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New Arrivals

Lifespans
Lifespans is a mesmerizing and hallucinating piece of electronic music. Listen to it at a fairly loud volume, or with headphones, and you will hear myriads of voices and melodies, never repeating themselves
Berlin
Rhodri Davies: harp. Mark Wastell: violoncello. Simon H. Fell: double bass. 'One day, I hope, the story will be written. The story of the group IST and its relationship to the birth of the music that subsequently became variously known as New London Silence or Lower Case Improv (and yes, I use those upper case letters intentionally). Perhaps the learned critics (who seem very rarely to actually ask the musicians) will tell us just what our place is in this history. Certainly we were not the firs…
Live At Sant'Anna Arresi Jazz Festival
Saturn calls, Istanbul responds! After releasing a handful of beautiful releases last year that brought them to the attention of the free jazz scene, Konstrukt come back with a fantastic album recorded in collaboration with Mr. Marshall Allen, the legendary saxophonist of the Sun Ra Arkestra (aka the best band ever landed on Earth). Cosmic, cathartic, spiritual free jazz in its purest form! When music can make you travel with your imagination like this, building bridges between different…
Ununhexium/Collapsed
Ununhexium is the sixth release in Raster-Noton's Unun series. Emptyset is a Bristol-based project formed by James Ginzburg, director of the Multiverse Studios and the curator and electronic artist Paul Purgas. Collapsed is Emptyset's first release on Raster-Noton and investigates the threshold where sonic structure is destabilized to the point where a chaotic order emerges. Across the four tracks a structural grammar is defined and then pushed to excess to the point where it reforms from re…
In Solo
Restocked, very last copies around: Doyle is another matter. This man is dangerous - he never plays anything you could recognize, just furious blasts of rage. His solo on "Domiabra" couldn't be written down, or even sorted out. It sounds more like raw energy than anything I've ever heard. He's nasty, man." These liner notes to the original issue of Noah Howard's 'The Black Ark' may define perfectly also this new, incredible album by Arthur Doyle, this time 'in solo' for sax, flutes and voi…
Isometrie sonore
Postface by M.B. - An isometric sound ineluctably holds a thematic notion which generalizes that of the rigid motion of noise, combining with a psychometric and cacophonous object. Formally, it is a modulatory function between two metric spaces preserving their silent distances. In the example shown here, isometry moves along electronic pathways and captivates the listener's mind through rotations and reflections in plane or in spatial sound, maintaining the geometric concepts of experimental su…
Weird universe
Valerie Martino's Unicorn Hard-On project has been a long running staple in the American underground since it's inception in 2003. Through her own Tangled Hares imprint, as well as many others, she's built a strong, constantly evolving catalog of singular works that serves to many as a prototype of the current beat-oriented phenomena currently sweeping the nation. Martino's vision, however,remains unphased and flourishes accordingly to her own unique vision; standing outside of any trends and re…
(no thing-ness)
"(no thing-ness)" comes hot on the heels of Brian Pyle’s latest highly acclaimed Ensemble Economique album on the Not Not Fun label. While "The Fever Logic L.P." saw him head diving into a sort of ambient goth pop this brand new 12“ appears to be more influenced by industrial, almost EBM-ish textures. The atmosphere seems more aggressive with an almost militaristic touch, and titles like "New Banking System" hint at the source of this anger. Combined with Pyle’s cinematic tension this makes for …
Alpen ocean
Alpen Ocean is the final recording of Carole Kojo (Swiss) and Hitoshi Kojo (Japanese) that they left behind as Jüppala Kääpiö, whilst resident in Switzerland. The sound sources are rather familiar instruments and materials for us such as voices, handmade instruments, viola, organic materials and field recordings. However, the style has evolved to a hybrid of our early style: an intense harmonic drone music that has appeared in RAINBOW MASK, and another phase which might be termed as a cosmopolit…
Zones Without People
**Re-press on vinyl, now with download code redeemable from the label** OPN's 'Zones Without People' was released in 2009 on a highly limited vinyl run for Arbor. All seven tracks featured in his Wire chart-topping 'Rifts' compilation, predating his mindblowing 'Returnal' album (surely one of the best of 2010) and displaying its prodigiously gifted creator amidst some of his most affective synthscapes. From the outset we could consider this to be classic material, as the miniature 'Computer Visi…
In a Fung Day T!
Since 2001, Duchess Says have been spreading the gospel of the influential and mysterious Church of Budgerigars. Their learned mix of hypnotic rock and saturated keys, concocted by Phil C., Ismael and Simon Says, is delivered by A-C, a sermon laden with the teachings of the novice Mere-Perruche. The congregation has prayed the three Ts; now it's time to reiterate. In a Fung Day T! is their second offering. Adrian Popovich and Joseph Donovan of the Mountain City studio have succeeded in r…
Forma II
Composed and recorded in Berlin from 2008 to 2010 the music consists of four electroacoustic pieces based largely on analogue synthesizer material and one long-form swarm-like composition for multiple overdubbed saxophones. Additional sounds range from metal foil floating on ultrasonic sound-beams to mechanical clickers recorded in the abandoned radar domes at Teufelsberg. The raw materials have been extensively processed and re-constructed using analogue tape and digital methods. The fiv…
Caim in Bird Form
Opal Tapes' visionary bossman Stephen Bishop synthesises spellbinding post-techno ecologies on his debut slab of wax as Basic House. 'Caim In Bird Form' is an engrossing refinement of the arcane, buckled structures and textures best heard on his 'I'm Not A Heaven Man' album and an excellent split with Prostitutes for Blowing Up The Workshop. It's a sound that was conceived in relative isolation, yet feels intrinsically plugged into the zeitgeist and highly aware of fringe actions in the wake of …
Sung In Broken Symmetry
Describing the music of Aquarelle's Ryan Potts is a difficult task indeed. It's related to the hazy, heavily treated output of musicians such as Fennesz and Tim Hecker, but one would be remiss to locate it solely within the realm of electronic ambient or drone, as there are often strong organic, rhythmic and composerly elements to Potts' work. In fact, the title of his last record, Slow Circles, might offer the best point of access into the Aquarelle aesthetic, in which compositional trop…
Corporate Laughter
Debut CD from one of Chicago's finest modular synth manipulators, Neil Jendon. One of the first things that struck me about Neil's work, when I saw him live, was his pacing. Neil would subtly build levels and layers of various oscillations, frequencies, and tones so deftly that by the time he was sending a hailstorm of electronic chaos out of the PA like buckshot, you almost had no recollection of how he got there without you being aware of it. 'Corporate laughter' reflects many of Jendon's fant…
Barn Nova
After five years and 20-plus albums-- most released on their own Child of Microtones label-- MV & EE's 2006 move to Ecstatic Peace began on a high note. "East Mountain Joint", the opening track on Green Blues, is a hypnotic hymn to unscheduled freedom, and it's catchy without losing the duo's loose, do-what-we-feel-like vibe. In fact, it's so entrancing that it's made subsequent work by Matt Valentine, Erika Elder, and their various colleagues seem like insufficient attempts to recapture…
A Birthday Tribute - 75 Years
Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton. The first track from 1993 brings all musicians together for a 29 minute work of great dynamic and dialog. The following track present a quartet with Oxley, Bailey, Thomas and Wand from the same session, and the final 1993 track is the duo of Oxley and Rutherford. The first '77 tra…
Imaginational Anthem Vols. 1-5
"Since 2005, Tompkins Square label's Imaginational Anthem compilations have featured some of the greatest acoustic guitarists in the world, with recordings spanning five decades. More than mere samplers, these albums have served as state-of-the-art dispatches from the front lines of the art form. Imaginational Anthem Vols. 1-5 is a specially priced 6CD box set, limited to 999 copies, featuring the first five volumes in their originals packaging, plus an exclusive live bonus disc from Willia…
Love Is A Stream
Limited vinyl edition. Includes a 50-minute bonus CD featuring some of Jefre Cantu-Ledesma's original material reworked by Type label head John Twells (Xela). As a member of San Francisco legends Tarentel and Type's premier astral travelers The Alps, Jefre Cantu-Ledesma is hardly a new addition to the label, so it's hard to believe that Love Is A Stream is his first Type solo album. With previous releases on Arbor, Spekk and his own Root Strata imprint, this latest album marks his journey int…
This is folk music
Raphael Lyon is the enigma known as Mudboy. From the incredibly detailed art/packaging to bizarre mp3 releases attached to scrap metal or plant matter to Freddy Krueger-inspired art installations, Lyon has always been one of the strangest cats on the scene.This unique perspective also infects his music. Whereas many of today's kosmiche-influenced artists bubble up from the noise scene (with knob-twiddling pedal pusher seemingly a prequisite to sequencing synth jammer these days), Mudboy's work h…