New Arrivals
Citadels & Sanctuaries
*2022 stock. In process of stocking. 200 limited edition* Recorded during a month-long residency at Brooklyn art space Pioneer Works in late 2020, Cymerman’s fifth solo album is his most accessible work to date. While past releases have included extensive edits, overdubs, and effects processing to push his clarinet into the realm of abstraction, nearly each piece on Citadels & Sanctuaries was captured in a single take. “This album was recorded when playing lines and melodies were feeling really …
Phos
*In process of stocking* Electroacoustic improvisation trio Bloodmist is proud to present Phos, their second studio album, scheduled for release in summer of 2020. The group’s most focused offering to date, Phos showcases an expansive exploration of vivid hellscapes, encompassing elegiac clarinet melodies, feral noise textures, multi-layered electronic percussion, and wildly evocative electronic processing. Bloodmist is Jeremiah Cymerman (clarinet, electronics), Toby Driver (electric bass), and …
Arc
NYC-based electroacoustic improvisation trio Bloodmist presents Arc, their third full length album.
Systema Munditotius, Vol 1
NYC-based electroacoustic improvisation trio Bloodmist presents Arc, their third full length album.
Decay of the Angel
*2022 stock. In process of stocking. 200 limited edition* “On a day such as this,” David Thomas once sang, “insist on more than the truth.” “Day Such as This,” from Pere Ubu’s Song of the Bailing Man, is an elaborate studio concoction in celebration of hyperbole. Jeremiah Cymerman has never signaled any great appreciation for Pere Ubu, but that song nonetheless proposes a way to describe what he does on Decay of the Angel.
The album is the outcome of years of solo clarinet concerts, some in his…
As Loud As Possible
Tip! CD Edition, 8-panel digipak. The mid-90s were particularly abundant years for harsh noise, producing many albums which are now considered masterpieces. One of the most beloved classics from this period is "As Loud As Possible" by Incapacitants. Active since 1981, the duo of Toshiji Mikawa and Fumio Kosakai found their stride in the early 90s and set off on an unrelenting course which produced countless gems of noise. Many of these have been well preserved and documented elsewhere, compiled …
Tance Neznámé
*2022 stock* "This album is a fantastic document of two guitarists complementing each other, giving each other space to work out ideas and while being technical top notch, they put a lot emotions into their compositions. Some of the melodies are touching something deep inside me, that is hard to explain, but I bet every music lover knows that feeling... Do not miss this album, even if you can't read or pronounce the track titles. This is pure bliss!" – Dying for Bad Music
A/V001: Unit 11: Benjamin Greenberg & Joe DeNardo with E.S.P. TV
* Edition of 100 VHS * Ben Greenberg and Joe DeNardo’s 2016 live audio/visual collaboration at Pioneer Works with E.S.P. TV's UNIT 11 (directed by Victoria Keddie & Scott Kiernan), a mobile studio and residency from a former TV newsvan focusing on transmission-based research and practice. Loud, hypnotic and unrelenting, this 30 minute VHS tape release features a re-mastered audio mix to the original as previously aired on E.S.P. TV #101. Each tape is uniquely laser etched on the cassette shell i…
Were We Where We Were
Were We Where We Were is a recording of set of compositions by Michael Formanek, and performed here by him, saxophonist and clarinetist Chet Doxas, and drummer Vinnie Sperrazza, collectively as the Michael Formanek Drome Trio. These pieces were loosely grouped together as Palindrome Series 1 and Palindrome Series 2, from 2020. They started out as a series graphic scores that were then reinterpreted as conventionally notated music for this trio. The Drome trio learned the music and rehearsed outs…
>(decrescendo) Final Chapter
Recorded 18/9/2019 iphone Mono Recording. No Cut No Overdub Edit. Recorded in a park before dawn in August 2019, it was released for the first time in December on a series of cassettes by fashion brand CAV EMPT and sold out immediately. In 2020, "Ugusudani Apocalypse" was released on LP by The Trilogy Tapes in the UK. In 2020, he self-released a cassette box with three versions recorded in the same park. In 2021, The Trilogy Tapes will release a second pressing of the album with a poster in a do…
The Earliest Live Sound Source Collection 1980 - 1982
Tip! *2022 stock* Finally, the album that people have been asking "When in the world is it coming out?". It's a collection of the band's earliest material, mainly live performances from 1980 to just before their major label debut in 1982, including three songs from their first EP 'Ash-Lah'!
Parasite
Tip! *2022 stock. 300 copies limited edition* Splitrec presents Parasite solo prepared guitar works by Rhys Mottley.
Submental
Tip! *2022 stock* 180º is a new group formed in August 2018 - Nick Ashwood acoustic guitar, Jim Denley bass flute, and Amanda Stewart voice and text. Amanda and Jim first met in the late 1980s, founding Machine for Making Sense in 1989, as well as performing numerous duos over the years — a long and fruitful association. They’ve always been interested in what their music instinct can learn from language and vice versa.
Nick is from the southern tip of Tasmania. Jim and Nick have been developing …
back, before
Tip! This fourth release by Great Waitress titled back, before was recorded before the pandemic and lockdowns in 2018, and has taken four years to get to production. A live set was beautifully recorded by Peter Farrar at the Annandale Creative Arts Centre in Sydney and mixed and mastered by Joe Talia.
In the elegant liner notes, Chris Abrahams writes of Great Waitress transcending “ ...the individual contributions of Mayas, Altman and Brooks. It's an identity made from a multi-dimensional count…
Rise Vision Comin
A breathtaking self-conscious free-jazz masterwork, 'Rise Vision Comin'' summarizes more than 30 years of musical and theoretical/political expression from renowned activist/scholar/free-jazz pioneer Haki R. Standing on the verge of spiritual jazz aesthetic, his music remains timeless & unforgettable after it's longstanding creation. The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on sa…
Chorus
*2022 stock* Following the recent reissues of Pop Impressions, Super America and Soul Impressions, P-Vine Records label follows-up to the series with another brilliant album, Chorus, by French underrated composer and producer, Janko Nilovic. Janko Nilovic certainly was one of the greatest studio talents of Europe in the '70s. He is a musician who devotes himself to music, which resulted in a great number of published works, but most of them made for library music labels and also not available fo…
Slap Happy Humphrey
*2022 stock* The world of Doji appears and disappears through the stormy noise like sunlight through a tree... Slap Happy Humphrey is the world's only cover band of noise-tinged Doji Morita, and the world's only cover band of Doji Morita. Folk and noise - at first glance, these two seemingly contradictory elements create a miraculous space. Itakura Mineko's voice is also good. Morita Doji is definitely present, albeit vaguely, behind the noise... Mineko Itakura of Angelin Heavy Syrup, Hiroshi Fu…
TIBLSC Re-Works of Since It Turned Out Something Else
Constructive are pleased to announce our fifth release, reworks by TIBSLC of Adrian Corker's recent album 'Since It Turned Out Something Else'. Having met earlier this year when TIBSLC played at an album launch in London at Cafe Oto, Corker asked if they would be interested in taking the tracks as raw material to create a new set of pieces. The original acoustic worlds of the tracks, a combination of contemporary composition and electroacoustic techniques , are transformed into complex ever shif…
Wormwood
In the early 2000s there were several great (now classic) Evenings releases on labels like Chondritic Sound, Ekhein, Monorail Trespassing and his own Tapeworm Tapes imprint...these have been my go-to late night listening for the past decade. With it's super muddy, snail-paced build ups of hazy lo-fi rumbling drones...it is quite literally the ideal noise for evening listening. He had a way of taking the sound and approach of early HNW and making it more hushed and mellow, as if you were hearing …
Gascha Muche
Tip! *In process of stocking* An extended and remastered edition of this excellent tape (one of my favorites in the AAD catalog) that came out last year and sold out way too fast. When I first heard this material I immediately knew it was worthy of a CD edition, but we already had everything mapped out for a tape. So here it finally is, just in time for his East Coast Tour this Fall...and this is not an act you can afford to miss...truly one of the most unpredictable and interesting Harsh Noise …