We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"Reflex" is Gábor Lázár's debut album on Raster. His new album is a collection of seven tracks, featuring an extended sound palette of percussions and synthesizers drawing our attention towards the essential soundscapes of techno while maintaining his distinct, uncompromising and meticulously detailed style. While the tracks do not follow traditional narratives, the album has an evolution: it gently builds up from challenging, unpredictable, and organically composed structures to linear yet play…
*2024 stock* The long awaited reissue of the legendary She and Me Fall Together In Free Death album by Nurse With Wound, with over 45 minutes extra material, most previously unreleased. Housed in a deluxe 2 CD digipak gloss heavy gauge, on United Dairies, with new art by Babs Santini, remastered by Colin Potter.
2024 small repress. Faitiche presents a long-lost vinyl album. Since 2003, Jan Jelinek's Loop-Finding-Jazz-Records, originally released in 2001 on ~scape, existed only as a download. Now the album is available again on vinyl, as a double LP with two bonus tracks, "Moiré (Guitar & Horns)" and "Poren", B-sides from Tendency EP (2000)."Don't be misled by the title, though for there isn't a finger-snapping rhythm bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect…
*2024 stock* To Ethiopian audiences, Tlahoun Gèssèssè is THE VOICE, even more so than Mahmoud Ahmed, Alèmayèhu Eshèté or Mulatu Astatqé. Endowed with a phenomenal, innate vocal talent, he has been the asbsolute and unequalled icon for an entire country since the fifties, heading up the list of Ethiopian discography. Based around seven ‘modernist’ pieces arranged by the brilliant and innovative Mulatu Astatqé (Ethiopiques 4 : «Ethiojazz»), these first Ethiopiques devoted to Talhoun Gèssèssè also …
*2024 stock* Before she became famous as a singer and a player of the krar –the traditional Ethiopian lyre– Asnatqèch Wèrqu was well-known as an actress and a dancer. Inspired by the art of the 'azmaris', the Ethiopian wandering minstrels, she found the voice to transform the vicissitudes of life into poignant laments or sarcastic ditties. Asnatqèch is the last great singer, story-teler and free-thinker to carry on the tradition of "poetic jousting". Needless to say, the CD booklet features the …
*2024 stock* The result of a surprising encounter between Ethiopian, French and Dutch musicians, Jump to Addis presents a buoying mix of Abbyssinian tradition, revisited jazz and wild rock'n'roll. The krars (folk lyres) and voices of urban azmaris rub shoulders with the guitars, saxophones and drumsets of European musicians, all in an audacious blend.
*2024 stock* Probably the most revered veteran of Ethiopian saxophone, Gétatchèw Mèkurya is the 'inventor' of an extremely distinctive musical style. Amongst Ethiopia's numerous vocal genres, there exists a form of singing that is purely warlik: epic and declamatory, harsh and hoarse-voiced, it is known as 'shellela'. This bellicose thunderbolt, quite strictly vocal, was improvised before each attack. Gétatchèw Mèkurya had the brilliant idea of transposing the genre to his saxophone, and here we…
*2024 stock* Brazilian bossa nova legend with his much revered self titled 1973 album. Rolling Stone called it one of the 100 best Brazilan albums in history, features Miucha on backing vocals and famous American jazz drummer Sonny Carr.
“In fact, the more I try to escape, the less I can breathe. The more I try to hold on, the less I can focus. Something’s leaving me. Parts of me. Everything falls apart.” - Mark Z. Danielewski, House of Leaves
*2024 stock* An augmented, improved and remastered edition of the legendary anthology of Ethiopian groove that was issued in the 1990s. This selection is a tribute to the haydays of Ethiopian music and reproduces the final salvos of the musical fireworks before they were brutally extinguished by the dictatorship. 1969-78: this near-decade was undoubtedly the golden age of modern Ethiopian music, with its swinging, thunderous or simply gigantic brasses and historic singers adapting and rearrangin…
*2024 stock* The Ethiopiques series aims to make Westerners discover the missing link in African music. The great Italian musicologist Enrico Castelli has devoted this recording to the Konso, an ethnic group living at the border with Sudan. This panorama of Konso music presents pieces linked to daily agricultural tasks, sacred and ritual songs, as well as recreational songs. The rich instrumentarium includes "hibhara", "maayra" and "luutota" flutes, "kihayta" lyre to accompany songs, "tawna" be…
*2024 stock* Although commonly know as "King David's harp", the bèguèna is not actually a member of the harp family. It is in fact an oversized lyre with ten strings –usually plucked, sometimes strummed with a plectrum. It is probably the oldest musical instrument played in Ethiopia. One of today's uncontested masters of the bèguèna, Alèmu Aga, sings religious songs, traditional fables and folk tales, as well as his own poems. Meditative, devotional or uplifting sor some, simply "mind blowing" f…
*2024 stock* Emptiness, melancholy, nostalgia; doom and gloom, morbid musings; heartache or homesickness: such is the stock in trade of the misery and mournful memories expressed by the song Tezeta - Ethiopia's majestic hymn to the blues. Etymologically, the word itself means memory, nostalgia, and several Ethiopian authors have used Tezeta as the title for their memoirs. For Ethiopians, it is the Tezeta genre that seems to capture the essence of the blues.
Long traded and coveted, discussed and debated, Propeller Product’s 1981 cassette compilation finally receives a physical release reflecting its original intention and aim. And this is its Boston origin story: a small collective with a DIY artistic bent, Propeller launched in 1981. Founded as a collaborative taking inspiration from Factory Records and the “pay no more” ethos of DischordRecords and CRASS, Propeller offers an unique window into Boston and the American post-punk underground. Led by…
"Only a decade ago Leong Lau remained a well-hidden Malaysian-Australian treasure, known only to small circles of Australian record collectors. In 2013 we met Leong in person at the Brisbane state library, where after a long and somewhat transcendental ‘conversation’ received his blessings to re-release his music. In 2014, we reissued his sophomore album ‘That Rongeng Sound’ and later in 2021, his sole single ‘Late Night Flyer. In 2024, we are going back to finish the triangle of Leong releases,…
Perhaps there is no need to introduce this legendary recording, but few people realized that this year it will be 50 years (!) since the band secretly set foot in Hrad Houska and started recording there in the winter of 1974. And Sváťa Karásek shined a light on them.
Take A Picture is Margo Guryan’s one and done classic — one of record collecting’s real unheralded masterpieces — bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.
Big Tip! Our obsession with underground Greek music continues with 10 ultra-rare recordings of heartbreak and vice from rembetiko legend Giorgos Katsaros. Katsaros, who by some accounts lived to be over 100 years old, carried the old songs of Greece to the Diaspora in the United States, bridging centuries of music in one storied lifetime. Born in 1901 on the Greek island of Amorgos, Katsaros’ was enchanted with the songs he picked up as a kid in the streets of Piraeus and Athens. Encouraged by h…