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The first meeting of AMM guitarist Keith Rowe and pianist John Tilbury after Rowe departed in 2004, a delicate and intricate long improvisation, fascinating dialog between two long-acquainted and innovative conversationalists. "Keith Rowe and John Tilbury are both known as prominent members of AMM, the legendary ensemble which has been incredibly influential on the field of improvised music.Originating the tabletop guitar, Keith Rowe was a co-founder of AMM in 1965. He's since been involved in a…
Ben Chasny has spent many years at this point perfecting his very personal vision of the American landscape. With his early LPs he managed to grab a groundswell of support for his distinctly lo-fi recordings, and since hitting the Drag City label with the breathtaking 'School of Flower' he has managed to extend his vision to countless others. 'Asleep on the Floodplain' continues his exploration, and while it doesn't change up the formula too much (apart from the odd analogue synth blurt here and…
a pure mantra: blending North African and Middle Eastern textures within a western context into our experience, regrettably the experience of a small few, but hopefully a wider community of listeners to come. Not only important historically, but musically: a wide range of music genres over the last couple of decades have worked with drone-note principles and it is an increasingly common device, but Sandy Bull was/is a superlative master of utilising the drone sounds;understated but effect…
"Ikef continues to mine the extraordinary musical territory of St. Louis's fervent '60s musical innovators with the reissue of the impossibly rare Collected Poem For Blind Lemon Jefferson. Originally released on the late, brilliant saxophonist Julius Hemphill's artist run Mbari label in 1971, Blind Lemon is a highly energetic, raw and primitive avant-garde take on the Blues Mythos. Hemphill, named 'one of free jazz's most visionary composers' (Chris Kelsey, All Music Guide) is in full form as he…
In 2012 the world celebrates not only the centenary of John Cage’s birth, but also the sixtieth anniversary of the premiere of his ”silent piece” 4’33”(four minutes, thirty-three seconds) on August 29, 1952. This composition in three movements without intentional sounds is the composer’s best-known work today. As an ”art without work” (John Cage), it takes up and renews the impulses of the avant-gardes of the early twentieth century, notably Marcel Duchamp’s readymades, which the artist h…
This album is a single forty-minute track exclusively made up from recordings of waterfalls within America's Pacific Northwest. The source material was cultivated and mixed over a two-year period and takes the form of a monstrously powerful, ferociously noisy concrète piece. Menche has always situated his work towards the extremes of electroacoustic music and Kataract is no exception, but for all the turbulence and extreme frequency manipulation here there's a level of detail on show th…
Awesome reissue! Here sensitively remastered by Denis Blackham from the original master tapes at Skye Mastering and with a beautiful facsimile mini LP style sleeve, made in Japan.The Full Use Of Nothing was the first serious publication of music by Andrew Chalk/Ferial Confine on cassette in 1985. Early experimentation in acoustic percussion and primitive multi-tracking techniques shaped the sound and spirit of these formative recordings, somehow very tentative but leading to an on-going …
2012 repress, originally issued pre-9/11. "Astounding 1975 Radio Bremen session from Germany -- never before released, by one of the greatest working bands in the history of European improvised music is offered for your consideration on Hunting The Snake. How can you lose? This all-star ensemble features Alexander von Schlippenbach on piano, Evan Parker on saxophones, Peter Kowald on bass, and Paul Lovens on drums and singing saw. A brilliant, previously unreleased 77 minute program fr…
Cracked Refraction ties its complex knots with infectious vigor and a predilection for playfulness. Wrack’s melodies are slithering and serpentine, and the music is built of smaller segments assembled in what can seem a slapdash manner, with all sorts of jutting ends and unexpected collisions. What Bruckmann’s done, though, is intentional, placing his players on different planes, with straight lines failing to meet, runs of notes ricocheting at impossible angles, and expected avenues folding in …
"Formed in the summer of 1964, although the New York Art Quartet existed for barely a year and a half, great interest remains in their work. They consisted of co-leaders John Tchicai (alto sax), who participated in John Coltrane's ground-breaking Ascension album and Roswell Rudd (trombone), considered to be the first free-jazz trombonist, along with bassist Don Moore and drummer Milford Graves. The band participated in the legendary 'October Revolution in Jazz', which journalist Bill Shoemaker c…
“The word Ecotono is built from two roots. Eco (oikos/casa) and tono (tonos/ tensión). An ecotono, or ecotone, is a habitat created by the juxtaposition of distinctly different habitats; an edge habitat; or an ecological zone or boundary where two or more ecosystems meet. It is a transition area between two distinct habitats, where the ranges of the organisms in each bordering habitat overlap, and where there are organisms unique to the transition area. An ecotone region provides conditions of b…
The Invisible Hands is the English translation of the band's original Egyptian Arabic name: El Ayadi El Khafeyya. Taking almost two years to create amidst an unusual and challenging backdrop, this is the brand new project of Alvarius B. (Alan Bishop of Sun City Girls). Eleven highly-crafted new songs projected through his typically dark lens of songwriting and a band of brilliant musicians from Cairo, the premier, self-titled CD version of this album is the English language vocals edition (s…
Recorded live at Camber Sands Holiday Park, England on May 14, 2006. Featuring RICHARD YOUNGS (bass guitar) & ALEX NEILSON (drums)"At this 2006 concert, we have Jandek with a sympathetic rhythm section, and like a rhythm section that would back, say, a Lightnin’ Hopkins or a John Lee Hooker, they adapt themselves to the artist’s flow and provide a kind of pillowy environment or canvas on which he can do his thing. To give you an analogy from the free jazz world, some of the recent Jandek p…
the pure union musician, was the sawtooth performer with the occupation musician who serves the oboe player of the los angeles symphony. it attends the musician of the band companion in the back, announcing the extremity of sawtooth performance with the transcendent tech which is lined to the beauty consciousness and professional ability of western classical music. the elegant solo album 1985 indicates one direction of sawtooth music. the japanese first appearance. the booklet attachment of valu…
The Preservation label presents Burnt Offerings, the fourth album from Brooklyn's Padna. As Padna, Nat Hawks initially made his name in the cassette underground on the revered Stunned label with two works of pop experimentalism displaying a bustling -- often boggling -- and vivid imagination. Veritable joyrides in sound and style, these releases were in line with the DIY aesthetic, primitive songcraft and eclectic sonic stew pioneered by the likes of Tall Dwarfs and forwarded by Olivia Tremo…
Final solo alto sax blasting from the late legendary Japanese underground hero Kaoru Abe. Abe was an inspiration to free/jazz and Japanese noise lovers world-wide, lived a fast and hard life and ripped his guts inside out on each and every of his many releases. Extreme music for those who need it.
Revered reeds and drumming duo Ken Vandermark and Paal Nilssen-Love return to Smalltown Superjazzz with another magisterial set of live improvisations. Released alongside their Chicago Volume, this disc was recorded live in concert at Milwaukee's Alchemist Theater on 10th June 2007 (the Chicago Volume was laid down the following day) and finds these two free-jazz maestros on blistering form. It's a joy to hear how the improvisations evolve - on 'Clean Sweep' the pair …
No guitars and fuck two-second gaps. A collection of six 7"s (Gutter Splint, Fortune b/w The Eyes Of Men, Epistasis, Vacuum, Vanishing Point, and the split with Agathocles). Performed by CHARLIE MUMMA, CORYDON RONNAU, JOHN WIESE. The only band to make a Milton and a Mentors reference on the same album. Typically I think noisecore is best in small blasts, but for those who can't find or play the records, this collection is still pretty terse, don't worry.
Japanese duo Tenniscoats have been running together for more than ten years. Running is the tempo you need to have to keep up with these guys: always touring, recording and working on new projects.Their music is all about catching the moment. Next time everything will sound different. They are true improvisors inside their own musical world. The music on this record adds a new facet to their universe. Deeper, more intense but with still visible signs of their trademark playfulness despite the fa…