New Arrivals
Nine Months To The Disco
The most impressive, but also the most overlooked of all the bands that lurched around the mutant extremes that trail through Gang of Four, the Mekons, and, ultimately, the Pop Group, the Glaxo Babies' debut album was actually cut following the collapse of the original band -- both vocalist/songwriter Rob Chapman and drummer Geoff Alsopp had departed, with saxophonist Tony Wrafter explaining the reason for the rift. "Rob was into songs and we weren't." Too true! Under Chapman's aegis, Glaxo Babi…
New Release (1)
*Regis and Haswell finally debut their Concrete Fence project - 12" mastered and cut by Rashad Becker at D&M, pressed on 140g white vinyl which itself is housed in a silk screened pvc sleeve with artwork by Bill Kouligas & Russell Haswell* Regis & Russell Haswell's Concrete Fence is a tantalising proposition for noise and techno freaks. As a duo they first rallied under the aegis at the 2012 Blackest Ever Black party in London's Corsica Studios with an improvised live set that veered bet…
Divisionals
Mouthus are professionals. Not that their music is a full-time job, or is made out of obligation. Rather, Brian Sullivan and Nate Nelson approach every recording seriously and diligently, never bending their methods to fit expectations or pander to an audience. Often this devout methodology produces a glorious alchemy; other times it results in workmanlike exercises in sound excavation. But every Mouthus album comes with an implicit seal of quality craftsmanship. You may not find an epiphany in …
Imaginational Anthem Vols. 1-5
"Since 2005, Tompkins Square label's Imaginational Anthem compilations have featured some of the greatest acoustic guitarists in the world, with recordings spanning five decades. More than mere samplers, these albums have served as state-of-the-art dispatches from the front lines of the art form. Imaginational Anthem Vols. 1-5 is a specially priced 6CD box set, limited to 999 copies, featuring the first five volumes in their originals packaging, plus an exclusive live bonus disc from Willia…
Shell-shocked
Meirino has been crossing fabricated, gathered, altered, provoked or wrong sounds for nearly two decades. The second Noisendo release follows the first one (Gorgomilos) closely - chronologically speaking - and dives deeper into a DIY electronica where machines dictate as much law as Man. Mutual respect? The obvious punk drive of Noisendo001 is more subtle in 002 but it is present in the nervous breathing of the acoustic and synthetic sounds that excite our senses while listening to this r…
The love robots
Jim O'Rourke, guitar. Paal Nilssen-Love : drums. Lasse Marhaug, electronics. Recorded at Gok Sound Tokyo by Yoshiaki Kondo February 2011. Mixed by James Plotkin. Coproduced by Pica et PNL. Gatefold cover. 500 copies. Housing, parasites and hammering textures.
Musica per un giorno registrata in un mese
Spectacular edition! A silk-screened wooden box containing 24 tapes and a book (of art, texts and private photos collection from the artist), issued in a micro edition of 30 copies only. This composition of 24 hours recorded in one month, is a reflection on time. Ambient sounds, carpets of keyboard, pulsating electronic, moments of life gathered and where necessary assembled. All closely and soundly tied to what took place between January 4, 2012 and February 4, 2012. Sound reflections '…
Light that comes, light that goes
One of two new releases from Brian Pyle (the other being 'Interval Signals'), Light that comes is a rich exploration of Ensemble Economique's range and power. With a palpable sense of the sublime throughout, the listener is guided through drones like the pillars and buttresses of a cathedral for a sombre new religion, into the sounds of the ocean (somehow elegiac), flute tones springing up in the fog like gravestones, and fallen kosmische. These are followed by the wonderfully odd 'As the Train …
Ekin Fil
Operating out of Istanbul, Ekin Fil is the solo project of Turkish musician Ekin Üzeltüzenci. Her music first came to the ears of many by way of “Language,” a 2011 cassette release on the Root Strata label. “Language” presented listeners with a fractured, hazy soundworld in which half-remembered melodies and wraith-like vocals cohered into dark and hypnotic masses. On this self-titled album, Ekin opens the curtains a bit, letting in some light and offering up an even more refined album. This is …
Great Dose Of Monotonous Techno
Calling someone "ahead of his/her time" is straight out of Music Marketing 101 and is a claim that rarely holds much merit. On occasion, though, it's a phrase that is entirely appropriate and accurate. Joel Brindefalk was as integral a part of Sweden's premiere off-kilter dance label, Börft, as anyone outside its founders, Jan Svensson (FRAK, etc), Birre Isgren (FRAK, etc), and, eventually, Joachim Nordwall (Skull Defekts, etc). While Brindefalk's work under monikers such as Contemporary …
The Cremator
Limited LP pressing for The Cremator, as ongoing commitment to the lost music of the Czech New Wave cinema movement from the late 1960s and 1970s, Finders Keepers Records follow up our series of previously unreleased music to Valerie And Her Week Of Wonders, Daisies, Saxana and The Little Mermaid with a short series of soundtracks for films by the country’s master of the macabre and the nation’s first point of call for freakish fairytales and hallucinogenic horror, Mr. Juraj Herz. As another lat…
Balf Quarry
LP version; printed innersleeve with lyrics. Before Balf Quarry landed on my desk, I figured the dirtiest thing in Connecticut was Chris Dodd's browser history. Not so. Among other things — like guitar tones that buzz around like contact-high June bugs, Elisa Ambrogio's slack vocals wavering between coy calls and willfully distant snarls, and a production value so low and dense you feel you're listening to them from the dining room above their rehearsal space — Hartford natives the Magik Markers…
Molam: Thai Country Groove from Isan Vol. 2
Molam is a multi-faceted folk country music native to Laos and the collection of rural Northeastern Thai provinces called Isan. Molam is an umbrella term used for numerous Lam styles. It literally translates into "expert singer" or "expert song." Featured here on volume two of this series are Lam Phun, Lam Thuy, Lam Plern, Lam Dern, and Lam Sing styles of Molam recordings from the 1970s and 1980s. All of these forms are built from a tradition that is centuries-old. A few examples of Molam…
Staring Into The Sun: Ethiopian Tribal Music
A contemporary survey of the tribal music of Ethiopia. Recorded in 2009 by Olivia Wyatt, this double LP showcases an array of mind-blowing sounds from the "land of eternal sunshine." Presented in this visually stunning gatefold are audio examples ranging from remote tribes -- of the Ethiopian highlands, the lower Omo and the Great Rift Valley -- to their electric analogues in the sweaty beerhalls of Addis Ababa. This collection features songs from the Azmari, poet-musicians who play the k…
An extended meaning for something meaningless
Francisco Meirino's An extended meaning for something meaningless uncovers deep hidden contexts from the decaying fringe of the auditory spectrum. Here we find ornate beauty in the subtle demise of electronic systems and explore the arcane apprehension of existential degeneration. The recording looks at how to create something out of almost nothing-basic field recordings, static electronics and failed tape experiments. A 16-channel multi-track piece where reel-to-reel tapes juxtaposition with mo…
Mad Dog\'s Hustle
A too long unheard blacksploitation soundtrack from the Fantasy Productions house -- grooves from the pool of players who laid down the sounds on Secret Stash's fantastic Porno Groove compilation -- the score for the very little seen and long lost Mad Dog's Hustle from 1974! The music is credited to The Upstroke -- the same unidentified musicians from Fantasy's adult film scores -- and in a similar fashion to the porno soundtrack material, they're working very much in the appropriate idiom, but …
Dance Classics Vol.II
2013 repress. Kouhei Matsunaga's Dance Classics Vol. II is the continuation of his ongoing development of his more dance-oriented material, as seen from his sets with Sensational and also his other minimal techno project, NHK. Not feeling tied down to one genre, Matsunaga nestles in the Pan roster. That isn't to say, however, that he is dance per se, as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor …
Jazz Sahara
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
Bronze Age Subway
"Fruitful meeting of two very consistent mainstays in the southern drone hemispheres... The recordings took place in Buenos Aires when Antony recently was on a trip to South America.. Dark and broodling, yet also soothing and narcoleptic drone works from these two masters of their fields.. Guitars, violins and organs create buzzing forcefields and nocturnal sonic transfixions.... Top shelf trans-continental drone extravaganza from these highly prolific gentlemen. Don't miss out!"
Low Life / Last Exit
Two key 80s moments from Peter Brotzmann – split together here on a heavy LP! First up is material from the album Low Life – hard-handed work from the duo of Peter Brotzmann on reeds and Bill Laswell on bass – a set that's kind of a side project of the Last Exit quartet, and one that comes across with a similar sense of power! Laswell's handling a fair bit of basses here, often with a bit of processing – thanks partly to producer Martin Bisi – and there's a dark, electric undercurrent to the who…