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one-sided lp of recordings from the installation of the same name (from a series of works, started in 1991, using fluorescent lamps). Description: an irregular state, when it surrounds us, makes us unable to identify individual things, or to find any law of variations within it. We usually regard it as having no significant nature more than the specific nature from which emerges repetition. It seems homogeneous rather than heterogeneous because we feel it as a form of flatness without spec…
A bludgeoning mix of machine and vaudou / Central African percussion plus other acoustic instruments combine to create one of the most physically intense musical experiences ever. Songs featured in VBS's films 'Vice Guide To Liberia' and 'Mandingo'. Since 2007's Whitehouse album Racket, and after his original 'Afro Noise' mix became one of the most downloaded experimental mixes ever made, William Bennett's remarkable Cut Hands album has seen 4 long years of meticulously obsessive studio w…
Portland, OR-by-way-of-Michigan garage gang Little Claw first tripped our radar with their self-released Why Not 7 inch, which was/is raw and physical and swingin’ in all the ways you want a 7” to be. Their LA live shows proved even more ripping and charged; we were sold. So we sprung at the offer to enshrine their latest (and best) album, Human Taste, on vinyl for the world’s turntables to adore. Packed with classic, cracked anthems (“Frozen In The Future,” “Colors You Drown”), basement weirdo …
The duo mainly sticks to their guns, mining the same post-Suicide art-trance vein they perfected on Dream, but here there's an added emphasis on the disembodied, oscillator pop mode that they often toy with. Mesmerizing organ melodies over plink-plonky vintage drum machines with weirdo soulful singing & outer space electronics, like an outsider-punk Silver Apples or something. Edition of 600
An uncanny channeling of Missing-Links-styled garage/psychedelia, Pere-Ubu-esque rustbelt trippery & the experimental post-punk spasms of The Work (SAKI)
"Crazy 3-way collaboration from some of America's best underground musicians. Charalambides' Tom Carter is joined by Shawn McMillen, sometime member of Warmer Milks and Ash Castles On The Ghost Coast, with the added power of Starving Weirdos. This two track collaboration has been around since 2007 and it landed in my mailbox a few months back, and man, it's a real beauty. Side A is a total hypnotic slice of ravaged drone, the four musicians seamlessly blend their own styles of underground bliss …
The lonesome banjo picker returns! Recorded in one take in a de-sanctified century old cathedral in Northern Minnesota, The Uses of Infinity is a 6 part cosmic hobo’s dream suite for 23 string banjo. Cast in the drifting nebula of the whole tone scale, Paul Metzger plucks, picks, bows and spins his way through a 40 minute odyssey making for his most ambitious and adventurous musical trip to date
Sun Ra was a innovative jazz composer, pianist, synthesizer player, poet and philosophiser who was fascinated by cosmic philosophy. Ra’s fascination with all things ‘cosmic’ combined with his instrumental ability lead to the creation of off-kilter, avant-garde and highly experimental music. ‘The Night of the Purple Moon’ originally cut in 1970 showcases Sun Ra playing the Roksichord (a then state-of-the-art solid-state electronic keyboard manufac…
Max goldt always knew how to take the rope off the german neck by using our language in a light and ironical way. however, before he became a national celebrity for his poetic satirical writings, he had produced a vast amount of home recording pieces whose quirky complexity and uber-earthly beauty has hardly been recorgnized and appreciated until today. after some years of silence, mr goldt - who never gives any interviews - has handed out a bunch of audio tape tracks to the soul scratchers of g…
Reissue limited to 200 copies, originally released as private press in a limited edition of 100 copies in 1977, this ia a Major historical reissue: Slit And Pre-Slit was Jim Shepard’s first ever release, privately pressed in an edition of only 100 copies in 1977 and mostly given away to friends and musical/cultural heroes like Lester Bangs, Todd Rundgren, Lou Reed, David Bowie, Brian Eno, John Cale etc. Its extreme rarity has meant that few have had the chance to wrap their ears around it, …
It probably wouldn't surprise most, but the Type label was originally formed with soundtracks in mind. The moody music that usually accompanied their favorite independent films was a starting point for the label, so it seems perfect that nearly seven years on, they are going back to their roots, if you like, with this album from acclaimed Icelandic musician/composer/producer Jóhann Jóhannsson. Jóhannsson emerged on the influential Touch label with the genre-defining Englabörn (TO 052LP) album in…
"Recorded in concert by Milo Fine (May 16, 2008) at the Ritz Theater (as part of the Heliotrope V Festival), Minneapolis, MN. electronic piano (electronics), voice, Acme whistle. Design and screen printing by Cork Leg Nelson." - Mutant Music
Forever Falling Toward the Sky is the first ever release by Bay Area based Vestals, AKA Lisa McGee. A taught set of haunting electric ballads, these five tracks weave together a number of layered guitars and vocals into a smokey tapestry of blown electricity. Rather than the ephemeral drones McGee has been involved with recently, most notably the group-mind ensemble Portraits & the duo Higuma, Vestals retains the clarity of song, with these hypnotic gyms having been slowly carved out over…
First in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…
The idea for the Coil Sea record came about after Arbouretum had finished our Summer 2009 European tour. The band had some time off, and I thought it would be interesting to put a session together consisting of musicians that I knew and had played with, but hadn't all played with each other. The goal was to create improvised music without much in the way of set ideas or editorial input from my end, and to hope that we could, over the course of the session, become comfortable enough playing…
“Belles Betes” features 4 new tracks fuzzed-out heaviness. The track ‘Green & Cold’ is currently streamable from Nadja’s MySpace page, and it sounds awesome - dark and brooding yet subtly melodic. Like most Nadja releases, “Belles Betes” is annoyingly limited. It’s being released as an LP and will be limited to 500 copies. Click the Beta-lactam link below for samples from each track and additional album info.
Sandy Bull's 1965 LP Inventions remains one of those legendary albums that almost no one has heard. Its impact, however, can be scene in the title of this new compilation spotlighting a great unsung hero of "psychedelic folk." "Blend," the 22-minute opus from 1963 that opens this disc, surely fits that designation, perfectly blending folk, jazz, and Indian influences into what Bull called "new guitar raga." An eclectic virtuoso who switched from acoustic guitar to banjo to Stratocaster to oud (m…
Inspired by the likes of the largely unknown first wave of continental European minimal electronic bands of the early ‘80s (Absolute Body Control, Twilight Ritual, Martin Dupont, Snowy Red), the seminal early industrial bands, as well as the emphemeral, psychedelic atmospheres of the British shoegaze bands of the 1990s, Xeno and Oaklander perform using entirely analogue synthesizers, sequencers, and drum machines to produce a highly-crafted, complex of form of moody, electronic pop music that is…
Marbled dark-red vinyl, limited to 150 handnumbered copies. Handmade gatefold cover with latexpainting + 2 photos. Listing this record as "Nurse With Wound" in the title is not totally wrong as this is a great live performance (1982) of Steven Stapleton's wife Diana Rogerson aka Chrystal Belle Scrodd, she also released 2 wonderful records on United Dairies in the early/middle of the '80 (Belle De Jour & The Inevitable Chrystal Belle Scrodd Record). This is a really fantastic release by this Aust…
Picking up the threads with ease, Espers III was intended to be an aural reversal of the layered sound of II. The goal was to record fewer tracks in order to achieve a stronger, more oxygenated sonic presence. Where II was almost claustrophobic in its density and darkness, III was envisaged as being somehow lighter, effervescent; perhaps even of a cheery disposition at times (whoa there! Don't go not breaking our heart, Espers). Under these auspices, recording started in late 2008 and spi…