New Arrivals
Lieu
FaravelliRatti is a duo comprised of Nicola Ratti (guitar) and Attila Faravelli (computer) who play with a tower of different prepared speakers and a taper recorder in between them. The idea is to fed speakers with different languages in the same space and have them resonate with the phisical space. Every speaker is prepared and positioned so the resonance can be controlled by the players, moving their bodies around the sound totem in between them. Their live set represent this idea, of building…
Hai kein Wal
Meeting between visual artist Beni Bischof and electronic musician Norbert Möslang. Limited to 200 copies and hand signed by artists. With this somewhat confused, absurd or primitive Bishop chant, the result could be to remembered as a crashing jumbo jet
Right Nightmare
The computer-controlled Hoover bass is back: EVOL have returned with their unique brand of extreme economy on Right Nightmare, the latest instalment in their continuing ‘rave synthesis’ series. And this time they have brought a friend.Despite the lack of variation – a general description of EVOL’s work being one sound source stretched to absolute breaking point – the progression found in Right Nightmare as the latest in a series is noticeable. The material, admittedly, is only spread across two …
Machine Gun Nest: Cassette Works, Vol. 0
We've been waiting for a vinyl issue of Alberich material for an age, and here it is - an 8 track selection of often brutal, always heavy-hitting Industrial/Techno/Ambient productions from one of the most interesting characters to have emerged from the Hospital axis. Scoping rare and out-of-print highlights from his extensive cache over the last 6 years, it embodies a shell-shocked and embattled spirit in eight parts ranging from water-boarded ambience to remorseless industrial rhythms and night…
Glass Canyon
It's been a little while since we've last heard from Oakland-based sound artist Marielle Jakobsons in a solo capacity, but that's certainly not to say she hasn't been busy. Last year saw full-length outings by her two duo projects, Date Palms and Myrmyr, and already in 2012 works with Bay Area drone ensemble Portraits and trio recordings with Helena Espvall and Agnes Szelag have been released. Her last major solo outing (under the nom-de-plume Darwinsbitch) came in form of the dark, comple…
The Further The Flame, The Worse It Burns Me Greek Folk Music
Early 20th century recordings from the great Greek singer Marika Papagika – recordings made for Columbia Records in NYC between 1919 and 1929! Beautiful material that quite easily could have gone lost to the world over the long, long years – very few photos of Marika are even known to exist! The sound is still wonderful, and it's put together in a great vinyl release by Mississippi! It comes with a lovely folder of notes, a bit of a nod to classic Folkways releases. Titles include "H…
Gills cut into woman
"Terrifying monster of the ages raging with pent-up passions! ...with every man his mortal enemy ...and a woman's beauty his prey! Could only her beauty tame its savage fury?""...forbidden depths!" Creature libertinage; voyeur of the women's legs enveloped in dark waters. The hosiery has been cast aside in exchange for a one-piece to enter the watery depths, setting the stage for obsessive creature tendencies targeted toward the shapes of Kay Lawrence, Helen Dobson, and Marcia Barton. Sam McKi…
Ununhexium/Collapsed
Ununhexium is the sixth release in Raster-Noton's Unun series. Emptyset is a Bristol-based project formed by James Ginzburg, director of the Multiverse Studios and the curator and electronic artist Paul Purgas. Collapsed is Emptyset's first release on Raster-Noton and investigates the threshold where sonic structure is destabilized to the point where a chaotic order emerges. Across the four tracks a structural grammar is defined and then pushed to excess to the point where it reforms from re…
Dance of the vampires
"Roman Polanski’s 1967 film ‘Dance Of The Vampires’ (as it was originally called, but more widely known by its re-named title ‘The Fearless Vampire Killers’, or ‘Pardon Me, But Your Teeth Are In My Neck’) is a camp horror cult classic. At the time the film was marketed as a ‘farce’, which overlooked the fact that this film is fantastically eerie. The major part played by the soundtrack in giving the film this effect cannot be understated, and the cold-as-snow production did much to enhance the b…
Frequencies
Nicolas Bernier’s Frequencies (Synthetic Variations) is his first piece made entirely of synthetic sounds. Having evolved within the musique concrète and field recording traditions, Bernier wanted to break with habit — the result being 15 short movements of warped and crackling textures, vividly articulated sine waves and rhythmic bursts of pattern. The piece is designed to be listened to at random (the sound sample above is such a sequence), offering a new duration and dynamics with every heari…
Occlusions
… Occlusion is a loose framework for a multi-channel, freely improvised piece of LIVE ELECTRONIC MUSIC, performed without the aid or consent of pre-recorded or even pre-arranged materials of any kind. A given realization will last between 10 and 30 minutes ; time is elastic. Every effort has been made to avoid divisible rhythms (although mistakes are occasionally made) ... Still, I consider it a "kind" of Dance Music. These two realizations, recorded a week apart at festivals in France and…
Primitive Expression
Primitive Expression is an amazing collection of unissued at the time studio material that proves Ame Son were a really amazing band, since this material sounds equally good as that of their official LP, if not better! It will appeal to fans of Gong, the early Soft Machine, Pink Floyd and in general anyone with interests in the field of experimental free form underground psychedelic rock. It also includes the two songs from their only 45. Additionally, this LP features a PS 7" with the …
No Input Mixing Board #8
Toshimaru Nakamura returns with another outstanding full-length of no-input mixer improvisations. Hello, Dear…ah, anyone who takes this up in front of your eyes and ears. Here’s my new (in 2013) solo album. I hope you find it worthy enough to take your time and have a listen. It was recorded in one day. Compared to my previous releases, “Maruto” on Erstwhile Records (2 years to produce), “Egrets” on Samadhisound (5 years), it came to life quite quickly. Almost like it popped out. But it took thr…
Ritual Totemic Stone
By now, the significance of Sam McKinlay's extensive body of work is undeniable. After having begun his mapping of the depths of monomania, fetish, addiction, and vice, in the mid-1990s with his flagship project, The Rita, McKinlay briefly halted his work in the early 2000s. Though it was unforeseeable at the time, McKinlay's return to substantial recording output and live performances around 2004 would quickly and permanently alter the landscape of Harsh Noise. The Rita became one of the most …
Light that comes, light that goes
One of two new releases from Brian Pyle (the other being 'Interval Signals'), Light that comes is a rich exploration of Ensemble Economique's range and power. With a palpable sense of the sublime throughout, the listener is guided through drones like the pillars and buttresses of a cathedral for a sombre new religion, into the sounds of the ocean (somehow elegiac), flute tones springing up in the fog like gravestones, and fallen kosmische. These are followed by the wonderfully odd 'As the Train …
Format
In Format, Sarah Crowner's first widely distributed artist book, the artist creates a roving collage of source material culled from a diverse range of previously distributed print material: magazines, books, posters, newspapers, postcards, etc. This publication provides a rare insight into the artist's working practice, demonstrating Crowner's concerns with visual formulations hinged on historical investigations, particularly in the overlap of art, writing, fashion, and design. Crowner's gracefu…
Open Space
I've been composing graphical scores since 2004. Each score has been done for a particular group, and not just for a certain set of instruments but also for specific persons, each with their own personal sound and their own distinct approach to improvisation. The scores hover in the gray region between composition and improvisation. They create a situation where the players are free up to a point to improvise but in which they could also find themselves in juxtapositions with other player…
Unfinished Studies
This LP is the first release from young Melbourne-based composer Robert McDougall, presenting four electroacoustic studies, the fruits of many hours of private sonic research and improvisation. Simple electronics, acoustic instruments, field recordings and textural manipulations are subtly processed, fragmented and iterated into patiently evolving forms. Eschewing the jump-cut dynamics of academic electroacoustics while making use of a large variety of source material, McDougall allows the eleme…
Eye of the microphone
A somewhat surreal audio rendition of the sounds of The City of London. BJ Nilsen (b,1975 Sweden) is a sound and recording artist. His work is based on the sound of nature and its effect on humans. Heprimarily uses fieldrecordings and electronic composition as a working method. He has worked for film, television, theatre, dance and as sound designer. Track notes: In 2012 I received a scholarship from the Leverhulme Trust for a one-year Artist in Residency at the UCL Urban Laboratory in London, …
Exile in Paradise
Established in 1978 by Truus de Groot in Eindhoven, the Netherlands, she tinkered with toy and electronic instruments in her flat - amidst the explosion of Punk Rock. Even though Truus was very active in that genre and “New Wave” as well, the more experimental side gradually took over and the concept of Plus Instruments was born. Plus Instruments released their first e.p. single in 1979 on Dutch label Plurex:
Playing odd electronic instruments, Bass and vocals, most of their performances were im…