New Arrivals

PolyTropos / Of Many Turns is the highly-anticipated new release from influential saxophonist / composer Steve Coleman. Comprised of two live sets recorded during a tour in France, it features his band Five Elements, with long-running partners Jonathan Finlayson on trumpet and Sean Rickman on drums, with new addition Rich Brown on bass. Recorded in concert in Paris and Voiron, the performances are raw, relying on spontaneous conversions of rhythmic and tonal shapes that weave musical figures int…

‘The Susceptible Now’ is the new record by drummer and 2024 Pulitzer Prize winner Tyshawn Sorey, who on this occasion offers covers of some of his favourite tracks. With his trio consisting of Aaron Diehl on piano and Harish Raghavan on bass, Sorey continues in the wake of his masterful ‘Continuing’, a record that placed fourth in the 2023 rankings voted by over 150 jazz critics in the Francis Davis Poll and was described by The Guardian as: ‘5 stars: seething with reinventions of ancient magic.…

Zealous Angles is the first documentation of pianist/composer Matt Mitchell’s long-running trio featuring bassist Chris Tordini and drummer Dan Weiss.Pi Recordings’ not-so-secret weapon, Mitchell now has six releases as a leader or co-leader and fourteen appearances on the label. His 2024 release Illimitable (on his and Kate Gentile's Obliquity Records) was called “one of greatest albums of spontaneously composed solo piano music, ever…. a masterpiece of twenty-first century solo piano music” by…

Bassist Kim Cass is among a vanguard group of Brooklyn-based improvisors who are creating works at the leading-edge of rhythmic acuity. Levs, his debut with Pi Recordings, features pianist Matt Mitchell and drummer Tyshawn Sorey, who called Cass “a singular composer and player: the man can do things that don’t seem possible on the bass, displaying a technical command of the instrument on the level of the most celebrated virtuosic performers in any genre of music.”The compositions on Levs were in…

Unknown Rivers is bassist Luke Stewart’s debut for Pi Recordings. An omnipresent and galvanizing force on the music scene, Stewart is a leader or co-leader of such bands as Irreversible Entanglements, Exposure Quintet, Blacks’ Myths, Heart of the Ghost, and Remembrance Quintet. He is also among the most in-demand collaborators, having performed with the likes of David Murray, Nicole Mitchell, Moor Mother, Jaimie Branch, Nate Wooley, Ken Vandermark and countless others. Stewart is also a curator …

*2024 stock* The story of Orchestra Ethiopia (1963-1975) is unusual and compelling in more ways than one. Just as modern music was reaching the peak of its excellence and popularity, at the very same moment, via Orchestra Ethiopia's unlikely undertaking, traditional music acquired a legitimacy that the times had tended to deprive it of. Between the coup d'état (Dec 1960) and the revolution (1974), Ethiopia was combining, unbeknownst to all, both the end of an empire and the "golden age" of its m…

"It was 1979, and I was barely 5 years old. Some memories are impressed on my mind with a sort of solarized texture, like in the photographs of the period, full of icons and myths. My father Franco and mother Luciana were like crazy pinballs, touring the world: America, France and Germany were the sides against which they continuously bumped and Italy's capital the hole to which they always returned. I was really young, but I remember very well the period in which my father worked on this little…

Brian Marsella is one of the most accomplished keyboard virtuosos in the Downtown scene. A vital member of projects by Cyro Baptista and John Zorn for decades, his fluid keyboard stylings and intense energy is legendary—and Medietas is his masterwork: a sprawling three-hour long work that embraces jazz, rock, funk, classical, world music, exotica, folk, soundtrack moods, and so much more. Segueing from song to song seamlessly, this is a work that puts you into an ecstatic dream world—a psychedel…

This long-awaited third volume featuring John Zorn's newest and most exciting ensemble, New Masada Quartet was recorded live at Roulette, one of Zorn's home bases in NYC. White hot and razor sharp, an intense electricity is in the air from the very first note. Resplendent with burning solos, telepathic group interaction, heartfelt lyricism, hypnotic grooves, and of course Zorn’s ever-surprising conducting techniques, this is truly one of the most transcendent sets they have yet performed. With a…

In Straight Up, Without Wings, Joe McPhee surveys sixty years in creative music. Starting with his trumpeter-father's influence and formative years in the U.S. Army, McPhee recounts experiences as a Black-hippy-cum-budding-musician based in upstate New York, perched at an ideal distance from Manhattan’s free jazz demimonde of the 1960s and its loft scene of the 1970s. A natural storyteller, revealing never-told tales and reveling in the joys of noise, McPhee puts the influence of – and encounter…

The remix album, with marvelously creative EDM remakes from some of the best powerbook players of the day: Mouse On Mars, Jim O’Rourke, Kid Loco, Schneider TM, Stock, Hausen & Walkman, Cornelius and The High Llamas themselves. In addition to showcasing this emerging new generation of digital masters, the treatments here also highlight an oft-undersung aspect of The High Llamas’ sound – the influence of Krautrock.

Having passed – at least figuratively – through hundreds of years over the course of their previous two albums, the good ship High Llamas docked, fully loaded, into a congenial present moment for once in its life. O’Hagan’s continued work with Tim Gane and Stereolab caused a healthy dose of electronica to spike the Llamas’ already heady brew, creating an apex of late 90s-style neo-exotica. RIYL: Mouse On Mars, Oval, Grand Royal, Dots and Loops.

This brave foray into conceptual art music produced a jaw-dropping reset on the 20th century pop perspective. The High Llamas engaged songwriting and production with an eye toward filmmaking. Digging through ephemera of choice vintages with post-modern zest, they struck a rich vein they could call their own – a kind of gothic Americana, formal aspects pushed to extremes. The spirit of discovery here can be vibrantly felt over 30 years later.

112 pages. Italian language.Popoli di Vetro (Peoples of Glass) is a new publication by Francesco Cavaliere published by Viaindustriae and produced by Xing, in the frame of the project Abyssal Creatures supported by Italian Council.Popoli di Vetro is an artist’s book in the form of a fantastical novella. Here, the writing generates an imaginative world in which glass is the pervasive element the protagonist must deal with. Tan – also known as Metastasio – moves freely in an abyssal setting, searc…

300 copies only! First-ever vinyl pressing of the band's inaugural EP, 'Sleepy Jazz for Tired Cats', featuring new artwork and mastering by Marta Salogni. Established in 2013 by Valentina Magaletti and Tom Relleen, the duo operated until 2020 as a creative laboratory for the London-based musicians to explore beyond their traditional musical endeavours. They sought to deconstruct their usual sonic frameworks, venturing into a novel and unfamiliar auditory landscape. Their work seamlessly integrat…

The two works which comprise this retrospective release project - "Plan for Sleep” (1984) and "Every Dog Has His Day” (1985) - are collaborations between Yamanaka and Furuhashi which were foundational to the music development of Dumb Type's aural legacy and intermedia innovations at large. Their early stage music possessed a unique charm and innovation, serving as an essential element at the core of their art. Through this project, the legacy of these works is to be re-evaluated, and the essence…

In the performance of this work, "Plan for Sleep" (1986), created simultaneously with “Every Dog Has His Day” (1985), Yamanaka took on the role of sound operation. The performance begins with a minimal piece where the tones of the electronic organ and striking phrases from the piano and saxophone race forward in syncopation. Following this, various sound fragments drift over a deafening industrial beat reminiscent of machine noises. There are also pieces that transform the typing sounds of a typ…

The Bill Evans Trio's 1973 concert in Tokyo was his first recording for Fantasy and it produced yet another Grammy-nomination for the presentation. With bassist Eddie Gomez and drummer Marty Morell, this LP mixes offbeat songs with overlooked gems, familiar standards, and surprisingly, only one Evans composition, the demanding "T.T.T.T. (Twelve Tone Tune Two)”. The Tokyo concert reveals the trio functioning at a high level, with each member by this time able to anticipate whatever direction the …

The Slaying Of The Infants was the very first output from Stratvm Terror, originally released as a very limted edition demo cassette in 1994 (10-15 copies). Pulsing and beating, cold and doom power industrial electronics. Many of the tracks ended up in the first official release Germinal Chamber, released on cassette by OEC later the same year, but slightly different recordings/versions. Sleeve design mimic the design of the original demo cassette.

"Duck Baker should be a national treasure. He should be an international treasure. Should be? In my book he already is. I first came across his work in the 1970s on early Kicking Mule LPs in my local library in the UK, which was his temporary base then, and is his permanent home now. Many years later I was astounded by Spinning Song, his CD of Herbie Nichols compositions. Around the same time, I made contact with him by way of thanks following a review he wrote of my work on Stuff Smith and, lat…

Infinite-Sum Game is a curated selection of my solo piano performance in Palermo on May 13th, 2023, at Sala Perriera in the Cantieri Culturali alla Zisa. I have the deepest gratitude first and foremost to Lelio Giannetto and Valeria, as well as Gabri, Luca, Yuki, Angela, Curva Minore, SIO, and the greater Sicilian musical community. It's a great honor to have been embraced by the community in Palermo, to be able to spend so much time there, and to collaborate with so many artists who have become…

The latest album from Michael Cashmore (formerly of Current 93) collects 23 vignettes woven into each other to create a piece of work that appears like the soundtrack to a drama seeped in melancholy yet rich in surprising twists and turns. Using piano, electronics, organ, electronics, rhythm, guitar and orchestral sweeps, 'Until the End of Vibration' draws from a variety of sources of inspiration to ultimately end up at a place Michael Cashmore has long been chiselling at with a solo career that…

CD Version Ash Grey And The Gull Glides On is the new album by Scottish composers Andrew Wasylyk and Tommy Perman. The pair have orbited each others worlds for a number of years through audio visual collaborations spanning record releases, films and sound installations. Wasylyk’s cinematic compositions have been nominated for the Scottish Album of the Year Award and been awarded BBC Radio 6 Music’s Gideon Coe’s Album of the Year. He has collaborated with former National Poet for Scotland, Liz Lo…

*Limited Edition of 100. Pink Vinyl! 2024 stock* Super groups are not a riskless endeavor—but when they’re made up of longtime friends and master improvisers, they tend to work. On their collaboration, simply titled Volume 1, up-and-coming American saxophonist John Dikeman (When The Time Is Right, 577 Records, 2021) is accompanied by a group of UK-based music masters: pianist Pat Thomas, a 577 Records mainstay (Shifa Live at Cafe Oto 2019, BleySchool 2019, Shifa Live in Oslo 2020, Educated Guess…

*2024 stock* Can music liberate us? Francisco Mela, who worked and partnered with the legendary jazz musician McCoy Tyner, believes so. On this album, the second volume of Music Frees Our Souls, Mela collaborates with pianist Cooper-Moore and bassist William Parker to build a 2-part extended track project of advanced dialogue between 3 of the genre's most important instruments. Tyner was well-known for his boundless musical talent, and perhaps best-known for playing in John Coltrane’s quartet, w…

Astroturf Noise exists at the intersection of free improvisation, effects-heavy noise music, and American roots music.

Temporary super offer!  Pharoah Sanders, live at the Antibes Jazz Festival in Juan-les-Pins on July 21, 1968. Experimental jazz titan Pharoah Sanders made a lasting impact with his unorthodox approach to tenor saxophone. Born Farrell Sanders in Little Rock, Arkansas in 1940, he was given the nickname Pharoah by grandmother, in reference to the potential regal lineage of his African heritage. Playing clarinet at church services during his youth, he began playing tenor sax at high school. In 1959 …

Temporary super offer! A singer-songwriter who wrote for the Turtles, Judee Sill -- in her early 1970s heyday -- was compared to Asylum label contemporaries like Joni Mitchell, though her music had stronger spiritual overtones. This nearly forgotten performance reveals a true talent that deserved so much more during her short lifetime. Judee Sill grew up in a very troubled home and came through it with some truly great music to tell so many stories that many of the more sentient listeners will a…

2024 small repress. Faitiche presents a long-lost vinyl album. Since 2003, Jan Jelinek's Loop-Finding-Jazz-Records, originally released in 2001 on ~scape, existed only as a download. Now the album is available again on vinyl, as a double LP with two bonus tracks, "Moiré (Guitar & Horns)" and "Poren", B-sides from Tendency EP (2000)."Don't be misled by the title, though for there isn't a finger-snapping rhythm bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect…

"There are no weak links on this consistent album, which is thoroughly recommended." - The Tapestry Of Delights

“In fact, the more I try to escape, the less I can breathe. The more I try to hold on, the less I can focus. Something’s leaving me. Parts of me. Everything falls apart.” - Mark Z. Danielewski, House of Leaves

Long traded and coveted, discussed and debated, Propeller Product’s 1981 cassette compilation finally receives a physical release reflecting its original intention and aim. And this is its Boston origin story: a small collective with a DIY artistic bent, Propeller launched in 1981. Founded as a collaborative taking inspiration from Factory Records and the “pay no more” ethos of DischordRecords and CRASS, Propeller offers an unique window into Boston and the American post-punk underground. Led by…

"Only a decade ago Leong Lau remained a well-hidden Malaysian-Australian treasure, known only to small circles of Australian record collectors. In 2013 we met Leong in person at the Brisbane state library, where after a long and somewhat transcendental ‘conversation’ received his blessings to re-release his music. In 2014, we reissued his sophomore album ‘That Rongeng Sound’ and later in 2021, his sole single ‘Late Night Flyer. In 2024, we are going back to finish the triangle of Leong releases,…

Perhaps there is no need to introduce this legendary recording, but few people realized that this year it will be 50 years (!) since the band secretly set foot in Hrad Houska and started recording there in the winter of 1974. And Sváťa Karásek shined a light on them.

Take A Picture is Margo Guryan’s one and done classic — one of record collecting’s real unheralded masterpieces — bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.

Big Tip! Our obsession with underground Greek music continues with 10 ultra-rare recordings of heartbreak and vice from rembetiko legend Giorgos Katsaros. Katsaros, who by some accounts lived to be over 100 years old, carried the old songs of Greece to the Diaspora in the United States, bridging centuries of music in one storied lifetime. Born in 1901 on the Greek island of Amorgos, Katsaros’ was enchanted with the songs he picked up as a kid in the streets of Piraeus and Athens. Encouraged by h…

"Spooky Two is this British blues-rock band's pièce de résistance. All eight of the tracks compound free-styled rock and loose-fitting guitar playing, resulting in some fantastic raw music … their smooth, relaxed tempos and riffs mirrored bands like Savoy Brown and, at times, even the Yardbirds … Although Spooky Tooth lasted about seven years, their other albums never really contained the same passion or talented collaborating by each individual musician as Spooky Two." - Mike DeGagne

Biiig Tip! This is a strange one. Originally conceived as part of an anarchistic publication, the tracks culled from two live performances at separate locations in London’s Shoreditch got as far as the test pressing stage as long as 5 years ago and then forgotten. The publication never materialised and the cut lacquers and metalwork lay languishing in a dark corner on a dusty bottom shelf in the pressing plants storeroom.   Forgotten until we were presented with a hefty bill for production and s…

7 years since its release; the iconic debut from Godtet gets a repress. The self-titled LP marked the inception of La Sape Records along with the genesis of Godtet. Stitched together more like a beat tape. 12 movements recorded live with no overdubs; "This record came about with no preconceived ideas of what we were making or what it would sound like". A crystallisation of Godtet which aided to form the sound of La Sape. Traversing across spiritual jazz, dub and experimental gestures. It caught …

Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the…