New Arrivals

‘Harlesden Sessions’ is a collection of duo recordings between versatile saxophonist David Bitelli and gifted drummer Ollie Usiskin, whose imaginative improvisations take us on a journey through post-bop, jazz-funk and free jazz landscapes. The two North West London natives would meet up on occasional Thursdays to play improvised sax and drums duo sessions. As their understanding grew, they decided to start recording them and ‘Harlesden Sessions’ presents the best of these concise improvised exc…

*300 copies limited edition* The first duo recording between towering free jazz saxophonist Paul Dunmall and the highly creative saxophonist Kevin Figes, sees them perform ten improvised pieces using an assortment of instruments, including various saxophones, clarinets and flutes. With no pre-composed themes or motifs, what you hear are two master musicians in the moment of creativity. The wholly improvised conversations seem to encompass and distil the history of jazz, moving between free and c…

*300 copies limited edition* 'Happy Apples’ presents a collection of improvised duo exchanges between legendary free jazz vocalist Julie Tippetts, whose spell-binding vocals intermingle perfectly with saxophonist Kevin Figes’ atmospheric playing. Both musicians supplement the recording with an array of percussive devices, including the quirky tinkling 1970s toy that lends the album its name. The epic opening track “The Third Harmony” sets the mood for the recording as Tippetts displays a dazzlin…

*150 copies limited edition* A place, a microclimate, a voice, a microphone. Monophonic recording made on 13 April 2023 at the old cooperative cellar in Paziols. Recorded on a single channel, the sound sources are reduced to being close or distant. Reproduced on your loudspeakers, they reintegrate a space and resonate there. Plein Vent is a proposal to artists to record in a particular place of their choice, making a space resonate with intimacy. Unique cardboard sleeve stamped with the title, n…

These works were recorded late at night during long solo improvisations. A small table lamp illuminated the Moog guitar laid flat on a table surrounded by assorted found objects and guitar pedals whose multicoloured lights blinked delicately in the near shadows. Time moved slower. A sense of stillness and solitude provided a quiet contrast to the sounds pulsating around the room. Each take made as if it were an actual performance, the rule being always to finish the set. As much about training t…

Angelo Harmsworth's lands on Warm Winters Ltd. with his newest album titled 'Without Blinking', imbued, as usual, with a kind of gentle de(con)struction. Comprising of two longer compositions and a shorter piece featuring Felisha Ledesma, 'Without Blinking' is music on the verge of collapse, barely held together by its syrupy textures, intoxicated rhythmic gestures and characteristically raw emotionality. It's Harmsworth trying to map the limits of the senses, playing with our perceptions of tim…

Temporary Super Offer! COS might not be the first genre-defying progressive music group you’ve heard of who share both wordless onomatopoeic vocals and a snappy three-letter name (complete with philosophical leanings and alchemic penchants) but on listening to this first-ever custom COS compendium you might have just discovered a potential favourite! Perhaps it’s no coincidence that COS share close spiritual, stylistic and social connections with the aforementioned bands, as one of the few long …

Temporary Super Offer! **A dream come true** After years of mythology, misinterpretation, and procrastination Nurse With Wound's Steven Stapleton finally chooses Finders Keepers as the ideal collaborators to release "the right tracks" from his über-legendary psych/prog/punk peculiarity shopping list known as The Nurse With Wound List, commencing with a French specific Volume One of this authentically titled Strain Crack Break series. Featuring some Finders Keepers' regulars amongst galactic Gall…

Temporary Super Offer! From Guy Skornik, the composer and arranger behind Popera Cosmic and Pour Pauwels (1971), comes the enigmatic instrumental cues that provided fellow existentialist and notorious auteur director Alejandro Jodorowsky (The Holy Mountain, 1973) with the soundtrack music to what is now considered his rarest and most overlooked feature film, Tusk (1980). As part as Finders Keepers' ongoing dedicated Jodorowsky soundtrack series, the label present the original film edits from the…

The first-ever dedicated album release by pioneering female Italian film music composer/arranger/multi-instrumentalist Giulia De Muittis (aka Mrs. Alessandro Alessandroni). This release compiles her contributions of Folkmusic releases Alle Sorgenti Delle Civiltà volumes One and Two to create her first-ever dedicated artist album under any of her recording monikers. Rare undercover pseudo-ethnological studio sessions made under her experimental alter ego Kema (The Pawnshop) combining the ethos of…

Temporary Super Offer! Reaching a near-mythical status amongst fans of free jazz's most worldly intrepid explorer, these seldom heard Paris soundtrack sessions known as Music, Wisdom, Love have evaded collectors' grasps and confused historians for exactly 50 years. Instigated in Paris in 1967 and filmed during Don Cherry's downtime on a visit to the Chat qui Pêche nightclub in March 1967, where he played with Karl Berger, Henri Texier, and Jacques Thollot, the bulk of this cinematic portrait was…

Temporary Super Offer! Groundbreaking! One of the best, and most necessary reissues of the past few years, as well as n extraordinary collection of experimental, ambient and electronic tracks from the Italian cult composer and guitarist Daniela Casa.In an alternate universe, the Rome-born female synthesist Daniela Casa would be a household name. A genuine pioneer of experimental pop music, abstract electronics, giallo jazz, and even heavy drone rock jams, her elusive and infectious music joins t…

Temporary Super Offer! B-movie junkies, gather round and prepare yourselves for what could only be described as a cinematic speedball. Take a combined hit of two of the most potent strains of toxic cinema, dress it up in ritualistic robes, and make it dance to the beat of a stoned, motoric, country commune soundtrack. Like an exploit-o double-bill where both films merge into a single feature, this directorial debut by an ex-Roger Corman protégé and future Russ Meyer art director (another heady c…

Temporary Super Offer! A mythical and misplaced masterpiece of lost soft rock and acidic folk funk by a one-hit wonderer lost in the wilderness for four decades. From the producer of Margo Guryan, writer behind Wool, Gerry Mulligan collaborator, Tarantino sound tracker, and Wendy & Bonnie confidant, Paint A Lady now emerges from folkloric obscurity. Within certain record collecting circles, especially those who gather under the umbrella that covers fragile niches like "acid folk" and "soft rock"…

"Well into the third decade of their existence as a musical juggernaut, a new (or at least semi-new) quartet iteration of Nashville's most aggressively shambolic band, The Cherry Blossoms, has recorded this dandy taster of a new LP. And Feeding Tube is tickled pink to bring it to you. Surreal ruralists of the highest order, this version of the Blossoms includes long-time collaborator, Josephine Foster, as a card-carrying member. Josephine has been colluding with the Blossoms for many years, and …

*2024 repress* "... The Ohio-based guitarist's artistic leaps in recent years are rivaled only by those of Daniel Bachman, another once-precocious player formerly in the John Fahey / Jack Rose mold who has over the years transcended the idiom to create his own singular, deeply personal music. Rolin's latest LP, the double album The Dreaming Bridge, makes similar strides. For many practitioners of this style, the first and perhaps most challenging feat is to escape the gargantuan shadow of Fahey.…

"My reasons for writing pieces are often very surprising.... Two Pages, you'll recall, is a unison. Someone asked me if I was trying to follow the evolution of music history and if, then, my next piece would follow that logic and be fifths. So I wrote Music In Fifths. All movement is parallel, so I had to do one with contrary motion. After Music In Contrary Motion came its opposite, Music In Similar Motion. It was all very simple. In 1969, nobody knew me or really cared what I could write, so I …

*2024 stock* It's quite unusual for me to take on an existing piece. Since I've been interested in contemporary music, I've devoted myself to commissioning new pieces. This time, it's a bit different. I wanted to extend the ringers' quartet into a form reminiscent of a bagad. In C (1964) consists of 53 ordered patterns. The musicians repeat them freely and move on to the next. Terry Riley simply explains that each musician must be neither too far behind nor too far ahead of the others. This grea…

Legend of e’Boi (The Hypervigilant Eye) is the powerful new work by composer & alto saxophonist Darius Jones. Both of his tremendous artistic strengths are to the fore here in a fully committed trio communion with longtime collaborator Gerald Cleaver (drums) & Chris Lightcap (bass). Five potent new Jones compositions, and a striking arrangement of “No More My Lord” (a prison song rec. by Alan Lomax at Parchman Farm). Legend of e’Boi is the 7th chapter (of 9 on completion) in Jones’ expansive Man…

Quartet Records, in collaboration with Metro-Goldwyn-Mayer, presents the premiere complete CD release of Billy Strange terrific score for De Sade, an ambitious 1969 American International Pictures production directed by Cy Endfield. The film is a fictionalized biography of the world’s most famous sexual and physical pervert: Marquis De Sade, who was notorious for his sadistic behavior. The film stars Keir Dullea as the Marquis, Senta Berger, Lilli Palmer and John Huston. Legendary musician and a…

Quartet Records, in collaboration with Metro-Goldwyn-Mayer, presents the world premiere release of two 70s killer-animals exploitation film scores from the vaults of American International Pictures.

*2024 repress* Over the last two decades Philadelphia-based guitarist Chris Forsyth has released over a dozen critically lauded albums that have established him as one of today’s most unique and acclaimed guitar player /composers – a forward-thinking classicist synthesizing cinematic expansiveness with a pithy lyricism and rhythmic directness that makes even his 20-minute workouts feel as clear, direct, and memorable as a 4-minute song. In retrospect, Forsyth’s career can be divided into two per…

NM presents a composition and a field recording from French composer and archivist Guillaume Malaret, crafted between 2020 and 2022.

Falter Bramnk, Philippe Lenglet (members of the Muzzix collective), and Samuel Bodart (Numero h.) have known each other for a long time, often crossing paths in various and diverse ensembles (always working with improvisation), but until now, never as a trio! A few years ago, they came together, and after a few concerts, they felt the desire to further develop their work and record it. For this project, they decided to blend plucked/struck strings (acoustic guitar surrounded and enhanced with a …

On “Love2,” the second track on Zaumne’s 'Only Good Dreams For Me', Natalia Panzer’s voice emerges from a hazy smear of a pop-song chorus: “I am touching the cold window,” she intones. “I am touching the spinning walls. It’s a way to remember what’s mine is yours, and back again.” 'Only Good Dreams For Me', Zaumne’s first release with Warm Winters Ltd., embraces such direct contact as it cycles through states, from dread to hope. The heavy air that lingered on Zaumne’s previous releases, like hu…

It's Sandy Denny is a compilation album, issued in 1970. It consists of songs Sandy Denny recorded for Saga Records in 1967, and which were initially released on two separate albums: “Alex Campbell and his Friends” and “Sandy and Johnny”.

zakè (aka Zach Frizzell) and Tyresta (aka Nick Turner) follow their recent ambient treasury, The Worlds We Leave Behind, with Jade, a surprise companion album that teases out several themes from previous works into three long-form sonic vessels, offering some of their most affecting work across nearly an hour of reflective bliss. In the process of allowing their individual instincts to further entwine, they have created a uniquely generative kind of collaboration, where every deep drone and deli…

The Worlds We Leave Behind is the second full-length from the duo of zakè (aka Zach Frizzell) and Tyresta (aka Nick Turner) “Building on both quotidian and profound contrasts, ‘The Worlds We Leave Behind’ by zakè and Tyresta continues the theme from the pair’s earlier collaborative efforts, that of personal strife and experiential wisdom, which colour the impressions we derive from our environments. Being a “spiritual sequel” to the pair’s first album Drift (2023), the album educes long, heavy-s…

Nigerian electronic musician and violist Ibukun Sunday debuts on Phantom Limb with Harmony / Balance, a brooding, introspective take on Afro-ambient music that follows two acclaimed digital-only albums for Phantom Limb imprint Spirituals. Based in Lagos, Ibukun Sunday has expertly positioned himself between the rarely-married cultures of ambient and West African musics. He entwines his compositions with field recordings from his native Nigeria and deeply considered philosophies of existence, hum…

*200 copies limited edition* Mid Sky, the first full-length collaboration between Past Inside the Present label head zakè (aka Zach Frizzell) and vocalist Angela Winter, is the result of a patient exchange of ideas and arrangements over the course of more than a year. True to its title, the album occupies a rarefied place between the terrestrial and the cosmic, as Frizzell’s organic drones and field recordings unfurl in tandem with the cascading harmonies of Winter’s otherworldly voice, which cr…

*200 copies limited edition* Kairos is the sophomore album from Berlin trio Ausklang, following the monumental, critically-acclaimed Chronos (Past Inside the Present, 2020). Throughout its eight movements, Fabian Koppri, Benjamin Sohn, and Simon Ansing play with concepts of relative time and entropy through a masterful balance of melodic post-rock and layered ambient bliss, adorning an understated frame of guitar, bass, and drums with complex, ever-evolving arrangements, ranging from glitchy ele…

Foster, Wick and Bennett each subvert the traditional expectations of their instruments in favor of a timbrally rich palette of unconventional sounds. The interplay on these improvisations is sympathetic; they communicate fluently in their own collective language.

Composer/Performer Zeena Parkins announces the release of two multi-part compositions, inspired by discoveries she made combing through the Walter Benjamin archives in Berlin. “Past Turned Space” features virtuoso players William Winant/percussion and Brett Carson/keyboards navigating a set of vignettes, flickering in response to Benjamin’s intimate descriptions of childhood memories. “Dam Against the Spring Tide” is graced with an all-star band of composer/performers, including: Zeena Parkins/a…

Horizons Held Close is the first unadorned Trance Map release featuring only Evan Parker and Matthew Wright since their 2011 debut. The sounds are strange but utterly compelling. Parker's soprano snakes its way through Wright's turntables, software, and processing/sampling.

Living on different continents, the possibilities of linking up were few and far between but we did keep in touch and perform when the occasion presented itself. The software SonoBus solved the problem of distance and we recorded, Mark on the edge of a desert in San Diego and me in the middle of three Australian deserts at Alice Springs. A selection from these sessions you hear on this CD.The duos were recorded direct to stereo live.On the last track you will hear our most recent guest Vladimir …

Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knu…

Camila Nebbia and Angelica Sanchez form a remarkable duo with an immediate affinity that is truly striking. Sanchez's austere lyricism beautifully complements Nebbia's highly expressive language, resulting in duets that showcase their creative and profoundly interactive nature.

This foursome is resolute in its acceptance of communal responsibility and creation. Vocalist Kyoko Kitamura sings and speaks in wordless flurries, matching and Taylor Ho Bynum’s brassy exhortations on cornet. Cellist Tomeka Reid and guitarist Joe Morris worry and pluck their respective strings, applying speed and torque in the loosing of spidery cascades of crinkled and crenelated tones. Pitch and timbre differentials are a big part of the interplay with instruments juxtaposed in bursts of acti…

Using 'everyday' objects to prepare the instrument in a simple way structures this  "Prose Métallique", in which each piece offers a poetic approach to language and textual references. Recorded in one day, these close-miked solo pieces for alto saxophone explore the area where voice and instrument converge.

First ever international release of Ryuichi Sakamoto's landmark 1983 album "Coda," his rendition for solo piano of the 'Merry Christmas mr. Lawrence' soundtrack. Featuring remastered audio and new liner notes by Andy Beta.