New Arrivals
Vibration!
"For the years Columbus was lucky enough to call him ours, drummer Ryan Jewell was our leading proponent of Emily Dickinson’s maxim “tell the truth but tell it slant.” He placed an idiosyncratic, indelible, and always swinging stamp on any context he assailed, from the insidiously catchy quirk of Terribly Empty Pockets to the righteous brainy scuzz-punk of Pink Reason to spacy evocative noise with collaborators like Mike Shiflet and C. Spencer Yeh to shepherding Psychedelic Horsehit through thei…
Sclupperbep
Detroit saxophonist Skeeter Shelton and Chicago percussionist Hamid Drake didn’t know each other before Skeeter was subbed into a duo gig at Trinosophes (Detroit) after Hamid’s partner fell ill. Shortly before the performance, it was discovered that Skeeter’s father, Ajaramu Shelton, was Hamid’s drum teacher and mentor at Chicago’s Association for the Advancement of Creative Musicians. There was an instant bond. The set that night was fire. This should be no surprise, as keeter, through his fath…
Village Mothership
In the late 1980s / early ’90s, pianist Matthew Shipp and drummer Whit Dickey were young musicians taking part in the cultural ferment happening on New York City’s Lower East Side, a place where free jazz, avant-rock and all manner of creative arts and political causes were colliding and combining to further the area’s legacy of progressive action. William Parker – although just 2 years older than Dickey – had been part of that progressive action since the mid-70s, and was already a world travel…
Prime Choice
Calvin “Popcorn” Ward put out just one album and a couple of EPs during the height of his musical career, which were held in particularly high esteem by Soul and Funk afficianados in Europe, less so in the states where his work generally remained canned, a few singles and a coverless version of Prime Choice appearing in very limited quantity. His only other notable musical appearance from the time was a vocal cameo for the disco group Passion on their self titled album on Prelude, appearing on t…
Un hiver en plein été
From its earliest utterances, experimental music has been particularly disposed to transnational and cross-cultural collaboration. Seeking the answer for a fundamental problem - how to transcend the boundaries of difference, distance, and time - it presents a means to find common ground and communicate through the elemental form of sound. Over the last 5 years, this precisely what the duo of Félicia Atkinson & Jefre Cantu-Ledesma has achieved, intertwining sublime sonorities across the geographi…
London Pirate Radio Adverts 1984-1993, Vol. 1
Death Is Not The End presents London Pirate Radio Adverts 1984-1993, Vol. 1. The first volume in a two-part collection of pirate radio adverts & idents, taken from recordings of London stations between 1984 & 1993. Many thanks to Wayne Anthony, Simon Reynolds, Stephen Hebditch & The Pirate Radio Archive.
Preparation
Featuring Mike Taylor (piano), Dave Tomlin (soprano saxophone), Tony Reeves (double bass) and Jon Hiseman (drums), this is the first ever release of a newly discovered tape of this legendary British jazz quartet’s final rehearsal before going into the studio to make their fabled Pendulum album in October 1965. Recorded in Taylor’s grandparents’ London living room by Reeves, it’s has striking presence and immediacy, and will fascinate all admirers of this most enigmatic of composers and musicians…
Two Gather In The Waiting Room
A very nice collaboration between Michael Begg & Hans Joachim Roedelius - highly recommended!
Daemon Trances I-VI
This album is about trauma and PTSD. The music portrays the emotional loop... the continuous reminiscing about the traumatic event the never-ending anxiety and paralyzing panic attacks... ... from which a traumatized person simply cannot escape. I call this state the daemon trance (and, unfortunately, I know it far too well...)
Insubstantial As Ghosts
BArTc is London based experimental electronic audio visual artist Jason Barton, with his nom de plume comprising the symbols for three chemical elements - Boron (B), Argon (Ar) and Technetium (Tc) - while also giving nods to both Hungarian composer Béla Bartók and his own surname. 'Insubstantial As Ghosts' is Barton’s debut album and contains fourteen highly atmospheric soundscapes. Taking the title from a William Gibson novel that was also used in a citation about Sleeping Sickness (‘they neith…
Concert Villa Arson Nice
**300 copies limited edition** "When the Nihilist Spasm Band's first album was released in 1968, no other band in the world recorded such a racket. For these Canadians, who had been practicing for three years in their London (Ontario) rehearsal room, the motto seemed to be to indulge in spontaneous sound creation, thus justifying the abolition of all limits in the de'bride's performances they organized every Monday night. Enjoying noise without hindrance turned out to be their only creed. The re…
Black Earth Tongue
Bill Thompson is a sound artist and composer. His work is concerned with various aspects of perception and embodied presence. Using found objects, field recordings, repurposed electronics and digital media, his installations encourage active attention to each moment. He applies this same strategy within his compositions which often include sustained tones, densely layered textures and indeterminate or improvised structures.Although trained as a guitarist, Thompson has worked primarily with live …
No Water Recordings 2011
Evan Lindorff-Ellery is a visual and sound artist based in Kingston, New York, and co-owner of Notice Recordings. "No Water Recordings 2011" was created in Ravenswood, Chicago using a hydrophone against a bridge, above water, and a contact mike and ceramic insulator against a brick. The recordings were captured to cassette which was transferred 10 years later by Branic Howard. This album exists as an antithesis of much of Evan's recent fascinations with water, yet accommodates similar poetic end…
Fieldwave, Vol. 2
Fieldwave, Vol. 2 is the second release in our compilation series created by broadcaster, sound collector and Nonclassical A&R consultant, Nick Luscombe, bringing together artists with field recording at the heart of their work. This second volume focuses on the sounds of Japan, with tracks from Japanese musicians and from British artists who have gathered recordings via trips to Japan.“I created the Fieldwave compilation series in 2020 as a window to the world of field recordings and wider acou…
Le - Le
Recorded in the 1980's and snapped up upon arrival in Europe by the Soho Boho's, Acid Jazzuals, Cuboppers, Jazz Massivists and Mojo Jazzmuziker, "Le-Le" by The Arpeggio Jazz Ensemble is a unique one off spiritual soul-jazz outing with avant garde touches and more than a hint of afro-cuban orientalism.The percussion drenched title track has that special worldwide sound and the cool jazz get down groove of "Wet Walnuts and Whipped Cream" is a DJ's delight, whether played over the airwaves or to a …
Different Places
* 100 copies limited edition, orange vinyl, includes a one-sided insert + a hand numbered envelope containing four additional prints * Continuing the reissue campaign of legendary synthesizer artist Enno Velthuys, we are proud to offer the Different Places LP. The original tape from 1987 was the second tape Enno produced for Exart and it was his last work before he disappeared into obscurity. By this time, he became disillusioned by the cassette network and his mental condition sadly deteriorate…
Middle Eastern Rock
"Crazed time signatures abound as musicians from the West look East for inspiration, infusing their rock and jazz sounds with vibes looted from India and the Far East. A true marriage of Western and (Middle) Eastern music with a fuzzed-out psychedelic edge.Released originally in 1969, Middle Eastern Rock is a unique, compelling fusion record from Armenian-American oud player John Berberian. The Rock East Ensemble, Beberian’s backing band, consists of the artist’s standard group, which specialize…
Err (Book)
A photographic essay by David Sylvian. A limited edition publication: 500 copies signed and numbered by the artist. 50 signed, unnumbered copies randomly distributed among the remaining edition.
Exmagma
*2022 repress* Exmagma's eponymous first album, recorded in 1972 and released in 1973, reminds a lot of late '60s Soft Machine. Others compare the album to Wolfgang Dauner's output or tracks by Et Cetera. Exmagma's music goes beyond jazz and rock, using a wealth of effects and electronic gadgets. This reissue comes with a replica of the original 8-page insert and sticker.
Liminal Lungs
**Limited to 300 copies** Stunning choral smoke from the ever wonderful Tape Loop Orchestra, here shedding the blissed drone energies of his best known material in favour of a more lucid expression of ideas constructed almost entirely from the human voice and bass pulses. If you were into that amazing Antonina Nowacka album earlier this year, or indeed Kara-Lis Coverdale’s peerless sacred variations, this one comes highly recommended. ‘Liminal Lungs’ finds Andrew Hargreaves shedding his pedals a…