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Limited edition red vinyl 7", 100 copies. Two pieces for hand-held gas horns realized at the Music Research Centre, University of York, November 2008. Recorded using two Neumann U87 microphones and a Shure SM58 on custom-rigged pendulum.
Stunning collection of works from 1998 to 2008, MY CAT IS AN ALIEN's first decade of adventure in outer space and modern music. All ultra-rare and long-out-of-print material from space brothers Maurizio and Roberto Opalio finally available for the first time in digital format, including a previously unreleased gem entitled 'Where The Lines Go To Sleep' (2004).Starting from MY CAT IS AN ALIEN's 1999 first milestone 'Landscapes Of An Electric City' (originally spread throughout the world by Thurst…
The piece “Radio-Imitat (Radio Imitation)” by the German artists and musicians collective Insitut fuer Feinmotorik was produced in 2009 for the monthly radio show “Radio Arthur” on Radio LoRa. In addition to its reconstruction of advertising, music and jingles, imaginative room is also made available for talk and discussion. A facsimile of radio is thus painstakingly manufactured, as if by someone who for cared very much less for sense and signification than they did for the weird flow of sound …
To Describe George Washington Bridge is Stephan Mathieu’s 2nd Dekorder release in the 10inch format (reflecting his interest in old 78rpm records) after 2009’s sold out The Key to the Kingdom, and, we’re happy to say, again it features two of the composer’s most outstanding short pieces. Both are recorded utilizing similar methods as used on his most recent album “A Static Place” on 12k yet they are presented in an even more condensed and melodic way. As source material he used transcript…
a rich, layered mesh of droning sound leaning towards the lower end of the scale that hangs together in a somewhat fragile manner. In many ways there can be detected some of the dynamics and stimuli present in modern noise music in what Oceans of Silver and Blood are doing. Indeed Nordwall has a partial background in this area, and both musicians took part in a very noisy conclusion to the Eight Hour Drone People concert I saw at Oto last winter, alongside the likes of Lasse Marhaug, thirty minu…
Turntablist and concrète composer eRikm is one of the more readily recognisable names contributing to the revelatory Entr'acte label, and his disc Lux Payllettes is a typically excellent work. Stretching out over a thirty-minute-plus duration, the Marseille-based composer cuts and layers a huge variety of sounds cultivated from the sonic idioms of Western cinema. A bracing and immersive collage of fractured soundtracks, dislocated foley work and strange re-combinations, Lux Payllettes comes high…
'The Icy Echoer constitutes a premiere in many respects, for both, the label and the artists. After countless collaborations with the likes of Leif Elggren, CM von Hausswolff, Bryan Lewis Saunders and others (mostly released on CD), this 7' marks the first time that Esposito's works are published on vinyl, while the same applies to the Fragment Factory. Likewise, believe it or not, it's the very first appearance of Drumm on a 7' platter. Michael Esposito is an experimental artist and long…
Brethren Of The Free Spirit combines the considerable 12-string guitar talents of James Blackshaw with the lute skills of Dutch instrumentalist Josef Van Wissem. Those of you who picked up the excellent Blackshaw-curated Garden Of Forking Paths compilation on Important a couple of weeks back will already be familiar with Van Wissem's abilities, dexterously coaxing his baroque instrument into the modern age. The two musicians compliment each other beautifully - there's no treading on toes here, b…
A 6CD set that comes in a box adorned with lurid glossy artwork, complete with individual wallets and full colour booklet. The Flesh Creeping Gonzoid is a collection of studio outtakes, remixes, deleted obscurities and compilation appearances recorded between 1999 and 2010. Limited to 500 copies
Just Arrived: Philip Jeck makes geniunely moving and transfixing music, where we hear the art not the gimmick. Philip Jeck writes: A version of An ark for the listener was first performed at Kings Place London on 24/02/2010. It is a meditation on verse 33 of The Wreck of the Deutchsland, Gerard Manley Hopkins poem about the drowning on December 7th 1875 of five Franciscan nuns exiled from Germany. This CD version was recorded at home in Liverpool and used extracts from live performances ov…
Endless Summer, originally released in 2001 by Mego, was a breakthrough album for Christian Fennesz. The album which brought his name and music towards the first steps of mainstream recognition. Following on from the more experimental Hotel Paral.lell and the Beach Boys homaged Plays single Endless Summer brought the guitars more to the front, the electronics shimmered more, and the melodies shined more brightly. It went on to be a classic of its time, topping many end of year polls.This new de…
Based exclusively on end grooves from vintagerecords, 'untitled #205' is a straightforward and joyful exploration of the potential for reincarnation of these unintended sonic structures into new life. More a tool than a final product, it delves into static, noise and rhythm with a hopeful perspective.' The untitled #205 mix on the a-side brings us 18 minutes of hissy, textural sound in dissolution, ranging from ryhthm to noise. The b-side has the 20 original loops López constructed out of…
Recordings by Gordon Sharp (2001-2010) at Belmont shore (ca), mid-levels (hk) & Kobe (Japan) the mid-levels (hk) but manly at Roi vert, Okamoto, Japan. Cut at dubplates & mastering, Berlin, august 2010. Cindytalk have been active since 1982. During the 80s and the 90s their sound was defined by broken down rock structures and abstract piano ambience. A third side to their coin emerged at the dawn of the 21st Century with a turn towards obscure computer usage pushing all ressemblance of me…
A new decade begins with a very belated release for us here,that of Marsfield's second album recorded in 2005. Brendan and Andrew already published an album 'This Growing Clearing' in 2004 under their own names but decided on Marsfield as a name for future projects.We hope to publish the second thread of the story in the first quarter of 2010 'Three Sunsets Over Marsfield'.. 'The Towering Sky' is packaged in a mini LP style gatefold sleeve with hand tinted front cover image and Japanese obi.
S K L S are Joachim Nordwall & Henrik Rylander, the key members of Swedish noise-rock band The Skull Defekts. That’s their debut release under the name S K L S, which seems to be a kind of side-project for darker, electronic minimalistic sounds. As opposed to the full guitars & drums line-up of The Skull Defekts follows the traditions of motoric Kraut-style (Can or Neu! — like), S K L S is defenitely oriented mostly on spacey-psychedelic-electronic-meditation of Cluster or Popol Vuh. It’s…
Long awaited split from Jefre Cantu-Ledesma & David Tagg is finally here! Limited to only 60 copies it is sure to go fast. These are sold on a first come first serve basis, so once they are gone they are gone. Make sure you secure your copy by acting fast and not waiting. Limit ONE per customer! Any orders with multiple copies will be refunded and you will be forced to order again. Any emails requesting a copy after they are sold will be ignored.
Awesome box-set includes the lps "tesis" and "antisesis", an additional '7 and 50-pages booklet, 23 tracks. "síntesis" was el aviador dro y sus obreros especializados' second album. also featured here is the great (and quite different) 12" version of "selector de frecuencias" (dro-020, 1982), the complete "amor industrial" 12" (dro-040, 1983) and "vortex" 12" (dro-074, 1984).
BRAND NEW! “What can we hear now? A sound, as though grains of sand trickle down onto a fine membrane….” This sound, as though grains of finest sand trickle onto a membrane–the last thing that the narrator in Stanislaw Lem’s “Solaris” hears when he starts out on his journey to a world that is falling apart–is the most fitting way to describe the characteristics of Luigi Archetti’s music NULL.Stylistically, the compositions can be placed within the field of planar tonal design, and with this, als…