & Patricia Bosshard, Christian Wolfarth, Gaudenz Badrutt, Urs Leimgruber, Christoph Schiller, Christian Müller. Recorded during the year 2011. Mastered by Giuseppe Ielasi. Limited edition of 222 numerated copies.
Air Museum blurs the lines between acoustic and electronic music even more without sacrificing melody or the delicacy of their sound. It is an album of firsts. It was the first album that the acoustic instruments were not processed via a computer. Instead, the processing of the instrumentation (acoustic and electric guitar, cello, accordion, piano, bass etc.) was done using a variety of pedals, modular synths, and other analog techniques. While acoustic instruments were used extensively, …
The Preservation label presents the second album from New York's Nickolas Mohanna. Also working as a visual artist, Nickolas draws unique forms from the wealth of sounds found in New York's complex sprawl and imbues them with feeling and subtlety. The sounds on Reflectors buzz with rich detail and rhythmic interplay for a work alive with beauty and mystery in its atmospheric reach. Previously living in San Francisco for a number of years, Nickolas studied with noted electronic composer Bob…
Sven-Ake Johansson, Andrea Neumann and Axel Dörner formed the trio Barcelona Series in the end of the 90's. Their music was utterly important for the development of the new improscene, the new ways of improvising by using your instruments more as acoustic bodies than traditional instruments. Johansson had since the 70's been experimenting with a music with less gestures but anyhow keeping the emotional pressure. Both Dörner and Neumann were pioneers in their ways of playing their instrume…
Sultan Hagavik is first Polish band (and probably the second one in the world) which performs music using tape decks. It was founded in July 2011 in Wroclaw, in circumstances hard to specify. The band utilizes recordings found on old cassettes, as well as their own material recorded with analogue dictaphone. Using tape decks as musical instruments allows duo members to create completely new sonic quality. In their sur-conventional compositions they refer to many musical genres; from pop to punct…
Intro sampler collection of Glenn's various guitar orchestra classics for the uninitiated. Glenn has personally selected a track listing representative of his absolute unique-on-this-planet vision, with material ranging from the delicate celestial beauty of Symphony No. 3 to the demonical, otherworldly terror unfurled in No. 10. Selections is the ultimate 'in' to Branca's work if you're yet unacquainted with the most influential composer of the era.
Originally released on Polydor in 1968. During this year, The Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Very Urgent, their eagerly-awaited debut recording, was a joyful call of intent. The album mixes simple but utterly unstoppable tunes and exhilarating horn charts -- immediately establishing a vitality and exuberance that would continue to define the group. Nevertheless, their evident preference f…
Back in 1988 Arbeit Group label released obscure industrial-noise release by project called TRAIT. A-side of the tape includes several different arrangement for inspiration in battle. B-side included several of those arrangements combined together for temporary unified action. 45 minutes of most primitive analogue destruction, leaving no place for easylistening or relaxing moments. Even with the atmopheric and dark moment, sound is extremely decayed and coarse sound of tape loops, manipulation a…
In working with sound, video, and installation, Richard Garet has made an artform of interference. In previous work, he's employed photosensors to control a particular audio signal through the erratic nature of a violently pulsing abstract film. He's flooded a performance space with fog to disperse multi-channel video work into an ephemeral yet sculptural mass, accompanied by an equally diffused sound design. And here on AreaI, Garet continues his ongoing research with electromagnetic disturbanc…
Another important piece of the elusive and hermetic Eyvind Kang puzzle. This newest studio project from one of the most consistently interesting young composer/performers working today is instantly Kang’s most adventurous, varied and ambitious recordings to date. Featuring many of his most illustrious musical associates as well as several orchestral ensembles from around the world, this new CD brings Kang’s exuberant gift for orchestration and lyricism together with a keen sense of the miraculou…
At long last, and/OAR presents the second of a series of limited edition collections illustrating the various approaches to environmental sound art. These collections allow for longer format works to be presented within a multi-artist presentation. Also returning for the first time in five years is the custom card stock insert packaging housed inside clear vinyl sleeves. Yperiau, by French sound artist Eric Cordier, is a sonic exploration of the lower regions of the Maison de Radio France in Par…
Oxtirn 'live' documents a performance in new york city, by the new trio of geoff mullen, ashley paul and eli keszler. following a score by keszler, the group performs on an array of instruments, using three guitars, drums, voice, auto-motorized harps, tenor harp, bass harp, microphones, clarinet, alto saxophone, crotales, drums and cymbals. the music drifts in a unique way between a wide variety of sounds, from incredible density of clattering metal textures and string attacks, wall of so…
“All music by Sharif Sehnaoui – no cuts & no overdubbing. Recorded by Fadi Tabbal on the 9th of june 2009 at Bustros palace, Beirut. Mixed & mastered by Fadi Tabbal at Tunefork studios, Beirut. Artwork & design by Mazen Kerbaj. Produced in Lebanon by Al Maslakh.” label info
Recorded live at Camber Sands Holiday Park, England on May 14, 2006. Featuring RICHARD YOUNGS (bass guitar) & ALEX NEILSON (drums)"At this 2006 concert, we have Jandek with a sympathetic rhythm section, and like a rhythm section that would back, say, a Lightnin’ Hopkins or a John Lee Hooker, they adapt themselves to the artist’s flow and provide a kind of pillowy environment or canvas on which he can do his thing. To give you an analogy from the free jazz world, some of the recent Jandek p…