New Arrivals
La Maieutique De La Quantique
All new Ilitch studio recording! An horrific grandchild springs from the magma: Ilitch'll itch your progadelic scratch with its well manicured talons of fire. This Ilitchian renaissance zigs deep space experimental and zags full metal Zuehl. Electronics chirp and howl like the opening coda of Susperia, then explode into Weidorje intensity fuzz violence, cheered on by a pecussive force that sounds like Mussolini being kicked to death. The shifting interplay between total rockers and extrat…
Jean-Claude Jones with Friends
2004. Jean Claude Jones (electro acoustic bass and live electronics) is a central figure on the Israeli jazz scene since many years and a pivotal member of the avantgarde - free jazz movement in Israel. Former member of the Kedma trio, he played with litarally everybody on the scene during the years. This is his debut album as a leader and he performs a series of duets with usual friends like Josef Sprinzak (voice), Harold Rubin (clarinet, text), Yuval Mesner (cello), Gan Lev (alto sax, baryton)…
Marvellous Boy: Calypso From West Africa
endlessly satisfying' (Boston Phoenix); 'Blending cheeky calypso with rocking highlife — and by turns breezy, wistful and downright uproarious' (Daily Telegraph); 'gems at every turn... weaving highlife, swing, military brass bands, Afro-Cuban jazz, into a hell of a compilation... Honest Jon's have added to the highest order of this simple music of heartbreaking celebration' (Brainwashed). The inter-war dance bands of British West Africa are often strikingly similar in sound to Trinidadian orche…
Wedding ceremony
In May 2007 the sextet of Lucio Capece, Julia Eckhardt, Christian Kesten, Radu Malfatti, Toshimaru Nakamura and Taku Sugimoto convened in Belgium to work together and play two concerts, one in Gent and one in Brussels. During their time together the group played a mixture of improvisation and their own compositions. A number of exciting tensions were present. The contrast between loud and quiet, activity and inactivity and indeed improvisation and composition. Wedding Ceremony ties together many…
Dead Space
Blip is a duo collaboration between Jim Denley and Mike Majkowski: two of Australia's most prominent improvising musicians. They began playing together in 2002, as members of The Splinter Orchestra, and formed Blip in 2009. They have been developing their own approach to the woodwinds/strings duo arrangement, deconstructing and reconstructing this format. Blip music focuses on duration, the subtleties of sound, the pitch within timbre and texture, as well as pulse. Wi
Moss
Moss, is a live recording from a unique collaboration by sound artists/musicians Molly Berg, Olivia Block, Steve Roden and Stephen Vitiello. This was a midnight concert at the beautiful Trinity Cathedral in San Jose, CA which was part of the 01SJ Biennial. Olivia and Steve had performed solo sets on the previous nights. The final night was meant to be a duo with Molly and Stephen but the opportunity to play with musicians/friends who we admire so much called out for an invitation to play …
You+Me+The Continuum
Primordial Undermind's second full-length blast of psychedelic freakout guitar bliss evolves the sonics found on their critically-acclaimed September Gurls debut into freer, more expansive territory, while retaining plenty of the finely-honed song craft familiar to those lucky enough to have grabbed any of their unfailingly excellent singles. Long modal excursions into the heart of free guitar darkness like "Device", "Turning of the Worm" and "Persistence of Trinity", are counterbalanced by defi…
In Winter
One more new Gianluca Becuzzi release on Silentes, this time in collaboration with Luigi Turra. Composer of musique concrete and graphic designer whose main interest is the musical balance between silence and the tactile perception of sound, Turra’s works were published by labels such as and/OAR, Unfathomless, Non Visual Objects, Smallvoices and many others. A lot has already been written about Becuzzi, here we would just like to remember his historic Darkwave / Industrial project…
E Pluribus Unum
a pure mantra: blending North African and Middle Eastern textures within a western context into our experience, regrettably the experience of a small few, but hopefully a wider community of listeners to come. Not only important historically, but musically: a wide range of music genres over the last couple of decades have worked with drone-note principles and it is an increasingly common device, but Sandy Bull was/is a superlative master of utilising the drone sounds;understated but effect…
Volume objects
In the desire to make recorded sound as tactile as possible Autistici (UK), recently featured on 12k’s Blueprints compilation (12k1039), has sculpted found objects, broken acoustic instruments, synthesizers and environmental recordings into Volume Objects. Expertly realized and designed, Volume Objects is loose and organic and demands careful listening. Melody and form are hinted at and then in a whisper, a crackle, are gone. A sense of narrative and place created as if a hundred tiny objects ar…
Fenetre ovale
Karl Naegelen and the Risser/Rühl duo share a common interest in the quest for new sounds and sound illusions. Creating a confusion of sources, suggesting various acoustic spaces, evoking the sound of a sewing machine or a hard shoulder, making a rubbing sound sound like breath and making breath sound like creaking, this is the type of urge that stimulated collective research. The grand piano had to become a wind instrument and the clarinet a water instrument ; the pianist had to play per…
Home
The Preservation label presents Home, the third album from Olan Mill from Hampshire in the United Kingdom. Olan Mill is the recording project of composer and producer Alex Smalley, who to-date has received rapturous acclaim for his work that holds a sublime measure between the realms of modern neo-classical composition and ambience. On Home, Smalley has mined his most expansive territory yet to create a thrillingly evocative and deeply felt body of work. The tender clusters of sound that ha…
Live One
Michael Bullock (contrabass & feedback), Mazen Kerbaj (trumpet), Vic Rawlings (cello & surface electronics). “Mary Staubitz emailed me asking, “do you and Vic want to play with this guy from Lebanon?” Mary was booking a series of noise shows at the Midway Café in Jamaica Plain, MA, and had been contacted, apparently out of the blue, by “this trumpet player from Beirut.” She wanted to help him out but wasn`t sure what to do, since none of us in Boston really knew anything about him. Vic and I hav…
Lost wisdom
The music of Mount Eerie has taken many forms (see: The Microphones) but it is always made by Phil Elverum. Lost Wisdom is an album that finds Elverum in a more collaborative mode than usual, working with two legends of music and kindred spirits, Julie Doiron and Fred Squire. Elverum and Doiron share vocal duties almost equally on the record, making it an album comprised of dark pop duets.This time the songs were recorded quickly and quietly during a surprise visit by Julie Doiron, keeper of t…
92982
Once again unveiling hidden treasures from his archive of tape loops, William Basinski releases three pieces made at his Brooklyn apartment during one night in 1982, adding a fourth composition (based on the same source material) made earlier this year. You can't help but wonder why this music, recorded so long ago, is only just surfacing. Was the world not ready for WIlliam Basinski in 1982, or was WIlliam Basinski simply not ready to hand himself over to an audience at that point? Whatever the…
Vayu Rouah
Cosmic like Three Organic Experiences, esoteric like Password for Entheogenic Experience, Vayu Rouah perform a kind of synthesis of the researches by Alio Die and Aglaia. Vayu Rouah is the primordial wind that join cabala and sonorous alchemies, an inexorable flux with extended electro-acoustic solutions, by a wide range of frequencies. A very long and slow gestation of about eight years have absorbed different musical moods and have stratified itself throw the time.. sound after sound.. t…
Slap & Tickle
Massimo Pupillo, Terrie Ex & Paal Nilssen-Love recorded this gem live in concert at Kongsberg International Jazzfestival in July 2007. With the two tracks, Slap & Tickle on 32 & 16 minutes, they attack all senses with an exploding riot of free rock. If possible to describe, the music is in the midst of Black Flag, DNA, Pere Ubu, Last Exit, James Blood Ulmer, early Sonic Youth & of course Terrie's very own legendary band The Ex. All free improvised. Total freedom, total rock!
Sepsis
Large ensemble Sissy Spacek recordings featuring the cream of LA. The line-up: John Wiese, Mitchell Brown, Joey Karam (The Locust), Peter Kolovos, Rick Potts (LAFMS), Damion Romero, Corydon Ronnau and Shannon Walter (16 Bitch Pile-Up). All the source recordings used for Sepsis were taken from a group improv session recorded for the Dublab radio in 2008. The recordings from each individual channel were later chopped and rearranged into audio collages byWiese without any regard to preserving group…
Chantal
An inedite work by the great composer Luc Ferrari: 'chantal, ou le portrait d'une villageoise' 1977-1978. Stereo magnetic tape. Mastering: Jérôme Joy, Meriol Lehmann-Avatar.
Raudales
Rogelio Sosa was born in Mexico City in 1977. His work explores a wide range of aspects that deal with sound morphology, structures of auditory reference, intensification of the acoustic space and performativity. His projects include solo and collective improvisations, music compositions, sound actions and sound installations. All of these are produced using electronic media. He started studying musical composition with Julio Estrada and then electroacoustic music at the Ateliers UPIC and IRCAM …