We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Don't lose control — dig Blues Control! Following a circular path in order to access the unknown, Russ and Lea nab chaos in a plastic cup and crush rock into diamonds, or something that looks like them anyway. Valley ho! This new record is like drugs for your ears.
Vinyl edition of this joyous improvised music drawing on South African roots and European free jazz from Chris McGregor and a group including Evan Parker, Louis Moholo, Barre Philllips, &c. This album only had a few test pressings at the time of recording and this is therefore the first vinyl release of this classic work. In 1969 the Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Sessions for the pre…
Starring’s ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ combines minimalist musical patterns with dreamy poetry to create a new style front-woman Clara Hunter likes to call “sparkle prog.” It captures the frenetic energy of the band’s live show, but here it is overlain with a new palate of synthesizers, delay effects, drum processing, aux percussion, and vocals that create delicate, but sometimes radical juxtapositions between the lyrical and the experimental. Though songs like “the best” and “aphonia” …
"since the last senking album "pong" (r-n122) was a great success in 2010 and sold out quickly raster-noton swiftly asked for a follow-up of massel's sound cosmos. on "tweek" senking again reveals his sense of cineastic atmospheres and dark abysmal depths of sound, which are subordinate to extremely slow choky basses and delayed beats. references to dubstep are rather the result of testing the outlying areas of the frequency spectrum than a direct relation to the genre. nevertheless it se…
LP version, The African Twintowers Suite" represents a lost soundtrack; compiling the most interesting recordings, newly edited, layered, collaged, shortened and mixed between 2009 and 2010. Seminal German director Christoph Schlingensief (R.I.P. 2010) shoots his latest feature film "The African Twintowers" in Lüderitz-Namibia with Irm Hermann, Klaus Beyer, Robert Stadlober, Patti Smith... Autumn 2006: Schlingensief approaches Berlin musician-composer Hanno Leichtmann (Groupshow, Static, …
Brand new solo material from Aidan Baker, one of the most prolific musicians recording at the moment, Aidan creates such a wide array of musical sound its hard to keep track, not only does he perform as part of the fantastic Nadja, as well as in projects such as ARC, and collaborating with other luminaries such as Tim Hecker, he releases a whole host of solo material. This new solo record is really something, pulling together all the genres he works in, fusing heavy drones, with broken drums bea…
Easily one of the releases of the year so far, finally available on limited edition vinyl* Ghostly goings on from gothic psych queen Zola Jesus and kindred spirit LA Vampires (the current guise of Amanda Brown from Pocahaunted), who collaborate across this killer new mini album. 'Bone Is Bloodstone' rumbles into motion with those familiarly smudged out, indecipherable vocals and evaporating drum machines but there's a heavy bass groove and some ghoulish melodic developments set to balance …
Vinyl-only release. Performers: Jean-Philippe Collard-Neven (piano); Claude Berset (piano); Vincent Royer (viola). Sub Rosa presents the first release after their Luc Ferrari trilogy. Didascalies 2 is not to be confused with 2007's Didascalies (SR 261CD) -- this is another composition entirely, never published before. "The other day I found a file from 1993, a score for two pianos entitled 'Revenir à la Note de Départ' (trans. 'Getting Back To The Initial Note'). So I decided to turn it i…
Golden Retriever was started in 2008 by Jonathan Sielaff and Matt Carlson whose paths first crossed in the early 00’s when Sielaff and Carlson were in experimental pop bands that frequently worked together, Au and Parenthetical Girls respectively. Through collaboration, they developed a deep understanding of each other’s musical voice and sensibilities. After exchanging a few solo recordings, it became clear that they had remarkably similar aspirations for and theories on music, th…
ALUK TODOLO are a recondite creature: part okkult black metal fiend & part snide kraut menace. Dry, spare percussion grievously mines the scrapes, shrieks, & shimmer of mutated guitar & bass. Recently feat. at 2009's WFMU Fest in Brooklyn, NY
Sohrab was born in Tehran in 1984. He was seven when the Iran-Iraq war ended. His name, from an old poem called “Shahname”, means “rouge water”, which can also mean 'blood'. He started a punk band with his brother and a friend, which lasted about two years before splitting. Sohrab is totally isolated in Iran, with little or no connection to what is happening there. Sohrab is, like so many, displaced within his own country and occupies a similar internal cultural isolation. This is suggeste…
Five tracks, totalling approximately fifty minutes. Packed into the small horrible room (rip) inside the cedar house (rip) down in Lexington ky (still alive), individuals huddled in every corner, painting the room in colored cables, glossy wood and metal boxes. Deafness and disorientation was administered through the afternoon on into the night. Summoning over two hours of recorded tape, it was decided to cut the baby in half for adoption between two imprints. Heavy blossom ferried away the long…
Schnitzler’s Zug is one of the most important and first electronic minimalist works that were published in the 70s. Almost simultaneously with Kraftwerk’s groundbreaking “Autobahn” Zug appeared on the legendary “the red cassette“. The release is rounded off with a remix of Con-Fan Stefan Betke aka Pole. Pole and Kassian Troyer (Radian) have mastered the record. Another remix is contributed by “borngräber and strüver“.
Bengt is the new solo recording by Mats Gustafsson and is dedicated to Bengt Nordström. Mats Gustafsson plays a plastic alto sax. A classic Grafton sax. The type of sax that was used by Charlie Parker, Ornette Coleman and Bengt Nordström. Nordström is best known having produced Albert Ayler´s first recording Something Different!!!!!! on his Bird Note imprint. It is in his own role as a sax player Bengt was truly inventive. Bengt was playing solo sax improvisation already in 1962 (!!!) Nor…
The production duo's debut full-length album is a highly focused study in the effects of consumer electronics that touches on sensual bangers and hyper-spherical anthems prime for the dance floor. The record was engineered by another childhood pal, Al Carlson, and mixed by Prefuse 73 who states: 'Mixing these ideas that span from high school notebooks into a present sonic territory is F+L's right on conceptual evolution.' There's a fantastical, futuristic narrative arc running hard throug…
An excellent compilation of beautiful early 70s folk tunes from three LPs that that legendary acid-folk hippy-goddess Collie Ryan recorded in 1973, pretty much in Fahey/Basho vein
This is the work of Rhodri Davies and Louisa Hendrikien Martin. Davies is extremely active in the experimental / improv / avant-garde scene, being a frequent collaborator, usually playing harp and electric harp. Elsewhere, Martin keeps herself busy in the fields of live sound and visual performance. The foundation of the album was a Harp improvisation which was then manipulated electronically, the artists then improvised along with the recording then edited and repeated the process. The r…
Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …
Incredible mix of electronic experiments, musique concrète, synth pieces, installation works and some of the finest sound-collage we've heard in a long time - pressed up on gorgeous transparent vinyl limited to an individually numbered pressing of just 180 copies for the world* The very first release on Senufo Editions arrives in an absolutely beautiful hand-assembled package, complete with home-made sleeve art and an embossed insert. This LP features a selection of new works by Portland…
Latest from the uber prolific Aidan Baker, of mighty doomdronedirge duo Nadja, and as we've discovered in the past, Nadja is Baker's outlet for the heavier stuff, while working under his own name he tends to veer toward the minimal, ambient and drone side of the spectrum. So that's what we were sort of expecting from this, and while it definitely does lean more toward those sounds that the crush of Nadja, it's actually something else entirely, a solo acoustic record. That's right, just ac…