New Arrivals
Jazz Sahara
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
Old Punks
Doronco is a bass player who is most well known for his stints in Les Rallizes Dénudés, Suishou no Fune and with Keiji Haino. Here he is joined by members of Maher Shalal Hash Baz, a Frenchman and an additional female vocalist who have made an album of sophisticated 70s style downer pop. The band uses vocals, bassoon and trumpet over a see-sawing battle of piano / guitar shrill balanced against warm rhythms that sound suspiciously close to how you want them to. Translated as "Mud Cloud," t…
Neuroplanets
Neuroplanets' is a project by Novi_sad (Thanasis Kaproulias) which explores the aesthetics of information on sound. Initially based on multiple ways of audio analysis in rare sonic phenomena taking place on other planets, this project has been developed and executed by applying data and numerical elements from Neurosciences, on tracks commissioned from BJ Nilsen, Daniel Menche, Francisco López and Mika Vainio.
Neuroplanets is the follow up of Inhumane Humans (Sub Rosa New Series Framework 3/SR30…
Alto
Alto completes a discrete trilogy within JOE MCPHEE’s catalog of unaccompanied waxings (Tenor, 1977, and Soprano, 2007). Recorded live at a Lower East Side bar in 2009, McPhee's explorations on alto saxophone and clarinet are alternately fiery and contemplative, imbued with the masterful intelligence that's marked his work for over forty years. This is a limited edition of 525 copies on 180-gram vinyl, with a JUDITH LINDBLOOM silkscreen print on rice paper and liner notes by HANK SHTEAMER. Digit…
Cold Soup
First release from this duo of Tokyo-based guitarist, Tetuzi Akiyama, and New York's Che Chen. Akiyama is in rare "Don't Forget to Boogie" form here; his heavily distorted, locomotive guitar lines chugging away as Chen's electrified fiddle drones, screeches and scrapes. Sine wave generators and a modified tape delay round out the mix. Sidelong live track on one side, studio jams on the flip. Released on Jozef Van Wissem's Incunabulum Records.
Entomology
A threesome of coloured vinyl by WORM Records. These records are extraordinary not just because of their appearance (bright yellow, blue and pink vinyl), but also because of their unique origins. The a-sides of the records were recorded for Soundpiece, a soundinstallation under the floor of the Schouwburgplein in Rotterdam. WORM invited the composers Machinefabriek, Pierre Bastien and Dyane Donck/Daisy Bell to compose a piece for this. The results are three soundartworks/tape compositions that a…
Lou Lou... In Tokyo
Sewing together dissonant notes, distorted vocal blasts, intent chaotic torrents of howling noise and highly active percussive waves. Sounding caustic on a surface level, the collaboration revealed a sense of calm determination, life-affirming energy, and creative joy - a veil of sonic warmth shrouding all participants before their return to the cold embrace of Tokyo in early spring.
Live 1976
Well further gifts abound, as this 1976 concert on Galactic Zoo Disk/Drag City will attest. Clearly, the explorations of Sandy Bull were not lost on the far-out audiences of the Bay Area, and though the heady days of the '60s have gone, the Berkeley heads are still in full force, hanging on Sandy's every note with a clearly expressed delight as they wait for headliner Leo Kottke to take the stage. Even though there were no further albums after 1972's Demolition Derby (a candidate for unhi…
Black Tie
LP version. Includes mp3 download and full-color poster. After two bone-chilling full-lengths for the Type Recordings imprint, Erik K. Skodvin has embarked on his first journey for his own Miasmah label with Black Tie. While originally conceived as a soundtrack to an installation by Norwegian artist Marit Følstad, Skodvin uses this as a starting point to craft his most unnerving long-form pieces to date. Split into two distinct movements, "Black Tie" and "White Noise," we are exposed to the y…
Staring Into The Sun: Ethiopian Tribal Music
A contemporary survey of the tribal music of Ethiopia. Recorded in 2009 by Olivia Wyatt, this double LP showcases an array of mind-blowing sounds from the "land of eternal sunshine." Presented in this visually stunning gatefold are audio examples ranging from remote tribes -- of the Ethiopian highlands, the lower Omo and the Great Rift Valley -- to their electric analogues in the sweaty beerhalls of Addis Ababa. This collection features songs from the Azmari, poet-musicians who play the k…
The last house on the left O.S.T.
Born in 1936 in New York City, David Hess began his career when he recorded the original version of the Otis Blackwell composition "All Shook Up" under the stage name Dave Hill in 1956. The song became a Number 1 hit for Elvis Presley a year later and Hess became a songwriter at Shalimar Music. David went on to compose "Start Movin'" for Sal Mineo and "Rockin' Shoes" for the Ames Brothers. He continued to write songs for Elvis throughout the '50s and '60s, (including the Presley hit "I Got Stung…
P.A./Hard Love
On P.A./Hard Love, New York-based composer and conceptual sound artist Marina Rosenfeld generates an esoteric universe of radical sonic collisions. Developed initially in 2009, the album draws its roots following a series of idiosyncratic quasi-sculptural sound-system installations Rosenfeld installed in various disused and monumental sites including New York's Park Avenue Armory and Liverpool's Renshaw Hall car park. The music she composed for these installations was heterogeneous, reposit…
Afro Noise I (Volume 3)
Dirter Promotions presents another volume of Cut Hands material, containing reworked and remastered versions of some tracks from his Afro-noise project. Comes in a beautiful special edition on 180 gram vinyl mastered by Noel Summerville and featuring the magical vévé artwork of Mimsy DeBlois, in a one-off pressing of 750 copies. The entire 750-limited pressings of Volume 1 and Volume 2 sold out on release day, so don't miss these! A reclamation of the conscious through 16 pieces (split betwe…
Abersayne' b/w 'Attersaye
Kye is proud to present 'Abersayne' & 'Attersaye', a brand new 7' single by Graham Lambkin, his solo debut on the format after 21 years in the game. 'Abersayne' & 'Attersaye' pairs a perfectly serviceable love song with a rough-and-ready late-night lament (featuring one conspicuous overdub). Expertly mastered by Jason Lescalleet at Glistening Labs, 'Abersayne' & 'Attersaye' arrives in a pro-printed full color high gloss sleeve, with lyric insert, in an edition of 500 copies.
Heron
Long awaited reissue of the classic first album by legendary prog-folkies Heron, from Berkshire, UK. Issued in 1970 on the ultra collectable Dawn label, their beautiful songs were recorded in a field, surrounded by trees, birds and sun.
This debut album is an Acid Folk masterpiece. Delicate songs, brilliant interpretations and a magic sound provided for their "outdoors recording style". This sessions keep the attention of Roger Daltrey (The Who) who visited the band those days and John Peel, wh…
Doubled Exposure
D. Charles Speer, aka Dave Shuford, is a founding member of both Rhyton and No Neck Blues Band, and also known for his work with Enos Slaughter, The Suntanama, Egypt Is The Magick #, and Coach Fingers. On ‘Doubled Exposure’ The Helix take their loose and free country rock boogie and enhance it with the blistering psych Speer explores in Rhyton, and the traditional Greek melodies delved into on the Speer solo album, ‘Arghiledes’. ‘Doubled Exposure’ was recorded by Jason Meagher at the increasingl…
Automatic Music, Volume II
Automatic Music: Volume II' is the mesmerising follow-up to John Chantler's self-released first volume, originally released in 2011, the same year as his 'The Luminous Ground' LP was charted in The Wire's annual top 50. Two extended pieces for synthesiser/organ yield contrasting results on each side. First, 'For Nuno' is the more melodic of the two, with melting, kinetic modular scree and wheezing organ motifs seemingly attempting to untangle a conundrum which only gets more perplexing across it…
Filme I
MM schumend. Wepa. Wirbel und einzelene Schlge für kleine Trommel. Ertrumtes Konzert. 34 Photos - Solo Performance 1986. SÂÂÂÂJ is someone, who, austere and prosaic, but with subliminal passion pays attention to the \'things\': in particular the lackluster \'byproducts\', the bulky till tongue-tied circumstances, the useful coverings of the alleged precious where he draws out the last, extracts a ghost. Thomas Groetz. Video dokumentation by Teresa Iten. 16 page booklet with a text by Thomas Gr…
2nd Wave
In a fair and reasonable world, Roland Haynes would have compelled more attention than he did when his jazz-funk record 2nd Wave appeared on Black Jazz in the mid-1970s. Not to say the keyboardist was totally neglected back then, but he and other plugged-in pianists of his stylistic inclination (such as label-mate Doug Carn, Hampton Hawes, Don Grolnick, Larry Willis, and Gordon Beck) existed in the deep shadow cast by jazzman-turned-jazz-funk powerhouse Herbie Hancock, whose records with the H…
Ancient faith
In limited edition of 250 hand branded wooden box. Atom Earth Mother: A solo project from one half of Zoviet France Dedicated to the White Goddess and inspired by the prehistoric antiquities in Northumberland, primarily the enigmatic and beautiful 'rock art' that are known as 'cup and ring' marks, a form of symbolic language 4500+ years old, whose meaning has been lost in the mists of time. Utilizing digital and analogue equipment and production technique, location recordings, found sound…