New Arrivals
Live from Festival au Desert, Timbuktu
Two days before the 2012 rebellion in northern Mali. Soldiers are everywhere. Guns mounted on pickups; low-flying surveillance planes. Several thousand people have gathered outside Timbuktu to celebrate the music and culture of the Sahara at the 12th edition of the Festival au Desert. Three months later, Sharia descends on northern Mali. A millennial history is suppressed. Shrines destroyed. Secular music banned. Before, the streets were alive with music. Weddings, baptisms, celebrations …
Full Blast
Ass-whooping live set from the Full Blast trio, recorded in Cologne in 2006: Brotzmann’s work with electric bassist Marino Pliakas and drummer Michael Wertmuller extends his work with Last Exit in that it combines an almost metal/No Wave attack with a fluid non-stop dynamic and a feel of electric blues. Brotzmann has always favoured electric bassists – Bill Laswell, Massimo Pupillo – and there’s something about the unyielding aspect of the instrument that acts as a propulsive metal backbone for …
Alice
Limited, hand-numbered edition of 500 green vinyls housed in lavish die-cut and foil-block embossed jacket** Alexander Tucker (Imbogodom/Guapo) and Daniel O'Sullivan (Æthenor/Ulver/Guapo) reprise their Grumbling Fur alias for the Latitudes series following that excellent album for Aurora Borealis in 2011. Both artists have previously graced the series already - Tucker solo and with Ginnugagap, and O'Sullivan with Miasma And The Carousel Of Headless Horses - and don't disappoint with their…
Hawkmoth
Though cut into seven tracks, it is really one 44-minute piece, the first long-form recording I've done in some time, a bit of a sizzler'. 100 copies handmade
Jazz Sahara
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
2nd Movement
Continue reprints of the amazing tapes by Pierpaolo Zoppo aka Mauthausen Orchestra released on Aquilifer Sodality in the early eighties. Tape after tape Mauthausen Orchestra constitute, in a few years, the backbone of what we will know as an alienating and extremist style, made of metal nightmares and sonic torture , often dilated, dissected and extended up to the limit of endurance. 2nd Movement carry us, once again, as real rituals of a civilization without gods, in a pure world of suffering. …
Super.Trigger
Super.Trigger is an absolute trove of percussive tensions and frequency-driven finesse and deals mainly with the basic principles of any modern music: rhythm. Frank Bretschneider takes his, never simple, but all the more heartfelt relationship to rhythm and its complexity to an intense inventory and, this time, works less out of suspenseful abstract sounds, than out of grooves. There is a real sense of perpetual evolution and coiled tightness to the pulsating rhythmic programming, while t…
Jared's Lot
It's been nearly two years since we've heard new music from Gary War and we are excited to announce the release of his inevitable breakthrough 'Jared's Lot'. Through the years we have heard the developments from the D.I.Y. psychedelia of New Raytheonport to the more current electronic acid-prog tracks we heard from Horribles Parade and the most recent Police Water EP. Jared's Lot brings the years of laboring and hard work full circle, with every facet of the project dialed into perfection.…
In The Mouth - A Hand
2LP version, featuring one track not on the CD. Rune Grammofon presents the third album from Swedish trio Fire! -- something of a supergroup with members from already well-known projects. And again, it's a collaboration, this time with the extraordinary and prolific guitarist Oren Ambarchi. With their heavy, hypnotic, psychedelic rock'n'jazz explorations, they have carved out a different sound than any of the groups they are normally associated with. Sax player, improviser, composer and fer…
Unfinished Studies
This LP is the first release from young Melbourne-based composer Robert McDougall, presenting four electroacoustic studies, the fruits of many hours of private sonic research and improvisation. Simple electronics, acoustic instruments, field recordings and textural manipulations are subtly processed, fragmented and iterated into patiently evolving forms. Eschewing the jump-cut dynamics of academic electroacoustics while making use of a large variety of source material, McDougall allows the eleme…
Blue Clouds
Some cream for your acid-folk tea - hitherto unreleased sides from the two and a half bards (well, two bards and a maiden - forsooth!) who self-released All On the First Day back in '72. These include studio recordings from later in the 70s, a couple live songs and an outtake from the legendary album itself! Well, the first legendary album anyway - for Blue Clouds is clearly another.
Paranoid Cat
Paranoid Cat is Philadelphia guitarist Chris Forsyth's third solo album and first for Family Vineyard -- a sprawling, harmonically-charged side-long suite backed by a clutch of compositions merging raw and delicate American roots traditions. After more than a decade trotting the globe and recording with a mess of today's avant garde greats, plus co-leading the brazenly absurd Peeesseye, Forsyth has arranged a full-band to accompany his electric six-string vision of interlocking arpeggios and max…
Check Your Swing
Mind Over Mirrors is the solitary reeling of Chicago-based Jaime Fennelly (Peeesseye, Acid Birds), who began developing the project when he moved from Bushwick/Brooklyn, NY to a remote island in the Salish Sea of Washington State in 2007.Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly- building, repetitive melodies into massive sonic mountains, that fits somewhere between a droned-out American Primitive, and early…
Alemayehu Eshete
Hard-grooving Ethiopiques killers from the "Ethiopian Elvis". This eponymous collection gathers some of his finest moments from 45's recorded between 1967 and 1974, nine total, mixing R&B, soul, rock'n'roll with that magically mystical blend of modern flair and traditional groove that makes the Ethiopiques series such a treasure trove. You could imagine each of these being classics in their own right way back when, from the soulful organ burn and infectious breaks of 'Kenoru Lebetchahe' w…
Musica per un giorno registrata in un mese
Spectacular edition! A silk-screened wooden box containing 24 tapes and a book (of art, texts and private photos collection from the artist), issued in a micro edition of 30 copies only. This composition of 24 hours recorded in one month, is a reflection on time. Ambient sounds, carpets of keyboard, pulsating electronic, moments of life gathered and where necessary assembled. All closely and soundly tied to what took place between January 4, 2012 and February 4, 2012. Sound reflections '…
Blues Sermon With Congregation
The first vinyl document of the Dredd and MV & EE collab recordings, this is a reissue of two deep sides originally released in 2004, as companion volumes to Kissing the Contemporary Bliss, in extremely limited runs. The sessions behind this record represent a singular apex of high in the catalogs of both Dredd Foole and MV & EE, where the playing and being of each of the three individuals involved coalesces into a singularly cosmic perception and extrapolation of the blues doctors' truth…
Bitter Suites
Deluxe repress edition of this incredible masterpiece made out of two live performances of the U.S. Steel Cello Ensemble recorded in 1979 at The Showing Room in NYC and at Helen Shlien Gallery in Boston. The Ensemble performs playing large sheets of metal and producing amazingly droning sounds. These live recordings are the result of an evolutionary refinement of instrumental design and playing techniques which Robert Rutman explored and develped after a ten year period of practice. He inv…
Abisso
Close your eyes. You may think Satan is singing. Open them: you’ll see a small masked woman, with dreadlocks down the her ankles, and without vocal effects. Close your eyes again: you’ll think of a heavy metal double kick drum set. Open them again: a gigantic, wrestling masked man is torturino a floor tom, a snare and a cymbal, standing up, no kick. Two people, half gear, enough to bring Hell.This is OvO. What they do is not easy to file. Not noise, not metal, not doom, not punk, not rock and ro…
Hei / Sou
Celer & Machinefabriek are having a great year. In addition to their separate releases, they’ve toured, released a download set of the tour, and completed a trilogy of fine vinyl singles, of which Hei/Sou is the final piece. Perhaps the most exciting thing about their collaboration is the extent to which each seems to have been inspired and invigorated by the presence of the other. By pushing each other into new territories, they’ve each upped the ante, as best demonstrated on Celer’s late…
Living on the Invisible Line
Since 1997 Italian brother duo My Cat Is An Alien has been documenting an ever deepening musical dreamscape, their massive body of work representing some of the most emotive and soulful improvised experimentalism in underground music. Recorded in a remote region of the Western Alps, this latest LP navigates especially tranquil territory as it builds blissed-out pastoral mirages, dappled just slightly with glimmers of an outer darkness. Like much of the duo's best work, Living On the Invis…